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Renaissance Art

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Style: Renaissance
Marie de Medici and Mary Queen of Scots
Located in East Grinstead, GB
A near pair of superb bronzes of, Marie de Medici and Mary Queen of Scots, by the French sculptor Mathurin Moreau 1822-1912 the bronzes date around 1880, in first state original cond...
Category

1880s Renaissance Art

Materials

Bronze

Ancient Italian sculptor - 16th century stone sculpture - Madonna Child figure
Located in Varmo, IT
Stone bas-relief sculpture - Madonna and Child. Italy, 16th century. 43 x 27 x 4.5 cm. Entirely made of stone, there is a repair in the center. - All shipments are free and profe...
Category

16th Century Renaissance Art

Materials

Stone

Landscape with a Cow
Located in Milwaukee, WI
This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...
Category

17th Century Renaissance Art

Materials

Etching

Affresco di Aranci - Orange Trees
Located in Brooklyn, NY
This photograph captures the timeless beauty of an aged 18th-century Italian fresco painting. The artwork features potted orange trees, their vibrant green foliage and citrus fruits providing a striking contrast. Set against the backdrop of an expansive Italian countryside, the landscape unfolds with rolling hills and distant vistas. The significance of the orange trees in the fresco is deeply rooted in the historical context of 18th-century Italy. During this period, the cultivation of citrus fruits, including oranges, became a symbol of prosperity and luxury. Italy, with its favorable climate, was a prime location for cultivating oranges, and their presence in frescoes often represented affluence, abundance, and the beauty of the Italian landscape. Fidel Santos...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

Grotta Segreta
Located in Brooklyn, NY
This grandiose work is a beautiful depiction of an 18th-century Italian grotto, a secret haven adorned with lush foliage and cascading waterfalls. The scene encapsulates the historic...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

Set of 4 Ancient Greek Monuments Pantheon Athens Antique French Engravings Set
Located in Cirencester, Gloucestershire
Set of 4 Antique French Black & White Engravings Ancient Greek views and monument landmarks including the Pantheon, Athens. each paper : 9 x 12 inches...
Category

19th Century Renaissance Art

Materials

Engraving

Violent Squall, Seascape
Located in Brooklyn, NY
This seascape captures a ship ensnared in the relentless grip of a violent squall, paying homage to the tradition of nautical and maritime art of the 18th and 19th centuries. Waves crash with the force of timeless tempests, echoing the dramatic seascapes painted by maritime artists of old. The ship, a lone voyager battling the elements, becomes a poignant symbol in the grand legacy of seafaring tales depicted by the artistic masters who once translated the raw power of the sea onto canvas. Fidel Santos...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

Cloud Mural
Located in Brooklyn, NY
This grand mural unveils a mesmerizing Baroque-style etching that commands attention with its celestial drama. The expansive sky serves as a vast canvas, adorned with flowing circula...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

San Juan Bautista
Located in Brooklyn, NY
This photograph captures an 18th-century saint's head, portraying Saint John the Baptist. Despite the statue's gradual decay, the remnants exude reverence. The weathered features, delicately captured, bear witness to centuries, retaining a sacred allure. The photograph becomes a custodian, preserving remnants for continued veneration and appreciation. Fidel Santos...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

La cabeza de Isabel
Located in Brooklyn, NY
This photograph captures the solemn visage of the biblical figure Elizabeth, known as "Isabel" in Spanish. Once part of a revered church statue, now only her head remains, gazing downward with a sense of contemplation. Elizabeth, a key figure in the Bible, was the mother of John the Baptist and played a crucial role in biblical narratives, particularly in the Visitation when she greeted Mary, the mother of Jesus. The photograph preserves the essence of her biblical importance, depicting the enduring reverence and the spiritual depth associated with this revered figure. The downward gaze suggests a posture of reflection and humility, inviting viewers to contemplate the biblical legacy embodied by the remaining fragment of this once-complete church statue. Fidel Santos...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

Mountainscape Mural
Located in Brooklyn, NY
This expansive photo mural transforms a space with the grandeur of an 18th-century-style ink-wash drawing, depicting an epic mountainscape. The large-scale composition immerses viewers in a majestic panorama, where towering peaks and sweeping valleys unfold with breathtaking detail. The ink wash technique lends a timeless quality to the landscape, evoking the spirit of classical artistry. Each stroke captures the essence of a bygone era, inviting onlookers to be enveloped in the awe-inspiring beauty of this monumental mountainscape. Fidel Santos...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

The Captive, Study of a Naked Youth, Red Chalk Study, Carracci Gallery
By Annibale Carracci
Located in London, GB
Red chalk on paper Image size: 5 x 8 1/2 inches (12.75 x 21.5 cm) Mounted This 18th century drawing is after the work of the 16th Century Italian artist Annibale Carraci. This figure, along with many more, were painted by Carraci in the Palazzo Farnese in a space now known as the Carracci gallery. The Carracci gallery is considered as one of the most important Renaissance commissions in Rome. This figure, along with five other companions, were known as 'The Captives'. They were designed by the artist to appear trapped in the architectural spaces in the walls and sat around the fresco that featured Perseus and Andromeda. Similarly to the original drawings, this artist has taken considerable care to sculpt his form with light and shadow, gently blending strokes on the smooth-skinned cheek and distinctly denoting the direction of hair strands. Annibale Carracci Annibale Carracci (1560–1609) was the most admired painter of his time and the vital force in the creation of Baroque style. Together with his cousin Ludovico (1555–1619) and his older brother Agostino (1557–1602)—each an outstanding artist—Annibale set out to transform Italian painting. The Carracci rejected the artificiality of Mannerist painting, championing a return to nature coupled with the study of the great northern Italian painters of the Renaissance, especially Correggio, Titian, and Veronese. During the 1580s, the Carracci were painting the most radical and innovative pictures in Europe. Annibale not only drew from nature, he created a new, broken brushwork to capture movement and the effects of light on form. His Two Children Teasing a Cat marks a new chapter in the history of genre painting.  The revolutionary potential of this new kind of painting would be taken up over a decade later by Caravaggio, who must have seen the Carraccis’ work while traveling from Milan to Rome in 1592. The Carracci saw themselves as heir to a great artistic tradition, and they consciously situated themselves within the history of northern Italian painting. Annibale and Agostino visited Parma and Venice to study the work of Correggio, Titian, Tintoretto, and Veronese. Their altarpieces and secular fresco cycles in Bologna reasserted a northern Italian emphasis on color, light, and the study of nature, but with a new focus on emotive communication. Their success led to Annibale being invited to Rome to work for the powerful Farnese family (1595). Ludovico remained in Bologna to direct the academy they founded. Through the next generation of painters—Francesco Albani, Domenichino, Guido Reni, Giovanni Lanfranco, and Guercino—Bolognese painting became the dominant force in seventeenth-century art. In Rome, Annibale’s painting was transformed through his first-hand encounter with classical antiquity and the art of Michelangelo and Raphael. Individual scenes of ancient mythology are surrounded by an elaborate illusionistic framework with feigned statues, in front of which sit muscular nude figures seemingly lit from the actual windows (Galleria Farnese ceiling). The corners are opened to painted views of the sky. When unveiled in 1600, the ceiling was instantly acclaimed as the equal of any work in the past. In combining northern Italian naturalism with the idealism of Roman painting, Annibale created the basis of Baroque art. His only challenger in Rome was Caravaggio, whose relation with the past was combative rather than assimilative. Moreover, Caravaggio’s art...
Category

18th Century Renaissance Art

Materials

Chalk, Paper

Painting of a Minotaur, Original Oil Canvas by Cuban Artist
Located in Brooklyn, NY
Oil Painting of a Minotaur. Bright Blue painting by Cuban Artist Jesus Nordarse. Oil on Canvas. 8 x 11 inches. THE MAN: Jesús Nodarse Valdés w...
Category

2010s Renaissance Art

Materials

Oil, Canvas

Euphrosyne
Located in Brooklyn, NY
This captivating photograph portrays an aging statue of the enchanting and slumbering Euphrosyne, one of the three graces. Despite the inexorable passage of time and the gentle touch...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

Eternity: Pompeii in the Shadow of Vesuvius
Located in Brooklyn, NY
This work, by Fidel Santos, depicts a Pompeiian fresco resplendent with lush fruit trees and avian life against a backdrop of idyllic hills. The vibrant c...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

Portrait of Caesar
Located in Brooklyn, NY
This enchanting photograph captures the essence of an 18th-century-style portrait featuring a regal dog. Poised at attention, the canine exudes an air of majesty, adorned with a splendid blue collar that accentuates its noble bearing. This depiction seamlessly merges the grace of classical portraiture with the timeless charm of a loyal and dignified companion. Fidel Santos...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

The Captive, Study of a Naked Man, Red Chalk Study, Carracci Gallery
By Annibale Carracci
Located in London, GB
Red chalk on paper Image size: 11 x 5 1/2 inches (28 x 14 cm) Mounted This 18th century drawing is after the work of the 16th Century Italian artist Annibale Carraci. This figure, along with many more, were painted by Carraci in the Palazzo Farnese in a space now known as the Carracci gallery. The Carracci gallery is considered as one of the most important Renaissance commissions in Rome. This figure, along with five other companions, were known as 'The Captives'. They were designed by the artist to appear trapped in the architectural spaces in the walls and sat around the fresco that featured Perseus and Andromeda. Annibale Carracci Annibale Carracci (1560–1609) was the most admired painter of his time and the vital force in the creation of Baroque style. Together with his cousin Ludovico (1555–1619) and his older brother Agostino (1557–1602)—each an outstanding artist—Annibale set out to transform Italian painting. The Carracci rejected the artificiality of Mannerist painting, championing a return to nature coupled with the study of the great northern Italian painters of the Renaissance, especially Correggio, Titian, and Veronese.During the 1580s, the Carracci were painting the most radical and innovative pictures in Europe. Annibale not only drew from nature, he created a new, broken brushwork to capture movement and the effects of light on form. His Two Children Teasing a Cat marks a new chapter in the history of genre painting. The revolutionary potential of this new kind of painting would be taken up over a decade later by Caravaggio, who must have seen the Carraccis’ work while traveling from Milan to Rome in 1592.The Carracci saw themselves as heir to a great artistic tradition, and they consciously situated themselves within the history of northern Italian painting. Annibale and Agostino visited Parma and Venice to study the work of Correggio, Titian, Tintoretto, and Veronese. Their altarpieces and secular fresco cycles in Bologna reasserted a northern Italian emphasis on color, light, and the study of nature, but with a new focus on emotive communication. Their success led to Annibale being invited to Rome to work for the powerful Farnese family (1595). Ludovico remained in Bologna to direct the academy they founded. Through the next generation of painters—Francesco Albani, Domenichino, Guido Reni, Giovanni Lanfranco, and Guercino—Bolognese painting became the dominant force in seventeenth-century art. In Rome, Annibale’s painting was transformed through his first-hand encounter with classical antiquity and the art of Michelangelo and Raphael. Individual scenes of ancient mythology are surrounded by an elaborate illusionistic framework with feigned statues, in front of which sit muscular nude figures seemingly lit from the actual windows (Galleria Farnese ceiling). The corners are opened to painted views of the sky. When unveiled in 1600, the ceiling was instantly acclaimed as the equal of any work in the past. In combining northern Italian naturalism with the idealism of Roman painting, Annibale created the basis of Baroque art. His only challenger in Rome was Caravaggio, whose relation with the past was combative rather than assimilative. Moreover, Caravaggio’s art...
Category

18th Century Renaissance Art

Materials

Chalk, Paper

Santa Catalina
Located in Brooklyn, NY
In Fidel Santos's photographic exploration, he presents an evocative image capturing the poignant beauty of a weathered Spanish polychromed wood statue of...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

El Rostro de María Magdalena
Located in Brooklyn, NY
In this poignant photograph, the lens captures the profound essence of an aged Spanish polychromed wood statue of María Magdalena. The weather...
Category

21st Century and Contemporary Renaissance Art

Materials

Plexiglass, Archival Ink

Alexander VI
Located in Brooklyn, NY
This photograph captures an 18th-century statue head representing Pope Alexander VI, showcasing the aged surface that preserves the controversial legacy of this historical figure. The weathered patina tells a story of the enduring nature of his reputation, marked by accusations of corruption and political intrigue. Through this image, viewers are invited to reflect on the lasting impact of Alexander VI on the perception of the papacy, encapsulating the intersection of history and art across the ages. Fidel Santos...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

Thalia
Located in Brooklyn, NY
This evocative photograph captures the essence of an aging statue depicting the enchanting and slumbering Thalia, one of the three graces. Despite the gentle march of time and the de...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

María Magdalena
Located in Brooklyn, NY
In this poignant photograph, the lens captures the profound essence of an aged Spanish polychromed wood statue of María Magdalena. The weather...
Category

21st Century and Contemporary Renaissance Art

Materials

Archival Ink, Plexiglass

Seasons: Cycles Unveiled (Momento Mori)
Located in Brooklyn, NY
"Seasons: Cycles Unveiled," poignantly captures the essence of life's transience through a symbolic composition. At the center of the canvas rests a meticulously rendered skull, an e...
Category

21st Century and Contemporary Renaissance Art

Materials

Plexiglass, Archival Ink

Painting of a Minotaur, Original Oil Canvas by Cuban Artist
Located in Brooklyn, NY
Oil Painting of a Minotaur. Bright Blue painting by Cuban Artist Jesus Nordarse. Oil on Canvas. 11 x 8 inches. THE MAN: Jesús Nodarse Valdés w...
Category

2010s Renaissance Art

Materials

Canvas, Oil

‘Petrarch’s First Sight of Laura’ Early 19th Century Oil Painting by O'Neil
Located in London, GB
‘Petrarch’s First Sight of Laura’ early 19th century oil painting by Henry Nelson O’Neil British, c. 1840 Canvas: Height 129cm, width 176cm Frame: Height 165cm, width 207cm, depth 12cm Painted by a renowned Victorian artist, Henry Nelson O’Neil (British, 1817-1880) around 1840, this very fine oil on canvas depicts the first meeting of Petrarch and Laura in a Church in Avignon in 1327. Petrarch (1304-1374) was an Italian Early Renaissance...
Category

Early 19th Century Renaissance Art

Materials

Oil, Canvas

Eli
Located in Mokena, IL
Eli, 11.5 x 13.5 inches. Oil on panel with carved and gilded frame. Painting by artist Justas Varpucanskis. 21st century contemporary artwork that employs techniques, philosophy and ...
Category

21st Century and Contemporary Renaissance Art

Materials

Gold Leaf

La Bella Attrice
Located in Mokena, IL
La Bella Attrice, 7.75 x 5.5 inches. Graphite and White Chalk on Toned Paper. Drawing by artist Justas Varpucanskis. This piece utilizes the "rules of craftsmanship" as outlined in C...
Category

21st Century and Contemporary Renaissance Art

Materials

Chalk, Graphite

Ritratto con paesaggio
Located in Mokena, IL
Ritratto con paesaggio, 14 x 12 inches. Oil on panel with frame. Painting by artist Justas Varpucanskis. 21st century contemporary artwork that employs techniques, philosophy and vis...
Category

21st Century and Contemporary Renaissance Art

Materials

Oil

Nude Portrait of a Women by Cuban Artist Jesus Nodarse
Located in Brooklyn, NY
Oil Painting of a nude women. Dark neutral painting by Cuban Artist Jesus Nordarse. Oil Painting of a Love and Sacrafice by Cuban Artist Jesus Nordarse. Oil on Canvas. 18 x 18 inch...
Category

2010s Renaissance Art

Materials

Oil, Canvas

Oil Painting of Modern Contemporary Renaissance by Cuban Artist Jesus Nordarse.
Located in Brooklyn, NY
Oil Painting of modern renaissance figures by Cuban Artist Jesus Nordarse. Dark neutral Oil Painting of a Love and Sacrifice by Cuban Artist Jesus ...
Category

2010s Renaissance Art

Materials

Canvas, Oil

Untitled (Renaissance Male Figure Study), 1964, Ian Hornak — Drawing
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1964. Paper Size: 14 x 11 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category

1960s Renaissance Art

Materials

Graphite, Archival Paper

Nude Portrait - Love & Suffer of a Women & Jester by Cuban Artist Jesus Nodarse
Located in Brooklyn, NY
Oil Painting of a nude women. Dark neutral painting by Cuban Artist Jesus Nordarse. Oil Painting of a Love and Sacrifice by Cuban Artist Jesus Nor...
Category

2010s Renaissance Art

Materials

Canvas, Oil

Laocoön and his Sons, an exceptional bronze sculpture by Giacomo Zoffoli
Located in PARIS, FR
This exceptional bronze group (unpublished), executed in Rome in the second half of the 18th century, bears witness to the fascination with the Laocoön since its discovery on January...
Category

1770s Renaissance Art

Materials

Bronze

Circle of Amico Aspertini, The meeting of Anna and Gioacchino
Located in Tricase, IT
Circle of Amico Aspertini Oil on panel, 59x31 cm. Provenance: Asta Pandolfini 8 marzo 2023 lot. 47. He was born in Bologna to a family of painters (including Giovanni Antonio Asperti...
Category

16th Century Renaissance Art

Materials

Oil, Board

The Madonna with Christ Child & St. John the Baptist Renaissance Masterpiece
Located in Cirencester, Gloucestershire
The Madonna, Christ Child & St. John the Baptist Italian School, after an earlier Renaissance masterpiece pastel on board, framed framed: 28 x 25 inches board: 24 x 21 inches provena...
Category

Late 19th Century Renaissance Art

Materials

Pastel

Jacopo Zanguidi Dit Bertoja (1544 - 1574) - Important 16th Century Drawing
Located in PARIS, FR
Jacopo Zanguidi BERTOJA (1544-1574) Combat of five figures, bas-relief from the School of Athens after Raphael Ink on paper 43×34cm Interesting thing According to Professor David E...
Category

16th Century Renaissance Art

Materials

Ink

Beautiful Antique Original Oil Painting The Madonna in Contemplation, gilt frame
Located in Cirencester, Gloucestershire
Artist/ School: Italian School, late 19th century Title: Head & Shoulders portrait of the Madonna in Contemplation Medium: oil on canvas, framed Framed: 18 x 15 inches Canvas: 14 ...
Category

19th Century Renaissance Art

Materials

Oil

Set of Eight Antique Prints Depicting 17th Century Churches
Located in Palm Beach, FL
Historically significant set of eight prints originally drawn by the Dutch writer and minister Phillippus Baldaeus and published as engravings in t...
Category

Mid-19th Century Renaissance Art

Materials

Paint, Paper

A Flemish Statue of Crowned Virgin Mary with Child Jesus, 17th Century
Located in Bruges, BE
Description: A Flemish Statue of Crowned Virgin Mary with Child Jesus, 17th Century, polychromed wood, silver crowns Statue: Crowned Madonna and Child Object Type: Statuette Artist, Sculptor / Creator: Unknown Place of Origin: Flanders Period: 17th Century Style: Renaissance Materials and Techniques: Polychromed wood, Silver Categories: Christianity Dimensions: H. 55 cm D. 15 cm W. 19 cm History: The Madonna and Child is one of the most easily recognisable, most frequently produced themes in the history of Art and has been depicted by many famous artists, including Michelangelo, Leonardo da Vinci, and Raphael. The word Madonna is derived from the Italian 'ma donna,' or 'my lady' and is used to describe Mary, the mother of Christ. The Madonna and Child depict a loving mother and son, which is a symbol of hope, faith, and love and represents the love and bond between mother and child, and is a symbol of hope and protection. Purity or virginity is represented by the color of clothing of Madonna. The color blue symbolises purity, virginity, and royalty. Physical Description: A magnificent 17th Century statue in polychromed wood of standing Madonna and Child. Virgin Mary is holding a small staff that is often shown in the hands of a king or queen. In Her left arm She is holding Her Son, Jesus Christ who is holding the World in His left hand to show that He is our Heavenly king on Earth and His Mother is our Queen. She wears a tight fitting golden dress with blue sleeves; over this is a blue mantle; Her mantle is lined red and is with an ochre gold border. The flesh is painted in natural colours and Her long hair lies over both shoulders. The Child Jesus wears a blue long sleeves dress...
Category

17th Century Renaissance Art

Materials

Wood

A Spanish Statue of the Virgin Mary with Child Jezus, circa 1600
Located in Bruges, BE
Description: A Spanish Statue of the Virgin Mary with Child Jezus, Circa 1600, polychromed wood Statue : Madonna and Child Object Type: Statuette Artist, Sculptor / Maker: Unknown Place of Origin: Spain Period: Circa 1600 Materials and Techniques: Polychromed wood Categories: Christianity Style: Renaissance Dimensions: H. 45 cm D. 13 cm W. 15 cm History: The Madonna and Child is one of the most easily recognisable, most frequently produced themes in the history of Art and has been depicted by many famous artists, including Michelangelo, Leonardo da Vinci, and Raphael. The word Madonna is derived from the Italian 'ma donna,' or 'my lady' and is used to describe Mary, the mother of Christ. The Madonna and Child depict a loving mother and son, which is a symbol of hope, faith, and love and represents the love and bond between mother and child, and is a symbol of hope and protection. Physical Description: A magnificent statue in polychromed wood of standing Madonna and Child. Virgin Mary is holding Her Son in Her left arm. Together with Jesus Christ They are holding the World in Their hands to show that They are together and our Heavenly king on Earth and His Mother is our Queen. She wears a tight fitting golden red dress; over this is a red mantle; Her mantle is lined blue and is with an ochre gold border. The flesh is painted in natural colours and Her long hair lies over both shoulders. The Child Jesus wears a green long sleeves dress. With His right hand He gives a blessing and represents Trinitarian love. In addition to signifying a blessing or that the Lord is speaking, this position conveys doctrinal truth, the three uplifted fingers depict the unity of God in the Holy Trinity (Father, Son, and Holy Spirit).
 Historical Significance: The facial features and drapery which envelopes the body point to Spanish origin. The statue of Virgin Mary...
Category

16th Century Renaissance Art

Materials

Wood

Portrait of Saint Catherine Medieval Renaissance Style Standing in Landscape oil
Located in Cirencester, Gloucestershire
Continental School, 20th century oil on board, framed framed: 33 x 17.5 inches board: 30 x 13 inches private collection, England the painting is in overall very good and sound cond...
Category

20th Century Renaissance Art

Materials

Oil

Renaissance Style Italian Old Master Painting Madonna & Child Tender Embrace
Located in Cirencester, Gloucestershire
19th/ early 20th Century Italian School Madonna and Child oil painting on canvas, unframed canvas: 32 x 24 inches provenance: private collection, UK co...
Category

Late 19th Century Renaissance Art

Materials

Oil

Early Renaissance Wood Sculpture
Located in Newport Beach, CA
An evocative, 14th century, carved wood statue of a seated Mary with the Christ child in her lap. The piece with a beautiful patina featuring polychrome paint traces. Now mounted on ...
Category

15th Century and Earlier Renaissance Art

Materials

Wood, Paint

Very Large, 16th Century Allegorical Oil Painting
Located in Newport Beach, CA
Beyond life-sized, allegorical, Renaissance figural oil painting of Summer, featuring a nymph recessed in an alcove, swathed in drapery, wearing a foliate crown. In her right hand, a...
Category

16th Century Renaissance Art

Materials

Oil, Canvas

Italian Marble Box with Dore Bronze from the 1960's
Located in Troy, NY
This elegant Italian box from the 1960's has a wonderful range of color seen in the marble, giving it depth and texture. The colors include light rose, coral, and pink with streaks o...
Category

1960s Renaissance Art

Materials

Marble, Bronze

Engraving Hunting: The Hunt For The Vipers
Located in Paris, FR
Engraving, "the hunt for vipers" xylographs (wood and copper engravings), after Jan Van der Straeten, dit Stradanus (Bruges 1523-Florence 1605). Painter of history, mythological, rel...
Category

18th Century Renaissance Art

Materials

Engraving

Antique 16th Century Northern Renaissance Old Master Oil Panel Religious Scene
By Christoph Schwarz
Located in Portland, OR
Antique Northern Renaissance Late 16th Century oil on panel religious scene from the Circle of German painter Christoph Schwarz (1545-1592). The painting depicting the resurrection of Jesus Christ; the skies part to reveal Christ resurrected and carrying what seems to be the Swiss flag...
Category

16th Century Renaissance Art

Materials

Oil, Panel

Engraving Hunting: Hares Hunting With Cheetah
Located in Paris, FR
Engraving, "The hare hunt with Cheetah" xylographs (woodcuts and copper engravings), after Jan Van der Straeten, dit Stradanus (Bruges 1523-Florence 1605). Painter of history, mythol...
Category

18th Century Renaissance Art

Materials

Engraving

Engraving Hunting: Deer Hunting With Lasso
Located in Paris, FR
Engraving:  The Deer hunting Woodcuts and copper engraving, after Jan Van der Straeten so called Stradanus (Bruges 1523-Florence 1605). A historical, mythological, religious, allegorical, genre scenes, landscape and mural compositions painter. He lived in Antwerp, Venice, Florence, where he worked for the Medici He then met  Vasari and worked with him  at the the Vatican, the Palazzo Vechio .... Out of a set of 5 prints: - The  Duck Hunting - The ibex hunting with dogs...
Category

18th Century Renaissance Art

Materials

Engraving

Hunting Engraving: Hunting Ibex With Snakes
Located in Paris, FR
Engraving:  The Ibex hunting with snakes Historical , mythological, religious, allegorical subjects, genre scenes, landscape painter. Mannerist. He settled in Antwerp, Venice, Flore...
Category

18th Century Renaissance Art

Materials

Engraving

Renaissance Style Head Profile Portrait of Christ Beautiful Antique Oil Painting
Located in Cirencester, Gloucestershire
The Head of Christ 19th Century Dutch School oil on paper laid down on board, unframed size: 7.5 x 6 inches private collection The painting is in overall very good and sound condition
Category

19th Century Renaissance Art

Materials

Oil

16th century Italian carved wood sculpture - Saint Robert - Gilded Painted
Located in Varmo, IT
Carved wooden sculpture - San Roberto. Italy, 16th century. 54 x 30 x h 112 cm. Entirely in carved and painted wood with traces of polychromy and gilding. - Work inscribed on the ...
Category

16th Century Renaissance Art

Materials

Paint, Wood

16th c. Flemish school, Renaissance, c. 1580, Venus and Mars surprised by Vulcan
Located in PARIS, FR
Venus and Mars surprised by Vulcan, circa 1580, circle of Jacob de Backer ( Antwerp, 1545 - 1585) The subject of our work is derived from Ovid's metamo...
Category

16th Century Renaissance Art

Materials

Wood Panel, Oil

Illuminated Manuscript Painting by the German School
Located in New Orleans, LA
Extraordinary in its beauty and rarity, this early 16th-century German painting of an illuminated manuscript showcases a masterful trompe l’oeil effect. Unequivocally among the finest of only 17 known works of its kind, the oil on panel is both rare and captivating. With illusory pages that appear to leap from the panel, this virtuosic painting of a hand-colored book suspended into space is exceptional. Created more than four centuries ago, the composition evokes a strong sense of realism. Executed by a masterful Northern Renaissance artist of the German school, the illuminated manuscript pictured shows the astonishing splendor of the historical books of the period. Sumptuously decorated with scrolling floral motifs in the margins, the manuscript appears before a deep black background, heightening the trompe l’oeil illusion of depth through its strong contrast and the naturalistic shadows falling across the fluttering pages. It has been said that of the 17 known versions of this composition, ours stands alone in its precision in both perspective and the play of light and shadow. The visible folios feature choral arrangements and other texts, indicating the pictured manuscript likely served a role in the celebration of church services. In fact, other examples of manuscript paintings...
Category

16th Century Renaissance Art

Materials

Oil, Panel

Perseus' Foot
Located in Oswestry, GB
In Greek mythology Perseus was the son of Zeus and Danae also founder of ,Mycenae. Davies' respect for classical sculpture is evident in this depiction of Perseus' foot and highly de...
Category

2010s Renaissance Art

Materials

Granite, Bronze

16th century Italian carved wood sculpture - Saint Mauritius - Gilded Painted re
Located in Varmo, IT
Carved wooden sculpture - San Mauro. Italy, 16th century. 54 x 30 x h 110cm. Entirely in carved and painted wood with traces of polychromy and gilding. - Work inscribed on the bas...
Category

16th Century Renaissance Art

Materials

Paint, Wood

The Way of Love - Original oil on canvas painting
Located in Montreal, Quebec
In the eyes of others, we see sadness and fear, jealousy and hate. In the eyes of Jesus, we see the love that chooses to bear the cross of human sin and suffering on the Road to Calv...
Category

2010s Renaissance Art

Materials

Delft, Cotton Canvas, Canvas, Oil

1700's Old Master Oil Wood Panel Five Female Saints Beautiful Quality work
Located in Cirencester, Gloucestershire
Figurative Group Roman Catholic Saints Italian School, late 17th century/ early 1700's sketch of a lamb showing verso to panel oil painting on panel, framed framed: 20 x 24 inches bo...
Category

17th Century Renaissance Art

Materials

Wood Panel, Oil

Renaissance art for sale on 1stDibs.

Find a wide variety of authentic Renaissance art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Ian Hornak, Jesus Nodarse, Roni Taharlev, and Theo Toy. Frequently made by artists working with Paper, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Renaissance art, so small editions measuring 2 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $100 and tops out at $675,000, while the average work sells for $1,450.

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