Modern Prints and Multiples

Barbara Latham, 'Fording the Stream', wood engraving, edition not stated, 1936. Signed and dated in the block, lower right. A fine, richly-inked impression, on cream wove Japan paper...

New York — The City That Never Sleeps Experience the vibrant energy and timeless beauty of New York City through this authentic 1970s travel poster by R. Meyer. This masterpiece cap...

After Henri Matisse Plum Blossoms, 1948, 1971 Offet lithograph poster Offset lithograph poster Published in Zurich Switzerland on the occasion of the exhibition "Twenty Important Pai...

M.C. ESCHER (1898-1972) Between Sky and Water, 2008 Facsimile after the original woodcut from 1938 Signed in the plate Numbered / 450 copies (the number you can see can be different...

JESSIE ARMS BOTKE (1883 – 1971) THE INTRUDER c. 1930 Color woodcut, signed, titled and inscribed “Botke prints” Image 9 ¾ x 11”, sheet 11 7/8 x 14 3/4". On cream laid paper. Califor...

Yves GANNE (1931–2019) The Lighthouse II Original lithograph Signed in pencil Marked EA (Artist’s Proof) On Japanese paper, 76 x 53 cm (29.92 x 20.86 in) INFORMATION: Yves Ganne wa...

Etching and aquatint on laid paper. Additional plate from the Series "Los Proverbios", realized in 1815 and printed by François Liénard in the posthumous paris Edition of 1877. Pub...

Jean-Gabriel DOMERGUE (1889-1962) Three Tahitians Women, 1936 Lithograph and stencil (Jacomet studio) Signed on the plate On Lafuma vellum, 21 x 17 cm (c. 8.3 x 6.7 in) Excellent c...

"Ali" is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smaller im...

Andy WARHOL and Keith HARING Jazz, Dancing on Music Sheet, 1986 Screenprint Printed signature in the plate On heavy paper 100 x 70 cm (c. 40 x 28 in) Created by Haring for the Montr...

Details: + Title: Two Towers + Year: 2026 + Stamped and Certificate of Authenticity provided + Measurements : 100x140 cm (40x 55.3 in.), each panel measures 100x70cm (40x28 in.) a st...

Henry CLEWS (1876–1937) Detail of the Entrance Vault, 1959 Engraving (transferred to copper by Bacons-Duplessis and André Collot) Unsigned Authenticated by Henry Clews’s studio stam...

Original museum grade exhibition prints on acid-free archival luster paper. These are the highest quality NASA prints ever produced. Edition of 150. *This print can be hung vertic...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Refrence: Cramer 112; Orozc...

The WEBB imagery is of the most important imagery every taken. The finest museum quality WEBB images available. Printed on archival paper using archival inks. 50x40 Edition of 150 ...

Henry CLEWS (1876–1937) Decorative Canopy, 1959 Engraving (transferred to copper by Bacons-Duplessis and André Collot) Unsigned Authenticated by Henry Clews’s studio stamp on the re...

Marc Chagall (1887-1985) - Nous habitons parmi les fleurs...(We Live Among the Flowers...) Lithograph from 1967. The edition of 56/75 on Arches paper. Dimensions of work: 63.2 x 5...

Psycho 1960 Unframed Original Vintage Cinema Lobby Card Extra Large 10x14" inches / 25x36 cm paper size Unframed (framing options available - please enquire) Condition: Excellent ...

Françoise GILOT (1921) Maternity, 1951 Original lithograph On Marais vellum 28 x 22.5 cm (c. 11 x 9 inches) REFERENCES : Catalog raisonne "Stone Echoes, Original Prints by Francois...

JESSIE ARMS BOTKE (1883 – 1971) PELICANS c 1927-30 Color woodcut, small edition 13 3/8” x 15 3/8”, sheet 15 x 17”. Signed in pencil. Annotated “Botke Prints” Good impression and col...

Pablo Picasso (1881-1973) - L'Ecuyère (The Horsewoman) Lithograph from 1960. Dimensions of work: 51.5 x 66 cm. Plate signed. Reference: Bloch 999; Mourlot 333. The work is in Ex...

About this work: Created in 1942-43, this work belongs to one of the most fertile periods of Matisse’s career as a printmaker and draftsman. By this time, Matisse had long since mast...

This artwork titled "High Meadows" 1984, is an original reduction woodcut on paper by noted American artist Gordon Louis Mortensen, b.1938. It is hand signed, dated, titled and numbered 24/130 in pencil by the artist. The artwork (image) size is 20 x 33.75 inches, framed size is 27.75 x 41 inches. Custom framed in a wooden gold frame, with off-white fabric matting and dark green fillet. It is in excellent condition, the frame have some very small minor restorations, practically invisible. Please note: the shadows lines at the upper right of the artwork is not a part of it, it is the reflection of the lighting. About the artist: Born near Arnegard, North Dakota on April 27, 1938, Gordon Mortensen...

Pablo Picasso (1881-1973) - La Petite Corrida Lithograph from 1957. Dimensions of work: 31.5 x 24 cm. Plate signed. Publisher: Cahiers d’Art, Paris. Reference: Bloch 839; Mourlo...

Pablo Picasso (1881-1973) - Dans L'Atelier de Picasso Lithograph from 1957. The edition 211/275. With Arches watermark. Dimensions of work: 65 x 44 cm Publisher: Fernand Mourlot...

HAROLD L. DOOLITTLE (1883 - 1974) YOSEMITE 1924 Aquatint signed and titled in pencil and dated in the plate lower left 1924. Image 9 ¾ x 13 ¾, sheet 12 x 16 ¾. Doolittle excelled i...

Clare Leighton, 'Washing Clothes, Corsica, 1934, wood engraving, edition 60, Boston Public Library 258. Signed, titled, and numbered '20/60' in pencil. A superb, richly-inked impress...

Victor ZAROU (1930-2013) Small Path in Provence, 1982 Original Lithograph Handsigned in pencil Numbered / 150 (the number you can see can be different) On Vellum 74 x 55 cm (c. 29 x...

The Great Escape – 1963 Frank McCarthy Original Lithograph This 1963 Frank McCarthy lithograph captures the raw tension of one of cinema's great...

Alekos FASSIANOS Elegant Man in a Bicycle, 2004 Offset Print Printed signature in the plate On vellum 18 x 14 cm (c. 7.1 x 5.5 inch) INFORMATION: Created for the Olympic Games of ...

Pablo Picasso (1881-1973) - The Basket Lithograph from 1946. Dimensions of work: 32.8 x 48 cm Publisher: Pantheon. The work is in Excellent condition. Fast and secure shipment.

Vladimir Veličković Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325 inches ...

This elegant composition by Will Barnet, titled Seventh Season, reflects the artist’s mature and highly recognizable style—quietly introspective, balanced, and refined. Barnet, a lea...

Pablo Picasso (1881-1973) - Le Bacchanale Lithograph from 1957. The edition 153/275. With Arches watermark. Dimensions of work: 65 x 44 cm Publisher: Fernand Mourlot Éditeur, Pa...

Pablo Picasso (1881-1973) - Four original lithographs - A Los Toros series Lithograph from 1961. Dimensions of each work: 31 x 25 cm. Reference: Bloch 1014-1017; Cramer 113. Print...

Pablo Picasso (1881-1973) - Picador II Lithograph from 1961. Dimensions of work: 25 x 31 cm. Publisher: André Sauret, Monte Carlo. Reference: Bloch 1017; Mourlot 350; Cramer 113....

Salvador Dali (1904-1989) Paradadise 6 - The Heaven of Mercury From the Divine Comedy (Dante) Woodcut in color Signature printed in the plate 1960/63 On BFK Rives vellum 32,8 x 26,4...

Alekos FASSIANOS Dove of Peace, 2004 Offset Print Printed signature in the plate On vellum 18 x 14 cm (c. 7.1 x 5.5 inch) INFORMATION: Created for the Olympic Games of 2004 in Ath...

Carmen Cicero - Untitled (Profile of a Woman) Lithograph on Rives Heavyweight, an English rag paper Pencil signed on the front Numbered 39 on the main colophon page, from the limite...

Pablo Picasso (1881-1973) - La Pique Lithograph from 1961. Dimensions of work: 25 x 31 cm. Publisher: André Sauret, Monte Carlo. Reference: Bloch 1014; Cramer 113. The work is i...

**IMPORTANT** This is a limited edition print on CANVAS - The print look like as the PRIMARY picture and it will arrive rolled inside a tube*** The Ice Cream Tasting series is a cop...

DAMIEN HIRST - THE EMPRESSES - NŪR JAHĀN Date of creation: 2022 Medium: Laminated giclée print on aluminium composite and screen printed with glitter. Edition number: 1013/3041 (1.48...

Henry CLEWS (1876–1937) The Glik of La Napoule, 1959 Engraving (transferred to copper by Bacons-Duplessis and André Collot) Unsigned Authenticated by Henry Clews’s studio stamp on t...

Lithograph on paper realized in 1961. Hand signed in pencil. Table 3 of the suie "Descente aux Enfers". Published by Mourlot, Paris. Prov. Gall. Prandi, Reggio Emilia. Very good...

Charles Turzak, 'Under the Bridge', color woodcut, edition c. 50, 1934. Signed and titled in pencil. A fine, richly-inked impression, with fresh colors, on cream wove Japan paper; th...

M.C. ESCHER (1898-1972) Flight of birds, 2008 Facsimile after the original woodcut from 1938 Unsigned Numbered / 450 copies (the number you can see can be different) On vellum 45 x ...

Eduardo Chillida Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325 inches (2...

Yves GANNE (1931-2019) Still Life with Lemons Original Lithograph Signed on pencil Numbered edition of 120 copies On vellum Arches 53 x 75 cm (c. 20.86 x 29.52 in) INFORMATION : Yv...

Herve Telemaque Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 1000 Size: 10 x 7.325 inches (25....

This limited edition color lithograph, titled The Little Prince and His Asteroid, is a beautiful reproduction from the beloved book cover of Le Petit Prince by Antoine de Saint-Exupé...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Pablo Picasso (1881-1973) - Peintre et modèle Lithograph from 1965. Dimensions of work: 23 x 27 cm Reference: Cramer 130 The work is in Excellent condition. Fast and secure ship...

Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...

Jacques La Grange, 'The Yankee', color woodcut, edition 500, 1934. Signed and numbered '25/500' in pencil. A fine impression, with fresh colors, on cream wove paper, with margins (1 1/8 to 1 1/4 inches), in excellent condition. A work from La Grange’s celebrated series of woodcuts 'Drama and Color in the America's Cup Races'. Image size 10 x 10 11/16 inches (254 x 271 mm); sheet size 12 1/4 x 13 1/4 inches (311 x 337 mm). Archivally matted to museum standards, unframed. When the artist created this print in 1934, the 'Yankee' was one of the most promising yachts eligible for the America's Cup but ultimately 'Rainbow' was chosen to defend against England's 'Endeavor' in that year's race. The 'Endeavor' was built for Thomas Sopwith who used his aviation design expertise to ensure the yacht was the most advanced of its day with a steel hull and mast. She was launched in 1934 and won many races in her first season but the Cup challenge was blighted by a strike of Sopwith's professional crew prior to departing for America. Forced to rely mainly on keen amateurs, who lacked the necessary experience, the campaign failed. 'Rainbow' won the series 4–2. This was one of the most contentious of the America's Cup battles and prompted the headline "Britannia rules the waves and America waives the rules." ABOUT THE ARTIST Jacques La Grange was born in Clanwilliam (near Cape Town) in South Africa in 1895. He studied at London University and later immigrated to the United States. La Grange established himself as a painter, illustrator, and printmaker specializing in nautical subjects. He and his wife, Helen La Grange, published 'Drama and Color in the America's Cup Races' in 1934 and 'Clipper Ships of America and Great Britain 1833-1869', in 1936. Both were deluxe hardcover limited edition volumes with signed original color woodblock prints. La Grange had solo exhibitions at the Buchanan Gallery in 1929; the Babcock Gallery and the 56th Street Gallery, New York, in 1930; and at the Nicholas Roerich...

Signed in graphite, lower right, 'Pegge Hopper' (American, born 1936) with number and limitation, lower left, '235/300' and created circa 1985. Sheet dimensions: 47 H x 35.5 W inches...

Pamela Bianco, 'Fruit Piece', lithograph, c. 1925. Signed and titled in pencil. Signed in the stone, lower left. Annotated 'No. 8' in pencil, upper right...

Pablo Picasso (1881-1973) - Dans l'Atelier de Picasso Lithograph from 1957. The edition 153/275. Dimensions of work: 44.5 x 33.5 cm Publisher: Fernand Mourlot Éditeur, Paris. Re...

Charles Turzak, 'Loop Alley (Chicago)', color woodcut, edition c. 25, c. 1935. Signed and titled in pencil. A fine, richly-inked impression, with fresh colors, on cream wove Japan pa...

Poster for Jackson Pollock's "Number 28" which was published by The Metropolitan Museum of Art in New York City. Paper Size: 27 x 35 inches ( 68.58 x 88.9 cm ) Image Size: 21.25 x 3...

This is an exclusive handprinted limited edition cyanotype. "Day Time Seascape in Blue" is a handmade cyanotype print portraying the vibrant reflections of the Sun as seen from the c...