Items Similar to Unique Mixed Media on Handmade Paper with Gold Leaf Modernist Edition
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Pat HammermanUnique Mixed Media on Handmade Paper with Gold Leaf Modernist Edition c.1980's
c.1980's
About the Item
This is a unique mixed media edition of 50. on handmade paper with fabric, gold and other elements. Raised and educated in New York, Pat Hammerman is an avid traveler and collector of African Art. Her experience with other cultures informs the choices she makes in her work and infuses her canvases with poetic and dynamic elements that invite the viewer's interpretation.Despite their undeniable modernity, the paintings of Pat Hammerman seem to evoke a tantalizing look back into humanity's ancient past. Not unlike an archeologist,Hammerman digs through layers of paint and material in her exploration of the properties of paint, surface texture,and spatial relationships. The sense
of accidental discovery is evident in Tamil. with its markings in red and light yellow ochre arranged in vertical columns along with multiple blue concentric arcs that smudge into the background.Random splashes of iridescent white seem to fall as if by accident, illuminating the surface where the background coloration is more somber and earth like.Less random and more map-like in its organization is Multani The background coloration is blue, with script-like elements, mostly in pinks and fleshtones, that are larger and boldly flowing. Reminiscent of Matisse's paper cutouts, these elements cover the surface in a more abstract arrangement. Black star-burst shapes floating in conjunction with marine-like forms are moored in place by large,strategically-placed areas of partially obscured grids that are like glimpses through a semi-opaque window. These Grids provide a visual and psychological focal point that draws the viewer's eye away from the aquatic mass.In her earlier work, Hammerman's use of the grid grounded her canvases and gave them a sense of order even when she mixed in bits of fabric, glitter, and feathers to add texture and color. The works presented in this exhibition move away from a reliance on a total grid, although they often retain parallel arrangements of short lines that create a pattern of text-like columns and paragraphs. In ~.these columns of squares and rectangles seem to dance over the textured surface, elements repeating in irregular intervals like the cadence of a poetic text or musical score. The Mottled background adds a feeling of age, as if this mysterious text is a remnant of history written long ago.In Sil!!l. the linear networks are predominately curvier,with swirls and arcs that outnumber the squares and rectangles to give the painting a lyrical, flowing feeling that looks more like a series of handwritten jottings than a secret code. The use of several shades of blue for these forms,placed over a background of warm pinks and reds, further suggests the use of handwritten ink. Although the script cannot be read, it appears vaguely Middle Eastern. The Arabesques and the density of juxtaposed forms, reminiscent of gardens in Persian paintings, reinforce this impression.In llalli Hammerman reverses the colors, with bright,cherry-red markings over a background of modulated blues. Here the overall direction of the script is horizontal,with concentric circles and simplified anthropomorphic forms predominating. This combination of human-like forms, celestial blue tones, and concentric circles suggests the continuity of existence and leads the viewer to contemplate the essential nature of life, death, and eternity.Other paintings from 1995 reflect Hammerman's inter-est in the overall treatment of the canvas, also a major concern of the Abstract Expressionists. In Telugu, a mixed media oil painting, Hammerman uses a curvilinear scribble along with small red squares, rectangles, and dots on a sumptuous mauve background. The relationship between foreground and background, between abstract forms andscript, here seems so expertly merged that the viewer intuitively understands the artist's interest in process and texture as well as meaning. The colors and textures are sensual and soothing, the deckle-like edge reassuring and femi-nine. The markings seem less accidental and more assertive and self-assured. This seems true of the even more playful Mombasa as well. The background is sulitle, an interplay of pale pinks and blues that sets the stage for the exuberance the orange and yellow, blue and purple arches. This Bright, buoyant style offers a dramatic contrast to Hammerman's subtle and somber pieces. This article was written by Rhonda Cooper.
She showed at Peter Rose gallery alongside Adja Yunkers, Antoni Tàpies, Clement Meadmore, Esteban Vicente, Larry Rivers, Larry Zox, Lynn Chadwick, Robert Motherwell, Victor Vasarely
- Creator:Pat Hammerman
- Creation Year:c.1980's
- Dimensions:Height: 28.5 in (72.39 cm)Width: 34 in (86.36 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good, frame has wear. no glass.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38213899842
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,546 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Mystic Cafe, Signed Aquatint Etching California Woman ArtistBy Susan HallLocated in Surfside, FLSusan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bay...Category
1970s American Modern Abstract Prints
MaterialsEtching, Aquatint
- Night Light, Signed Aquatint Etching California Modernist Woman ArtistBy Susan HallLocated in Surfside, FLSusan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bay...Category
1970s American Modern Abstract Prints
MaterialsEtching, Aquatint
- Modernist Figurative Pop Art Etching and Aquatint "the Artist" Michael MazurBy Michael MazurLocated in Surfside, FLMichael Mazur "The Artist" Hand signed and editioned from the edition of 50 1967 Michael Burton Mazur (1935-August 18, 2009) was an American artist who was described by William Grimes of The New York Times as "a restlessly inventive printmaker, painter, and sculptor." Born and raised in New York City, Mazur attended the Horace Mann School. He received a bachelor's degree from Amherst College in 1958, then studied art at Yale. Mazur first gained notice for his series of lithographs and etchings of inmates in a mental asylum, which resulted in two publications, "Closed Ward" and "Locked Ward." Over the years, he worked in printmaking and painting. His series of large-scale prints for Dante's Inferno won critical acclaim, and were the subject of a traveling exhibition organized by the University of Iowa in 1994. Later he concentrated on creating large, lyrical paintings which make use of his free, gestural brushwork and a varied palette. Some of these paintings were seen in an exhibition of 2002 at Boston University, "Looking East: Brice Marden, Michael Mazur, and Pat Steir." (See also Susan Danly, "Branching: The Art of Michael Mazur," 1997). The Museum of Fine Arts, Boston, has acquired a definMichael Mazur received a B.A. from Amherst College in 1957, studying in his senior year at the Accademia di Belle Arti in Florence, Italy. He went on to earn both a B.F.A. and an M.F.A. from the Yale School of Art and Architecture in 1961. Mazur's first teaching job was at the Rhode Island School of Design from 1961 to 1964. He was awarded a Guggenheim Foundation fellowship for 1964–65. From 1965 to 1976, he taught at Brandeis University, and from 1976 to 1978 at Harvard University. As an artist, teacher, and writer, Mazur has been active in reviving the monotype process. He contributed an essay to the pioneering exhibition catalogue The Painterly Print, published by the Metropolitan Museum of Art in 1980. Mazur recently chaired the New Provincetown Print...Category
Early 2000s American Modern Abstract Prints
MaterialsLithograph, Screen
- 1970s Pop Art "Dancing Lessons #2" Green, Pink Silkscreen Mod Ballet Girl PrintBy Joanne SeltzerLocated in Surfside, FLthere is a companion piece on a silver paper. A depiction of a ballet dancer, superimposed upon canceled dance class checks. Joanne Seltzer was born in Philadelphia, Pennsylvania a...Category
1970s American Modern Abstract Prints
MaterialsScreen
- Chicago Scene Modernist Architectural Lithograph, Nevada ArtistLocated in Surfside, FLJim McCormick was born in Chicago in 1936. He attended the University of Tulsa where he received a bachelor’s degree in art in 1958, then a M.A. in paint...Category
1980s American Modern Abstract Prints
MaterialsLithograph
- Serpentine with Orchids Modernist Silkscreen Signed ScreenprintBy Michael MazurLocated in Surfside, FLSerpentine with Orchids, 2005 Four-color screenprint on Rives BFK. Edition: 50 + 7 artist’s proofs 28 x 22 (paper size) framed by Bark Frameworks. Michael Burton Mazur (1935-August 18, 2009) was an American artist who was described by William Grimes of The New York Times as "a restlessly inventive printmaker, painter, and sculptor." Born and raised in New York City, Mazur attended the Horace Mann School. He received a bachelor's degree from Amherst College in 1958, then studied art at Yale. Mazur first gained notice for his series of lithographs and etchings of inmates in a mental asylum, which resulted in two publications, "Closed Ward" and "Locked Ward." Over the years, he worked in printmaking and painting. His series of large-scale prints for Dante's Inferno won critical acclaim, and were the subject of a traveling exhibition organized by the University of Iowa in 1994. Later he concentrated on creating large, lyrical paintings which make use of his free, gestural brushwork and a varied palette. Some of these paintings were seen in an exhibition of 2002 at Boston University, "Looking East: Brice Marden, Michael Mazur, and Pat Steir." (See also Susan Danly, "Branching: The Art of Michael Mazur," 1997). The Museum of Fine Arts, Boston, has acquired a definMichael Mazur received a B.A. from Amherst College in 1957, studying in his senior year at the Accademia di Belle Arti in Florence, Italy. He went on to earn both a B.F.A. and an M.F.A. from the Yale School of Art and Architecture in 1961. Mazur's first teaching job was at the Rhode Island School of Design from 1961 to 1964. He was awarded a Guggenheim Foundation fellowship for 1964–65. From 1965 to 1976, he taught at Brandeis University, and from 1976 to 1978 at Harvard University. As an artist, teacher, and writer, Mazur has been active in reviving the monotype process. He contributed an essay to the pioneering exhibition catalogue The Painterly Print, published by the Metropolitan Museum of Art in 1980. Mazur recently chaired the New Provincetown...Category
Early 2000s American Modern Abstract Prints
MaterialsLithograph, Screen
You May Also Like
- Float Drawing, VeniceBy Dale ChihulyLocated in Missouri, MOFloat Drawing, Venice By. Dale Chihuly (American, b. 1941) With frame: 40.75 x 28.75 inches Without frame: 36.5 x 24.75 inches Edition: 142/150 bottom right Signed in Paint bottom ce...Category
21st Century and Contemporary American Modern Abstract Prints
MaterialsMixed Media, Acrylic, Lithograph
- Variation 4, Vol. IBy Katherine Sophie DreierLocated in Myrtle Beach, SCKatherine S. Dreier, 'Variation 4, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...Category
Mid-20th Century American Modern Abstract Prints
MaterialsWatercolor, Lithograph, Stencil
- 'Variation 5, Vol. I' — from the series '1 to 40 Variations'By Katherine Sophie DreierLocated in Myrtle Beach, SCKatherine S. Dreier, 'Variation 5, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...Category
Mid-20th Century American Modern Abstract Prints
MaterialsWatercolor, Lithograph, Stencil
- Eggbeater 1: 34 Square inch Limited Edition Silk Scarf, for the Whitney MuseumBy Stuart DavisLocated in New York, NYStuart Davis Eggbeater No. 1 Silk Scarf, ca. 1980 100% silks scarf 34 × 34 inches (the smaller measurements shown are after the scarf is folded, to minimize shipping costs, as it sh...Category
Mid-20th Century American Modern Abstract Prints
MaterialsSilk, Screen
- BOX CARS (BONES AND UNIONS)By Robert RauschenbergLocated in Aventura, FLHand signed, numbered and dated in yellow felt pen. Mixed media with handmade paper, bamboo and fabric mounted on black board and framed. Published by Gemini G.E.L., Los Angeles. Cer...Category
1970s Modern Mixed Media
MaterialsMixed Media, Fabric, Handmade Paper
- Blue Planetary Relief (RP6), 1961, 2015 (Certified by Yves Klein Archives) 35/50By Yves KleinLocated in New York, NYYves Klein (after) Untitled Blue Planetary Relief (RP6), 1961, 2015 (Certified by Yves Klein Archives), 2015 Color Inkjet Print 29 3/4 × 39 3/4 inc...Category
Mid-20th Century Modern Abstract Prints
MaterialsInkjet, Mixed Media, Pencil