Modern Art Abstract Prints

Melissa Miller Untitled (Fossil), 1998 4 color lithograph on paper Hand signed and numbered 74/100 in pencil on the lower right front 28 1/2 × 21 inches Unframed Melissa Miller’s pai...

A continuation of the 'Horse Ride' series, The Scholar - Green (M.547), also known as The Literate Man, is a lithograph on cloth, backed with chiffon de Mandeure, with an image size ...

Autumn Trees Close Up - Woodblock Print on Paper #12/15 Abstracted landscape detail woodblock by Janet Wheeler (American, 1922-2001). This piece shows abstracted details of trees in autumn. There are branches cutting across the scene, which is full of vibrant yellow and orange. Numbered "12/15" in the lower left corner. Signed "Janet P Wheeler...

Agent X Bellolla (Abstract, Round, Disc, Circle, Warm) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2024 Size: 19x19in Edition: 75 Signed, dated and numbere...

Alexander Archipenko (1887 - 1964)
Les Formes Vivantes
Lithograph on BFK Rives paper
Edited in 1963
Limited edition of 75 copies
Current copy numbered as: Epreuve d'artiste ( artist ...

NOTE: Shown framed for inspiration only; this edition is unframed and in mint condition (never framed): Thelma Appel The Magician, 2018 18 Color Silkscreen on 320 gram Coventry Rag ...

Signed edition 66 / 99 Line engraving in Arches paper Image size 19 x 11 1/in Paper size 26 x 19 1/2 in. Matted 29.5 x 21 Inches

The Origin Blue is an artwork realized by Karolina Szewczyk the 2020s. Etching, Aquatint. Hand-signed. Numbered. Edition 3/10.

"Dodge Rebellion Girls" - 1967 Silkscreen on Paper 1967 color silkscreen depicting the Dodge Rebellion Girls by Marc Foster Grant (American, b. 1947). A silhouette of the 'dodge gi...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 6 x 13.75 inches Inscription: Signed in the plate an...

Caucus is an offset lithograph on paper with an image size of 37 x 27 inches, framed in a contemporary, silver-tone frame 50.5 x 40.25 inches. From the edition of 190 - the art is si...

Susan Davidoff Night Walk 1 (Natural Structures, Shifting Daylight) Year: 2013 Medium: Lithograph Edition: 36 Paper: Rives BFK, White Paper Size: 22″ x 21.75″ Image Size: 16″ x 15.25...

Walter Helbig (1878 Falkenstein - 1968 Ascona), Adoration of the Magi, 1918. Hand-colored linocut, 30 cm x 22.5 cm (depiction), 50 cm x 35 cm (sheet size), signed “W.[alter] Helbig” in pencil lower right, inscribed “Adoration of the Magi” lower left and dated “1918”. Below this a handwritten dedication “with heartfelt Christmas greetings”. - Paper somewhat darkened and with slight creases, thumbtack holes in the corners - The Rider of the Sun - The 'apocalypse' of World War I brought about a return to sacred art. Walter Helbig belonged to the circle of the 'Brücke' and the 'Blauer Reiter'. With his reinterpretation of religious themes in an expressionist formal language, Helbig shaped an avant-garde neo-sacred art. This is symbolically expressed in the silhouette of the rider against the sun-like yellow background. It refers to the awakening initiated by the Blue Riding, which is now linked back to the sacred. The rider and horse "look" at Mary and the Christ Child, who occupy the entire field. Opposite them are the three kings, the eldest of whom kneels before Christ and offers him a gold-filled casket. The expressionist lines give rise to a tower that rises into the "sun", so that the gift has become a Gothic church, expressing the hope that the fallen world will be resurrected in the name of Christ. This dimension of meaning is emphasized by the magical effect of the color scheme. About the artist In 1895, Walter Helbig began studying at the Dresden Academy of Art, where he became friends with the future Brücke artist Otto Müller, with whom he lived in Dresden from 1903 to 1905. While studying in Italy from 1897 to 1899, he met Arnold Böcklin and Adolf von Hildebrand. After completing his studies, he first worked for Otto Gussmann, painting churches. From 1905 to 1909 he worked as a freelance painter in Hamburg. In 1909, through the mediation of Otto Müller, Helbig made the acquaintance of artists from the 'Brücke'. In 1910 he exhibited at the founding exhibition of the Berlin 'Neue Sezession'. In the same year, he moved to Switzerland, where, together with Hans Arp and Oscar Lüthy, he founded the 'Moderne Bund' in Weggis, to which Cuno Amiet and Giovanni Giacometti also belonged. At the second exhibition of the 'Moderne Bund' in Zurich in 1911, Henri Matisse and Robert Delaunay were represented alongside artists from the 'Blauer Reiter'. In 1913, Helbig traveled to Paris with Arp and Lüthy. After the dissolution of the 'Moderne Bund', Helbig was represented at the first Dada exhibition in Zurich in 1914. In 1919, he joined the Berlin 'Novembergruppe'. After the devastation of World War I, Helbig turned increasingly to religious themes in his work. In 1924, like many other artists of his time, he moved to Ascona for financial reasons, where he became a naturalized citizen in 1938. There he founded the artists' association "The Great Bear", to which Marianne von Werefkin...

Howard Hodgkin Tropical Fruit, 1981 Colour screenprint on Velin Arches paper, signed with initials, dated and numbered 69/100 in pencil 78.5 x 93.8 cm - Sheet 91.4 x 106.3 cm - Frame...

Lithograph signed in the plate on paper

Chevauchée - Rouge et Brun (M.541) ("Horse Ride - Red and Brown) is a lithograph on paper with an image size of 33.25 x 23.75 inches, signed Miró lower right and annotated lower left...

We Are The Square Jocular Clan #4 is an offset lithograph, 18.75 x 18.75" image size, signed and numbered lower right, and framed in a c...

"New World 7" is a print copy on canvas of a modern art in cubism and abstract line after the famous Bulgarian artist Dimiter Buyukliiski-Mitchy, About the artwork: TECHNIQUE: oil...

Untitled (1994) Screenprint on wove paper Date: March 1994 Ed. 19/20 25.2 x 16.4 cm (Image) 39.4 x 28 cm (Sheet) This 1994 screenprint by Gutai artist Chiyu Uemae presents a dense, ...

Untitled (1993) Screenprint on wove paper Signed, dated and numbered by the artist. Date: 1993 12 1 Ed. 6/19 37.2 x 26.4 cm (Image) 54.5 x 39.4 cm (Sheet) Chiyu Uemae’s Untitled (19...

Space Balls is a unique, trial-proof screenprint on paper, 32 x 40" sheet size, signed and numbered lower right margin ‘TP14/40 Kenny Scharf,’ and framed in a contemporary, white mou...

"Pour Daniel-Henry Kahnweiler Figure in Landscape" is an original lithograph by Yves Rouvre. The artist signed the piece lower right. It features an abstracted figure in fields of co...

Justin Pollmann "Universal" 2024 Inkjet Transfer Collage, Monotype 31"x22" Inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s surfac...

Original Offset-Print of Hans Ticha and Ernst Jandl

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...

Jellyfish Eyes - Black 5 is an offset lithograph on paper, 19.75 x 19.75 inches, signed and numbered 144/300 lower right. Framed in a contemporary white frame.

Joan Miró Lithograph 1973 from Derriere Le Miroir: Off-set lithograph in colors circa 1973. 15x22 inches. Very good overall vintage condition; contains a light center fold-line as o...

Untitled (Abstract), Aquatint Painting by Johnny Friedlaender, 1960 Additional information: Medium: 76.2 x 57.1 cm 30 x 22 1/2 in Signed and numbered 92/95 in pencil

Untitled (M.256) from the Album 19 suite is a lithograph on paper, image size 26.25 x 20 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower r...

Fiji Rose by Philip Sutton, 1973 Additional information: Medium:lithograph 87 x 68 cm 34 1/4 x 26 3/4 in signed, dated, titled and inscribed AP in pencil Philip Sutton is a British...

Justin Pollmann "A Summer Reverie" 2022 Inkjet Transfer Collage, Monotype 25"x18" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s...

Patty deGrandpre’s “Fresh Cut Flowers” is a dynamic unique inkjet digital print composed of multiple layers of scanned images. Vibrant striations and a pair of cobalt blue scissors a...

Patty deGrandpre’s “Satellite” is an abstract 8 x 8 inch monoprint on 12 x 12 inch paper incorporating layers of white delicate circles and sinuous lines on a black hued background w...

Untitled (2004) Screenprint on wove paper Signed, dated and numbered by the artist. Date: 2004 11 19 Ed. 4/15 27.5 x 39.2 cm (Image) 37.4 x 53 cm (Sheet) This screenprint by Chiyu U...

We Are The Square Jocular Clan #6 is an offset lithograph, 18.75 x 18.75" image size, signed and numbered lower right, and framed in a c...

Keith Purser b. 1944 Rising Water, 2007 woodcut with hand-colouring in gouache 42 x 59 cm 16 1/2 x 23 1/4 in signed, dated and titled in pencil Keith Purser lives and works on the e...

Tree and Dove Ferol K. Sibley Warthen (American, 1890-1986) Color Woodblock Print Edition of 3 6.25 x 4.75 inches 13 x 11.5 inches with frame Signed Lower Right Titled Lower Left Born 1890, Died 1986...

Toreros seek to elicit inspiration and art from their work. Their intentions are not to deliberately cause harm the bull, but create an emotional connection with the crowd through th...

Rocca Luis César Rita, 2023 Serigraph in six colors 21.70 x 21.70 in Edition of 30 This serigraph (silkscreen or screen print) is part of a limited e...

#473 FLOWERS, 2016 Luminogram, Silver Gelatin Print Print size: 30.5 x 40.6 cm Framed: 49 x 58 cm Frame with the classic museum style mount board and black frame/ Print can be shipped unframed - options available with more shipping prices available - please message us for more info/ This is a Unique piece Series: The Self Representation of Light Signed and dated in pen on verso, Certificate of Authenticity provided The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting. "I don't really see photography and pottery or painting or music to really be different to each other. Some are more immediate, some are more subtle. Music seems to be able to control emotions, photography seems to create a satisfying pleasure from just a tonal flat surface. Same with painting. One of the biggest mysteries for me is why all these things manage to control us in some way." - Michael G Jackson...

William Tillyer The Ruswarp Suite 1 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

Murmuration, 2024 Hand printed C-Type Print, Float mounted in custom made frame, finished with antireflective art glass Print size: 20 x 25 cm, Framed: 35.5 x 37.5 cm (as seen on 1st...

Colour soap ground and spit bite aquatints with photogravure and roulette. Published by Crown Point Press, 2007. Paper: Somerset Satin White

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Justin Pollmann "Between Two Chairs" 2021 Inkjet Transfer Collage, Monotype 36" x 33.5" Inches The inkjet transfer images are made by collaging transfers of inkjet prints to the p...

Justin Pollmann "Thistle Weeds and Prickly Needs" 2021 Inkjet Transfer Collage, Monotype 33"x26" Inches The inkjet transfer images are made by collaging transfers of inkjet prints...

Justin Pollmann "Parallel Journey" 2023 Inkjet Transfer Collage, Monotype 37"x24" Inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’...

Chuck Close Self Portrait, 2012 is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in pencil in the lower right margin and is ...