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Art Subject: Bride
1971 The Tarahumara Indians - Figurative Etching on Paper
Located in Soquel, CA
1971 The Tarahumara Indians - Figurative Etching on Paper
Black and white etching of The Tarahumara Indians by Kelly English (American). The figures are outlined in thick black ink ...
Category
1970s Abstract Expressionist Figurative Prints
Materials
Paper, Ink
Le Reve de Paris
By Marc Chagall
Located in New York, NY
Marc Chagall
Le Rêve de Paris (Paris Dream), 1969-70
Color lithograph on Arches wove paper
35 3/8 in x 25 1/4 in (90 cm x 64 cm)
40 1/8 in x 28 1/8 in (101.8 cm x 71.5 cm)
Numbered f...
Category
1960s Modern Figurative Prints
Materials
Lithograph
Connection-Blossom #8, by Seiko Tachibana
Located in Palm Springs, CA
Medium: Etching,Aquatint
Image size: 12 × 11
Sheet size: 22 × 18 in
Edition of 30
Year: 2008
Signed and titled by the artist
While inspired by flowers, the blossom series shows th...
Category
Early 2000s Contemporary Still-life Prints
Materials
Etching, Aquatint
Plate 14 by Johanna Goodman (Portrait Print, Color Print, Abstract Print)
Located in Brighton, GB
Please be aware that all prints are produced to order.
Lead times expected between 15-20 days.
Prices may change due to currency fluctuations.
Giclée print on Archival Matte Paper ...
Category
2010s Abstract Figurative Prints
Materials
Giclée
Original Graham Gallery poster (hand signed by Nancy Graves)
By Nancy Graves
Located in New York, NY
Nancy Graves
Original Graham Gallery poster (hand signed by Nancy Graves), 1968
Extremely rare vintage offset lithograph poster (hand signed by Nancy Graves)
hand signed by Nancy Graves in pencil on the front
Frame included: held in museum quality wood frame with UV plexiglass
Publisher:
Graham Gallery
This late 1960s vintage Graham Gallery poster is hand signed by Nancy Graves on the front. It was published on the occasion of her "Camels" exhibition - a groundbreaking show in the artist's young life, as she died at age 54 of breast cancer. (People forget how brave she was, a sharp counterpoint to the style of the macho Minimalists of the era, like her ex husband Richard Serra.) The following year -- in 1969 - Nancy Graves became the first woman ever to have a solo show at the Whitney Museum.
We've never seen another of these posters anywhere else in the world - let alone one hand signed by Nancy Graves.
Elegantly framed in a museum quality wood frame with UV plexiglass
Measurements:
Frame:
17 x 17.5 x 1.5 inches
Work:
10 x 10.75 inches
About Nancy Graves:
Nancy Graves (1940–1995) was born in Massachusetts. Her father worked as an accountant at the local Berkshire Museum, where art was displayed with natural history. He encouraged his daughter’s early interests in art, nature and anthropology — interests which endured for the rest of her life. After graduating from Vassar College with a degree in English Literature, Graves attended Yale University, where she earned both a B.A. and an M.A. in Art, studying alongside Chuck Close, Robert Mangold and Brice Marsden.
Following Yale, she won a prestigious Fulbright Scholarship in 1964, and began studying painting in Paris — where she also married sculptor Richard Serra, whom she had met at Yale (and from whom she would divorce in 1970). Moving on to Florence soon after, she would live a somewhat nomadic life, spending time in countries that included Morocco, Kashmir, India, Egypt, Peru, Australia and Canada.
From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information.
Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance.
After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps...
Category
1960s Post-Minimalist Animal Prints
Materials
Lithograph, Pencil, Offset
Saint Raphael from Biblia Sacra by Salvador Dali
Located in Paonia, CO
Saint Raphael is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1965-1969....
Category
1960s Surrealist Figurative Prints
Materials
Lithograph
Chevauchée - Brun (M.540)
By Joan Miró
Located in Greenwich, CT
Chevauchée - Brun (M.540) ("Horse Ride - Brown") is a lithograph on paper with an image size of 33.25 x 23.75 inches, signed Miró lower right and annotated lower left.
Miró created...
Category
20th Century Modern Prints and Multiples
Materials
Lithograph
Untitled, from from the Artsounds Collection
By Thomas Lanigan-Schmidt
Located in New York, NY
Thomas Lanigan-Schmidt
Untitled, from from the Artsounds Collection, 1986
Lithograph on paper
Signed and numbered from the edition of 200 in ink on the back; also bears artist's stam...
Category
1980s Outsider Art Figurative Prints
Materials
Lithograph
Le Viol d'Europe
Located in New York, NY
A very good impression of this color drypoint on Japon nacré. Artist's proof, aside from the edition of 270. Signed and inscribed "EA" in pencil. Published by Vision Nouvelle, Paris....
Category
1970s Surrealist Figurative Prints
Materials
Color, Drypoint
La Chambre
By Paul Delvaux
Located in New York, NY
A very good impression of this large and scarce etching. 1969. Signed and numbered 8/50 in pencil. Printed by Lacourière, Paris.
Catalogue reference: Jacob 29
Category
1960s Surrealist Figurative Prints
Materials
Etching
One Hundred and Eight Inflated Dollars, from Sonnabend and Castelli Collection
Located in New York, NY
Öyvind Fahlström
One Hundred and Eight Inflated Dollars, from the Collection of Ileana Sonnabend and the Estate of Nina Castelli, 1973
Lithograph on rag paper. Signed. Numbered. in o...
Category
1970s Contemporary Figurative Prints
Materials
Rag Paper, Lithograph
The Quarrel (Belknap 294; Engberg & Banach 318)
Located in New York, NY
Robert Motherwell
The Quarrel (Belknap 294; Engberg & Banach 318), 1983
Lithograph in colors on Arches cover mould paper
Hand signed and numbered 1/100 in graphite on the front with publisher's distinctive blind stamp. Accompanied by original Tyler Graphics label
40 × 25 1/2 inches
Unframed
Hand signed and numbered in graphite on the front with publisher's distinctive blind stamp. The work has been removed from its original frame, but the back board has been kept bearing the original label from the publisher, Tyler Graphics, New York.
There is no better art work for kissing and making up than "The Quarrel"!
This rare Robert Motherwell lithograph...
Category
1980s Abstract Expressionist Figurative Prints
Materials
Lithograph
Threatening to defeat me once and for all / - A Christmas Pietà -
Located in Berlin, DE
Johannes Heisig (*1953 Leipzig), "Threatening to defeat me once and for all" - To the Christmas Oratorio by Johann Sebastian Bach. Lithograph on strong yellowish laid paper with wate...
Category
1980s Abstract Expressionist Figurative Prints
Materials
Lithograph
My treasure, my sanctuary / - A Tortured Treasure -
Located in Berlin, DE
Johannes Heisig (*1953 Leipzig), "My treasure, my sanctuary" - To the Christmas Oratorio by Johann Sebastian Bach. Lithograph on strong yellowish laid paper with watermark, 53 x 39.5...
Category
1980s Abstract Expressionist Figurative Prints
Materials
Lithograph
Spanish Artist signed limited edition original art print silkscreen engraving
Located in Miami, FL
Manuel Velasco (Spain, 1966)
'S/T 1', 1991
silkscreen, collage on paper
27.6 x 19.7 in. (70 x 50 cm.)
Edition of 50
Unframed
ID: VEL1400-001-050
Hand-signed by author
Category
1990s Contemporary Prints and Multiples
Materials
Screen, Engraving, Paper
“Bonito Sueño” Monochromatic Abstract Figurative Lithograph
Located in Houston, TX
Monochromatic abstract figurative lithography by Fermin Coronado. The piece depicts a figure of a lady surrounded by botanical elements. The piece is signed at the bottom. Framed in a simple gold frame...
Category
20th Century Abstract Figurative Prints
Materials
Lithograph
David Hostetler The Crowd Woodcut Print Abstract Group Figures Black and White
Located in Nantucket, MA
David Hostetler's Crowd woodcut inspired a painting commission that opened David's vision to pursue this imagery in paintings and monoprints. It has a ...
Category
2010s Contemporary Figurative Prints
Materials
Woodcut
Three Nightshades, Surrealist Lithograph by Wojtek Kowalczyk
Located in Long Island City, NY
Three Nightshades
Wojtek Kowalczyk, Polish (1960)
Date: 2005
Lithograph, signed in pencil
Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)
Category
Early 2000s Surrealist Landscape Prints
Materials
Lithograph
Next Room (Marrakitch)
Located in Palo Alto, CA
Created in 2000, this color screenprint is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left margin and is numbered from the edition ...
Category
Early 2000s Contemporary Figurative Prints
Materials
Screen
Portrait d'une fille (Maya)
Located in Palo Alto, CA
This exquisite portrait of Pablo Picasso's first daughter, Maya Picasso, exudes a personal, loving charm that only a father could capture. A playful, childlike nostalgia is forever e...
Category
1960s Modern Portrait Prints
Materials
Lithograph
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Alexander Calder lithograph Derrière le Miroir (Calder prints)
Located in NEW YORK, NY
Alexander Calder Lithograph c. 1971 from Derrière le miroir:
Lithograph in colors; 15 x 11 inches.
Very good overall vintage condition.
Unsigned from an edition of unknown.
From: Derrière le miroir Published Paris c. 1971. Printed in France.
Derrière le miroir:
In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France.
The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time.
The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies.
Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York. Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931. His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry. The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London.
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Calder prints. Mid Century Modern. 1970s. Alexander Calder and Contemporary Art. Mid Century Modern. Calder clowns.
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Art Against Apartheid The Year of the South African Woman (Lt Ed only 30 Signed)
By Nancy Spero
Located in New York, NY
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French Modernist Mourlot Lithograph Vintage Air France Poster Roger Bezombes
Located in Surfside, FL
Vintage French Travel Poster, Air france
Roger Bezombes
(1913-1994) French
Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. Heavily influenced by surrealism, He worked principally as a painter, adopting the saturated Fauvist colors of Henri Matisse in landscapes and figure studies often based on observation of “exotic” cultures, notably Mediterranean and North African. Constrained, because a very young orphan, to all kinds of professions which provide him with the material means to devote himself to painting - he participated in 1930 in the installation of the exhibition of the Bauhaus at the Grand Palais-, Roger Bezombes is student of the National School of Fine Arts in Paris. (Ecole des Beaux Artes) He was trained in the art of fresco by Paul Baudoüin, René Barotte nonetheless restores that the young man's preference goes to the practice of "truancy" which he uses to make copies at the Louvre Museum. It’s the time when Paul Gauguin’s paintings, Vincent Van Gogh and Henri Matisse are revealed to him by Maurice Denis with whom he will remain close until his accidental death, painting him on his funeral bed on November 14, 1943. He executed surrealist tapestry designs for Aubusson and Gobelin tapestries, posters (winning the Grand Prix de l'Affiche Francaise in 1984), costumes and sets for ballets at the Metropolitan Opera House in New York, reliefs and murals. In 1965 he took up medal-making, expressing in his numerous metallic works for the Paris Mint that obsession with found objects which is also evident in his large-scale sculpture and in his posters.
He designed posters for Air France and for the French national railways.
Roger Bezombes went to Africa for the first time in 1936 thanks to a travel grant and received the same year the second grand prize of Rome . In 1937 he traveled around Morocco where he became friends with Albert Camus. The year 1938 offered him both his first solo exhibition at the Charpentier gallery in Paris with paintings and gouaches on the theme of Morocco and the attribution of the national grand prize for the arts, earning him a great journey which , from Dakar to Algiers , takes it through Chad , Tamanrasset and Hoggar.
Roger Bezombes became a professor at the Julian Academy in 1950. For him, 1951 was the year of a trip to Greece and the year where he began his relationship with tapestry work.
Roger Bezombes visited Israel in 1953, Tunisia and Egypt in 1954. He was appointed official painter of the Navy in 1955. Pierre Mazars analyzes that “after a period where we notice the influence of Van Gogh and GeorgesBraque, particularly in his landscapes of Provence, he came to a more schematic writing, the colored spots and the thicknesses of material taking more of importance as the subject. He even performed composite works, half-watercolors, half-pasted papers, in which he incorporated pieces of newspapers”. He was elected titular to the Academy of Overseas Sciences in 1978. "The range of Bezombes' talent forms is remarkable,” writes Lynne Thornton, “ranging from paintings, murals, travel posters, tapestry cartons, book illustrations, monumental ceramic decorations, ballet and theater sets, totem sculptures, sculpture objects, jewelry and medallions”. He was part of the mid century mod School of Paris that included Leon Zack, Bernard Lorjou, Paul Augustin Aizpiri, Gabriel Godard, Michel Henry, Hans Erni, Bengt Lindstrom, Alfred Manessier, Andre Hambourg, Raymond Legueult and Jean Rigaud.
Select Solo Exhibitions:
1938: Galerie Charpentier, Paris
1950, '53, '55, '57: Galerie Andre Weil, Paris
1953:Wildenstein Gallery, London
1954: Institut Francais, Cologne
1956: Galerie Matarasso, Nice
1957: Horn Gallery, Luxembourg; Guilde de la Gravure, Paris
1958: Denys-Puech Museum, Rodez
1962: Musee de l'Athenee, Geneva;
Chateau Grimaldi, Cagnes-sur-Mer
1966: Galerie des Ponchettes, Nice
1967: Galerie Martel, Montreal
1968: Romanet-Vercel Gallery, New York;
Reattu Museum, Arles; Le Corbusier Center, Firminy
1969: Galerie Philippe...
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Previously Available Items
Alberto Burri ( 1915 – 1995 ) – COMBUSTIONI – hand-signed etching and aquatint
Located in Varese, IT
A rare edition work from “COMBUSTIONI” series,
dating back to the mid-60s.
Comes from a folder of 6 etchings and aquatints on Fabriano paper edited in 1965 by 2RC and Marlborough Gal...
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1960s Abstract Prints and Multiples
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H 31.11 in W 25.01 in D 2.37 in
Overgrown Trees
Located in Palm Springs, CA
Etching with roulette, created at the Washington Printmakers Gallery in Washington, DC
Edition size: 20. This is 1/20, the first print for the edition.
Image size: 5 x 7 inches.
His work, which is figurative, shows an interest in painterly surfaces, the response to direct perception and a preference for an intimate scale. His career in art has been identified with a group of artists known as the AU School who were connected to the Phillips Collection and came to prominence in the late 1950s.
Lee...
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