1960s Abstract Prints

MAN RAY Hands, 1966 Silkscreen on Plexiglass Published by Gemini GEL Measurements: Image: 20"h x 16"w sheet plexi: 25.5"h x 19.5"w overall (with frame): 26.75"h x 20.75"w. Edition ...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Ovale et rectangle (Oval and Rectangle), originates from the historic 1964 folio Derriere le Miroir, No. 149. Publish...

Untitled, 1969 By Mark Rothko 1998 Medium: Offset Lithograph Paper Size: 47.5 x 35.5 inches ( 121 x 90 cm ) Image Size: 41.25 x 32.25 inches ( 105 x 82 cm ) Edition Size: Unknown

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1095 (after painting Number 22, CR344), 1951, printed 1964 Screenprint, on Strathmore wove paper, numbered 49/50 in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left From the posthumous printing of 50 authorized by his widow, Lee Krasner, in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

Calico Jim Dine, American (1935) Portfolio: 11 Pop Artists III Date: 1965 Screenprint on Cartridge Paper, signed in pencil lower left Edition of 200 Size: 40 x 30 in. (101.6 x 76.2 c...

This exquisite silkscreen by Ad Reinhardt (1913–1967), titled Untitled, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum...

Fleur d'Helice, 1969 Lithograph in colors on Chiffon de Mandeure paper Maeght Editeur, Paris 29.5 x 43.3 inches Signed and numbered in pencil, edition 62 of 75 Professionally framed...

This exquisite lithograph by Joan Miro (1893–1983), titled Bouquet de reves pour Leila, Poemes d'Yvan Goll (Bouquet of Dreams for Leila, Poems by Yvan Goll), from the album XXe siecl...

Untitled (Martha Jackson Gallery Poster) Lithograph, 1960 Signed and dated in red crayon by the artist Edition 90 (63/90) 1st state before letters for the poster created for the Martha Jackson Gallery, Ting Exhibition, April 23-May 31, 1960 Printed on wove paper with a ”JAPAN' watermark Edition: 90 Provenance: Martha Jackson Gallery, New York Anderson Gallery David K. Anderson Collection (label) Walasse Ting (Chinese: 丁雄泉, 13 October 1929 – May 17, 2010)[1] was a Chinese-American visual artist and poet. His colorful paintings have attracted critical admiration and a popular following. Common subjects include nude women and cats, birds and other animals. He was born on 13 October 1929 in Shanghai, left China in 1946 and lived for a while in Hong Kong, then settled in Paris in 1952.[2] There, he associated with artists such as Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group CoBrA. Ting started his career as an artist in Paris in the 1950s, where he became friends with artists such as Sam Francis and Pierre Alechinsky. His early works were influenced by the CoBrA group, a European art movement known for its use of expressive, childlike imagery. In the 1960s, Ting moved to New York City and became associated with the Pop Art movement. Ting is perhaps best known for his series of paintings featuring women, which he called "Cat Women...

This exquisite lithograph by Joan Miro (1893–1983), titled Pleine lune au-dessus de la Terre (Full Moon Above the Earth), originates from the April 1961 folio Derriere le Miroir, No....

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 89 Year: 1969 Medium: Screenprint, signed in pencil Edition: AP Size: 25 x 19 in. (63.5 x 48.26 cm)

Composition is an original lithograph realized by Antoni Tapies for the Art Magazine "Derrière Le Mioir" no.175 in 1968. Printed by Ateliers de Maeght, Paris, 1968. Good conditions...

This exquisite lithograph by Joan Miro (1893–1983), titled Personnages et oiseaux (Figures and Birds), from the folio Derriere le miroir, No. 151–152, originates from the 1965 editio...

Poetry by J.D. REED Artwork by Richard Merkin screenprint in color, 1969, edition 22/50 Published by Bizzaro, Providence, R.I. Richard Marshall Merkin (1938-2009) was an American p...

This original lithograph in colours is hand signed in pencil by the artist ''Soulages'' at the lower right margin. The work is also hand numbered in pencil from the edition of 114, at the lower left margin. This lithograph was printed and published in a limited edition of 114 signed and numbered impressions by Jean-Robert Arnaud, Paris. Note: The subject is one of ten published in the folio ‘La peau des choses’ [The Skin of Things] in 1968. The folio also included works by Huguette-Arthur Bertrand, Cesar, Émile Gilioli, James Guitet...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Untitled (Plate 2) DLM Color lithograph, 1963 Unsigned and unnumbered (as issued) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Printer: Mourlot Freres, Paris Note...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Trois panneaux (noir) (Three Panels [Black]), originates from the historic 1964 folio Derriere le Miroir, No. 149. Pu...

Etching, 1968 Handsigned by the artist in pencil and numbered 7/50 Publisher : Galerie Louise Leiris, Paris Catalog : [Bl. 1615 ; GB 1631] 56.50 cm. x 64.50 cm. 22.24 in. x 25.39 ...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...

Doug Ohlson Untitled 1960s Op Art Silkscreen, 1968 Color silkscreen on wove paper 22. × 18 1/5 inches x .5 inches Hand signed, dated and numbered 15/50 on the front Frame included: h...

Original 1967 Milton Glaser Fold Out Poster for Bob Dylan's Greatest Hits. Offset lithograph printed in colors 33 x 22 in (83.82 x 55.88 cm) Fold lines as issued; very good vinta...

This work is hand signed in pencil by the artist "L. Fontana" in the lower right image. It is also hand numbered in pencil from the edition of 80, in the lower left image. It was pr...

A very good impression of this color lithograph on cream wove paper. Signed, dated and numbered 45/300 in pencil by Scott. Published by Galerie Wolfgang Ketterer, Munich. Catalogue ...

This exquisite lithograph after Georges Braque (1882–1963), titled Bord de mer (Seaside), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré a George...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Coin d'atelier, fond bleu (Corner of the Studio, Blue Background), from the folio Nicolas de Stael, Peintres d'...

This exquisite lithograph by Joan Miro (1893–1983), titled Personnage et Etoiles (Figure and Stars), from the folio Les Peintres mes amis (The Painters My Friends), originates from t...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 166, 1967. Published by Aim...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Rouge, Jaune (Red, Yellow), originates from the historic 1964 folio Derriere le Miroir, No. 149. Published by Maeght ...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Schweres Rot (Heavy Red), from the folio Derriere le miroir, No. 154, originates from the 1965 edition published...

This exquisite silkscreen by Joan Mitchell (1925–1992), titled Untitled, from the album The Poems, originates from the 1960 edition published and printed by Tiber Press, New York, un...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...

Original screen print from the Gemini series “Untitled” (Red), 1968 by Larry Zox. Condition is good. Mild toning of the white areas in the screen print. Other colors are still vibra...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Composition Celadon (Celadon Composition), from the folio Nicolas de Stael, Peintres d'aujourd'hui (Nicolas de ...

Hans Bellmer, 'Blue Eyes', engraving and drypoint, edition 99, 1971. Flahutez 89. Signed and numbered '74/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet...

signed on lower right, numbered 2/30 lower left

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 130, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph by Serge Poliakoff (1900–1969), titled Composition rouge verte et bleue (Red Green and Blue Composition), from the album XXe Siecle, Nouvelle serie, XXIIIe ...

Joan Miro Lithographier Originale Original Color Lithograph Year: 1961 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 125-126 Publisher: Maeght Editeur, Paris 1961 Additional text...

This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interactio...

Mary Anne Watson, American - Net, Year: 1967, Medium: Etching and Aquatint, signed, titled, numbered and dated, Edition: 3/25, Image Size: 12 x 12 inches, Size: 18.5 x 18 in. (46.9...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 7 (Plate No. 7), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

This exquisite lithograph after Andre Derain (1880–1954), titled Route de Village (Village Road), from the folio Les Peintres mes amis (The Painters My Friends), originates from the ...

Artist: Marc Chagall (after) Title: Carnaval of Flowers Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from the editi...

Joan MIRO The King's Feast, King Ubu, 1966 Original lithograph (Atelier Mourlot, Paris) Unsigned Numbered / 75 copies On Arches vellum 54 x 75 cm (c. 21.2 x 29.5 in) REFERENCE : Ca...

Henry Pearson FACE, from Portfolio 9, 1964 Color lithograph with deckled edges Signed, titled, and numbered 84/100 in graphite pencil on the front; with publishers' blind stamp 17 1/2 × 22 1/10 inches Publisher Irwin Hollander, with blindstamp Hand Signed and Numbered 84/100 with Irwin Hollander (printer) Blindstamp Unframed Henry Pearson's iconic Pop Art lithograph "Face" from the mid-Sixties is in the permanent Collection of the Museum of Modern Art as well as other public institutions. This Classic Sixties psychedelic designed Op Art lithograph was created as part of the legendary 'Portfolio 9' in 1967 - one of the most influential eras in 20th century art. It was housed in a gray cloth-colored box with maroon paper inner panels and a large maroon "9" designed by Richard Lindner on the cover. Portfolio 9 featured nine of the most important artists of the era, representative of the three major trends: Pop Art, Minimalism and Abstract Expressionism: Roy Lichtenstein, Saul Steinberg, Richard Lindner, Robert Motherwell, Henry Pearson, Louise Nevelson, Sam Francis, Willem de Kooning- and Ellsworth Kelly. The Introduction to the portfolio was written by Una E. Johnson, Curator of Prints & Drawings, The Brooklyn Museum. Johnson wrote in 1967 for the colophon page: "The artists were selected to demonstrate the great diversity and character of lithography in the United States today... the dialogue of diverse forms and many faceted idioms that compose this graphic journal mirror the eloquence and delight the strengths and caprices of a period. Furthermore, they reflect in fine measure the creative achievements of artists attuned to their time." The lithograph offered here has superb provenance: it comes directly from 'Portfolio 9', numbered 84/100. This is the very first time since 1967 that this hand signed & numbered print will be separated from the original portfolio presentation box. According to the description of this print in the catalogue raisonne, "Organized as a celebration of Irwin Hollander's collaboration with American artists working in the medium of lithography, the Portfolio 9 is a compendium of images by nine of Hollander's artist collaborators. Henry Pearson Biography: Henry Pearson was born in Kinston, North Carolina in 1914. He studied art at the University of North Carolina where he received his B. A. and later at Yale University where he received an M. F. A. Pearson spent over eleven years in the army during and after WWII. On one tour of duty in Japan he was assigned to interpret topographical maps due to his past training in Theatrical Set Design. He returned to Japan on another tour after the war in order to immerse himself more fully in the culture. Pearson returned to the United States in 1953 and enrolled at the Art Students League in New York where he studied with Reginald Marsh. The Op-Art Movement was beginning to gain popularity and Pearson...

Joan Miro Danse Barbare (from Artigas) Original Color Lithograph Year: 1963 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 139-140 Publisher: Maeght Editeur, Paris 1963 Catalogue ...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3.75"x1.75" site unframed Signed in ink lower right Very Good Condition- Wear consiste...

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 151-152 Publisher: Maeght ...

This striking vintage original serigraph by celebrated Aspen artist Thomas Whelan Benton showcases a bold, graphic composition featuring a bright white snowflake set against a deep b...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 3 (Plate No. 3), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 1 (Plate No. 1), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

Signed lower right, "Ryonosuke Fukui" (Japanese, 1923-1986), a listed artist, and created circa 1965. An artist's proof, hand-colored etching comprising superimposed, stylized plan...

Nevelson, Louise. UNTITLED. Baro 36. Tamarind Number 801. Lithograph, 1963. Edition of 20, plus 2 Printer's Proofs, 1 Trial Proof, and 3 Artist's Proofs. Inscribed "Tamarind Impressi...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Artist: Joan Miro Title: La Foundation Marguerite et Aime Maeght Medium: Lithograph Date: 1964 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size...