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Modern Abstract Prints

MODERN STYLE

The first decades of the 20th century were a period of artistic upheaval, with modern art movements including Cubism, Surrealism, Futurism and Dadaism questioning centuries of traditional views of what art should be. Using abstraction, experimental forms and interdisciplinary techniques, painters, sculptors, photographers, printmakers and performance artists all pushed the boundaries of creative expression.

Major exhibitions, like the 1913 Armory Show in New York City — also known as the “International Exhibition of Modern Art,” in which works like the radically angular Nude Descending a Staircase by Marcel Duchamp caused a sensation — challenged the perspective of viewers and critics and heralded the arrival of modern art in the United States. But the movement’s revolutionary spirit took shape in the 19th century.

The Industrial Revolution, which ushered in new technology and cultural conditions across the world, transformed art from something mostly commissioned by the wealthy or the church to work that responded to personal experiences. The Impressionist style emerged in 1860s France with artists like Claude Monet, Paul Cézanne and Edgar Degas quickly painting works that captured moments of light and urban life. Around the same time in England, the Pre-Raphaelites, like Edward Burne-Jones and Dante Gabriel Rossetti, borrowed from late medieval and early Renaissance art to imbue their art with symbolism and modern ideas of beauty.

Emerging from this disruption of the artistic status quo, modern art went further in rejecting conventions and embracing innovation. The bold legacy of leading modern artists Georges Braque, Pablo Picasso, Frida Kahlo, Salvador Dalí, Henri Matisse, Joan Miró, Marc Chagall, Piet Mondrian and many others continues to inform visual culture today.

Find a collection of modern paintings, sculptures, prints and other fine art on 1stDibs.

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Style: Modern
Braque, L'oiseau et son nid, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 85-86, 1956. Published by A...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Spain : Flamenco Dancer - Lithograph (Artcurial edition)
Located in Paris, IDF
Sonia DELAUNAY Spain : Flamenco Dancer Lithograph after a painting Printed signature in the plate Numbered /600 On Arches vellum 40 x 30 cm (c. 15.7 x 11.8 in) ArtCurial edition, 1...
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Late 20th Century Modern Abstract Prints

Materials

Lithograph

Peter Green Astral Form 1969 Signed Limited Edition Woodcut
Located in Rochester Hills, MI
Artist: Peter Green Title :Astral Form Year:1969 Edition: Signed, Dated and marked 19/30 Paper Size = 26½" x 38½" inches Type: Woodcut Born in 1933, Peter Green studied at Brighto...
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1960s Modern Abstract Prints

Materials

Woodcut

Untitled Double Page Illustration for DLM
Located in Fairlawn, OH
Untitled Double Page Illustration for DLM Color lithograph, 1968 Unsigned as issued in DLM Published in Derriere le Miroir (Behind the Mirror), calle...
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1960s Modern Abstract Prints

Materials

Lithograph

Matisse, Série N Gc'S, var. 1 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Auburn Hills, MI
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
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1940s Modern Abstract Prints

Materials

Lithograph

Birth Chart, Modern Hand colored Etching by Van Amerige
Located in Long Island City, NY
Van Amerige - Birth Chart, Medium: Hand colored Etching on hand made paper, signed and numbered in pencil, Edition: AP, Image Size: 14 x 11 inches, Size: 23 x 16 in. (58.42 x 40....
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1960s Modern Abstract Prints

Materials

Etching

Paul Jenkins - Composition - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Paul Jenkins - Composition - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Paul Jenkins, American (1923 - 2012) Paul Jenkins, an artist originally associated with abstract expressionism, exhibits in his mature works a redefining of color, light and space on the canvas surface. Born in Kansas City, Missouri in 1923, Jenkins worked as a teenager in a ceramics factory, where he was first exposed to color intensity and the creation of form. From age 14 to 18, he studied drawing and painting at the city's Art Institute. Initially interested in drama, Jenkins received a fellowship to the Cleveland Playhouse, then continued his dramatic studies in Pittsburgh at the Drama School of the Carnegie Institute of Technology. Deciding to become an artist, Jenkins moved to New York City in 1948 and studied at the Art Students League. During Jenkins's three years at the League, Yasuo Kuniyoshi and Morris Kantor were his influential instructors. While Jenkins continued to live and paint in New York City, his personal explorations took a metaphysical turn, which would ultimately become dominant in his work. P.D. Ouspensky's The Search of the Miracu/ous changed the artist's thoughts on human growth and limitations, while the Chinese I Ching, through its thematic emphasis on constant change, heightened his interest in flowing paint on canvas. Painting for Jenkins became an intuitive, almost mystical process. He commented, "I paint what God is to me." In 1953, Jenkins traveled to Paris, where, a year later, he had his first one-man show. While working at the American Artists Center, he continued to experiment with flowing paints, pouring pigment in streams of various thicknesses, with white thin spills as linear overlays. Jenkins's intent was to deny stasis and create a literal and metaphysical sense of dynamism, while maintaining a sense of unity. Beginning in 1958, Jenkins titled each canvas Phenomena, with additional identifying words. He believed the work to be descriptive of the discovery process inherent in each painting. Paralleling his beliefs, the artist's paintings have undergone subtle but definite changes. Beginning in the early 1 960s, a shift of color saturation and exposure of the white areas gave Jenkins's canvases an enhanced feeling of illumination. If Jenkins's technique is unorthodox, he is in many other ways a traditional artist. He works in an acrylic medium on traditional linen canvas or fine rag paper. Often he uses an ivory knife...
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1960s Modern Abstract Prints

Materials

Lithograph

Untitled (Gold) & Untitled (White)
Located in New York, NY
Two color screenprints printed on black wove paper, both very good impressions with strong colors. Both signed, dated and numbered 6/14 and 2/20 in pencil.
Category

1970s Modern Abstract Prints

Materials

Color, Screen

Composition (Cramer 105), Femmes, Joan Miró
Located in Auburn Hills, MI
Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Giacometti, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 65, 1954. Published by Aimé Maeg...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Chillida, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Woodcut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 174, 1968. Published by Aimé Maeght, Éditeur, Paris; print...
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1960s Modern Abstract Prints

Materials

Woodcut

Olivetti
Located in New York, NY
Pintori, Giovanni. Olivetti. 1967. 2nd printing. 1st Printing 1946. Offset Lithograph. Rare Giovanni Pintori (1912 – 1999) was an Italian graphic designer and painter. His most famous works are the advertisement posters for Olivetti typewriters...
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1960s Modern Abstract Prints

Materials

Offset

Portrait de Michel Leiris
Located in London, GB
Etching and aquatint in colours on Arches paper Signed by the artist in pencil, lower right on recto 68 x 52 cm, 71.8 x 56.8 cm (framed) Edition 98 of 100 Michel Leiris (1901-1990) ...
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1970s Modern Abstract Prints

Materials

Etching, Aquatint

Braque, Etude pour un oiseau, Georges Braque le solitaire (after)
Located in Auburn Hills, MI
Lithograph on vélin papier d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Georges Braque le solitaire, 1959. Published by Editions XXe Si...
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1950s Modern Abstract Prints

Materials

Lithograph

La Mélodie Acide - 1 (Surrealism, Colorful, Modern, ~26% OFF LIMITED TIME ONLY)
Located in Kansas City, MO
Joan Miró La Mélodie Acide - 1 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9 ...
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1980s Modern Abstract Prints

Materials

Lithograph

Moore, Composition, San Lazzaro et ses Amis, XXe Siècle (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, XXe San Lazzaro et ses Amis, San Lazzaro et ses amis, hommage au fondat...
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1970s Modern Abstract Prints

Materials

Lithograph

Braque, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 166, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...
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1960s Modern Abstract Prints

Materials

Lithograph

Georges Braque, Composition, L'édition de tête (after)
Located in Auburn Hills, MI
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Georges Braque, Derniers messages,...
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1960s Modern Abstract Prints

Materials

Lithograph

Braque, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 166, 1967. Published by Aim...
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1960s Modern Abstract Prints

Materials

Lithograph

Salute to 1965, Modern Lithograph with Woodblock and Intaglio
Located in Long Island City, NY
June Mary Ann Hildebrand - Salute to 1965, Year: 1965, Medium: Lithograph, Woodblock and Intaglio on Japon, signed, titled and numbered in pencil, Edition: 5/8, Image Size: 22 x ...
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1960s Modern Abstract Prints

Materials

Lithograph, Woodcut

Les tournesols, Une Aventure méthodique, Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...
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1950s Modern Abstract Prints

Materials

Lithograph

Bechtold Original Vintage Exhibition Poster
Located in London, GB
Bechtold Original vintage 1975 Oversize size gallery exhibitions poster. 35.1 x 50.1 cm Sold as seen rolled - excellent condition. Exhibition detailed : Galería Carl van der Voo...
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1980s Modern Abstract Prints

Materials

Archival Paper

Braque, L'oiseau Jaune, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 115, 1959. Published by Aim...
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1950s Modern Abstract Prints

Materials

Lithograph

Underwater — Mid-century Modern
Located in Myrtle Beach, SC
Charles Quest, 'Underwater', 1948, chiaroscuro wood engraving, edition 12. Signed, titled, dated and numbered '3/12' in pencil. A fine, richly-inked impression, in dark brown and warm black, on off-white wove paper, with full margins (5/8 to 1 1/2 inch), in excellent condition. Scarce. ABOUT THE ARTIST Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...
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1940s Modern Abstract Prints

Materials

Woodcut

Composition (Mourlot 1212-1225; Cramer 248), La mélodie acide, Joan Miró
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, La mélodie acide, 14 lithographies originales de Joan Miró, 1980. Published...
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1980s Modern Abstract Prints

Materials

Lithograph

Matisse, Série M, var. 7 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Auburn Hills, MI
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
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1940s Modern Abstract Prints

Materials

Lithograph

Homage to Marc Chagall, from XXe Siecle
Located in Washington, DC
Artist: Marc Chagall Title: Homage to Marc Chagall Portfolio: XXe Siecle Medium: Lithograph Year: 1969 Edition: Unnumbered Framed Size: 20 1/2" x 17 1/4" Sheet Size: 12" x 9 1/2" Im...
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1960s Modern Abstract Prints

Materials

Lithograph

Kandinsky, Orientalisches, Société internationale d'art XXe siècle (after)
Located in Auburn Hills, MI
Woodcut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle Paris, Hommage à Wassily Kandinsky, Edited ...
Category

1970s Modern Abstract Prints

Materials

Woodcut

Untitled (Abstract, Modern, Earthtone, Red, Linocut, ~33% OFF - LIMITED TIME)
Located in Kansas City, MO
Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper 1996 19.48 x 25.78 inches (49.5 x 65.5 cm) Edition: Unique Signed and dated by hand COA ...
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1990s Modern Abstract Prints

Materials

Linocut

"Equal Justice Under Law" Screenprint #99/125 on Wove Paper
Located in Soquel, CA
"Equal Justice Under Law" Screenprint #99/125 on Wove Paper Iconic composition by Robert Rauschenberg (American, 1925-2008). A red envelope and a hand holding sprouted grass the pli...
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1970s Modern Abstract Prints

Materials

Laid Paper, Screen

Brianchon, Saint-Jean-de-Luz: La plage, Prints from the Mourlot Press (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot Press, 1964. Published by Fernand Mourlot, Par...
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1960s Modern Abstract Prints

Materials

Lithograph

Georges Braque, Papier collé (Maeght N°1049), L'édition de tête (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacre aux Pap...
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1960s Modern Abstract Prints

Materials

Lithograph

Kandinsky, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 179, 1969. Published by Aim...
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1960s Modern Abstract Prints

Materials

Lithograph

Lithographier Originale (Abstract Expressionism)
Located in Kansas City, MO
Joan Miro Lithographier Originale Original Color Lithograph Year: 1961 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 125-126 Publisher: Maeght Editeur, Paris 1961 Additional text...
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1960s Modern Abstract Prints

Materials

Lithograph

Matisse, Série N Gc'S, var. 4 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Auburn Hills, MI
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Abstract Prints

Materials

Lithograph

Bacon, Three Studies for Portrait of Lucian Freud, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with trifold, as issued. Notes: From Derrière le miroir, N° 162. Published by Aimé Maeght, Éditeur, P...
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1960s Modern Abstract Prints

Materials

Lithograph

Still Life - Lithograph on Paper by Nino Cordio - 1980s
Located in Roma, IT
Still Life is an original Contemporary artwork realized by Nino Cordio (Santa Ninfa, 10 luglio 1937 – Roma, 24 aprile 2000) in the 1980s. Original Lithograph on paper. Numbered in...
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1980s Modern Abstract Prints

Materials

Lithograph

Kandinsky, Jüngster Tag, Société internationale d'art XXe siècle (after)
Located in Auburn Hills, MI
Woodcut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the block and unnumbered, as issued. Notes: From the album, XXe siècle Paris, Hommage à Wassily Kandins...
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1970s Modern Abstract Prints

Materials

Woodcut

Large Venezuelan Jewish Modernist Lithograph Menorah Judaica
Located in Surfside, FL
Marius Sznajderman was a painter, printmaker and scenic designer living and working in the United States. Born in Paris, France in 1926 his Jewish parents had migrated to France from Poland in 1923. In November 1942 the family fled Nazi-occupied France for Spain before settling in Caracas, Venezuela. He attended the School of Fine Arts in Caracas where his teachers included illustrator Ramon Martin Durban, scenic designer Charles Ventrillon-Horber and painter Rafael Monasterios. and immigrated to the United States in 1949, where he received a Bachelor of Fine Arts and Master of Fine Arts from Columbia University in New York. He settled in Hackensack, New Jersey, where he lived and had a studio for more than 50 years before moving to Amherst, Massachusetts in 2015. His work, which includes painting, prints and collages, as well as set designs, is in more than 45 museum and public institution collections in the United States, Latin America and Israel. He held more than 40 solo exhibitions at galleries and museums and participated in more than 75 group shows around the globe. He helped found the Taller Libre de Arte, an experimental workshop for the visual arts, sponsored by the Ministry of Education. The Taller Libre de Arte was a center for young artists to work and to meet with critics and intellectuals to discuss avant-garde ideas and artistic trends from Europe and Latin America. Among the notable artists who participated in the Taller Libre de Arte were Ramón Vásquez Brito, Carlos González Bogen, Luis Guevara Moreno, Mateo Manaure, Virgilio Trómpiz...
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20th Century Modern Abstract Prints

Materials

Lithograph

Calder, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 195, 1971. Published by Aimé Maeght, Éditeur, Paris; pr...
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1970s Modern Abstract Prints

Materials

Lithograph

Composition, Les Peintres mes amis, André Dunoyer de Segonzac
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...
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1960s Modern Abstract Prints

Materials

Lithograph

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman
Located in New York, NY
The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) "The New Cable," 1931 12 x 16 1/2 inches Color linocut Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil Framed: 19 x 24 inches Literature: Coppel Sa17 Illustrated on page 10 of the catalog The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60. BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death. She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951. She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...
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1930s Modern Abstract Prints

Materials

Linocut

"El Espejo" Teal, Brown and Blue Toned Modernist Figurative Print
Located in Houston, TX
Teal, brown and blue tone abstract figurative original print by Amado Maurilio Pena. The piece depicts five women figures that either appear back-to-back or fa...
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1970s Modern Abstract Prints

Materials

Archival Pigment

Matisse, Série N Gc'S, var. 3 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Auburn Hills, MI
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
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1940s Modern Abstract Prints

Materials

Lithograph

Composition, Feuilles éparses, Stanley William Hayter
Located in Auburn Hills, MI
Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...
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1960s Modern Abstract Prints

Materials

Etching

Ubac, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 142, 1964. Published by Aim...
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1960s Modern Abstract Prints

Materials

Lithograph

Ubac, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 142, 1964. Published by Aimé Maeght, Éditeur, Paris; pr...
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1960s Modern Abstract Prints

Materials

Lithograph

Calder, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 113, published by Aimé Maeg...
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1950s Modern Abstract Prints

Materials

Lithograph

Untitled (Architectural Abstract, Modern, Beige, Brown, ~33% OFF - LIMITED TIME)
Located in Kansas City, MO
Martel Wiegand Untitled (Architectural Abstract, Modern, Beige, Brown, Linocut) Color Linoleum Cut on light Japanese Washi Paper with Centerfold 1990 24.01 x 35.43 inches (61 x 90 cm...
Category

1990s Modern Abstract Prints

Materials

Linocut, Washi Paper

Intersections, Framed Abstract Lithograph by Alexander Calder
Located in Long Island City, NY
Intersections from Derriere Le Miroir by Alexander Calder, American (1898–1976) Date: 1968 Lithograph Size: 15 x 11 in. (38.1 x 27.94 cm) Printer: Maeght, Paris Publisher: Maeght Edi...
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1960s Modern Abstract Prints

Materials

Lithograph

Bacon, Portrait of George Dyer Talking, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 162. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Composition, Les Peintres mes amis, Joan Miró
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Edward Sacks, Seated Figure
Located in New York, NY
Little is known about the artist, Edward (Ed) Sacks, although this print may have been made at the Art Students League in NYC. it is a cross between, as the title suggests, a Seated ...
Category

1940s Modern Abstract Prints

Materials

Lithograph

Equinoxe, Modern Offset Lithograph Poster after Joan Miro
Located in Long Island City, NY
Joan Miro, After, Spanish (1893 - 1983) - Equinoxe, Year: 1996, Medium: Offset Lithograph Poster, fascimile signature, Image Size: 29.5 x 20.5 inches, Size: 37.5 x 25.5 in. (95.2...
Category

1990s Modern Abstract Prints

Materials

Offset

“Untitled”
Located in Southampton, NY
Original aquatint etching “Untitled” by the Germans artist, Ferdinand Springer. Signed in lower right margin in pencil by the artist and dated 1951. Condition is excellent. Edition size in pencil in lower left margin 98/200. Sheet size (full) is 115 by 22.75. Image size is 9.75 by 18.75. The artwork is housed in a thin antique silver contemporary frame. Overall framed measurements are 19.5 by 27 inches. Under glass. Provenance: A St. Petersburg, Florida collector. Ferdinand Springer, painter and printmaker, was born to a German father and a Swiss mother in Berlin on October 1, 1907. After graduating from high school in Potsdam, he studied art history at the University of Zurich. He began painting in 1927 and visited Milan where he met the Italian painters Giorgio Morandi and Carlo Carrà. Springer moved to Paris in 1928 where he studied with Roger Bissière at the Académie Ranson. In 1932, he learned intaglio techniques at Atelier 17 in Paris and, in 1937, he traveled to New York where he exhibited at the Julian Levy Gallery. During this time he met Alexander Calder and Salvatore Dali...
Category

1950s Modern Abstract Prints

Materials

Archival Paper, Etching, Aquatint

Boy's Head
Located in New York, NY
Frank Kleinholz (American 1901-1987) " Boy's Head", Abstract/ Modernist Lithograph, 10 x 6.75, Mid to Late 20th Century Colors: Black and White *In Frame Measurement: 13.75 x 10.50...
Category

Late 20th Century Modern Abstract Prints

Materials

Lithograph

Matisse, Série H, var. 6 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Auburn Hills, MI
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Abstract Prints

Materials

Lithograph

Matisse, Série G, var. 1 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Auburn Hills, MI
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Abstract Prints

Materials

Lithograph

IV, De la Carpeta Canto General
Located in New York, NY
Signed by the artist in white pencil, lower right. Numbered 10/200 in pencil, lower left. Published by Mourlot, Paris. Framed dimensions is 30 x 47 inches, the sheet with full mar...
Category

Mid-20th Century Modern Abstract Prints

Materials

Lithograph

Matisse, Série A, var. 3 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Auburn Hills, MI
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Abstract Prints

Materials

Lithograph

Modern abstract prints for sale on 1stDibs.

Find a wide variety of authentic Modern abstract prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Joan Miró, Alexander Calder, Pablo Picasso, and Conrad Marca-Relli. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Modern abstract prints, so small editions measuring 1.88 inches across are also available. Prices for abstract prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $22 and tops out at $100,000, while the average work sells for $950.

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