1960s Abstract Prints

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...

S & H Green Stamps Color offset lithograph, 1965 Unsigned (as issued as an invitation) Edition of 6000 Published by the Institute of Contemporary Art, Philadelphia Printer: Eugene Fe...

Ernst Fuchs (Austrian, 1930 - 2015) The Sphinx Mystagogo Sheet Nr. 6 from the Folio “Die Sieben Bilder und Sprüche der Sphinx”, published in Autumn of 1967 by Galerie Sydow in Frankfurt, Germany. • Aquatint Etching • Ed. 79/99 • Sheet ca. 59 x 41.5 cm • Plate signed • Signed & numbered by the artist in pencil Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. I discovered him through H.R. Giger ‘s work, who himself was greatly inspired by the creations of Fuchs and on several occasions exhibited his friend ‘s art in his museum, the Château St-Germain, Gruyères, Switzerland. I actually own the original folio box...

Le Groupe Lithograph, 1963 Signed and numbered in pencil, lower right Edition: 75 (68/75) see photo Publisher: Erker Presse, St. Gallen blindstamp lower left. see photo From the suit...

An original screenprint on Mohawk Superfine Bristol paper by German-American artist Josef Albers (1888-1976) titled "Thaw", 1962. Issued unsigned. Limited edition: 250. Comes from Al...

Artist: Pablo Picasso (1881-1973) Title: Le Roi (Pour Amiel) Year: 1957 Medium: Color etching on Arches paper Size: 26 x 20 inches (paper); 9.5 x 7 inches (plate) Condition: Excellen...

Rokushu Mizufune was born in 1912 in Kure, Hiroshima. He entered the Tokyo School of Fine Arts where he studied sculpture and graduated in 1936. From ...

An original lithograph, exhibition poster on light wove paper by American artist Ellsworth Kelly (1923-2015) titled "Galerie Maeght", 1964. Edition size unknown. Printed and publishe...

An original signed screenprint on unbranded heavy white wove paper by American artist/art publisher Sewell Sillman (1924-1992) titled "I-S #1", 1968. Hand pencil signed and dated by ...

An original lithograph on smooth wove paper by American artist Ellsworth Kelly (1923-2015) "Derrière Le Miroir No. 149 (front cover)", 1964. The image was derived from two collages ...

Auguste Kronheim was born in Amsterdam in 1937. The artist makes woodcuts and drawings. She received her training in drawing from Hanns Kobinger and graduated from the Linz Federal T...

Auguste Kronheim was born in Amsterdam in 1937. The artist makes woodcuts and drawings. She received her training in drawing from Hanns Kobinger and graduated from the Linz Federal T...

Lithograph, 1960 Handsigned by the artist in pencil and numbered 19/30 76.00 cm. x 56.00 cm. | 29.92 in. x 22.05 in. (paper) 70.00 cm. x 51.00 cm. | 27.56 in. x 20.08 in. (image) BF...

Lithograph, 1960 Handsigned by the artist in pencil and numbered 30/150 Publisher : Editions Jean-Paul Loriot Printer : Mourlot, Paris Catalog : [Vallier p. 298] 67.00 cm. x 51.00 cm...

Gouache, stencil on paper, 1961 Handsigned by the artist in pencil Edition : 80 64.50 cm. x 50.00 cm. | 25.39 in. x 19.69 in. (paper) 91.50 cm. x 76.50 cm. | 36.02 in. x 30.12 in. (...

Bossa Nova do Brasil by Gunther Kieser 1966: Keiser's extraordinary posters are the result of creating images from solid forms, like sculpture or collage, which he then photographs. ...

Joan Miró Untitled from Je traville comme un jardinier 1963 Original lithograph in colors on Rives vellum paper 16 x 13 inches Hand signed in pencil From an edition of 5 H.C. copies...

Opal No. 6 is a print realized by Giuseppe Capogrossi (Rome, 1900 - 1972). Lithograph on paper. Hand-signed lower right, numbered lower left. Edition of 80. Bibliography: "Capogr...

One Screenprint, 1968 Unsigned (as issued) Edition 2500 From: Number (10 plates), with poems by Robert Creeley Printer: Domberger KG, Stuttgart Publisher: Edition Domberger Stuttga...

Summer in Venice Lithograph printed in colors from five stones on Italian "Pascia" paper, 1966 Signed and dated lower left in pencil (see photo) The Print Club of Cleveland Publicati...

This Picasso ceramic plate "Visage No. 144, Ramié 480" is one in a small edition of only 150. Inscribed 'Edition Picasso' and 'Madoura' and numbered 51/150. This piece is in excellen...

Milton Glaser: Vintage original 1980s Milton Glaser poster designed by Glaser on the occasion of the release of Bach's complete keyboard works on digital recording. A timeless, highl...

The Lobsters Quadrille is from Lewis Carroll's Alice's Adventures in Wonderland as interpreted by Salvador Dali and published by Maecenas ( a Random House imprint) 1969 and is from the portfolio of one signed etching in colors and 12 heliogravures with remarque, hors-texte, title page, and text. The frontis page etching is signed in pencil by the artist. The Lobsters Quadrille is in excellent condition. It is a limited Edition 764/2500 signed in the plate by Dali on Mandeure paper. Photogravure, also known as heliogravure, is a complex intaglio printing process that photographically transfers an image to a plate and then to the page. After the image has been transferred to the plate, it is then etched onto it before being printed onto paper. The results are of incredibly high-quality.photogravure in its mature form was not developed until the late 1870s by Czech painter Karel Klíč. He first included pigment paper in the process of photo technical transfer in 1879 and is regarded as the inventor of photogravure process.There are two steps to the process. Firstly, a copper plate is coated with a light-sensitive gelatine tissue which is then exposed to the light from a photographic image. The gelatine hardens where the light falls, and remains soft where light doesn’t. Following this step, the plate is etched down to different depths according to the hardness of the gelatine. The result of this is a highly defined intaglio plate that can reproduce in great detail the tones of the original photographic image. The printing plate is etched to a different depth according to the finest tonal values, which can be printed after removal of the remaining gelatine using the gravure printing process. Salvador Domingo Felipe Jacinto Dalí i Domènech...

Artist: Pablo Picasso (1881-1973) Title: Pour Roby (L’Age de Soleil) Year: 1969 Medium: Etching on Arches paper Size: 12.875 x 10 inches Condition: Excellent Catalogue: Bloch 680 Un...

Erik Nitsche was a promising young Swiss graphic designer who moved to the US in 1934, making his name designing hundreds of album covers for Decca. In 1955 he became the Art Direct...

Alexander Calder Black Spiral, Red & Blue Bubbles Original lithograph, 1967 Hand signed in pencil by the artist Annotated EA (épreuve d'artiste / artist proof) aside the edition of ...

The Bush That Was Not Burnt is a colored lithograph from the gouache original on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli ...

Stencil, 1962 After Georges Braque Handsigned by the artist in pencil and numbered 3/75 Publisher : Editions Parler (Grenoble) Catalog : Vallier p. 300 26.00 cm. x 37.00 cm. 10.24 i...

Erik Nitsche was a promising young Swiss graphic designer who moved to the US in 1934, making his name designing hundreds of album covers for Decca. In 1955 he became the Art Direct...

Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 22 inches. Very good overall vintage condition; contains center fold-line as originally issue...

Abstract Composition is a color lithograph realized by the Japanese artist Kumi Sugai in 1960. Good conditions except for slight cutting and folding on the margins. Kumi Sugai (191...

With a title translating to "busyness", this dynamic lithograph by Jean Dubuffet features a largely naive and abstract composition. This signed and numbered print is peppered with st...

Vintage French lithograph of a large abstract bird in flight over a small gathering of onlookers below by artist Paul Guiramand, 1965. Original artwork on paper displayed on a white...

Black dots on orange is an original artwork realized by Victor Vasarely in 1965. Color silkscreen on paper, signed in the lower right and numbered. Edition 243/250 . Hand signed i...

Fleur d'Helice, 1969 Lithograph in colors on Chiffon de Mandeure paper Maeght Editeur, Paris 29.5 x 43.3 inches Signed and numbered in pencil, edition of 75 copies Professionally fr...

An original lithograph on smooth wove paper by American artist Ellsworth Kelly (1923-2015) titled "Derrière Le Miroir No. 149 (page 8,9)", 1964. With centerfold as issued. Made for ...

Joan Miró One plate from Derrière le Miroir no. 128: Peintures Murales de Miró Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an editi...

JEAN [HANS] ARP 1886-1966 Strasbourg, France 1886 - 1966 Basel, Switzerland (German/French) Title: Untitled, from Le Soleil Recerclé, 1962-65 (Black circle small shapes) Technique:...

Etching and aquatint in colours, 1967, on Mandeure rag paper, signed in pencil, numbered from the edition of 75, printed by Arte Adrien Maeght, Paris, published by Maeght editeur, Pa...

Typical Tàpies engraving, with letters and an illegible written text, with his handprint on top; on one side, the usual cross in his paintings, next to his initials AT and a circle t...

"Vibrant" is the name of a series of serigraphs about the 4 seasons in the city, created in the 1960s by the artist Dave Fox. Fox was fascinated by the ever-changing urban landscape of Los Angeles, the City of Angels, and its suburbs. Austria, specifically Vienna, where the artist was from, was dominated by emblematic architecture that contributed to making the city this amazing architectural ensemble, but the styles that made it famous and marked it the most deeply were undoubtedly the Austrian Baroque and the Jugendstil: Art Nouveau. American urban architecture reflected a different space and culture when Fox emigrated to the US, and it was probably an interesting subject and a source of inspiration for him as an artist. This serigraphy E/25 depicts a simplified representation of American urban architecture and showcases the fall atmosphere through its use of orange texture and brown hues and graphic structures. The piece falls under the category of geometric abstract, which emerged during a period of urban transformation in the United States. It offers a perspective on the culture and space of that time. Fox, who was also a figurative painter, voluntarily chose to express his astonishment and emotions by moving from the former figurative reality of his birth country to an abstract rendering of a new reality. The result is a painting with rectangular, horizontal, and vertical forms, one of which presents an opening of light, embedded in one of the towering American buildings. The piece is hand signed and numbered in pencil. Dave Fox was born in Vienna, Austria in 1920, where he lived until shortly after the annexation of Austria in late 1938. Dave escaped via the German-Belgium border, seeking refuge in Belgium. From there he came to the United States in December 1939 and settled in Los Angeles. Dave was inducted into and served with the U.S. Army in the Philippines and Japan. Returning to the US, Dave studied at some of the first art schools in Los Angeles. He studied with artists, such as Rico Lebrun, Frances de Erderly, and Emil Bistrim at the Bistrim School of Fine Art. At the Jepson Art Institute, Guy Maccoy, a noted pioneer in the art of serigraphy introduced Dave to printmaking. After completing his studies, Dave was employed by an electronics firm as an artist and graphic designer. Dave went on to earn his BFA, MA, and MFA in drawing and painting with a special emphasis in printmaking from California State University Fullerton. Dave’s work included printmaking, painting, drawing, ceramics, and computer graphics. Dave Fox was an observer of life and translated all that he saw, heard, or experienced into his artwork. Growing up in Austria, the countryside was his playground. From early on Dave belonged to hiking groups and honed his observation skills, which he transferred to his new life in Los Angeles. In Los Angeles, Dave found new playgrounds – the LA Farmers Market, Melrose Ave., and the streets of Los Angeles at a time of growth and change. It was through his association with Jewish Federation in Los Angeles that he met his wife, Senta. Shortly after their marriage, they moved to Orange County, where they raised their two children. Dave divided his artwork equally between landscapes and people. He perfected his skills at drawing the human form and giving it personality and life. Throughout his long career, he always returned to themes that reflected his Jewish upbringing. His sketchpad, always with him, became his vehicle for capturing the world he saw. His interest in Jewish subjects was reflected in the people walking on Melrose Avenue; in the people enjoying Farmer’s Market in LA; in the chestnut vendor and the fish seller; in the Shabbat series, and in the abstract series reflecting a return to Jerusalem. Finally, when Dave turned his attention to ceramics he created a series of Jewish ceremonial objects – seder plates, Kiddush cups, and Havdalah sets...

1960s Milton Glaser Poster Art: Milton Glaser Poppy Gives Thanks: Vintage original Milton Glaser poster c.1968. Designed by Milton Glaser on the occasion of a concert at New York's Carnegie Hall featuring poppy recording artists (Townes Van Zandt, The Mandrake, Dick Gregory) taking place on Thanksgiving Eve. Glaser continued the poppy motif with an engaging blossom-brained gobbler. Poppy was an unconventional '60s record company that Glaser had introduced with an image of a bright flower breaking through a stone monolith...

Pablo Picasso (1881-1873) Urbi Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Pablo Picasso (1881-1873) Le Mariee Comme Elle Est Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

L'Incompris or The misunderstood is a color lithograph on wove paper realized by Man Ray in 1962. Signed in the lower right. Edition of 75/90. Image dimension: 60.5 x 46cm - Shee...

Lithograph Handsigned by the artist in pencil and numbered 3/50 Dedicated In this three-color lithograph from a small print run, a female nude unites with the seaside landscape in t...

Artist: Pablo Picasso (after) Title: 20.3.69 I Portfolio: Portraits Imaginaires Medium: Original lithograph Date: 1969 Edition: A215/250 Sheet Size: 26" x 20" Image Size: 19 1/2" x 2...

Three Screenprint, 1968 Unsigned (as issued) Edition 2500 From: Number (10 plates), with poems by Robert Creeley Printer: Domberger KG, Stuttgart Publisher: Edition Domberger Stutt...

Pablo Picasso (1881-1873) Un General Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

"Vibrant" is the name of a series of serigraphs about the 4 seasons in the city, created in the 1960s by the artist Dave Fox. Fox was fascinated by the ever-changing urban landscape of Los Angeles, the City of Angels, and its suburbs. Austria, specifically Vienna, where the artist was from, was dominated by emblematic architecture that contributed to making the city this amazing architectural ensemble, but the styles that made it famous and marked it the most deeply were undoubtedly the Austrian Baroque and the Jugendstil: Art Nouveau. American urban architecture reflected a different space and culture when Fox emigrated to the US, and it was probably an interesting subject and a source of inspiration for him as an artist. This serigraphy xx/25 depicts a simplified representation of American urban architecture and showcases the winter atmosphere through its use of textured velvet blue hues and graphic structures. The piece falls under the category of geometric abstract, which emerged during a period of urban transformation in the United States. It offers a perspective on the culture and space of that time. Fox, who was also a figurative painter, voluntarily chose to express his astonishment and emotions by moving from the former figurative reality of his birth country to an abstract rendering of a new reality. The result is a painting with rectangular, horizontal, and vertical forms, one of which presents an opening of light, embedded in one of the towering American buildings. The piece is hand signed and numbered in pencil. Dave Fox was born in Vienna, Austria in 1920, where he lived until shortly after the annexation of Austria in late 1938. Dave escaped via the German-Belgium border, seeking refuge in Belgium. From there he came to the United States in December 1939 and settled in Los Angeles. Dave was inducted into and served with the U.S. Army in the Philippines and Japan. Returning to the US, Dave studied at some of the first art schools in Los Angeles. He studied with artists, such as Rico Lebrun, Frances de Erderly, and Emil Bistrim at the Bistrim School of Fine Art. At the Jepson Art Institute, Guy Maccoy, a noted pioneer in the art of serigraphy introduced Dave to printmaking. After completing his studies, Dave was employed by an electronics firm as an artist and graphic designer. Dave went on to earn his BFA, MA, and MFA in drawing and painting with a special emphasis in printmaking from California State University Fullerton. Dave’s work included printmaking, painting, drawing, ceramics, and computer graphics. Dave Fox was an observer of life and translated all that he saw, heard, or experienced into his artwork. Growing up in Austria, the countryside was his playground. From early on Dave belonged to hiking groups and honed his observation skills, which he transferred to his new life in Los Angeles. In Los Angeles, Dave found new playgrounds – the LA Farmers Market, Melrose Ave., and the streets of Los Angeles at a time of growth and change. It was through his association with Jewish Federation in Los Angeles that he met his wife, Senta. Shortly after their marriage, they moved to Orange County, where they raised their two children. Dave divided his artwork equally between landscapes and people. He perfected his skills at drawing the human form and giving it personality and life. Throughout his long career, he always returned to themes that reflected his Jewish upbringing. His sketchpad, always with him, became his vehicle for capturing the world he saw. His interest in Jewish subjects was reflected in the people walking on Melrose Avenue; in the people enjoying Farmer’s Market in LA; in the chestnut vendor and the fish seller; in the Shabbat series, and in the abstract series reflecting a return to Jerusalem. Finally, when Dave turned his attention to ceramics he created a series of Jewish ceremonial objects – seder plates, Kiddush cups, and Havdalah sets...

Paul Jenkins Composition 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Paris Printer: Mourlot, Paris COA provided Notarized facsimile of the imprint showing the edition size included Framing in a simple white or black frame made from composite wood with plex and mat available for $90. Please inquiry within. Ref.: 924802-1550 Paul Jenkins’s intuitive, chance-based painting techniques helped pioneer new approaches to Abstract Expressionism. Jenkins made his vibrant compositions by pouring paint...

Pablo Picasso (1881-1873) Picasso, Villers Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Pablo Picasso (1881-1873) Le Corrigan de Litterral Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Pablo Picasso (1881-1873) Le Chevre au Grillage Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

André LANSKOY (1902-1976) Abstract composition with pink background, 1964 Original lithograph Hand signed in pencil Numbered /175 copies On vellum size 76 x 55 cm (c. 30 x 21 in) V...

Pablo Picasso (1881-1873) Tohu Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Pablo Picasso (1881-1873) Le Garou Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Pablo Picasso (1881-1873) Torbi Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000