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1960s Abstract Prints

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Period: 1960s
Sekretarin, 1963, (hand signed offset litho postcard by Gerhard Richter), Framed
Located in New York, NY
Offset lithograph postcard Boldly signed in black marker on the front The image in this card depicts Richter's oil painting Sekretarin (Secretary; 1963) held in the permanent collect...
Category

Contemporary 1960s Abstract Prints

Materials

Postcard, Offset

The Souper Dress screenprint cellulose w/ label, edition at Warhol & Met Museums
Located in New York, NY
Rarely found in such excellent condition! Others found on the market are often cut on the bottom with the yellow lined hem missing. This one is not! After Andy Warhol The Souper Dr...
Category

Pop Art 1960s Abstract Prints

Materials

Cotton, Mixed Media, Screen

Polypheme, Signed Surrealist Aquatint Etching by Joan Miro
Located in Long Island City, NY
Polyphemus was the name of the ill-fated cyclops who met his match in the Greek hero Odysseus. The king Odysseus, on his long journey home from fighting in the Trojan war, stopped wi...
Category

Modern 1960s Abstract Prints

Materials

Etching, Aquatint

Onde, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, Poètes, peintres, sculpteurs, N° 11...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Miró, Composition (Cramer 102; Mourlot 428-449), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Jacqueline à l'étamine (Cramer 115), Diurnes
Located in Auburn Hills, MI
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

Cubist 1960s Abstract Prints

Materials

Lithograph, Stencil

Silkscreen from the estate of Stephen Poleskie, Berggruen 11, Clark 12 Harrison
Located in New York, NY
Helen Frankenthaler Untitled, from the estate of Stephen Poleskie (Berggruen 11, Clark 12, Harrison and Boorsch 11), 1967 Color silkscreen on wove paper Unframed A unique unsigned pr...
Category

Abstract Expressionist 1960s Abstract Prints

Materials

Screen

Composition, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, New Séries, XXIIIth year, N°17 - Christ...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Composition, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 156, 1966. Published by Aimé Mae...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Miró, Poême pour Georges Braque (Cramer 87), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Derrière le miroir, N° 144-145-146, 1964. ...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Paris L' Opera Le Plafond Romeo and Juliet Place de la Concorde Lt Ed Lithograph
Located in New York, NY
Marc Chagall Paris L' Opera Le Plafond, Romeo and Juliet at Place de la Concorde and Arc de Triomphe, 1965 Original lithograph on wove paper Unsigned Edition of 5000 24 3/4 × 38 3/4 ...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

La Vache Bleue (Cramer 71; Mourlot 488), Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Fernand Mourlot. Chagall...
Category

Expressionist 1960s Abstract Prints

Materials

Lithograph

USA : McGovern for McGovernment - Original Screen Print HANDSIGNED
Located in Paris, IDF
Alexander CALDER USA : McGovern for McGovernment, 1972 Original screenprint Handsigned in pencil Justified EA (artist proof) On BFK Rives Vellum 88 x 60 cm (c. 35 x 24 in) Authentic...
Category

Pop Art 1960s Abstract Prints

Materials

Screen

Jean Dubuffet Painted Sculptures at Pace Gallery-Lithograph-Vintage
Located in Brooklyn, NY
This is an original poster designed by Jean Dubuffet for his 1968 exhibition Painted Sculptures at Pace Gallery, held from April 13th to May 18th. Created by the artist specifically ...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Original Unused 1964 Avant La Lettre Lithograph Gaspar Room Metras Belarte
Located in Miami, FL
Joan Miró (Spain, 1893-1983) 'Sala Gaspar, Metras and Belarte Gallery (avant la lettre)', 1964 Lithograph on Paper (Cahiers d'Art magazine Nº4-5) Original lithograph without signing ...
Category

Abstract 1960s Abstract Prints

Materials

Lithograph

Düsseldorf (German Cities) by Dieter Roth monuments vintage postcard light blue
Located in New York, NY
Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...
Category

Abstract 1960s Abstract Prints

Materials

Lithograph, Screen

Variation II on Mauve Corner (Harrison, 17), Color Lithograph, Signed/N, Framed
Located in New York, NY
Helen Frankenthaler Variation II on Mauve Corner (Harrison, 17), 1969 Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published by ULAE, West Islip, NY, with their blind stamp Frame included Accompanied by gallery issued Certificate of Guarantee Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published and printed by ULAE, West Islip, NY, with their blind stamp Literature: Frankenthaler, A Catalogue Raisonné: Prints 1961-1994, Harrison, no. 17, ppg. 106-109 Accompanied by gallery issued Certificate of Guarantee Elegantly floated and framed in a museum quality wood frame under UV plexiglass Measurements: Framed: 23.75 (vertical) x 28.75 (horizontal) x 2 inches Artwork: 20 inches (vertical) x 25 inches (horizontal) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

Abstract Expressionist 1960s Abstract Prints

Materials

Lithograph

Josef Albers, Blue Reminding, dazzling 1967 silkscreen (signed/numbered) Framed
Located in New York, NY
Note: This is a unique text variant which Albers titled in pencil "Blue Reminder" instead of "Blue Reminding". The authenticity of this work has been kindly confirmed by Brenda Danil...
Category

Abstract Geometric 1960s Abstract Prints

Materials

Pencil, Screen

Kidio
Located in Paris, FR
Silksreen, 1969 Handsigned by the artist in pencil Edition : 120/250 Publisher : Fondation Vasarely, Château de Gordes Printer : Arcay, Paris Catalog : Benavides 165 72.00 cm. x 62....
Category

Abstract 1960s Abstract Prints

Materials

Silk

Miró, Composition (Mourlot 551; Cramer 118), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin Chiffon de Mandeure paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres Illustres Or...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Miró, Composition (Cramer 83; Mourlot 346), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 139-140, 1963. Published by Aimé Maeght, Éd...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

LOVE (The original) Sheehan 39, silkscreen edition of 2275 with artist copyright
Located in New York, NY
Robert Indiana LOVE (the original), Sheehan, 39, 1967 Silkscreen on Buckeye Cover paper Artists copyright stamp on the back Edition of 2275 33 3/4 × 33 3/4 inches Unframed Artists co...
Category

Pop Art 1960s Abstract Prints

Materials

Screen

Rrose Sélavy in Wilson-Lincoln System Lenticular print (Schwarz 344) Signed 8/60
Located in New York, NY
Marcel Duchamp and by Takiguchi Rrose Sélavy (Marcel Duchamp) in Wilson-Lincoln System (Schwarz, 344), 1967 Lenticular print on thin white board. Hand signed by Marcel Duchamp. Date, title and number on label verso. 12 7/10 × 10 1/10 inches Edition 8/60 Hand-signed by artist, Hand signed by Marcel Duchamp in blue ink recto. Sticker label verso bears printed title, edition number, year and description. Printed by Shuzo Takiguchi, published in Tokyo. Catalogue Raisonne Reference: "The Complete Works of Marcel Duchamp" by Arturo Schwarz, Plate 344 Provenance: This was part of the Deluxe Artist portfolio, "To and From Rrose Sélavy"; this will be the first time the work has been separated from the portfolio Please refer to the attached video to see this 3-D piece in person Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy (aka Marcel Duchamp)." The present work - Takiguchi's own piece, a lenticular double portrait - combines Rrose Sélavy's signature with Man Ray's 1930 profile of Duchamp. Its subject, Marcel Duchamp, then signed this work in pencil. Its title, "Rrose Sélavy in the Wilson-Lincoln System", refers to Duchamp's Green Box note describing a two-way, changeable portrait of presidents Abraham Lincoln and Woodrow Wilson. Rrose Selavy is, famously, Marcel Duchamp's pseudonym and alter ego. Duchamp died before Takiguchi's book was completed, so this print is one of the very last graphic works that has been hand signed by Marcel Duchamp. It was published in Japan, and is a very elusive work stateside. Another edition of this work is in the permanent collection of the Museum of Modern Art. The National Portrait Gallery and other major institutional collections. This work is fully referenced in the catalogue raisonne "The Complete Works of Marcel Duchamp" by Arturo Schwarz, Plate 344, describing the work as follows: "Rrose Selavy in the Wilson Lincoln System (a double image plastic plate with, on the background, Man Ray's portrait of Duchamp, and superimposed,, Rrose Selavy's autograph signature repeated four times, signed lower right in blue ink: Marcel Duchamp, an original embossed print...." More about Marcel Duchamp: Henri-Robert-Marcel Duchamp was born July 28, 1887, near Blainville, France. In 1904, he joined his artist brothers, Jacques Villon and Raymond Duchamp-Villon, in Paris, where he studied painting at the Académie Julian until 1905. Duchamp’s early works were Post-Impressionist in style. He exhibited for the first time in 1909 at the Salon des Indépendants and the Salon d’Automne in Paris. His paintings of 1911 were directly related to Cubism but emphasized successive images of a single body in motion. In 1912, he painted the definitive version of Nude Descending a Staircase; this was shown at the Salon de la Section d’Or of that same year and subsequently created great controversy at the Armory Show in New York in 1913. Duchamp’s radical and iconoclastic ideas predated the founding of the Dada movement in Zurich in 1916. By 1913, he had abandoned traditional painting and drawing for various experimental forms, including mechanical drawings, studies, and notations that would be incorporated in a major work, The Bride Stripped Bare by Her Bachelors, Even (1915–23; also known as The Large Glass). In 1914, Duchamp introduced his readymades—common objects, sometimes altered, presented as works of art—which had a revolutionary impact upon many painters and sculptors. In 1915, Duchamp traveled to New York, where his circle included Katherine Dreier and Man Ray, with whom he founded the Société Anonyme in 1920, as well as Louise and Walter Arensberg, Francis Picabia, and other avant-garde figures. After playing chess avidly for nine months in Buenos Aires, Duchamp returned to France in the summer of 1919 and associated with the Dada group in Paris. In New York in 1920, he made his first motor-driven constructions and invented Rrose Sélavy, his feminine alter ego. Duchamp moved back to Paris in 1923 and seemed to have abandoned art...
Category

Surrealist 1960s Abstract Prints

Materials

Plastic, Mixed Media, Board, Pencil, Lenticular

Roy Lichtenstein -Guggenheim Museum-1969 Serigraph Pop Art
Located in Brooklyn, NY
This original poster, designed by Roy Lichtenstein for his first solo exhibition at the Guggenheim Museum in New York (September 19–November 16, 1969), is a screen print on white glo...
Category

Pop Art 1960s Abstract Prints

Materials

Screen

Picasso, Femme au collier (Orozco 214), Grabados al linóleo (after)
Located in Auburn Hills, MI
Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 8.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (201...
Category

Cubist 1960s Abstract Prints

Materials

Linocut

Miró, Composition (Cramer 103; Mourlot 382-383), Miró Cartones 1956-1965 (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Miró: Cartones, 1959-1965, October - November 1965, 196...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Composition with Stars - Original lithograph (Mourlot #332)
Located in Paris, IDF
Joan MIRO Composition with Stars Original lithograph (printed in Mourlot workshop) Printed signature in the plate On Arches vellum 25 x 19 cm (c. 10 x 8 inch) Edited by Mourlot in 1...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Marc Chagall and Charles Sorlier, Carmen, Lithograph, signed 98/150 Mourlot CS39
Located in New York, NY
Marc Chagall (After) and Charles Sorlier (his collaborator and printer) Carmen, Metropolitan Opera, New York City, 1966 Color Lithograph on Arches watermarked Paper with deckled edg...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Composition (Cramer 105), Femmes, Joan Miró
Located in Auburn Hills, MI
Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Composition (Cramer 105), Femmes, Joan Miró
Located in Auburn Hills, MI
Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Hero as a Riddle by Eduardo Paolozzi gold silver pop art with Basquiat style
Located in New York, NY
Hero as a Riddle (1963) depicts a smiling head printed in gold, silver, and black. The shapes and lines composing the figure’s face are architectural and geometric: the eyes are comp...
Category

Pop Art 1960s Abstract Prints

Materials

Screen

Composition, The Poems, Joan Mitchell
Located in Auburn Hills, MI
Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, The Poems, 1960. Published and printed by Tiber Press, New York un...
Category

Abstract Expressionist 1960s Abstract Prints

Materials

Screen

Miró, Composition, Miró, Oiseau Solaire, Oiseau Lunaire, Étincelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Miró, Oiseau Solaire, Oiseau Lunaire, Étincel...
Category

Modern 1960s Abstract Prints

Materials

Lithograph, Stencil

The Queen's Croquet Ground, from Alice in Wonderland
Located in Washington, DC
Artist: Salvador Dali Medium: Heliogravure Title: The Queen's Croquet Ground Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Siz...
Category

1960s Abstract Prints

Materials

Woodcut

Untitled, from Derriere le Miroir #173
Located in Washington, DC
Artist: Alexander Calder Medium: Lithograph Title: Untitled from Derriere le Miroir #173 Portfolio: Derriere le Miroir #173 Year: 1968 Edition: Unnumbered Signed: Unsigned Sheet Size...
Category

Abstract 1960s Abstract Prints

Materials

Lithograph

Composition (Cramer 105), Femmes, Joan Miró
Located in Auburn Hills, MI
Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Joan Miro und Katalonien - Lithograph by Joan Miró
Located in Long Island City, NY
Artist: Joan Miro, Spanish (1893 - 1983) Title: Joan Miro und Katalonien Year: 1969 Medium: Lithograph on Arches, signed in the plate Size: 20 in. x 26 in. (50.8 cm x 66.04 cm) Frame...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

La mariée comme elle est (Cramer 115), Diurnes
Located in Auburn Hills, MI
Lithograph, stencil on vélin d’Arches paper. Paper Size: 15.75 x 11.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Goeppert, Sebastian, et ...
Category

Cubist 1960s Abstract Prints

Materials

Lithograph, Stencil

Rubin from Album Lapidaire - Op Art
Located in London, GB
Victor Vasarely (Hungarian/French, 1906-1997) Rubin, 1964 Screenprint in Colours from the Lapidaire portfolio signed in pencil lower right with blind stamp, numbered edition "41/15...
Category

Op Art 1960s Abstract Prints

Materials

Screen

Intimite (Mourlot, Paris, Master Printer)
Located in Kansas City, MO
Jacques Villon Intimite 1964 Original Reproduction of a Gouache on Velin d'Arches Size: 10x7.375in Signed in the stone Edition: 2,000 Annotated verso Publisher: Mourlot, Paris Printer: Mourlot, Paris COA provided Notarized facsimile of the imprint showing the edition size included Framing in a simple white or black frame made from composite wood with plex and mat available for $90. Please inquiry within. Ref.: 924802-1542 Jacques Villon (July 31, 1875 – June 9, 1963), also known as Gaston Duchamp, was a French Cubist and abstract painter and printmaker. Many important museums include works by Villon in their collections, including the Fine Arts Museums of San Francisco; Minneapolis Institute of Arts; Museum of Fine Arts, Boston; Art Institute of Chicago; Columbus Museum of Art (Columbus, Ohio); Museum of Modern Art, New York City...
Category

Modern 1960s Abstract Prints

Materials

Vellum

Down the Rabbit Hole, from Alice in Wonderland
Located in Washington, DC
Artist: Salvador Dali Medium: Heliogravure Title: Down the Rabbit Hole Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Size: 16 ...
Category

1960s Abstract Prints

Materials

Woodcut

Five Continents - United Nations
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Five Continents - United Nations MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: World Federation of United Nations Associations EDITION NUMBER: ...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Lobbycard, The Beatles' - Yellow Submarine, Movie, Film, USA 1968
Located in Cologne, DE
Yellow Submarine (also known as The Beatles: Yellow Submarine) is a 1968 animated musical adventure film inspired by the music of the Beatles, directed by animation producer George D...
Category

Modern 1960s Abstract Prints

Materials

Archival Paper

The Surrealist Animal, King Ubu - Original Lithograph (Maeght #414)
Located in Paris, IDF
Joan MIRO The Surrealist Animal, King Ubu, 1966 Original lithograph (Atelier Mourlot, Paris) Unsigned Numbered / 75 copies On Arches vellum 54 x 75 cm (c. 21.2 x 29.5 in) REFERENCE...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Violet Torso on Orange Stripes
Located in London, GB
Lithograph in four colours on Japon nacré paper 31 x 31 cm - framed Edition of 75 Hand-signed and numbered by the artist Henry Moore’s prints are a vital aspect of his artistic lega...
Category

Modern 1960s Abstract Prints

Materials

Lithograph

Mid century Geometric Abstraction Op Art silkscreen 1960s Signed/N, Framed
Located in New York, NY
Doug Ohlson Untitled geometric abstraction, 1968 Color silkscreen on wove paper Hand signed, dated and numbered 15/50 on the front This dazzling 1960s Op Art/Geometric Abstraction si...
Category

Abstract Geometric 1960s Abstract Prints

Materials

Screen

Blue Moon, Minimalist Screenprint by John Urbain
Located in Long Island City, NY
John Urbain, Belgian/American (1920 - 2009) - Blue Moon, Year: circa 1967, Medium: Screenprint, signed and numbered in pencil, Edition: 100, Image Size: 23.75 x 23.75 inches, Size:...
Category

Minimalist 1960s Abstract Prints

Materials

Screen

Red, green and blue composition 76
Located in Paris, FR
Lithograph, 1969 Handsigned by the artist in pencil and numbered 26/80 Publisher : Galerie Im Erker (Saint-Gallen) Printer : Erker-Press (Saint-Gallen) Catalog : [Schneider 76] 87....
Category

Abstract 1960s Abstract Prints

Materials

Lithograph

Kelly, Composition (Axsom No. I-b, p. 178), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 149, published by Aimé Maeght, Éditeur, Paris; printed by Éditions...
Category

Abstract Expressionist 1960s Abstract Prints

Materials

Lithograph

Lichtenstein Paper Plate — Pop Art Icon
Located in Myrtle Beach, SC
Roy Lichtenstein, 'Paper Plate', serigraph, 1969, edition unknown, Corlett III.45. Printed in dark blue ink verso, 'Roy Lichtenstein © On 1st Inc. 1969'. A fine impression, on white paperboard pressure formed into a 3-dimensional plate; age toning verso, otherwise in very good condition. Published by Bert Stern, New York. Image size 10 1/4 inch diameter, 1-inch depth. Archivally sleeved, unmounted, unframed. Carefully protected for shipping. Literature: John Russell. 'Art: Time for Old-Master Prints', New York Times (July 27, 1979), p. C16. Jan Howard. 'Reflections on 'The Prints of Roy Lichtenstein', Print Collector's Newsletter 26 (July–August 1995), p. 82. Mark M. Johnson. 'The Great American Pop Art Store: Multiples of the '60s', Art & Activities 123 (June–Summer 1998), ill. p. 37 (color). Mary Lee Corlett. 'The Prints of Roy Lichtenstein: A Catalogue Raisonné', New York, 2002, p. 286, no. III.45. Susan Dackerman, ed., 'Corita Kent and the Language of Pop', exhibition catalog, Harvard Art...
Category

Pop Art 1960s Abstract Prints

Materials

Screen

Le lézard aux plumes d'or
Located in Paris, FR
Lithograph, 1967 Not signed Catalog : [Maeght 461 p. 135] 35.50 cm. x 50.00 cm. 13.98 in. x 19.69 in. (paper) 33.50 cm. x 48.00 cm. 13.19 in. x 18.9 in. (image) “Le Lézard aux ...
Category

Abstract 1960s Abstract Prints

Materials

Lithograph

Untitled - Expression no. 2 - Screen Print After Jackson Pollock - 1964
Located in Roma, IT
JACKSON POLLOCK (American, 1912-1956) Untitled, CR1093 (after painting Number 9, CR340), 1951–printed 1964 Screenprint, on Strathmore wove paper, numbered in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left(?) From the second posthumous printing of 50 authorized by his widow, Lee Krasner in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...
Category

Abstract Expressionist 1960s Abstract Prints

Materials

Screen

Miró, Composition (Cramer 102; Mourlot 428-449), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Composition with Red and Blue Ball - Original lithograph (Mourlot)
Located in Paris, IDF
Alexander CALDER Composition with Red and Blue Ball Original lithograph (printed in Mourlot workshop) Printed signature in the plate On Arches vellum 25 x 19 cm (c. 10 x 8 inch) Edi...
Category

American Modern 1960s Abstract Prints

Materials

Lithograph

Quarry
Located in Washington, DC
Artist: Robert Rauschenberg Title: Quarry Medium: Offset lithograph in colors Year: 1968 Edition: 500 Frame Size: 41 1/2" x 33" Sheet Size: 35 1/2" x 26 1/2" Signature: Signed in the...
Category

Pop Art 1960s Abstract Prints

Materials

Lithograph

Lacet de Corde, 1965 Etching by Antoni Tàpies
Located in Long Island City, NY
Date: 1965 Etching with relief on wove paper, signed and numbered in pencil Edition of 17/75 Size: 23 x 30.5 in. (58.42 x 77.47 cm) Frame Size: 26.5 x 34 inches Publisher: Maeght, Paris
Category

Abstract Expressionist 1960s Abstract Prints

Materials

Etching

Affiche no.87 - 1964 - Eduardo Chillida - Lithograph - Contemporary
Located in Roma, IT
Affiche n°87 is a beautiful lithograph realized by Eduardo Chillida in 1964. Hand-signed and numbered by the artist on the lower left in pencil. Edition 11/25.Editions Maeght, Pari...
Category

Contemporary 1960s Abstract Prints

Materials

Lithograph

The King's Feast, King Ubu - Original Lithograph (Maeght #399)
Located in Paris, IDF
Joan MIRO The King's Feast, King Ubu, 1966 Original lithograph (Atelier Mourlot, Paris) Unsigned Numbered / 75 copies On Arches vellum 54 x 75 cm (c. 21.2 x 29.5 in) REFERENCE : Ca...
Category

Surrealist 1960s Abstract Prints

Materials

Lithograph

Joyce T. Nagel Collagraph "Earthcore" Signed Dated Ltd Ed
Located in Detroit, MI
"Earthcore" is an abstract of a familiar image ... a view of earth sliced in half usually as an explanation of the many layers of spaceship earth. This print is more than its title. It is rich in its depth of color and texture. Upon close inspection there is much activity on the surface which continually adds to its visual complexity. The name given to this print process is “Collagraph” It is made by glueing different materials to cardboard and creating a kind of collage. During the inking process the ink will rub off surfaces that are smooth or higher and stay on surfaces that hold more ink, at edge and at lower points thus creating the image. To protect the plate through the printing process it’s sealed with one or more layers of shellac. A collagraph plate is quite sensitive and will be deformed by the pressure of the printing press. Joyce Tilley Nagel...
Category

Abstract Expressionist 1960s Abstract Prints

Materials

Paper, Ink

Sweet Carburetor, from Series II
Located in Washington, DC
Artist: Gene Davis Title: Sweet Carburetor Portfolio: Series II Medium: Screenprint on canvas laminated to board Year: 1969 Edition: 110/150 Frame Size: 36 1/2" x 26 1/2" Sheet Size:...
Category

Abstract 1960s Abstract Prints

Materials

Screen

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