1960s Abstract Prints

Jack Zajac, American, born 1929 1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned. Edition Roman Numeral III Image: 12 9/16 x 8 5/8 in. (31.9 x 2...

Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Josef Albers: 25 Years of Graphic Work (Midnight and Noon VII)" Year: 1968 Medium: Original Lithograph, Exhibition P...

Artist: Alexander Calder Title: Waves (Derriere le Miroir 156) Portfolio: Derriere le Miroir #156 Medium: Original lithograph Date: 1966 Edition: Unnumbered Frame Size: 17 1/4" x 21 ...

Lithograph printed in colours on Japon nacré paper 77 x 57 cm hand-signed by the artist H.C from an aside edition of 50

Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an America...

Jack Zajac, American, born 1929 1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned. This one depicts winged angels. Edition Roman Numeral III Ima...

Pablo Picasso - Painter and His Model - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Unsigned and unumbered ...

Original 1967 Milton Glaser Fold Out Poster for Bob Dylan's Greatest Hits. Offset lithograph printed in colors 33 x 22 in (83.82 x 55.88 cm) Fold lines as issued; very good vinta...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 151, published by Derrière le miroir, Paris; print...

Jack Zajac, American, born 1929 1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned. Edition Roman Numeral III Image: 12 9/16 x 8 5/8 in. (31.9 x 2...

Joan Miró (Spain, 1893-1983) 'Sala Gaspar, Metras and Belarte Gallery (avant la lettre)', 1964 Lithograph on Paper (Cahiers d'Art magazine Nº4-5) Original graphic work without signin...

Jack Zajac, American, born 1929 1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned. This one depicts lovers embracing Edition Roman Numeral III Im...

Jack Zajac, American, born 1929 1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned. Edition Roman Numeral III Image: 12 9/16 x 8 5/8 in. (31.9 x 2...

Artist: Joan Miro Title: Plate 6 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 15...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 141, published by Derrière le miroir, Paris; print...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 149, published by Derrière le miroir, Paris; print...

Artist: Joan Miro Title: Plate 9 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 15...

Artist: Joan Miro Title: Plate 13 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 1...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 149, published by Derrière le miroir, Paris; print...

Jack Zajac, American, born 1929 1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned. Edition Roman Numeral III Image: 12 9/16 x 8 5/8 in. (31.9 x 2...

Artist: Herbert Bayer, Austrian (1900–1985) Title: December Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: 20...

Artist: Allan D'Arcangelo, American (1930 - 1998) Title: June Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: ...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 149, published by Derrière le miroir, Paris; print...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 149, published by Derrière le miroir, Paris; print...

Claes Oldenburg Parade of Women from the Deluxe hand signed edition of 1 Cent Life Portfolio (Acquired from the Estate of Robert Indiana), 1964 Color lithograph on wove paper Published by E.W. Kornfeld, Germany, Written by Walasse Ting, Edited by Sam Francis Hand-signed by Claes Oldenburg on the lower right front; numbered 85/100 on the colophon page a copy of which is affixed to the back of the frame -see photo Frame included: elegantly floated and framed in hand made museum frame with UV plexiglass, and colophon page with unique edition number affixed to the back. (see photos) This hand signed work is from the Deluxe hand signed edition of only 100 - not to be confused from the unsigned edition of 2000. (None of the works from the edition of 2000 were ever signed by Oldenburg.) Hand signed editions are rarely if ever seen on the marketplace. This original lithograph, splayed across two pages, is from the Deluxe edition of the legendary 1 Cent Life Portfolio, one of the most important and celebrated artistic collaborations of the 1960s. Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including Pop Artist Claes Oldenburg, along with the European COBRA artists to create the definitive artistic portfolio, with text by Walasse Ting. The Deluxe edition, which features hand signed prints was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Claes Oldenburg lithograph...

André LANSKOY (1902-1976) Composition Lithographic poster Editor: Mourlot Dimensions: 58.5 x 47.5 cm André Lanskoy was one of the great painters o...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 151, published by Derrière le miroir, Paris; print...

Artist: After Larry Rivers (1923-2002) Title: Gershwin Brothers, exhibition poster Year: 1966 Medium: Lithograph on wove paper Size: 37 x 26 inches Condition: Excellent Notes: Publis...

Artist: Brian Rice (1936) Title: Flasher Year: 1967 Edition: 67/175, plus proofs Medium: Lithograph on wove paper Size: 28.5 x 25 inches Condition: Excellent Inscription: Signed and ...

Artist: Winfred Gaul, German (1928–2003) Title: May Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: 20 x 18 in...

Untitled (Martha Jackson Gallery Poster) Lithograph, 1960 Signed and dated in red crayon by the artist Edition 90 (63/90) 1st state before letters for the poster created for the Martha Jackson Gallery, Ting Exhibition, April 23-May 31, 1960 Printed on wove paper with a ”JAPAN' watermark Edition: 90 Provenance: Martha Jackson Gallery, New York Anderson Gallery David K. Anderson Collection (label) Walasse Ting (Chinese: 丁雄泉, 13 October 1929 – May 17, 2010)[1] was a Chinese-American visual artist and poet. His colorful paintings have attracted critical admiration and a popular following. Common subjects include nude women and cats, birds and other animals. He was born on 13 October 1929 in Shanghai, left China in 1946 and lived for a while in Hong Kong, then settled in Paris in 1952.[2] There, he associated with artists such as Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group CoBrA. Ting started his career as an artist in Paris in the 1950s, where he became friends with artists such as Sam Francis and Pierre Alechinsky. His early works were influenced by the CoBrA group, a European art movement known for its use of expressive, childlike imagery. In the 1960s, Ting moved to New York City and became associated with the Pop Art movement. Ting is perhaps best known for his series of paintings featuring women, which he called "Cat Women...

Antoni Tàpies Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 33 inches. Very good overall vintage condition; contains cente...

Yoshida, Masao (Japanese, born 1934.) UNTITLED. Aquatint with soft-ground etching, 1963. Edition of 30, printed on Arches paper. Signed, dated, and numbered 21/30 in pencil. 30 X 22...

Perspective is an artwork realized by Bruno Conte (1939-2021) in 1980. Good condition. Signed and numbered in roman number X/XXV.

School of Paris Artist, Andre Minaux (Paris 1923-86) Limited Edition 20/20, printed in 7 colours on Japon paper. Sheet size 57" x 38", image size 49" x 32" Signed Bottom right in pencil, editioned in pencil bottom left With a full sheet authenticity certificate, dated 1964 This is a fabulous original Limited Edition Lithograph, completely of its time when artists in Paris were pushing boundaries and trying to bring about new styles. The influence of artists like Matisse can be seen and Minaux was working alongside artists such as Picasso and with Bernard Buffet to reject ideas of Abstract painting. The text that accompanies the lithograph can be seen in the image of the certificate and is in French. The translation that follows on the certificate of Provenance gives an in depth description of this compelling still life: 'It is a singularly balanced art that that of André MINAUX, a typically French painting, made of power of clarity and nobility, in the tradition of our great modern masters as well as those of past centuries. And yet this painting under the hieratic appearance of the attitudes is not a wise painting, but on the contrary terribly dynamic, in which the passion and the virulence of the feelings are contained only by the simplicity and the purity of the forms. Each work of André Minaux is a miracle of balance between bubbling joy; joy of painting, joy of living; which animates the artist, and the voluntary serenity of the colors and volumes by which he translates his vision of beauty and grandeur. André Minaux's painting, full of a life in perpetual becoming, is the great and worthy expression of an art continually in evolution which moves without aggressiveness, but not without struggles, towards its final ends. And this painting, painting of an artist in full possession of all his means, of an extremely solid technique, and of a perfect trade is however that of a young person. Forty-one years is youth for a painter and at this age André Minaux, already recognized as one of the masters of the young French figurative school, has a future as brilliant and promising as behind him a long history of hard work and success. André Minaux is Parisian, born September 5, 1923. Very young he feels attracted to the graphic arts, he prepares and enters the School of Decorative Arts, but pure painting attracts him irresistibly and it is to her that he soon devotes himself exclusively. His young and great talent makes him quickly noticed. He first exhibited at the Salon des Sous de Trente Ans and later at other salons: des Indépendants, d'Automne, then at the Salon de Mai and at the Tuileries. In 1948 first private exhibition in Paris, others will follow in 1951, 1956 and 1957. In the meantime two exhibitions equal ment were devoted to him in London in 1953 and 1957. His last was a very important exhibition in 1963 at the David and Garnier Gallery in Paris. In 1949 at the 'Ecole de Paris', Galerie Charpentier, he had already won the Critics' Prize. Its reputation extends abroad thanks to numerous demonstrations of groups in England, Germany, Australia, Canada, Japon, U.S. A., etc... The Museum of Modern Art in Paris, several museums in the provinces, the Tate Gallery in London, have works by André Minaux, and his paintings can be found in major collections in Paris, London, New York, Tokyo, Stockholm, etc. ... Member of the French engraver painters, André Minaux is a remarkable lithographer, his lithographed work is already very important, he is also a member of the "Comité National du Livre Illustré Français and he has illustrated a certain number of luxury books...

Royce, Richard (American, born 1941). AU FOND. Intagio print in colors, 1967. Edition of 40. printed on BFK Rives paper. Titled, numbered 6/40, and signed and dated, all in pencil. 1...

"Shapes of Noyo" Woodblock Print on Paper (Artist's Proof) Bold woodblock print by notable artist Emmy Lou Packard (American, 1914-1998). Large dark grey shapes are placed over a lighter grey background. Both of them have strong woodgrain texture. There are this white shapes floating around the composition, with a large block of blue in the upper right corner and a smaller block in the lower left. Titled, numbered, and signed along the bottom edge: Shapes of Noyo Proof Packard Presented in a dark wood frame with a grey mat. Frame size: 18.75"H x 26.75"W Image size: 11.5"H x 19.5"W Emmy Lou Packard was born on April 15, 1914, near El Centro, California. In 1927, the Packard family traveled to Mexico. Emmy, then 13 years old, was already painting and drawing. Her mother introduced her to artists Diego Rivera and Frida Kahlo, marking the beginning of a long friendship and mentorship. In 1934, she eloped to Nevada with the architect Burton Cairns, a recent graduate of the University of California, Berkeley. In 1936 Packard graduated from the University of California, Berkeley with her bachelor's degree and later studied sculpture, mural and fresco painting at the San Francisco Art Institute. In 1939, her husband died in a car accident. After his death, she traveled to Mexico to live with Rivera and Kahlo, working as their studio assistant. During the time she stayed with Rivera and Kahlo, she took a number of photographs of the couple. When Diego Rivera came to San Francisco in 1940 for the Golden Gate International Exposition (GGIE), he asked Emmy to be the chief assistant for painting the Pan American Unity mural. Between 1944 and 1945, she briefly worked as an illustrator of a labor newspaper for the San Francisco Bay Area shipyards. Packard designed and executed the mural on the exterior of the dining commons at the University of California, Berkeley in the Lower Sproul student union center. She also designed the terrace parapet which is embellished with an 85-foot long, 5-foot high, bas-relief, Modernist mural depicting California landscape features, including coastal bluffs, cultivated fields, mountains, and rivers located in the central façade of Chávez Student Center at the University of California, Berkeley in the Lower Sproul. On May 29, 1959, she married artist Byron T. Randall; they divorced in 1972. Packard was an active community member in the Mission District of San Francisco and San Francisco's community mural movement. In 1974 she served as a mural technical adviser for the Bank of America building mural located at Mission Street and 23rd Street; the local artists that painted this mural are Jesús “Chuy” Campusano, Luis Cortázar and Michael Rios...

Medium: original color silkscreen with cut-outs. Printed in 1964 in an edition of 500. The cut-outs are four crosses in the center of the composition (this work was photographed agai...

Shusaku Arakawa Still Life, from To and From Rrose Selavy, for Marcel Duchamp, 1967 Limited Edition Silkscreen on velincarton (thin board) paper 10 1/2 × 13 1/4 inches Limited Edition of 60 Hand signed, titled and dated on the front Unframed The entire portfolio, including the present work, is referenced in the Marcel Duchamp catalogue raisonne: Arturo Schwarz The Complete Works of Marcel Duchamp, Abrams, P.532, 344c Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy". The present work was created for this portfolio by one of Marcel Duchamp's friends, Shusaku Arakawa. It is signed, dated and titled on the front - and can be exhibited both vertically and horizontally - (see photos). The present work, along with others in the portfolio, was published in Japan and is rarely found stateside. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...

Is it Lawful to Pay Taxes To Caesar shows Caesar as an imposing seated figure taking up three quarters of the image against a white background with a mounted horseman over Caes...

Artist: Fairfield Porter (1907-1975) Title: Street Scene (L.18) Year: 1969 Medium: Lithograph on Arches paper Edition: 69/100, plus proofs Size: 22.25 x 30 inches Condition: Excellen...

Vintage 1960's Lithograph poster for Vancouver Canada art show. Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindners mother was owner o...

Artist: Georg Karl Pfahler (1926-2002) Title: Version 8 Year: 1969 Edition: 36/100, plus proofs Medium: Silkscreen on wove paper Size: 25.5 x 25.5 inches Condition: Excellent Inscrip...

Untitled is a contemporary artwork realized by Giuseppe Capogrossi in 1965. Mixed colored lithograph.  Excellent condition.

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 151, published by Derrière le miroir, Paris; print...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 151, published by Derrière le miroir, Paris; print...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 151, published by Derrière le miroir, Paris; print...

Alexander Calder Snow-Plough (Chasse-neige) 1963 Lithograph in colors Plate 7, from Derriere le Miroir #141 Unsigned With the central fold, as issued Edition of unknown Sheet...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 151, published by Derrière le miroir, Paris; print...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 151, published by Derrière le miroir, Paris; print...

Josef Albers Homage to the Square - SET OF FIVE 1983 Color silkscreen(s) on semi gloss stock Size: 7.4 × 7.2 on 9.6 × 9.0 inches (each) Framed: 12.8 x 12.8 x 0.5 inches (each) Unsign...

Niki de Saint Phalle My Love We Wont, 1968 Lithograph and silkscreen on wove paper Signed and numbered 51/75 in graphite pencil on the front Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass From the Brooklyn Museum, which has an edition of this work in its permanent collection: "Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles. Her Nanas, bold, sexy sculptures...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 151, published by Derrière le miroir, Paris; print...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 151, published by Derrière le miroir, Paris; print...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 151, published by Derrière le miroir, Paris; print...

Natvar Bhavsar Untitled mid 1960s abstraction, 1967 Silkscreen Pencil signed, dated and numbered 10/30 by Natvar Bhavsar on the front Frame included: Elegantly framed in a museum qua...

Joan Miro La Fille Du Jardinier (from Artigas) Original Color Lithograph Year: 1963 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 139-140 Publisher: Maeght Editeur, Paris 1963 Ca...

Jack Bush (1909-1977) is Canada's most successful abstract artist of the 20th century. Bush was a graduate of OCAD (Ontario College of Art & Design) and a key member of Painters El...