Renaissance Sculptures

Small and fine lead sculpture from the Renaissance period, Italy, Florence, 16th century. It depicts a young woman, richly attired, with the palm of martyrdom and a hand over her he...

This remarkable, deeply evocative fragment is a hand-carved piece of religious statuary from 16th Century France. It depicts the torso of a serene figure, likely a Saint or Archangel...

Italian sculptor (16th century) - Saint Robert. 54 x 30 x h 112 cm. Full-length figure in carved, lacquered, and painted wood. Saint Robert is depicted standing in full figure, id...

Oleg Auzers was born in Latvia, Riga into an old family of artists. He created his first toy ship at preschool age while visiting his grandfather Vilis Liepins in Limbazi. As a teena...

Italian sculptor (16th century) - Saint Maurus. 54 x 30 x h 110 cm. Full-length figure in carved, lacquered, and painted wood. Saint Maurus is depicted standing in full figure, id...

A polychrome and gilt plaster statue of the Blessed Virgin Mary. The quality of the original gilding and the handling of the folds in the clothing are exceptional. A wonderful statu...

Representation of the San Domenico di Camerino Altarpiece, painted by Carlo Crivelli in 1482, and made by Antonio Pandiani in the 19th century.

Venetian sculptor (late 16th century) - Pair of flag-bearing lions. 40 x 30 x h 75 cm. Full figures in carved, painted and gilded wood. The two lions, conceived as a mirrored pair...

Piccola terracotta a soggetto mitologico firmata sul retro sulla base "Zambini", che per la grafia (in particolare la Z che ricorda una F) permette di identificar...

Wooden sculpture depicting Saint Catherine of Alexandria Provenance Lower Rhine or Southern Tyrol Late 15th century (circa 1480) Linden wood (single trunk, hollowed back), trac...

An evocative, 14th century, carved wood statue of a seated Mary with the Christ child in her lap. The piece with a beautiful patina featuring polychrome paint traces. Now mounted on ...

Bronze statue of young goatherder by Oscar Gladenbeck. circa 1900. Signed "Oscar Gladenbeck Friedrichshagen". period sculpted artist sculpture collectio...

Roman Emperor Augustus Caesar (63 BC - 19 AD), 19th Century English School Large 19th Century Marble bust of Roman Emperor Augustus Caesar, 19th Century. Circa 1850 marble bust of ...

Mounted as lamps and cast by Ferdinand Barbedienne after models by Alexandre Falguiere and Paul Dubois. Both statues are signed on the bases. These fine torchères are reductions of...

Large Saint Sebastian finely carved in alabaster. The saint is attached to a column surmounted by a capital, beautiful soft features and superb hair wi...

Corpus Christi in argento massiccio, bottega orafa toscana, prima metà del 17 secolo. La figura del Cristo, realizzata a fusione a cera persa e sapientemente rifinita a cesello, app...

Small Candoglia marble altar, Lombard area of Renaissance period, early 16th century. The plaque depicts in the center a woman lying on a bed with a crown on her head, a palm branc...

Provenance: James Byrnes, Los Angeles (1917-2011) Giusto Le Court was born Josse or Justus de Corte in the Flemish city of Ypres. His father Jean was a sculptor and presumably his earliest training was with him before he entered the studio of Cornelis van Mildert. The young artist was clearly influenced by the dominant Flemish sculptor of the time, Artus Quellinus the Elder, with whom he may have worked on the decoration of the Amsterdam City Hall. Following the lead of many northern artists he travelled to Rome, perhaps more than once, before settling in Venice around 1655. It was there, as one of a colony of expatriate artists, that he made his name as a sculptor. One of his first Venetian commissions was for the monument to Alvise Mocenigo in the Church of San Lazzaro dei Mendicanti, where Le Court sculpted the marble figures of Strength and Justice. He also collaborated with the celebrated architect Baldassare Longhena, most famously for the high altar of Santa Maria della Salute, where he carved the multi-figured altarpiece depicting the Queen of Heaven Expelling the Plague. The present marble sculpture depicts the infant Saint John the Baptist, reclining, wearing his traditional hair-shirt, embracing a lamb, and holding the bottom of his attribute, a reed cross. Attached to his shirt is a baptismal cup, with which he would become associated later in his life. Veneration of the infant Saint John the Baptist was prevalent throughout Italy and images of the saint in childhood—often called “Giovannino,” or little John...

16th-century Florentine sculptor, greyhound in pietra serena. This fascinating sculpture, which has come down to us in a fragmentary state, depicts a dog, an elegant greyhound crouch...

Bronze Edition of 2/8. Emil Kazaz’s sculptures hold a commanding presence, distinguished by their dynamic figurative language and masterful craftsmanship. Working primarily in bronze...

Bronze inkwell with a dark patina. Northern Italy, 16th-17th century. 11 x 11 x h 22 cm. Made in two parts entirely of lost-wax cast and patinated bronze. The container is richly d...

D. BRUCCIANI & CO (19th Century) St Cecilia Polychrome painted plaster bust with mould lines visible (probably later painting) 47 cm., 18 ½ in. high Dom...

Wonderful sculpture of a Twisting Male Torso in carved stone by contemporary New York City artist Martin Glick. Born in 1944, Martin Glick resides in Pomona, New York, just outside of New York City. He was taught by Conger Metcalf...

Italian sculptor (15th-16th century) — Bust of Christ. 34 x 20 x h 44 cm. Carved stone with traces of polychrome. This remarkable carved stone bust depicts the face of Christ wit...

Questa statua in terracotta in eccellente stato conservativo considerata l'età e la fragilità del materiale, raffigura un putto nell'atto di soffiare, colto in una posa di intenso p...