Modern Abstract Prints

Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, The Documents of Modern Art. Arp: On My Way, Poetry And Essays 1912 - 1...

Stanley Jones Title: Madron Year: 1970 Medium: Lithograph on BFK Rives Edition: 43/65 Signed in Pencil Size: 26 x 20 inches Publication: From portfolio Europaische Graphik VII, Ed. B...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 135-136, 1962-1963. Published by Aimé Maeght, Éditeur, ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie F, var. 2 (Series F, Variation 2), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Beautiful modernist figurative abstract with birds, a large scale vertical dual panel original serigraph, "Golden Haven I, and "Golden Haven II", by Phil Paradise...

John Urbain, Belgian/American (1920 - 2009) - Pendulum, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 22.5 x 17.25 inches, Size: 23 x 17.5 in. (58.4...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré à Jean-Paul Riopelle, Derrière le mi...

Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's blindstamp, Tyler Graphics, Ltd., Mount Kisco, 54.6 x 55.2 cm. (21½ x 21¾ in.) Catalogue Raisonne: Axsom 252 Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teaming compositions of twisting, colliding and knotted forms. The shapes appear to spill out of their sheet, seemingly trying to escape their frames. As he had done since the ‘Swan Engravings...

The inaugural issue of VERVE, the influential modernist magazine – original lithographs - texts in English. Teriade, E. (director), André Gide, Georges Bataille, Henri Michaux, Andr...

Teriade, E. (director) Texts by Georges Braque, Paul Valéry, André Gide, André Malraux, James Joyce, Ernest Hemingway, et. al. Verve, Volume One No. 2; Verve for For Spring 1938 (Mar...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie N, var. 1 (Series N, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie P, var. 5 (Series P, Variation 5), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie K, var. 3 (Series K, Variation 3), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie I, var. 6 (Series I, Variation 6), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Matisse once said, "The paper cutout allows me to draw in the color. Instead of drawing the outline and putting the color inside it, I draw straight into the color." The hues he used...

Agnes Mills (American, 1915-2008) Guignol Intermezzo, 1982 Hand colored etching (UNIQUE) Sight: 13 3/4 x 11 1/4 in. Framed: 19 1/2 x 17 x 3/4 in. Titled lower right Inscribed "AP" bo...

James Rosenquist (1933 - 2017) Swing Screen, 1979 Etching and aquatint (two state) Sight: 17 1/2 x 35 1/2 in. (image) Framed: 30 1/2 x 59 1/2 x 1 1/2 in. Edition 21/78 Inscribed, signed, numbered bottom James Rosenquist was born in 1933 at Grand Forks, North Dakota. His family moved to Minneapolis in 1944. In 1948, he began his studies of art at the Minneapolis Art Institute. In 1953, he continued his studies of painting at the University of Minnesota. In 1955 he had a scholarship to go to the Art Students' League, New York, where he met Robert Indiana. During this period, he painted small format abstract paintings and worked part-time as a driver. In 1957 he met Jasper Johns and Robert Rauschenberg. In 1959 he was at the same drawing class as Claes Oldenburg and was made "head painter" by the Artcraft Strauss Corporation. He married the textile designer Mary Lou Adams. During the election he produced the picture President Elect in which John F. Kennedy's face is combined in a kind of collage with sex and automobile imagery. His first one-man exhibition in the Green Gallery, in 1962, was sold out. In 1963 he worked on several sculptures, had a number of exhibitions at the Galerie Ileana Sonnabend, showed his work at the Dwan Gallery...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

Artist: Marc Chagall (after) Title: Couple and Fish Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from the edition o...

This exquisite lithograph by Joan Miro (1893–1983), titled La Melodie acide (The Acid Melody), from the folio 14 original lithographs by Joan Miro "La Melodie acide" (The Acid Melody...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Jean-P...

White Hand is a vintage offset print after Antoni Tàpies, printed on hand made paper. It is one of the prints belonging to a deluxe edition of 1982 limited to 2.000 specimens, reprod...

Conrad Marca-Relli - Composition XIV Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: 51/75 Size: 56 x 76 cm Condition: In very good conditions and...

Jean Paul Riopelle Abstract composition Lithograph (plate signed) printed in Atelier Arte Vellum paper 11 x 11" 1976 INFORMATION : This lithograph was created for the invit...

Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described extreme reservations, he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill..At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of The beginning and the end of history...

Knight and Horse is an original etching realized by Marino Marini in 1963. Good conditions. The artwork is depicted through strong strokes in a well-balanced composition.

Michael Mazur "The Artist" Hand signed and editioned from the edition of 50 1967 Michael Burton Mazur (1935-August 18, 2009) was an American artist who was described by William Grim...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona (Tarragona Tapestry), illustrations, Joan Miro, 1972, originate...

Untitled (Plate 1) DLM Color lithograph, 1963 Unsigned and unnumbered (as usual) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Image/sheet size: 14 7/8 x 11 inches...

Vintage Poster Galerie Louis Carré is a lithograph and offset print realized by André Lanskoy in 1957. Good conditions except for slight cutting and foldi...

Five Ideas for Sculpture Lithograph, 1981 Signed and numbered in pencil by the artist lower margin. (see photos) Edition: (35/50) 50 There were also 15 Roman Numeral artist's proofs....

Decorative motifs of the German Renaissance is a vintage chromolithograph. Good conditions. The artwork represents Decorative motifs of the German...

Zao Wou-Ki (Chinese, French, 1921-2013) Les Poissons, 1953 Lithograph Hand-signed in pencil Lower Right Hand-numbered 16/55 in pencil Lower Left 18 x 23 1/8 inches 29 x 33 inches wit...

Artist: Joan Miro Title: Jaillie du Calcaire from Souvenirs de Portraits d'Artistes. Jacques Prévert: Le Coeur à l'ouvrage. (Cramer 156) Year: 1972 Medium: Lithograph, signed in the ...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

This exquisite lithograph by Fernand Leger (1881–1955), titled Patience—Bannieres de Mai (Patience—Banners of May), originates from the 1949 folio Les Illuminations, lithographies or...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 129, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

Vintage French Travel Poster, Air France Roger Bezombes (1913-1994) French Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with quadfold, as issued. Notes: From Derrière le miroir, N° 160, 1966. Published by Aimé ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 117, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

Hand signed, titled and numbered. Edition of 50 prints. Excellent condition. Colored Lithograph, representing a group of bathers in abstract shapes. Image Dimensions : 59 x 45 cm

Letter From Vienna Artist signed, dated, paper sheet 30x22.5 Krystyna Smiechowska was born in 1935 Krakow -2014 Paris France. Printmaker Krystyna Smiechowska draws her inspiration f...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

A pristine color screenprint, acrylic and oil paint and varnish over giclée on paper. Signed and dated in white ink by the Connor Brothers. Dimensions with the frame are 32 x 22 inches.

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 166, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 179, originates from the 1969 edition published by...

Figures Allonges Color Lithograph, 1971 Unsigned (as usual) Published: XXe Siecle, Volume 33, 1971 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, Paris Editi...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 38 (Plate No. 38), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

An original mid century modern woodblock print. This work is hand signed illegibly and titled "Wedding Party".

This exquisite lithograph after Andre Derain (1880–1954), titled Sans titre (Untitled), originates from the 1957 folio Derriere le miroir, No. 94–95. Published by Maeght Editeur, Par...

This exquisite lithograph after Robert Delaunay (1885–1941), titled Air, Fer, Eau (Air, Iron, Water), from the album XXe Siecle, Nouvelle serie N°9 (double), Juin 1957, originates fr...

Hand signed in pencil. Artist's proof. Very good condition.

This exquisite lithograph and pochoir by Jean Dubuffet (1901–1985), titled Le maitre de ceremonie (The Master of Ceremony), from the album XXe Siecle, Nouvelle serie, No. 6 (double),...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

Jacqueline Levy Morelle, Belgian (1921 - 1986) - Dance African, Year: 1969, Medium: Etching and Aquatint on BFK Rives, signed, dated, titled and numbered in pencil, Edition: 9/12, Im...

Teal, brown and blue tone abstract figurative original print by Amado Maurilio Pena. The piece depicts five women figures that either appear back-to-back or fa...

This beautiful modernist aquatint etching was realized by the esteemed Indian artist Kaiko Moti, circa 1975. It offers an abstracted and stylized tree branch (presumably that of a Ch...