Modern Abstract Prints

Christine Ravaux created Une Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted wi...

Alexander Calder- Seascape Color lithograph on creme Arches paper, 1974 Edition of 150 Signed in pencil, lower right Numbered (105/ 150) in pencil, lower left With blindstamp, lower ...

“Crosstown Traffic” is a color lithograph by Emilio Sanchez. Created in 1998, this impression is unsigned and came to us directly from the Emilio Sanchez Estate (circular estate stam...

Joan Miró One plate from Derrière le Miroir no. 128: Peintures Murales de Miró Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an editi...

"An Ending a Beginning" Photography 30" x 22" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA * * * Framed items shipped in a parcel, and unframed phot...

Emilio Sanchez (1921-1999) created this color lithograph entitled “Loft Windows” in 1988. This impression is signed and inscribed “46/100” in pencil. The printed Image size is 25 x ...

Composition XI Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: H.C. Size: 56 x 76 cm Condition: In very good conditions and never framed Observati...

A superb impression of this color giclée print on wove paper. Signed and numbered 20/50 in pencil by Hirst. Published by Other Criteria, London.

Original title: Paesaggio This beautiful black and white etching is hand-signed and dated in pencil on the lower left. Numbered on the lower right. Edition of 27 prints. Overleaf sta...

This Picasso ceramic Vase "Hibou marron noir" Ramié 123 is one in an edition of 300 and is made of white earthenware clay, glazed and engraved. Its is stamped and marked 'D'Apres Pic...

Lithograph on cream wove paper. From the first edition (of 2). Signed, titled, dated and numbered 38/50 in pencil by Catlett. Printed and published by the artist at the Taller de Grá...

Lithograph in four colours on Japon nacré paper 

Image: 16.5 x 19.7 cm 
Edition of 75
 Hand-signed and numbered by the artist

Bound volume with complete text and 8 color screenprints. One of 1500 numbered copies. Signed by John Hersey, Robert Penn Warren and Lawrence and numbered 1340 in pencil on the justi...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-light. Details: + Title: Modernism in The Clouds + Year: 2023 + Stamped and Certificate of Authenticity provided + Measurements : 100x140 cm (40x 55.2 in.), each panel measures 100x70cm (40x28 in.) a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only, artwork is sent carefully rolled in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative...

David Morris 2001 Space Odyssey Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided ...

Lithograph on Arches Cover paper Signed lower right recto AP 3/15

David Morris Lingus Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924802...

David Morris Blue in Green Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.:...

David Morris Streetbeater Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: ...

David Morris Pick Up The Pieces Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided ...

David Morris Southside Sync Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref....

David Morris Feeling Tense Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.:...

David Morris Feels So Good Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.:...

David Morris Cause we've ended as lovers Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA ...

David Morris Breezin' Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9248...

David Morris Bitches Brew Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: ...

David Morris Affirmation Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9...

David Morris Four Colours Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: ...

David Morris Chamelleo Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924...

Little Hall's Island. 1940. Etching and sandpaper ground. Giardina 199. 10 x 15. Edition 100. Little Hall's Island is located off the coast of Friendship. Maine. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. Housed in a 16 x 20-inch archival mat. Eby was an Associate of the National Academy NA (1930); National Academy of Design (1934); Society of American Etchers; Chicago Society of Etchers; Philadelphia Society of Etchers; National Institute of Arts and Letters. Kerr...

Peter Green Night Form #2, 1970 Paper Size = 26½" x 38½" inches Signed in pencil, titled, dated and marked 2/30 Born in 1933, Peter Green studied at Brighton College of Art and the...

Peter Green Midnight Flower Paper Size = 26½" x 38½" inches Signed in pencil, titled, dated and marked 13/30 Born in 1933, Peter Green studied at Brighton College of Art and the I...

A very good impression of this color etching and aquatint. Signed and numbered 2/75 in pencil by Moore. From "Sketchbook 1980." Printed by James Collyer and John Crossley, London. Pu...

Teal, brown and blue tone abstract figurative original print by Amado Maurilio Pena. The piece depicts five women figures that either appear back-to-back or...

A very good impression of this color lithograph. One of 25 numbered artist's proofs, aside from the edition of 50. Signed, inscribed "AP" and numbered X/XXV in pencil by Moore. Print...

Josef Albers & Auguste Herbin Paris, 1975: Vintage original silk-screened exhibition poster published in conjunction with a joint exhibition by Auguste Herbin & Josef Albers at Galer...

Teal and brown abstract figurative original print by Chicano artist Amado Maurilio Peña Jr. This piece depicts a native elderly woman with long, white hair ...

Gray-toned minimalist abstract textured print with purple, blue, and yellow tones. Unsigned. Framed and matted in a modern black frame. Dimensions Without Frame: H 28.63 in. x W 20....

Portrait of Anger - Multilayer Woodblock in Ink on Paper Bold and saturated woodblock print of a screaming man by Michael Dow (American, 20th Century). The man is centered in this m...

Original aquatint etching “Untitled” by the Germans artist, Ferdinand Springer. Signed in lower right margin in pencil by the artist and dated 1951. Condition is excellent. Edition size in pencil in lower left margin 98/200. Sheet size (full) is 115 by 22.75. Image size is 9.75 by 18.75. The artwork is housed in a thin antique silver contemporary frame. Overall framed measurements are 19.5 by 27 inches. Under glass. Provenance: A St. Petersburg, Florida collector. Ferdinand Springer, painter and printmaker, was born to a German father and a Swiss mother in Berlin on October 1, 1907. After graduating from high school in Potsdam, he studied art history at the University of Zurich. He began painting in 1927 and visited Milan where he met the Italian painters Giorgio Morandi and Carlo Carrà. Springer moved to Paris in 1928 where he studied with Roger Bissière at the Académie Ranson. In 1932, he learned intaglio techniques at Atelier 17 in Paris and, in 1937, he traveled to New York where he exhibited at the Julian Levy Gallery. During this time he met Alexander Calder and Salvatore Dali...

Alexander Calder Lithographic cover: Derrière le miroir 1973: Lithographic cover sheet; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. Por...

Ronald King Trooper II Year: 1970 Color Lithograph Size: 27.5x20.5in Edition: 50 Signed, inscribed and numbered by hand COA provided Ref.: 924802-1359 ...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Joan Miro und Katalonien Year: 1969 Medium: Lithograph on Arches, signed in the plate Size: 20 in. x 26 in. (50.8 cm x 66.04 cm) Frame...

A rich, vibrant original exhibition poster for painter and weaver Camille Hilaire (1916-2004), depicting abstract, painterly, multi-colored palm trees. Hilaire is a prominent French...

The Variable is a Contemporary artwork realized in 1983 by Toti Scialoja. Original etching. Hand-signed, titled and dated Numbered. Edition,68/100

Vintage Poster Exhibition Braque- Mirò - Chagall is a vintage Offset poster realized in 1988 for the exhibition held at Inter Art Gallery. Good conditions.

Pablo Picasso (1881-1973) Variation sur Le déjeuner sur l'herbe de Manet Linoleum Cut on Arches wove paper with full margins Hand signed in pencil, a proof aside from the edition of ...

Auguste Kronheim was born in Amsterdam in 1937. The artist makes woodcuts and drawings. She received her training in drawing from Hanns Kobinger and graduated from the Linz Federal T...

Auguste Kronheim was born in Amsterdam in 1937. The artist makes woodcuts and drawings. She received her training in drawing from Hanns Kobinger and graduated from the Linz Federal T...

A superb impression of this very scarce drypoint. Edition of 100. Signed in pencil by Avery. Printed by Atelier 17, New York. Published by Laurel Gallery, New York. From "Laurels Por...

This is a cast metal sculpture of a woman and child, mother and baby in a rocking chair. It has a patina on a white metal. Not sure if it is steel or aluminum. It is and older vintage piece and has wear to patina where it sits and rocks on table. It is not signed or numbered and there is no foundry mark. Hence it is being sold as being after or in the manner of Henry Moore. Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history" Moore's sense of England emerging undefeated from siege led to his focus on pieces characterised by endurance and continuity. Yet Moore had a direct influence on several generations of sculptors of both British and international reputation. Among the artists who have acknowledged Moore's importance to their work are Sir Anthony Caro,[ Phillip King and Isaac Witkin, all three having been assistants to Moore. Other artists whose work was influenced by him include Helaine Blumenfeld, Drago Marin Cherina, Lynn Chadwick, Eduardo Paolozzi, Bernard Meadows, Reg Butler, William Turnbull, Robert Adams, Kenneth Armitage, and Geoffrey Clarke...

Jean Degottex, Vintage Poster Exhibition is offset print realized in occasion of exhibition held in Meo Gallery in 2010. Good conditions.

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. From: Derrière le miroir Published Paris c. 1971. Printed in France. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York. Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931. His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry. The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London. Related Categories Calder prints. Mid Century Modern. 1970s. Alexander Calder and Contemporary Art. Mid Century Modern. Calder clowns.

Original lithograph printed in colors on Kochi Japan paper. A superb impression of the definitive state, from the edition of 10 on this paper, numbered in Roman numerals in the imag...

Original lithograph printed in colors on Kochi Japan paper. A superb impression of the definitive state, from the edition of 10 on this paper, numbered in Roman numerals in the imag...

The South and North is an etching realized by Antonio Corpora in 1986. Hand-signed and dated on the lower right margin. The colored beautiful print is from an edition of 100. Numb...

Geneviève Claisse Title: Black and Green Circle (Cercle noir/vert) Medium: Giclee on hand made cotton paper Year: 2015 Signed and numbered by hand Edition: 40 Size: 20.1 × 20.1 on 31...

Pablo Picasso - Painter and His Model - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Unsigned and unumbered ...