Renaissance Art

Full Length Portrait Renaissance Gentleman Sword Costume Historical Portrait Continental (we feel Spanish) School, 19th century oil on canvas, framed framed: 61.5 x 42 inches canvas:...

Madonna and Child with St. John the Baptist Italian artist, 18th century, after the earlier painting by Raphael, unsigned oil on wood panel, framed in an Empire, gilt moulded frame F...

Small and fine lead sculpture from the Renaissance period, Italy, Florence, 16th century. It depicts a young woman, richly attired, with the palm of martyrdom and a hand over her he...

Portrait of a Noble Lady French School, early 1700's period oil painting on copper, unframed copper: 5 x 3 inches condition: very good, minor paint fading and deteriation. provenanc...

The Virgin Madonna Spanish Renaissance artist, circle of El Greco (1541-1614) circa 1600 oil on wood panel, unframed panel: 20 x 14.5 inches Provenance: private collection, northern ...

"The Dead Bird" After Jean-Baptiste Greuze (1725-1805) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stampe...

Artist/School: After Filippo Lippi, Italian 1406-1469. The work is most likely by an English hand, late 19th century Title: The Adoration of the Christ ...

A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso. Art measures 28 x 18 inches Frame measures 34.5 x 24.5 inches There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”). It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts. The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...

Northern European Renaissance Revival Portrait. This portrait depicts a young red-headed sitter in 16th-century-inspired dress, wearing a soft red cap with plume, a high ruff, and ...

Museum-quality gold ground painting from the Renaissance period by Smeraldo di Giovanni. It depicts the “Virgin of the Roses” seated on a throne h...

This exquisite early 16th-century Italian panel captures one of Christianity’s most cherished moments - the Adoration of the Magi. Painted around 1530, this panel belongs to a moment...

St. Francis of Assisi Italian School, circa 1500 oil paint on copper, unframed copper: 6.75 x 10 inches provenance: private collection, Loire Valley, France condition: for a work tha...

Portrait of noblewoman, known as "the Little Princess of Longueville," attributed to Jean Ducayer (1595-1685). Oak plank, one board, not parqueted. Jean Ducayer, a court painter...

In the Manner of Cornelis Janssens van Ceulen I (English, 1592-1661) Unsigned " Portrait of a Gentleman ", 19th Century Oil on Board 27” x 32" Housed in a 5" 19th-century orn...

Etching black and white from Civitates Orbis Terrarum. View of the Old Mexico City, built over the ruins of the Aztec city of Tenochtitlán from 1520, and Cusco, ancient capital of th...

Italian sculptor (16th century) - Saint Robert. 54 x 30 x h 112 cm. Full-length figure in carved, lacquered, and painted wood. Saint Robert is depicted standing in full figure, id...

This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...

Oleg Auzers was born in Latvia, Riga into an old family of artists. He created his first toy ship at preschool age while visiting his grandfather Vilis Liepins in Limbazi. As a teena...

Drawings by Italian Masters of the XV-XVIII Centuries. From a selection of 40 reproductions of the originals preserved in the Albertina Collection in Vienna. With an introduction and...

This Map of Methoni is an etching realized by George Braun (1541 – 1622) The state of preservation of the artwork is good but aged and the trace of foxing that doesn't affect the i...

Coronation of Venus, 2021 Oil on Panel with 24k Gold Water-Gilded Frame, 114 x 78 inches “Coronation of Venus,” an ornamentally enriching piece from the studio of Justas and Vilius...

'George II' Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan. Basan (1723-1797) was a French engraver and publisher. George II (1683-1760) was King of Great Britain and Ireland, Duke of Brunswick-Leneburg (Hanover) and Archtreasurer and Prince-Elector of the Holy Roman Empire from 11 June 1727 until his death. He was the last British monarch to have been born outside Great Britain, and was famous for his numerous conflicts with his father and, subsequently, with his son. As king, he exercised little control over policy in his early reign, the government instead being controlled by Great Britain's de facto first Prime Minister, Sir Robert Walpole...

This remarkable, deeply evocative fragment is a hand-carved piece of religious statuary from 16th Century France. It depicts the torso of a serene figure, likely a Saint or Archangel...

Sacred Conversation: Madonna with child with St. John with idealized landscape background with mountains. Early XVI century. Oil on wooden panel of Venetian conifers. Marco Bello, attributed. (Venezia, 1470 - 1523, Udine), pupil and follower of Giovanni Bellini. Venetian school. Madonna with child with St. John with idealized landscape background with mountains. Dimentions: 57cm x 68cm x 6cm Beautiful late Renaissance frame...

Ceramic Plaque: 11.5 x 11.5 inches Solid Wood Frame: 15.5 x 15.5 inches An exquisite Castelli Maiolica plaque, featuring a richly detailed scene of the Italian Renaissance. The cera...

This Italian tempera painted on gilt wood gold ground panel is a Tuscan religious artwork in the style of late Renaissance - early Gothic period. The sc...

This exquisite oil painting on wood, created by an unknown Flemish artist in 1594, depicts a young girl seated in a chair. The artwork is in very good condition, though some modest r...

Gillis Mostaert Hulst 1534 – 1598 Antwerp Flemish Painter 'Adoration of the Shepherds' Medium: oil on panel Dimensions: image size 38,5 x 46,5 cm, frame size 54 x 62 cm Provenance...

A rare & important Italian Renaissance tempera on parchment painting, Giuseppe Cesari Il Cavalier d'Arpino (Giuseppe Cesari, 1568-1640), the painting c...

Guardian Angel Italian School, 17th century Oil painting on copper, framed Framed size: 12 x 10.5 inches Fine quality early Italian Old Master oil on copper panel, dating to the 17t...

Original work by J Snyders 1650: A really eye-catching copy on canvas of this hunting scene originally by Snyders. Artist Biography: Jonathan Adams has been producing museum standar...

Ittenbach Franz Königswinter 1813–1879 Düsseldorf German religious painter 'Jesus of Nazareth' Signature: signed lower right 'F Ittenbach' Medium: oil on canvas Dimensions: image s...

A pencil and watercolour drawing of a Madonna and cherubs inspired by the carvings of Michelangelo Buonarroti. Signed and dated bottom right. An elegant and charming stylised drawin...

"The Bust Portrait" French School, 19th century. charcoal drawing on paper, unframed. painting: 23.5 x 17.75 inches Condition report: The painting is in good and sound condition, ...

Venetian sculptor (late 16th century) - Pair of flag-bearing lions. 40 x 30 x h 75 cm. Full figures in carved, painted and gilded wood. The two lions, conceived as a mirrored pair...

Wonderful late 19th Century of two cupids forging gold drawn from a section of the 1st century CE cupids frieze from the triclinium or dining room from the House of the Vetti in Pomp...

This exquisite lithograph and pochoir after Albrecht Durer (1471–1528), titled Deux tetes d'enfant (Two children’s heads), originates from the 1968 folio Visages d'Enfants. Quinze De...

This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Hand Figure Study Year: circa 1964 Medium: Charcoal on vélin paper Size: 18 x 23 inches Condition: Good Provenance: Estate of I...

After Raphael (Italian, 1483-1520), "Orleans Madonna", Oil on Canvas, 19th century, unsigned, inscribed "John H. Sheehan / Utica" verso, giltwood frame. 38.75" H x 29.5" W; frame: 5...

Set of 4 Antique French Black & White Engravings Ancient Greek views and monument landmarks including the Pantheon, Athens. each paper : 9 x 12 inches...

'Marie' Copper-line engraving by Pierre Francois Basan (1723-1797) after Van der vaart. Mary II (1662-1694) reigned as Queen of England, Scotland, a...

Workshop of Jacopo Palma the Younger (Venice 1548 - Venice 1628) - Baptism of Christ. 64 x 49.5 cm. Oil on canvas, unframed (not signed). The composition depicts the Baptism ...

Extraordinary in its beauty and rarity, this early 16th-century German painting of an illuminated manuscript showcases a masterful trompe l’oeil effect. Unequivocally among the finest of only 17 known works of its kind, the oil on panel is both rare and captivating. With illusory pages that appear to leap from the panel, this virtuosic painting of a hand-colored book suspended into space is exceptional. Created more than four centuries ago, the composition evokes a strong sense of realism. Executed by a masterful Northern Renaissance artist of the German school, the illuminated manuscript pictured shows the astonishing splendor of the historical books of the period. Sumptuously decorated with scrolling floral motifs in the margins, the manuscript appears before a deep black background, heightening the trompe l’oeil illusion of depth through its strong contrast and the naturalistic shadows falling across the fluttering pages. It has been said that of the 17 known versions of this composition, ours stands alone in its precision in both perspective and the play of light and shadow. The visible folios feature choral arrangements and other texts, indicating the pictured manuscript likely served a role in the celebration of church services. In fact, other examples of manuscript paintings...

Piccola terracotta a soggetto mitologico firmata sul retro sulla base "Zambini", che per la grafia (in particolare la Z che ricorda una F) permette di identificar...

The Madonna & Child by J. Canava, Italian late 19th century miniature painting on ceramic, framed within velvet inset and frame image measures 3.2...

Title French Renaissance Style Classical Ladies Fantasy Landscape Oil Painting Key Details Artist: French School, 20th century Title: Classical Ladies in Landscape Medium: Oil painti...

This exquisite lithograph and pochoir after Paolo Veronese (1528–1588), titled Tete de jeune negre (Head of a young Black man), originates from the 1968 folio Visages d'Enfants. Quin...

Italian sculptor (16th century) - Saint Maurus. 54 x 30 x h 110 cm. Full-length figure in carved, lacquered, and painted wood. Saint Maurus is depicted standing in full figure, id...

Workshop of Perin del Vaga (Florence 1501 - Rome 1547) - The Flagellation of Christ. 71.5 x 59.5 cm (without frame) - 89 x 76 cm (with frame). Oil on panel, in an antique 17th-cent...

Bronze statue of young goatherder by Oscar Gladenbeck. circa 1900. Signed "Oscar Gladenbeck Friedrichshagen". period sculpted artist sculpture collectio...

Jean-Baptiste Huet, a French Rococo painter and engraver, is known for his pastoral scenes, animal paintings, and depictions of cherubs. Three Cherubs (sometimes referred to as Les T...

Copper-line engraving by Jacobus Houbraken (1698-1780) after Peter Lely. Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches. Originally published 1739, this impression c1820. 360mm by 230mm (platemark) Henry Bennet, 1st earl of Arlington, 1618-85, was an English statesman who fought for the royalists in the English civil war...

A polychrome and gilt plaster statue of the Blessed Virgin Mary. The quality of the original gilding and the handling of the folds in the clothing are exceptional. A wonderful statu...

Representation of the San Domenico di Camerino Altarpiece, painted by Carlo Crivelli in 1482, and made by Antonio Pandiani in the 19th century.

Roman Emperor Augustus Caesar (63 BC - 19 AD), 19th Century English School Large 19th Century Marble bust of Roman Emperor Augustus Caesar, 19th Century. Circa 1850 marble bust of ...

An evocative, 14th century, carved wood statue of a seated Mary with the Christ child in her lap. The piece with a beautiful patina featuring polychrome paint traces. Now mounted on ...

Wooden sculpture depicting Saint Catherine of Alexandria Provenance Lower Rhine or Southern Tyrol Late 15th century (circa 1480) Linden wood (single trunk, hollowed back), trac...

Artist: Ian Hornak (1944-2002) Title: Renaissance Male Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: Est...

Heinrich Ulrich (aka Heinrich Ullrich) (fl.1567–1621) “Soldier with Hellebarde”, 1598, out of the series, “The Guard of Emperor Rudolph” (aka “Old German Soldiers...