Modern Abstract Prints

Bright vibrant blue, orange, red, yellow, green lithograph in color. This is signed in the plate and dated. Leger's abstract drawing lithograph was drawn by the artist direct on to p...

Barbara Welk - Sixes and Sevens, Year: circa 1969, Medium: Embossed Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: AP, Image Size: 24.5 x 17 inch...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., New York; rendered and printed by Albert Carman, City Island...

The Soldier's Ballad is a contemporary artwork realized by Max Ernst in 1972. Mixed colored lithograph on Arches Paper. Edited by Manus Presse, Stuttgart 1972. Not signed and not ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 162. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

Artist: Marc Chagall (after) Title: Avenue De La Victoire at Nice Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from...

This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon became an informal artist, working in a style known as pintura matèrica, in which non artistic materials are incorporated into the paintings. This lithograph comes from the Als Mestres de Catalunya...

Saul Steinberg Sam's Art, from The New York International Portfolio), 1966 Lithograph on wove paper with blind stamp Pencil signed and numbered 12/225 on the front Published by Tanglewood Press, Knickerbocker Machine and Foundry, Inc., New York Printed by Irwin Hollander with blind stamp Unframed This Steinberg lithograph is titled Sam's Art, which of course refers to Uncle Sam, the nickname for the United States government. It features his version of the motto seen on our dollar bills, "Annuit Coeptis", which is one of the mottoes found on the Great Seal of the United States. It is directly underneath the "Eye of Providence" and is translated by the US Treasury and State Department as "God (or Providence) favors our undertakings". American President Abraham Lincoln, sitting in front of an easel, is also depicted as an artist in this telling 1960s work. Commentary: "In Saul Steinberg’s lithograph ‘Sam’s Art’, Abraham Lincoln, in stove-pipe hat, poses as the artist in front of his canvas. While his attention looks fixed on rendering the slightly wobbly pyramid with an eye, the Masonic motif from the back of the one dollar bill, the line from his brush has floated off the canvas to become a cubist-futurist cloud in the sky. The American Eagle looks on, perched on a civil war cannon...

Printed by Mourlot for an Maurice Esteve exhibition held at the Neue Galerie. Esteve is well-known for his rich colors similar to the fauvist mouvement of the early 20th century. The...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 118, 1960. Published by Aim...

Lithograph on papier vélin teinté, fait a la main paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Illuminations, 1949. Published by...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Hommage by Johnny Friedlaenderm German (1912–1992) Date: circa 1965 Aquatint, signed in pencil Edition of EA Size: 30 in. x 22 in. (76.2 cm x 55.88 cm) Frame Size: 36 x 28.5 inches

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Vintage 1960s Antoni Tàpies Lithograph Portfolio: Derriere Le Miroir. Published by: Galerie Maeght/Aime Maeght, Paris 1967. Lithograph in colors; 1967. 15 x 22 inches. Center fold...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Etching on vélin d’Arches paper. Paper Size: 23.875 x 17.5 inches. Inscription: Hand signed and numbered, 38/125, as issued. Notes: From the folio, Centre Noeuds, 1974. Published by ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 85-86, 1956. Published by A...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Parade of Mannequins in Peru is a lithograph on paper, image size 48 x 33", signed Miró lower right and annotated lower left. "Mannequin Parade is a series of 8 prints (1969, no.62...

Joan Miró One plate from Derrière le Miroir no. 128: Peintures Murales de Miró Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an editi...

Serigraphy and collage of elements on Lucio del Pezzo hand-painted hand-made paper. Graphic work created in the 80s in 50 numbered copies signed by the artist.  The sheet is in perfe...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Susan Hall Hand signed and numbered Aquatint Etching This piece has a Memphis Milano sort of vibe to it. Susan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bays and ocean, rolling grass lands and forests. It is inhabited by a diversity of wildlife, including over 450 species of birds, mountains lions, deer, bobcats, foxes, and elk. Ms. Hall who is a native of this area returned after spending twenty years in New York City. In her book, “Painting Point Reyes”, Hall says, “Point Reyes is the center of my painting life. Point Reyes has been my life and when I haven’t lived here, it has been an underground stream that spoke to me in dreams and visions.” While living and painting in New York City, Ms. Hall exhibited her work widely in museums and galleries. Among them are the Whitney Museum of Art; San Francisco Museum of Art; Nancy Hoffman Gallery, Trabia MacAfee Gallery, Phyllis Kind Gallery, Chicago; Ovsey Gallery, Los Angeles. In addition, her work has been featured in group exhibitions throughout the United States and abroad, including in 2020 Bud Shark's Ink: The California Crew at BMoCA, Boulder Museum of Contemporary Art Colorado USA representing the panoply of aesthetics, cultural backgrounds, viewpoints, and talent held within the bounty of art “made in California.” This remarkable grouping of artists, Brad Brown, Enrique Chagoya, Roy De Forest, Amy Ellingson, Susan Hall, Don Ed Hardy, Mildred Howard, Robert Hudson, Hung Liu, Kara Maria, Rex Ray, Alison Saar, Italo Scanga, and William T. Wiley. Women to the Fore, Hudson River Museum Yonkers 2021 A group of women artists working in oil painting and drawing, lithograph prints and photograph, collage and sculpture. Many icons of feminist art history. Judy Chicago, Judy Giera, Marisol, and Shanequa Benitez, Ann McCoy, Anna Walinska, Audrey Flack, Barbara Morgan, Berenice Abbott, Bessie Potter Vonnoh, Georgia O'Keeffe, Hannelore Baron, Harriet, Judy Chicago, Louise Nevelson, Marisol, Mary Frank, Nancy Graves, Susan Hall, Yvonne Thomas...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°64, 1964. Published and printed under the direction of Gualt...

Lithograph on papier vélin teinté, fait a la main paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Illuminations, 1949. Published by...

Things Kept Color lithograph, 1970 Signed & titled in pencil (see photos) Annotated: "Artists Proof" Printed on RIVES wove paper Condition: Excellent Sheet has aging consistent with ...

Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Cartones 18: Personnage et Oiseau Year: 1965 (after 1963 original) Medium: Pochoir Edition: 1200 Size: 8.75 in. x 12 in. (22.2...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

Artist: Robert Motherwell, American (1915 - 1991) Title: No. 2 from Three Poems, collaboration with Octavio Paz Year: 1987 Medium: Lithograph on Japon with Chine Colle Edition: 750 ...

Linocut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°4, 1938. Published and printed under the direction...

“I prefer drawing to talking. Drawing is faster, and leaves less room for lies.” This colorful modern lithograph was printed at the Atelier Mourlot in Paris in 1963 and is from the printer's edition. It is signed and dated in the plate in the bottom left quadrant. Le Corbusier...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Katherine S. Dreier, 'Variation 4, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...

Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 154, 1965. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 179, 1969. Published by Aim...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, Hesiode, Théogonie, Eaux-fortes de Georges Braque, N° 71-7...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

Takesada Matsutani (Japanese, b. 1937) Propagation-L, 1971 Screenprint in colors Edition 51/75 28 x 27 inches 28.25 x 27.25 inches, framed Takesada Matsutani is a Japanese avant-ga...

Gerry Mulligan, Baritone Sax - Rare Signed Figurative Lithograph in Ink on Paper Bold lithograph by Eugene Hawkins (American, b. 1933). Gerry Mulligan sits on a stool holding his ba...

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Homage to the Square (diptych), 1971 Original colored serigraph. Perfect copies published in 1971 by the Ives-Sillman Inc. edition, New Ha...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 138, 1963. Published by Aim...

Lithograph and stencil on grand vélin de Mandeure paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettres de Nicolas de Staël à Pierre ...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Nature Morte a la Porte et a la Clef". The original painting was completed in 1920. In the 19...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Executed in 1949 and issued as the frontispiece of the Picasso Lithograph...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

A very good impression of this color lithograph. Artist's proof, aside from the edition of 220. Signed and inscribed "E.A." in pencil by Foujita. Printed by the Guilde de la Gravure,...

"Wayne Thiebaud: Survey 1947-1976" Show Poster from the Oakland Museum 1976-1977 Silkscreen poster from the Oakland Museum 1976-1977 show "Wayne Thiebaud: Survey 1947-1976" with a printing of an original drawing (Six Candied Apples...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Georges Braque, Derniers messages,...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 212, published by Aimé Maeg...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...

Edward Landon 'Exhortation (Priest)', color serigraph, 1957, edition 28, Ryan 72. Signed, titled, and numbered '21/28' in pencil. A superb, richly-inked impression, with strong color...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Calder. Published and printed by Musée National d'Art Moderne, Par...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 179, 1969. Published by Aimé Maeght, Éditeur, Paris; pr...

Classic Poster Paper - Good Condition A Original lithographic poster created by Marino Marini for the 1972 Olympic Games in Munich, Germany. It is both ...

Vibrant Colorful Abstract-0-18,' a stunning piece of state-of-the-art HAND EMBELLISHED artwork by the talented artist Irena Orlov. This Giclee Reproduction is a true masterpiece, me...

Vintage French Travel Poster, Air France Roger Bezombes (1913-1994) French Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. Heavily influenced by surrealism, He worked principally as a painter, adopting the saturated Fauvist colors of Henri Matisse in landscapes and figure studies often based on observation of “exotic” cultures, notably Mediterranean and North African. Constrained, because a very young orphan, to all kinds of professions which provide him with the material means to devote himself to painting - he participated in 1930 in the installation of the exhibition of the Bauhaus at the Grand Palais-, Roger Bezombes is student of the National School of Fine Arts in Paris. (Ecole des Beaux Artes) He was trained in the art of fresco by Paul Baudoüin, René Barotte nonetheless restores that the young man's preference goes to the practice of "truancy" which he uses to make copies at the Louvre Museum. It’s the time when Paul Gauguin’s paintings, Vincent Van Gogh and Henri Matisse are revealed to him by Maurice Denis with whom he will remain close until his accidental death, painting him on his funeral bed on November 14, 1943. He executed surrealist tapestry designs for Aubusson and Gobelin tapestries, posters (winning the Grand Prix de l'Affiche Francaise in 1984), costumes and sets for ballets at the Metropolitan Opera House in New York, reliefs and murals. In 1965 he took up medal-making, expressing in his numerous metallic works for the Paris Mint that obsession with found objects which is also evident in his large-scale sculpture and in his posters. He designed posters for Air France and for the French national railways. Roger Bezombes went to Africa for the first time in 1936 thanks to a travel grant and received the same year the second grand prize of Rome . In 1937 he traveled around Morocco where he became friends with Albert Camus. The year 1938 offered him both his first solo exhibition at the Charpentier gallery in Paris with paintings and gouaches on the theme of Morocco and the attribution of the national grand prize for the arts, earning him a great journey which , from Dakar to Algiers , takes it through Chad , Tamanrasset and Hoggar. Roger Bezombes became a professor at the Julian Academy in 1950. For him, 1951 was the year of a trip to Greece and the year where he began his relationship with tapestry work. Roger Bezombes visited Israel in 1953, Tunisia and Egypt in 1954. He was appointed official painter of the Navy in 1955. Pierre Mazars analyzes that “after a period where we notice the influence of Van Gogh and GeorgesBraque, particularly in his landscapes of Provence, he came to a more schematic writing, the colored spots and the thicknesses of material taking more of importance as the subject. He even performed composite works, half-watercolors, half-pasted papers, in which he incorporated pieces of newspapers”. He was elected titular to the Academy of Overseas Sciences in 1978. "The range of Bezombes' talent forms is remarkable,” writes Lynne Thornton, “ranging from paintings, murals, travel posters, tapestry cartons, book illustrations, monumental ceramic decorations, ballet and theater sets, totem sculptures, sculpture objects, jewelry and medallions”. He was part of the mid century mod School of Paris that included Leon Zack, Bernard Lorjou, Paul Augustin Aizpiri, Gabriel Godard, Michel Henry, Hans Erni, Bengt Lindstrom, Alfred Manessier, Andre Hambourg, Raymond Legueult and Jean Rigaud. Select Solo Exhibitions: 1938: Galerie Charpentier, Paris 1950, '53, '55, '57: Galerie Andre Weil, Paris 1953:Wildenstein Gallery, London 1954: Institut Francais, Cologne 1956: Galerie Matarasso, Nice 1957: Horn Gallery, Luxembourg; Guilde de la Gravure, Paris 1958: Denys-Puech Museum, Rodez 1962: Musee de l'Athenee, Geneva; Chateau Grimaldi, Cagnes-sur-Mer 1966: Galerie des Ponchettes, Nice 1967: Galerie Martel, Montreal 1968: Romanet-Vercel Gallery, New York; Reattu Museum, Arles; Le Corbusier Center, Firminy 1969: Galerie Philippe...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, Hesiode, Théogonie, Eaux-fortes de Georges Braque, N° 71-7...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with trifold, as issued. Notes: From Derrière le miroir, N° 162. Published by Aimé Maeght, Éditeur, P...

"L'Etoile" geometric abstract lithograph of the sun by Alexander Calder. Hand-lettered EA on lower left front. Hand-signed Calder on lower right front. From an edition of 75. Beautif...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°9, 1957, in an edition of MM; however, unsold issues...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle: Homage to Picasso, 1971. Published and printed under t...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 162. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 212, published by Aimé Maeght, Éditeur, Paris; printed ...