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Modern Abstract Prints

MODERN STYLE

The first decades of the 20th century were a period of artistic upheaval, with modern art movements including Cubism, Surrealism, Futurism and Dadaism questioning centuries of traditional views of what art should be. Using abstraction, experimental forms and interdisciplinary techniques, painters, sculptors, photographers, printmakers and performance artists all pushed the boundaries of creative expression.

Major exhibitions, like the 1913 Armory Show in New York City — also known as the “International Exhibition of Modern Art,” in which works like the radically angular Nude Descending a Staircase by Marcel Duchamp caused a sensation — challenged the perspective of viewers and critics and heralded the arrival of modern art in the United States. But the movement’s revolutionary spirit took shape in the 19th century.

The Industrial Revolution, which ushered in new technology and cultural conditions across the world, transformed art from something mostly commissioned by the wealthy or the church to work that responded to personal experiences. The Impressionist style emerged in 1860s France with artists like Claude Monet, Paul Cézanne and Edgar Degas quickly painting works that captured moments of light and urban life. Around the same time in England, the Pre-Raphaelites, like Edward Burne-Jones and Dante Gabriel Rossetti, borrowed from late medieval and early Renaissance art to imbue their art with symbolism and modern ideas of beauty.

Emerging from this disruption of the artistic status quo, modern art went further in rejecting conventions and embracing innovation. The bold legacy of leading modern artists Georges Braque, Pablo Picasso, Frida Kahlo, Salvador Dalí, Henri Matisse, Joan Miró, Marc Chagall, Piet Mondrian and many others continues to inform visual culture today.

Find a collection of modern paintings, sculptures, prints and other fine art on 1stDibs.

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Style: Modern
"EK IK" from the series Homage to the Square
Located in Zug, CH
JOSEF ALBERS (1888-1976) "EK Ii" from the series Homage to the Square 1970 Screenprint on Hahnemühle Buttenboard 55 x 55 cm 21.65 x 21.65 inches Number 31 of 125 Edition Keller, Star...
Category

Late 20th Century Modern Abstract Prints

Materials

Board

Kandinsky, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 118, 1960. Published by Aim...
Category

1960s Modern Abstract Prints

Materials

Lithograph

The Scholar - Green, 1969 (M.547)
Located in Greenwich, CT
A continuation of the 'Horse Ride' series, The Scholar - Green (M.547), also known as The Literate Man, is a lithograph on cloth, backed with chiffon de Mandeure, with an image size ...
Category

20th Century Modern Abstract Prints

Materials

Lithograph

General Dynamics, Convair 880, World's Fastest Jetliner – Original Poster
Located in Zurich, CH
A poster belonging to Erik Nitsche's third series for General Dynamics, promoting its Convair Company. Founded 1952, General Dynamics hired Nitsche a...
Category

Mid-20th Century Modern Abstract Prints

Materials

Paper

Alexander Calder lithographic cover 1971 (Calder Derrière le miroir)
Located in NEW YORK, NY
Alexander Calder Lithographic cover c. 1971 from Derrière le miroir: Lithographic cover in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of u...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Bacon, Portrait of Henrietta Moraes, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 162. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Composition, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 22 x 30 inches, with quadfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 74-76,...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Composition (Mourlot 1212-1225; Cramer 248), La mélodie acide, Joan Miró
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, La mélodie acide, 14 lithographies originales de Joan Miró, 1980. Published...
Category

1980s Modern Abstract Prints

Materials

Lithograph

Composition (Saphire 24-38), Les Illuminations, Fernand Léger
Located in Auburn Hills, MI
Lithograph on papier vélin teinté, fait a la main paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Illuminations, 1949. Published by...
Category

1940s Modern Abstract Prints

Materials

Lithograph

Calder, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 212, published by Aimé Maeght, Éditeur, Paris; printed ...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Calder, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 121-122, published by Aimé Maeght, Éditeur, Paris; prin...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Giacometti, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 98, 1957. Published by Aimé Maeg...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Le pot et la faucille, Une Aventure méthodique, Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Delaunay, Air, Fer, Eau, XXe Siècle (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°9, 1957. Published and printed under the direction of Gualti...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Calder, Clown (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published by Aimé Maeght, Éditeur, Paris; printed by Éditions Pierre à F...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Calder, Clown (after)
Calder, Clown (after)
$1,196 Sale Price
20% Off
Calder, Friendship, Braniff International Airways Flying Colors (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Inscription: Signed in the plate, embossed with the official Braniff Flying Colors Collection seal, and unnumbered, as issued. Good condition. Not...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Kandinsky, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 154, 1965. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1960s Modern Abstract Prints

Materials

Lithograph

La Danse, frontispiece from Picasso Lithographe III
Located in Washington, DC
Artist: Pablo Picasso Title: La Danse (frontispiece) Portfolio: Picasso Lithographe III Medium: Transfer lithograph printed in colors Date: 1956 Edition: 3000 Frame Size: 19 1/2" x 1...
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1950s Modern Abstract Prints

Materials

Lithograph

Elephant, Lions Bold Color Lithograph Alexander Calder Unfinished Revolution
Located in Surfside, FL
1975 Color Lithograph by Alexander Calder from Our Unfinished Revolution portfolio One of 250 copies, with the printed signature and date on offset paper. This is not pencil signed ...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Les Senteurs II, Mixed Media on Paper by Pierre Marie Brisson
Located in Long Island City, NY
Les Senteurs II by Pierre Marie Brisson, French (1955) Date: 2002 Mixed Media Print on Handmade Paper, signed and numbered in pencil Edition of 30/30 Image Size: 30.5 x 30.5 inches S...
Category

Early 2000s Modern Abstract Prints

Materials

Mixed Media, Handmade Paper

1960s Francis Bacon lithograph (from Bacon derrière le miroir)
Located in NEW YORK, NY
1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's ...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Tobias Musicant, Gates to the City
Located in New York, NY
Any work by Tobias Musicant is terrific. These New Jersey-made, mid-century near abstractions are generally scarce. The pieces I know are master works of American Modernism. Cubist c...
Category

1940s Modern Abstract Prints

Materials

Linocut

Rocks and Sun - Original lithograph - Mourlot, 1952
Located in Paris, IDF
Alexander Calder Rocks and Sun, 1952 Original Lithograph (3 color stones) Printed in Mourlot workshop On vellum 31 x 24 cm (c. 12,2 x 9,5 in) Edited by San Lazzaro in 1952 Very goo...
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1950s Modern Abstract Prints

Materials

Lithograph

Henry Moore 1973 Lithograph edition 28/75 Sculpture Figures Reclining Nudes
Located in Surfside, FL
Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described extreme reservations, he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill..At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of The beginning and the end of history...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Composition, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 173, 1968. Published by Aimé Mae...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Matisse, Série M, var. 6 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Auburn Hills, MI
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
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1940s Modern Abstract Prints

Materials

Lithograph

Pablo Picasso Madoura 'Hibou brillant' (A. R. 285) Owl Ceramic Plate 1955
Located in Miami, FL
PABLO PICASSO (1881-1973) Hibou brillant (A. R. 285) Terre de faïence dish, 1955, from the edition of 450, glazed and painted, with the Edition Picasso and Madoura stamps.
Category

1950s Modern Abstract Prints

Materials

Ceramic, Earthenware

Composition, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 156, 1966. Published by Aimé Mae...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Blue Green Mid Century Modern Artwork Hand Embellished Giclee on Canvas
Located in Sherman Oaks, CA
Vibrant Colorful Abstract-0-18,' a stunning piece of state-of-the-art HAND EMBELLISHED artwork by the talented artist Irena Orlov. This Giclee Reproduction is a true masterpiece, me...
Category

2010s Modern Abstract Prints

Materials

Canvas, Varnish, Archival Ink, Acrylic, Digital, Inkjet, Giclée

'Diptych' — Modernist Abstraction, Atelier 17
Located in Myrtle Beach, SC
Stanley William Hayter, 'Diptych', color engraving and scorper, 1967, edition 50, Black & Moorhead 314. Signed, titled, dated, and numbered '10/50' in pencil. A superb, richly-inked impression, with fresh, vibrant colors on antique-white wove BFK Rives paper; the full sheet with margins (2 1/2 to 3 1/4 inches). Minor skinning and tape residue on the top and bottom sheet edges, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 13 7/8 x 19 1/2 inches (146 x 108 mm); sheet size 19 7/8 x 25 3/8 inches (394 x 292 mm). Hayter created this work using engraving and scorper on 2 plates, printed side by side. He used alkali blue, printed intaglio, and a phthalo green with a hard roller on the surface. The proofing was in three states, the first with engraving (a single proof); the second adding further engraving and scorper (a single proof); the third added further engraving and editioned: color trial proofs, 5 artist's proofs, edition of 50. The edition was completed in three printings: 8 in 1967; then Hector Saunier printed numbers 9 through 18 in 1968, and numbers 19 through 50 in 1969. This impression is from the Saunier 1968 printing. Note: the online image cannot accurately convey the vibrancy of the printed alkali blue/phthalo green. An impression of this work is held in the collection of the National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen...
Category

1960s Modern Abstract Prints

Materials

Engraving

Composition (Saphire 24-38), Les Illuminations, Fernand Léger
Located in Auburn Hills, MI
Lithograph on papier vélin teinté, fait a la main paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Illuminations, 1949. Published by...
Category

1940s Modern Abstract Prints

Materials

Lithograph

Berlin 2 by Dieter Roth architectural monument postcard in pink of Germany
Located in New York, NY
Berlin 2, 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. Edition 100. “for Paul” written in pencil lower middle: this copy an ar...
Category

1970s Modern Abstract Prints

Materials

Lithograph, Screen

Composition (Saphire 24-38), Les Illuminations, Fernand Léger
Located in Auburn Hills, MI
Lithograph on papier vélin teinté, fait a la main paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Illuminations, 1949. Published by...
Category

1940s Modern Abstract Prints

Materials

Lithograph

'The Orange Point' — Mid-Century Modernism
Located in Myrtle Beach, SC
'The Orange Point', color serigraph, edition 54, c. 1940. Signed, titled, and annotated 'Ed/54' in pencil. A fine impression, with fresh colors, on buff wove paper; the full sheet wi...
Category

1940s Modern Abstract Prints

Materials

Screen

Matisse, Série P, var. 1 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Auburn Hills, MI
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Abstract Prints

Materials

Lithograph

Pablo Picasso 'Profil de taureau' (A. R. 317) Profile of a Bull Madoura Plaque
Located in Miami, FL
PABLO PICASSO (1881-1973) Profil de taureau (A. R. 317) Terre de faïence plaque, painted and partially glazed, 1956, from the edition of 450, with the Empreinte Originale de Picass...
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1950s Modern Abstract Prints

Materials

Ceramic, Earthenware

Wedding Party
Located in Buffalo, NY
An original mid century modern woodblock print. This work is hand signed illegibly and titled "Wedding Party".
Category

1960s Modern Abstract Prints

Materials

Paper, Woodcut

Wedding Party
Wedding Party
$400 Sale Price
38% Off
La Dida (M.1184)
Located in Greenwich, CT
La Dida (M.1184, "The Nurse") is a lithograph on paper, image size 34.5 x 23.5 inches, signed Miró lower right and annotated 'HC' lower left (outside the edition of 75 Arabic and 25 ...
Category

20th Century Modern Abstract Prints

Materials

Paper, Lithograph

Composition (Cramer 105), Femmes, Joan Miró
Located in Auburn Hills, MI
Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Ubac, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 105-106, 1958. Published by Aimé Maeght, Éditeur, Paris...
Category

1950s Modern Abstract Prints

Materials

Lithograph

'Bridge at Poughkeepsie' — WPA Era American Modernism
Located in Myrtle Beach, SC
Albert Heckman (1893-1971), 'Bridge at Poughkeepsie', lithograph, 1934, edition 30. Signed, titled, and annotated '30 Impressions' in pencil. A superb, richly-inked impression, on cr...
Category

1930s Modern Abstract Prints

Materials

Lithograph

Mid Century Modern Painting Hand Embellished Giclee on Canvas Colorful
Located in Sherman Oaks, CA
Vibrant Colorful Abstract-0-25-1,' an exquisite piece of Mid Century Modern Art by the renowned artist Irena Orlov. This is no ordinary artwork; it's a limited edition Giclee meticu...
Category

2010s Modern Abstract Prints

Materials

Canvas, Varnish, Archival Ink, Acrylic, Digital, Inkjet, Giclée

"Colors in Space II" (SF-95) Signed Printer's Proof Lithograph on Archival Paper
Located in Soquel, CA
"Colors in Space II" (SF-95) Signed Printer's Proof Lithograph on Archival Paper Bright and playful abstract composition by Sam Francis (American, 1923-1994). Splashes of yellow, or...
Category

1960s Modern Abstract Prints

Materials

Archival Paper, Lithograph

Composition rouge et bleue (Poliakoff/Schneider 68), XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Poliakoff, Alexis, and Gérard Schneider. Se...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Le Bateau Lavoir (The Laundry Boat)
Located in Austin, TX
Artist: Alexander Calder Title: Le Bateau Lavoir (The Laundry Boat) Year: 1969 Medium: Lithograph Edition: 73/75 Numbered 73/75 in pencil, lower margin ...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Color Explosion - Original lithograph (Maeght 1983)
Located in Paris, IDF
Sam FRANCIS Color Explosion (c. 1983) Original lithograph Unsigned as issued On heavy paper 89.5 x 54 cm (c. 36 x 21 inch) Original lithographic exhibition poster for the artist Ret...
Category

1980s Modern Abstract Prints

Materials

Lithograph

Sam's Art, from the New York International portfolio, signed/n lithograph 1966
Located in New York, NY
Saul Steinberg Sam's Art, from The New York International Portfolio), 1966 Lithograph on wove paper with blind stamp Pencil signed and numbered 12/225 on the front Published by Tanglewood Press, Knickerbocker Machine and Foundry, Inc., New York Printed by Irwin Hollander with blind stamp Unframed This Steinberg lithograph is titled Sam's Art, which of course refers to Uncle Sam, the nickname for the United States government. It features his version of the motto seen on our dollar bills, "Annuit Coeptis", which is one of the mottoes found on the Great Seal of the United States. It is directly underneath the "Eye of Providence" and is translated by the US Treasury and State Department as "God (or Providence) favors our undertakings". American President Abraham Lincoln, sitting in front of an easel, is also depicted as an artist in this telling 1960s work. Commentary: "In Saul Steinberg’s lithograph ‘Sam’s Art’, Abraham Lincoln, in stove-pipe hat, poses as the artist in front of his canvas. While his attention looks fixed on rendering the slightly wobbly pyramid with an eye, the Masonic motif from the back of the one dollar bill, the line from his brush has floated off the canvas to become a cubist-futurist cloud in the sky. The American Eagle looks on, perched on a civil war cannon...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Otmar Alt, Abstract Art Print, hand signed and numbered.
By Otmar Alt
Located in Berlin, DE
Otmar Alt, abstract art print, hand signed and numbered. Dimensions with frame. Includes certificate of authenticity.
Category

20th Century Modern Abstract Prints

Materials

Lithograph

1992 Joan Miro 'Miro Engravings volume 3 (1973-1975)'
Located in Brooklyn, NY
This volume, "Miró Engraver Volume III: 1973-1975," authored by Jacques Dupin and published by Rizzoli in 1992, is an exceptional hardcover edition that delves into the engravings of...
Category

1990s Modern Abstract Prints

Materials

Lithograph

Les Amoureux- From the Album "Jean Cocteau Lithographies" by Jean Cocteau
Located in New York, NY
The modern lithograph "Les Amoureux" by Jean Cocteau was printed at the Atelier Mourlot in 1957. Cocteau was a master at representing the languid forms of his subjects in sketches. H...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Georges Braque, Composition, L'édition de tête (after)
Located in Auburn Hills, MI
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré a George...
Category

1960s Modern Abstract Prints

Materials

Lithograph

"Unicorn Moebius II" - Trial Proof Lithograph in Ink on Laid Paper
Located in Soquel, CA
"Unicorn Moebius II" - Trial Proof Lithograph in Ink on Laid Paper High contrast, multi-layer etching by Bruce Weinberg (American, 1942-1994). A moebius strip is shown against a dar...
Category

1980s Modern Abstract Prints

Materials

Laid Paper, Lithograph

Kelly, Composition (Axsom 180, IE), Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin Chiffon de Mandeure paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres Illustres Or...
Category

1960s Modern Abstract Prints

Materials

Lithograph

La Conférence à la Sorbonne, 3 Juin 1959 Lt Ed IKB Silkscreen album cover w/LPS
Located in New York, NY
Yves Klein La Conférence à la Sorbonne, 3 Juin, 1959, 1959-1963 Two 12-inch vinyl records held in gatefold sleeve with silkscreen cover jacket in IKB International Klein Blue...
Category

1960s Modern Abstract Prints

Materials

Offset, Lithograph, Board, Pencil, Plastic, Screen, Mixed Media

Picasso, Man with Pipe, Picasso: Fifteen Drawings (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., ...
Category

1940s Modern Abstract Prints

Materials

Lithograph, Stencil

Niki de St Phalle Bespoke LOVE Shopping Bag
Located in New York, NY
Niki de Saint Phalle Niki de St Phalle Bespoke LOVE Shopping Bag, ca. 1982 Silkscreen on paper bag 9.5 x 8 inches Unframed The edition is unknown but we h...
Category

1980s Modern Abstract Prints

Materials

Paper, Mixed Media, Screen

San Lazzaro, Framed Abstract Lithograph by Joan Miró
Located in Long Island City, NY
Artist: Joan Miro, Spanish (1893 - 1983) Title: San Lazzaro Year: 1975 Medium: Lithograph Edition: 400/575 Paper Size: 14 x 10 inches (35.6 x 25.4 cm) Fram...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Calder, The Blue Balloon, Spanish Refugee Aid (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published and printed by Bank Street Atelier, New York, 1973. I...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Composition (Cramer 105), Femmes, Joan Miró
Located in Auburn Hills, MI
Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Jeune Fille au Chat
Located in New York, NY
A very good impression of this color lithograph. Artist's proof, aside from the edition of 220. Signed and inscribed "E.A." in pencil by Foujita. Printed by the Guilde de la Gravure,...
Category

1950s Modern Abstract Prints

Materials

Color, Lithograph

Modern abstract prints for sale on 1stDibs.

Find a wide variety of authentic Modern abstract prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Joan Miró, Alexander Calder, Pablo Picasso, and Conrad Marca-Relli. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Modern abstract prints, so small editions measuring 1.88 inches across are also available. Prices for abstract prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $22 and tops out at $100,000, while the average work sells for $950.

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