Modern Abstract Prints

Fine piece of Florida abstract Landscape art. With a French Art Deco feel to it.

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, La mélodie acide, 14 lithographies originales de Joan Miró, 1980. Published...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme Assise III/V (Seated Woman III/V), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition publi...

Joan Miro - L'Issue Dérobée - Original Aquatint 1974 Dimensions: 36 x 54 cm Edition: 220 Jacques Dupin, L'Issue Dérobée, Maeght Editeur, Paris, 1974 (C. books 187) Biography Joa...

Serigraphy and collage of elements on Lucio del Pezzo hand-painted hand-made paper. Graphic work created in the 80s in 50 numbered copies signed by the artist.  The sheet is in perfe...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 130, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series I, Variation 5, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published b...

Abstract landscape monotype of a large cumulus cloud in soft pink and periwinkle blue 12 x 12 inch image on 22 x 33 inch Rives BFK paper Rives BFK paper is made of cotton, has deckle...

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

Peasant, fine art print, limited edition 10, signed by the author.

Decorative motifs of the German Renaissance is a vintage chromolithograph. Good conditions. The artwork represents Decorative motifs of the German...

Fernando de Szyszlo Untitled Lithograph on paper 22 x30 in

Akio Wakasa Miyakawa - Primitive Lineage, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 4/20, Image Size: 11.75 x 19.5 inches, Size: 15 x ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Carabiniers is a contemporary artwork realized by the artist Dipas in the 1970s. Mixed colored lithograph. Hand signed on the lower right margin. Numbered on the lower left margin...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe III Catalogue Raisonne. Nicely framed. Artist: Joan ...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme Assise V/V (Seated Woman V/V), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition published...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series P, Variation 4, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published b...

Fred Alfred Theophil Fathwinter Untitled Abstract Composition Monotype Year: 1969 signed, numbered and dated by hand Size: 11.0×3.9in on 11.6×8.3in COA provided Ref.: 924802-1180 Fathwinter, artist name for Franz Alfred Theophil Winter (May 23, 1906 in Mainz, † June 27, 1974 in Düsseldorf), was an artist of the Informel. From 1924 to 1927 he studied at the State School for Arts and Crafts in Mainz and in 1929/30 in evening classes at the Städelschule in Frankfurt am Main. During the National Socialist period he was banned from exhibiting. His evacuation to Murnau in 1942 led to a closer acquaintance with Gabriele Münter...

Little is known about the artist, Edward (Ed) Sacks, although this print may have been made at the Art Students League in NYC. it is a cross between, as the title suggests, a Seated ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series C, Variation 8, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published b...

Sister Mary Corita Kent (American, 1918-1986) He Repeated the Letters of the Alphabet... Color Screenprint 22.5 x 38.75 inches Signed Lower Right Sister Mary Corita Kent, once the n...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series I, Variation 14, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series P, Variation 5, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published by Martin Fabiani, Editeur, Paris, and printed by Georges Duval, Paris, on February 27, 1943, this edition presents a suite of drawings that encapsulate Matisse’s lifelong pursuit of purity in draftsmanship and composition. Created under the artist’s supervision, each plate demonstrates Matisse’s mastery of contour and simplicity, transforming minimal gestures into harmonies of balance and grace that evoke both strength and serenity. Executed on velin pur fil paper, this lithograph measures 12.88 x 9.62 inches (32.72 x 24.44 cm). It is signed in the plate and unnumbered, as issued, in accordance with the authorized 1943 publication format. Produced during wartime Paris under the direction of publisher Martin Fabiani, this folio embodies Matisse’s commitment to artistic renewal through discipline, sensitivity, and elegance. It remains a landmark in 20th-century printmaking, celebrated for the lyrical clarity and modernity of its graphic vision. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Series P, Variation 5, from Henri Matisse, Dessins, Themes et Variations, 1943 Medium: Lithograph on velin pur fil paper Dimensions: Paper size 12.88 x 9.62 inches (32.72 x 24.44 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1943 Publisher: Martin Fabiani, Editeur, Paris Printer: Georges Duval, Paris Catalogue raisonne reference: Duthuit, Claude. *Henri Matisse: Catalogue raisonne des ouvrages illustres.* Editions Claude Duthuit, Paris, 1988, illustration 9 Condition: Well preserved, consistent with age and medium Provenance: From the 1943 folio *Henri Matisse, Dessins, Themes et Variations,* published by Martin Fabiani, Editeur, Paris Notes: Excerpted from the 1943 folio (translated from French): "Finished printing in Paris, on February 27, 1943, at the expense of Martin Fabiani, publisher, with the help of Roger Lacouriere. Henri Matisse’s *Themes et Variations* were printed by G. Duval and the preface of Aragon, printed by Fequet et Baudier. Justification of the draw — This folio has been printed in CML examples, all numbered, namely: X examples on Imperial Japan, numbered from I to X, signed by the artist; XX examples on Velin d’Arches, numbered from II to XXX, signed by the artist; and CMXX examples on Velin pur fil, numbered from XXXI to CML." About the Artist: Henri Matisse (1869–1954) was a French painter, draughtsman, sculptor, and printmaker whose bold use of color, fluid line, and decorative brilliance helped define modernism and Fauvism. Born in Le Cateau-Cambresis, Matisse trained at the Academie Julian and later in Paris, where his expressive palette and relaxed compositions challenged conventions of light and form. Alongside his contemporary and friendly rival Pablo Picasso, Matisse reshaped the course of 20th-century art, each artist pushing the other toward greater innovation and emotional depth. Over his career, he worked across a wide array of media—painting, cut-outs, printmaking, sculpture, and interior design—always emphasizing harmony, balance, and visual poetry. His works are in the permanent collections of leading museums globally, including the Musee d'Orsay, MoMA, the Tate, and the Centre Pompidou. The highest price ever paid for a Matisse artwork is approximately $80.75 million USD, achieved in 2018 at Christie's New York for *Odalisque Couchee aux Magnolias* (1923). Henri Matisse lithograph, Matisse Series P Variation 5, Matisse Dessins Themes et Variations, Matisse 1943...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series I, Variation 12, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series O, Variation 17, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published ...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré à Jean-Paul Riopelle, Derrière le mi...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series D, Variation 8, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published b...

David Morris Southside Sync Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref....

Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...

A pristine color screenprint, acrylic and oil paint and varnish over giclée on paper. Signed and dated in white ink by the Connor Brothers. Dimensions with the frame are 32 x 22 inches.

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 10) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 117, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 196, 1972. Published by Aimé Maeght, Éditeur, Paris; pr...

"Rush Hour" British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) Rush Hour (Coppel SA 11) Linocut printed in Chinese orange, Chinese blue and black, 1930, on tissue thin oriental laid paper. Signed, titled and numbered 8/50 in pencil lower left, framed. Block 209 x 251mm (8 1/4 x 9 7/8in) Sheet 249 x 310mm (9 3/4 x 12 1/4in) Framed by Bark 14 1/2 x 16 inches BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass...

White Hand is a vintage offset print after Antoni Tàpies, printed on hand made paper. It is one of the prints belonging to a deluxe edition of 1982 limited to 2.000 specimens, reprod...

Made for an exhibition of artist Pierre Soulages works at the Musee Des Arts Decoratifs (museum of decorative arts and design) at the Palais du Louvre in Paris, 1960. The original im...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series K, Variation 3, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published b...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 12) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series I, Variation 6, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published b...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series N, Variation 1, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published b...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series I, Variation 4, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published b...

Mitsuaki Sora, Japanese (1933 - ) - Three Birds, Year: 1972, Medium: Woodcut, signed, dated and numbered in pencil, Edition: 3/50, Image Size: 30 x 15 inches, Size: 37 x 25 in. ...

Fred Alfred Theophil Fathwinter Untitled Gestural Composition Monotype Year: 1971 Signed, numbered and dated by hand Edition: 3 Size:8.1×11.5in on 12x17in COA provided Ref.: 924802-1197 Fathwinter, artist name for Franz Alfred Theophil Winter (May 23, 1906 in Mainz, † June 27, 1974 in Düsseldorf), was an artist of the Informel. From 1924 to 1927 he studied at the State School for Arts and Crafts in Mainz and in 1929/30 in evening classes at the Städelschule in Frankfurt am Main. During the National Socialist period he was banned from exhibiting. His evacuation to Murnau in 1942 led to a closer acquaintance with Gabriele Münter...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 105-106, 1958. Published by Aimé Maeght, Éditeur, Paris...

This volume, "Miró Engraver Volume III: 1973-1975," authored by Jacques Dupin and published by Rizzoli in 1992, is an exceptional hardcover edition that delves into the engravings of...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 161, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 105-106, 1958. Published by Aimé Maeght, Éditeur, Paris...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as...

John Urbain, Belgian/American (1920 - 2009) - Pendulum, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 22.5 x 17.25 inches, Size: 23 x 17.5 in. (58.4...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe V Catalogue Raisonne...

Woodcut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 174, 1968. Published by Aimé Maeght, Éditeur, Paris; print...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Portrait of a Lady, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...

Richard Florsheim created this color lithograph entitled “Approaching Storm” in 1967 in an edition of 125 pieces. Published by Associated American Artists and printed by Mourlot Press, Paris, this impression is signed and inscribed “Artist Proof.” It is in good condition with full original color. The printed image size is 28.25 x 19 3/4 inches and the paper size is 31.12 x 22 inches. RICHARD ABERLE...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

This is a unique mixed media edition of 50. on handmade paper with fabric, gold and other elements. Raised and educated in New York, Pat Hammerman is an ...

Richard Florsheim created this color lithograph entitled “Carnival” in 1972 in an edition of 30 pieces. Published by Associated American Artists and printed by Landfall Press, this i...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 142, 1964. Published by Aimé Maeght, Éditeur, Paris; pr...