Modern Abstract Prints

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Femme debout (Standing Woman), from the folio Derriere le miroir, No. 127, originates from the 1961 edition pub...

This exquisite lithograph by Joan Miro (1893–1983), titled Personnage et Etoiles (Figure and Stars), from the folio Les Peintres mes amis (The Painters My Friends), originates from t...

This exquisite lithograph, after Wassily Kandinsky (1866–1944), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 8 (double), Janvier 1957, originates from...

Auguste Herbin (French, 1882-1960), "Nude", Geoemtric Composition, Serigraph on Paper, 1960, numbered edition "145/150" lower left, apparently unsigned, silver-tone frame. 19.25" H x...

Lithograph on vélin paper. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Calder. Published and printed by Musée National d'A...

Vintage French Travel Poster, Air france Roger Bezombes (1913-1994) French Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts...

A very good impression of this color aquatint and etching. Artist's proof, aside from the edition of 75. Signed and inscribed "PA" in pencil. Printed by Labryrinth, Florence. Publish...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie P, var. 4 (Series P, Variation 4), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This original poster was created for a Georges Braque exhibition at the Maeght Gallery in Zurich. The artwork prominently features two birds in flight, with one outlined in white and...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

Artist: Henri Matisse (after) Title: La Perruch et la Sirene Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Frame Siz...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie C, var. 8 (Series C, Variation 8), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Artist: Marc Chagall (after) Title: Femme au Bouquet Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from the edition ...

Vibrant Colorful Abstract-0-18,' a stunning piece of state-of-the-art HAND EMBELLISHED artwork by the talented artist Irena Orlov. This Giclee Reproduction is a true masterpiece, me...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

This exquisite lithograph by Henry Moore (1898–1986), titled Figures allongees (Reclining Figures), from the album XXe Siecle, Nouvelle serie, XXXIIIe Annee, No. 36, Juin 1971, origi...

This exquisite lithograph by Konrad Klapheck (1935–2023), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguer...

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Ville doree (Golden City), from the folio Vieira da Silva, Peintres d'aujourd'hui (Vieira da Silva,...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie K, var. 2 (Series K, Variation 2), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Komposition Weiss auf Schwarz (Composition White on Black), from the folio Derriere le miroir, No. 101–103, orig...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°3 (double) Juin 1952, originates from the 19...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Coin d'atelier, fond bleu (Corner of the Studio, Blue Background), from the folio Nicolas de Stael, Peintres d'...

Abstract composition is a beautiful colored screen print realized by Mario Padovan in 1971. Hand-signed in pencil on the lower right. Numbered on the lower left, the edition of 50 P...

Vintage French Travel Poster, Air france Roger Bezombes (1913-1994) French Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie I, var. 14 (Series I, Variation 14), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Th...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie D, var. 4 (Series D, Variation 4), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie I, var. 8 (Series I, Variation 8), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 166, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme et Oiseau IX/X (Woman and Bird IX/X), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition pu...

Lithograph on vélin papel Guarro con filigrana paper. Unsigned and unnumbered, as issued. Good condition. Notes: published in 1970 to promote the folio, Tapís De Tarragona, il·lustra...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré à Jean-Paul Riopelle, Derrière le mi...

Artist: Jean Arp Title: Constellations Portfolio: XXe Siecle No. 4 Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19 3/4" x 16 3/4" Sheet Size: 12 5/8" x 9 5/8" Signature...

This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of pink, black, white. Similar to iconic works by Saul Steinberg. Jean Carzou (Armenian: Ժան Գառզու, 1 January 1907 – 12 August 2000) was a French–Armenian artist, painter, and illustrator, whose work illustrated the novels of Ernest Hemingway and Albert Camus. Carzou was born Karnik Zouloumian (Armenian: Գառնիկ Զուլումեան) in Aleppo, Syria to an Armenian family. Carzou later created his name from the first syllables of his name and surname, and added a Parisian nickname, "Jean". He was educated in Cairo, Egypt before moving to Paris in 1924 to study architecture. Carzou belonged to the art movement called "La Jeune Peinture" ("Young Picture") of the School of Paris, with painters like Bernard Buffet, Yves Brayer, Jansem, Jean Carzou, Louis Vuillermoz, Pierre-Henry, Daniel du Janerand, Gaston Sébire, Paul Collomb, Jean Monneret, Jean Joyet and Gaëtan de Rosnay. He started working as a theater set decorator but quickly realized he preferred drawing and painting. In 1938, more than a hundred exhibitions of his works were organized in Paris, in the French provinces and abroad. In 1949, he received the coveted Hallmark prize. Carzou, like his contemporaries Salvador Dali, and Pablo Picasso was part of a generation that witnessed many wars and was deeply affected by it. Carzou made his first lithograph in 1951 and was prolific in both the lithographic and etching medium. He had solo exhibitions throughout the world and was elected to the French Academy of Fine Arts in 1977. In 1952, he created costumes and sceneries for Les Indes Galantes of Rameau at the Opéra de Paris. He continued with Le Loup (1953) for "Les Ballets" of Roland Petit, Giselle (1954) and Athalie (1955) at the Opéra and "La Comédie française". Carzou mastered a number of mediums, though his line drawing and engraving would become well known as illustrations for some of the 20th century's most revered writers, including Hemingway, Albert Camus, Ionesco and Rimbaud. Carzou produced stunning work of painted glass and porcelain, in pencils, gauche and pastels as well as oil painting, often choosing to work on textured or irregular fabrics and papers rather than traditional canvas. Carzou was elected a member of the Institut de France, Académie des beaux-arts, succeeding in the seat left vacant by the death of painter Jean Bouchaud in 1977. He was also awarded the National Order of Merit of France. Among his closest friends were the painters Daniel du Janerand, Gabriel Deschamps, Louis Vuillermoz, Pierre-Henry, André Vignoles, Pierre Gaillardot, Rodolphe Caillaux...

"Colors in Space II" (SF-95) Signed Printer's Proof Lithograph on Archival Paper Bright and playful abstract composition by Sam Francis (American, 1923-1994). Splashes of yellow, or...

Galloping Horse is an artwork realized by  Jean-Marie Guiny, 2000s.  Etching, Edition 145/160. 40 x 50 cm ; with frame.  Hand signed in the lower right part. Good condtions! J...

This exquisite lithograph by Hans Jean Arp (1886–1966), titled Rouge, bleu, brun (Red, Blue, Brown), from the folio Derriere le miroir, L’art abstrait, No. 21-22, originates from the...

Joan Miró One plate from DLM "Peintures Murales de Miró" Medium: Color lithograph Publisher: Maeght, Paris Size: 13.3 × 10.7 on 14.8 × 10.9 inches Reverse Side: Continued text about "Peintures Pour De...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el Jardin de Miro (Number 20) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

Joan Miró Les Revolutions Sceniques Du XXe Siecle - II Color lithograph Year: 1975 Size: 12.2×9.4in on 14.7×10.4in Unsigned as issued From an edition with unknown size (pres. <1,500...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 130, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme et Oiseau I/X (Woman and Bird I/X), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition publ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published by The Collector's Guild Ltd., New York in association with Th...

Knight and Horse is an original etching realized by Marino Marini in 1963. Good conditions. The artwork is depicted through strong strokes in a well-balanced composition.

This exquisite lithograph by Alexander Calder (1898–1976), titled Composition aux Cercles (Composition with Circles), from the folio Derriere le miroir, No. 221, originates from the 1976 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1976. Composition aux Cercles reflects Calder’s mastery of rhythm, motion, and form—translating the dynamic energy of his sculptural works into bold, abstract compositions on paper, rich with color and movement. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Composition aux Cercles (Composition with Circles), from the folio Derriere le miroir, No. 221 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.88 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1976 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 221, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1976 Notes: Excerpted from the folio (translated from French), The illustrations on the cover and pages 3, 4-5, 6, 9, 12-13 and 16 of this issue of "Behind the Mirror" are original lithographs by Calder printed at l'imprimerie Arte, Adrien Maeght. It was printed a luxury edition on velin d'Arches in CL numbered examples. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Composition...

Karl Kasten, American (1916 - 2010) - Money Tree, Year: 1967, Medium: Etching and Aquatint on Rives, signed, titled, numbered and dated in pencil, Edition: 7/20, Image Size: 15.7...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 10) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

This exquisite lithograph by Alfred Manessier (1911–1993), titled Formes et transparence (Forms and Transparency), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954...

This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Moshe Tamir and Michael Gross. Yigal Tumarkin (also Igael Tumarkin...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled L'Atelier (The Studio), from the folio Derriere le miroir, No. 127, originates from the 1961 edition published ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie I, var. 13 (Series I, Variation 13), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Th...

Joan Miro La Danse Du Feu (from Artigas) Original Color Lithograph, doublefold Year: 1963 Size: 14.5x21.5in Edition: 1,500 Portfolio: DLM 139-140 Publisher: Maeght Editeur, Paris 1...

This exquisite lithograph by Jean Bazaine (1904–2001), titled Composition bleue (Blue Composition), from the folio Derriere le miroir, No. 55-56, originates from the 1953 edition pub...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme V/VI (Woman V/VI), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition published and printed...

Artist: Jean Helion Title: Untitled Portfolio: XXe Siecle No. 4 Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19 3/4" x 16 3/4" Sheet Size: 12 5/8" x 9 5/8" Signature: U...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°3 (double) Juin 1952, originates from the 19...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Executed in 1956 and issued as the frontispiece of the Picasso Lithograph...

Offset lithograph in colors. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 48. All reasonable off...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme Assise I/V (Seated Woman I/V), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition published...