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Modern Abstract Prints

MODERN STYLE

The first decades of the 20th century were a period of artistic upheaval, with modern art movements including Cubism, Surrealism, Futurism and Dadaism questioning centuries of traditional views of what art should be. Using abstraction, experimental forms and interdisciplinary techniques, painters, sculptors, photographers, printmakers and performance artists all pushed the boundaries of creative expression.

Major exhibitions, like the 1913 Armory Show in New York City — also known as the “International Exhibition of Modern Art,” in which works like the radically angular Nude Descending a Staircase by Marcel Duchamp caused a sensation — challenged the perspective of viewers and critics and heralded the arrival of modern art in the United States. But the movement’s revolutionary spirit took shape in the 19th century.

The Industrial Revolution, which ushered in new technology and cultural conditions across the world, transformed art from something mostly commissioned by the wealthy or the church to work that responded to personal experiences. The Impressionist style emerged in 1860s France with artists like Claude Monet, Paul Cézanne and Edgar Degas quickly painting works that captured moments of light and urban life. Around the same time in England, the Pre-Raphaelites, like Edward Burne-Jones and Dante Gabriel Rossetti, borrowed from late medieval and early Renaissance art to imbue their art with symbolism and modern ideas of beauty.

Emerging from this disruption of the artistic status quo, modern art went further in rejecting conventions and embracing innovation. The bold legacy of leading modern artists Georges Braque, Pablo Picasso, Frida Kahlo, Salvador Dalí, Henri Matisse, Joan Miró, Marc Chagall, Piet Mondrian and many others continues to inform visual culture today.

Find a collection of modern paintings, sculptures, prints and other fine art on 1stDibs.

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Style: Modern
Paysage de Montagne, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, Poètes,...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Composition with Red, Blue, Black, Yellow and Gray
Located in Brooklyn, NY
Composition with Red, Blue, Black, Yellow, and Gray by Piet Mondrian was originally painted in 1921. This period falls within Mondrian's mature phase, where he refined his abstract s...
Category

Mid-20th Century Modern Abstract Prints

Materials

Offset

Carzou French Modernist Color Lithograph Paris Cathedral Architecture with Boat
Located in Surfside, FL
This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of red, orange, green, yell...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Untitled Gestural Composition
Located in Kansas City, MO
Fred Alfred Theophil Fathwinter Untitled Gestural Composition Monotype Year: 1971 Signed, numbered and dated by hand Edition: 3 Size:8.1×11.5in on 12x17in COA provided Ref.: 924802-1197 Fathwinter, artist name for Franz Alfred Theophil Winter (May 23, 1906 in Mainz, † June 27, 1974 in Düsseldorf), was an artist of the Informel. From 1924 to 1927 he studied at the State School for Arts and Crafts in Mainz and in 1929/30 in evening classes at the Städelschule in Frankfurt am Main. During the National Socialist period he was banned from exhibiting. His evacuation to Murnau in 1942 led to a closer acquaintance with Gabriele Münter...
Category

1970s Modern Abstract Prints

Materials

Monotype

Magnelli, Composition, Société internationale d'art XXe siècle (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXXIIIe Anné...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Hiroshima
Located in New York, NY
Bound volume with complete text and 8 color screenprints. One of 1500 numbered copies. Signed by John Hersey, Robert Penn Warren and Lawrence and numbered ...
Category

1980s Modern Abstract Prints

Materials

Color, Screen

Alex Katz 'Reflection 2'
Located in New York, NY
Alex Katz (born 1927) Reflection 2 2021 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 47 x 39.5 inches (119 x 100.3 cm) Edition of 81/100 With flat plane...
Category

2010s Modern Abstract Prints

Materials

Screen

l'Homme au lavabo [Figure at a Washbasin]
Located in London, GB
Etching and aquatint in colours on Arches paper Signed by the artist in pencil, lower right on recto Image: 47.5 x 36.3 cm, Sheet: 67.5 x 52 cm, Framed: 87.9 x 71.7 cm Edition of 46 ...
Category

1870s Modern Abstract Prints

Materials

Etching, Aquatint

"H2O"
Located in Slovak Republic, SK
Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", recently presented in the Danubiana Meulenstein Art Museum in Bratislava.
Category

21st Century and Contemporary Modern Abstract Prints

Materials

Etching

"H2O"
"H2O"
$810 Sale Price
20% Off
Siren with Pine, from Nice and the Cote d'Azur (Unsigned Proof)
Located in Washington, DC
Artist: Marc Chagall (after) Title: Siren with Pine Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from the edition o...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Matisse, Série C, var. 3 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Auburn Hills, MI
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Abstract Prints

Materials

Lithograph

Totem by Le Corbusier
Located in New York, NY
“I prefer drawing to talking. Drawing is faster, and leaves less room for lies.” This colorful modern lithograph was printed at the Atelier Mourlot in Paris in 1963 and is from the printer's edition. It is signed and dated in the plate in the bottom left quadrant. Le Corbusier...
Category

Late 20th Century Modern Abstract Prints

Materials

Lithograph

Composition, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 30 x 22 inches, with quadfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 55-56,...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 6 (double) J...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Léger, Composition, Douze Contemporains (after)
Located in Auburn Hills, MI
Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...
Category

1950s Modern Abstract Prints

Materials

Lithograph, Stencil

Carnaval of Flowers, from Nice and the Cote d'Azur (Unsigned Proof)
Located in Washington, DC
Artist: Marc Chagall (after) Title: Carnaval of Flowers Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from the editi...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Calder, Convection, Braniff International Airways Flying Colors (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Inscription: Signed in the plate, embossed with the official Braniff Flying Colors Collection seal, and unnumbered, as issued. Good condition. Not...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Les poissons rouges, Une Aventure méthodique, Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Calder, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...
Category

1970s Modern Abstract Prints

Materials

Lithograph

"Les Pyramides Grandes" framed signed lithograph by Alexander Calder. Edition EA
Located in Boca Raton, FL
"Les Pyramides Grandes" framed geometric abstract lithograph of pyramids by Alexander Calder. Hand-lettered EA on lower left front. Hand-signed C...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Composition (Vallier 102), Les Paroles Transparentes, Georges Braque
Located in Auburn Hills, MI
Lithograph on Auvergne du Moulin Richard de Bas filigrané paper. Inscription: Watermarked with the artist's signature and unnumbered, as issued. Good condition. Notes: From the folio...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Kandinsky, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...
Category

1960s Modern Abstract Prints

Materials

Lithograph

1960s Antoni Tàpies lithograph (derrière le miroir)
Located in NEW YORK, NY
Vintage 1960s Antoni Tàpies Lithograph Portfolio: Derriere Le Miroir. Published by: Galerie Maeght/Aime Maeght, Paris 1967. Lithograph in colors; 1967. 15 x 22 inches. Center fold...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Composition (Cole/Myers 79), X + X, Ten Works by Ten Painters, Stuart Davis
Located in Auburn Hills, MI
Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...
Category

1960s Modern Abstract Prints

Materials

Screen

Modern Abstract Lithograph by Joan Miró
Located in Long Island City, NY
Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe II Catalogue Raisonne. Nicely framed. Lithographs II ...
Category

1980s Modern Abstract Prints

Materials

Lithograph

Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 12)
Located in Long Island City, NY
Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 12) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Incandescent City
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Incandescent City” in 1960 in an edition of 35 pieces. This impression is signed and inscribed “34/35.” It is in good condit...
Category

1960s Modern Abstract Prints

Materials

Lithograph

CONRAD MARCA-RELLI Limited ed. Etching & Aquatint American Modern, Contemporary
Located in Madrid, Madrid
Conrad Marca Relli - Composition VI Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and ...
Category

1970s Modern Abstract Prints

Materials

Etching, Aquatint

'Chinoiserie' — Mid-Century Modernism
Located in Myrtle Beach, SC
Edward Landon 'Chinoiserie', color serigraph, 1947, edition 50, Ryan 36. Signed in pencil in the image, lower right. Titled, dated, and annotated '4 COLORS – EDITION 50' in the scree...
Category

Mid-20th Century Modern Abstract Prints

Materials

Screen

In the style of Henry Moore, Mother and Child in Rocking Chair
Located in Surfside, FL
This is a cast metal sculpture of a woman and child, mother and baby in a rocking chair. It has a patina on a white metal. Not sure if it is steel or aluminum. It is and older vintage piece and has wear to patina where it sits and rocks on table. It is not signed or numbered and there is no foundry mark. Hence it is being sold as being after or in the manner of Henry Moore. Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history...
Category

1950s Modern Abstract Prints

Materials

Metal

Alexander Calder lithograph Derrière le Miroir (Calder prints)
Located in NEW YORK, NY
Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. From: Derrière le miroir Published Paris c. 1971. Printed in France. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York. Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931. His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry. The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London. Related Categories Calder prints. Mid Century Modern. 1970s. Alexander Calder and Contemporary Art. Mid Century Modern. Calder clowns.
Category

1970s Modern Abstract Prints

Materials

Lithograph

Rain Over Mountain, Modern Art in Blue Tones, Landscape, Cyanotype Monotype 2024
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...
Category

2010s Modern Abstract Prints

Materials

Watercolor, Lithograph, Monotype, Paper

Calder, Beastie, Braniff International Airways Flying Colors (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Inscription: Signed in the plate, embossed with the official Braniff Flying Colors Collection seal, and unnumbered, as issued. Good condition. Not...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Reiterweg (Roethel 111), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...
Category

1930s Modern Abstract Prints

Materials

Woodcut

Sister Kate — Mid-century, Jazz-inspired Modernism
Located in Myrtle Beach, SC
James Houston McConnell, 'Sister Kate', color serigraph, 1947, edition 24. Signed, dated, titled, and numbered '24' in pencil. Annotated '10.00 - 19 colors - 24 copies - #24' in pencil. A fine impression, with vibrant, fresh colors, on heavy tan wove paper, with full margins (11/16 to 1 1/2 inches). Tack holes in the four margin corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Scarce. Another of McConnell's mid-century modernist, jazz-inspired serigraphs, 'Combo', is featured in the British Museum's 2008 publication (and traveling exhibition) 'The American Scene: Prints from Hopper to Pollock'. ABOUT THE IMAGE "I Wish I Could Shimmy Like My Sister Kate", often simply "Sister Kate", is an up-tempo jazz dance song, written by Armand J. Piron and published in 1922. The lyrics of the song are narrated in the first person by Kate's sister, who sings about Kate's impressive dancing skill and her wish to be able to emulate it. She laments that she's not quite "up to date", but believes that dancing like "Sister Kate" will rectify this, and she will be able to impress "all the boys in the neighborhood" like her sister. Over the years this song has been performed and recorded by many artists, including Frances Faye and Rusty Warren, a 1959 version by Shel Silverstein...
Category

1940s Modern Abstract Prints

Materials

Screen

'Sculpturegraph' — Modernist Abstraction, Contemporary African American Artist
Located in Myrtle Beach, SC
George Rogers, 'Sculpturegraph' (Black, Gray, and Silver), color sculpturegraph, edition 40, 1984. Signed, dated, titled, and numbered '25/40' in pencil. A superb, richly-inked, pain...
Category

1980s Modern Abstract Prints

Materials

Monoprint

Money Tree, Modern Etching and Aquatint by Karl Kasten
Located in Long Island City, NY
Karl Kasten, American (1916 - 2010) - Money Tree, Year: 1967, Medium: Etching and Aquatint on Rives, signed, titled, numbered and dated in pencil, Edition: 7/20, Image Size: 15.7...
Category

1960s Modern Abstract Prints

Materials

Etching, Aquatint

Univers - Etching by Nina Mauli - Late 20th century
Located in Roma, IT
Univers is an original etching print on paper realized by Nina Mauli in the late 20th century. Hand-signed on the lower right in pencil. Numbered, edition of 78/99 prints. Very go...
Category

Late 20th Century Modern Abstract Prints

Materials

Etching

Delaunay, La Tour aux Rideaux (Habasque 720-728), Allo! Paris! (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category

1920s Modern Abstract Prints

Materials

Lithograph

Composition (Sabatier 393), Centre Noeuds, Roberto Matta
Located in Auburn Hills, MI
Etching on vélin d’Arches paper. Paper Size: 23.875 x 17.5 inches. Inscription: Hand signed and numbered, 38/125, as issued. Notes: From the folio, Centre Noeuds, 1974. Published by ...
Category

1970s Modern Abstract Prints

Materials

Etching

Dufy, Paddock, Douze Contemporains (after)
Located in Auburn Hills, MI
Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...
Category

1950s Modern Abstract Prints

Materials

Lithograph, Stencil

Composition (Roethel 201), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°5-6, February-March 1939. Published and printed under th...
Category

1930s Modern Abstract Prints

Materials

Woodcut

Giacometti, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 127, 1961. Published by Aimé Mae...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Three Birds, Modern Woodcut by Mitsuaki Sora
Located in Long Island City, NY
Mitsuaki Sora, Japanese (1933 - ) - Three Birds, Year: 1972, Medium: Woodcut, signed, dated and numbered in pencil, Edition: 3/50, Image Size: 30 x 15 inches, Size: 37 x 25 in. ...
Category

1970s Modern Abstract Prints

Materials

Woodcut

Totem by Le Corbusier
Located in New York, NY
“I prefer drawing to talking. Drawing is faster, and leaves less room for lies.” This colorful modern lithograph was printed at the Atelier Mourlot in Paris in 1963 and is from the printer's edition. It is signed and dated in the plate in the bottom left quadrant. Le Corbusier...
Category

Late 20th Century Modern Abstract Prints

Materials

Lithograph

Oiseau Entre deux Astres, Framed Etching by Joan Miro 1967
Located in Long Island City, NY
Joan Miro was a Catalan painter who combined abstract art with surrealist fantasy, using his signature biomorphic forms and geometric shapes to form a unique identity. This etching’s...
Category

1960s Modern Abstract Prints

Materials

Etching, Aquatint

Composition (Cramer 105), Femmes, Joan Miró
Located in Auburn Hills, MI
Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Kandinsky, Komposition IV, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miro...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Tal-Coat, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 148, 1964. Published by Aim...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Picasso, Portrait of a Lady, Picasso: Fifteen Drawings (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., New York; rendered and printed by Albert Carman, City Island...
Category

1940s Modern Abstract Prints

Materials

Lithograph, Stencil

Composition, Derrière le miroir
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 43, 1952. Published by Aimé Maeg...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Pool Patterns, Nautical Abstract Seascape Triptych, Blue Cyanotype Print
Located in Barcelona, ES
This is an exclusive handprinted limited edition of a cyanotype. This beautiful triptych is called "Fresh California Pool patterns", which shows the semi-abstract movements of light reflecting in a California swimming pool. Details: + Edition Size: only 20 + Medium: Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided. + Measurements : 100x210 cm (40 x 84 in.) Each paper measures 100cm x 70cm (about 40 in. x 28 in.) each. , a standard frame size. + All cyanotype prints...
Category

2010s Modern Abstract Prints

Materials

Lithograph

Projets de Pégase, Paroles peintes I, Alberto Magnelli
Located in Auburn Hills, MI
Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...
Category

1960s Modern Abstract Prints

Materials

Etching

Braque, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 166, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Jusqu'a L'Abstraction' color lithograph poster Wassily Kandinsky
Located in Milwaukee, WI
"Jusqu'a L'Abstraction" is a lithograph poster by Wassily Kandinsky. This poster depicts abstract forms in purple, pink, blue, and black and was created for the Maeght gallery in Par...
Category

1940s Modern Abstract Prints

Materials

Lithograph

La Perruch et la Sirene
Located in Washington, DC
Artist: Henri Matisse (after) Title: La Perruch et la Sirene Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Frame Siz...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Série Noire et Rouge
Located in Chicago, IL
Hand-signed and numbered in pencil, 14/30. Engraved at Marcoussus' studio and printed by Lacouriere, Paris. Co-published by Pierre Loeb, Paris and Pierre Matisse, New York. Literatu...
Category

1930s Modern Abstract Prints

Materials

Etching

Braque, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 166, 1967. Published by Aim...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Modigliani, Portrait, Douze Contemporains (after)
Located in Auburn Hills, MI
Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris; rendered by Daniel Jacomet, Paris; printed by l'atelier Jacomet, December 1959. Excerpted from the folio, This album finished printing in December 1959 drawn to nine hundred and seventy examples numbered from I to CMLXX and thirty non-commerce examples numbered from I to XXX, was directed by Daniel Jacomet. Typography of the union printing in paris. AMEDEO MODIGLIANI (1884–1920) was an Italian painter and sculptor of the École de Paris who worked mainly in France. He is known for portraits and nudes in a modern style characterized by a surreal elongation...
Category

1950s Modern Abstract Prints

Materials

Lithograph, Stencil

Falter Notierung 2 (Abstract, Modern, Black, Butterfly, ~42% OFF - NEW PHOTOS)
Located in Kansas City, MO
Martel Wiegand Falter Notierung 2 Linoleum Cut 1996 39.37 x 26.77 inches (100 x 68 cm) Edition: Unique Monogrammed and dated by hand COA provided *Condition: Some creasing along the...
Category

1990s Modern Abstract Prints

Materials

Linocut

Modern abstract prints for sale on 1stDibs.

Find a wide variety of authentic Modern abstract prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Joan Miró, Alexander Calder, Pablo Picasso, and Conrad Marca-Relli. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Modern abstract prints, so small editions measuring 1.88 inches across are also available. Prices for abstract prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $22 and tops out at $100,000, while the average work sells for $950.

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