Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Maurice de Vlaminck
Le Bassin ( A Lithograph from Notre Pain Quotidien)

1963

About the Item

Maurice de Vlaminck (French 1876 - 1958), "Le Bassin" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition in Paris in the following year. In 1902 the young painter met Henri Matisse, who encouraged him to exhibit at the "Salon des Indépendents". In 1905 Maurice Vlaminck had a group exhibition with Matisse, Derain, Friesz, Manguin and others at the "Salon d'automne". The radically new colour scheme with large areas of pure colour inspired the critic Vauxelles to refer to the artists as the "Fauves". The lively acceptance of this new painting style is reflected in the following acquisition of Vlaminck's entire work by the art dealer Ambroise Vollard. He also arranged the artist's first one-man exhibition in 1906. A brief interest in Cubism is merely reflected in a short intermezzo of a few Cubist compositions. Maurice Vlaminck's artistic work was interrupted for four years in 1914 when he was drafted into the war. After his release Vlaminck established a small studio in Paris where he prepared for his next exhibition. It took place in 1919 at Druet, bringing about the artist's definite break-through. The show was so successful that he was able to buy a house in Valmondois in the same year. Here, in this rural environment, Vlaminck was finally able to develop his own style as a landscape painter. His interest in rural landscapes never ceased, even after his move to the Département Eure-et-Loire in 1925. His work was honoured in numerous international exhibitions during the 1930s. The last years of Maurice Vlaminck's life were determined by his friendship with the Swiss doctor Sigmund Pollag, who collected the artist's graphic oeuvre and donated it to the Kunstmuseum Bern in 1970. Vlaminck wrote more than 20 books, including autobiographic texts.
More From This SellerView All
  • Le Petit Pont ( A Lithograph from Notre Pain Quotidien)
    By Maurice de Vlaminck
    Located in New York, NY
    Maurice de Vlaminck (French 1876 - 1958), "Le Petit Pont" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...
    Category

    1960s Post-Impressionist Abstract Prints

    Materials

    Lithograph

  • Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)
    By Maurice de Vlaminck
    Located in New York, NY
    Maurice de Vlaminck (French 1876 - 1958), "Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...
    Category

    1960s Post-Impressionist Abstract Prints

    Materials

    Lithograph

  • Untitled: Purple, Blue & Gold Landscape (Edition 39/200)
    Located in New York, NY
    Artist Unidentified /Unknown, "Untitled: Purple, Blue & Gold" Edition 39/200, 19.75 x 25.50, Late 20th Century Colors: Purple, Blue, Brown, Yellow, Gold Note* Unidentified Artist si...
    Category

    Late 20th Century Abstract Landscape Prints

    Materials

    Lithograph

  • Untitled: Horse Show (Edition D'Artiste)
    By Urbain Huchet
    Located in New York, NY
    Urbaine Huchet (French, b. 1930) "Untitled: Horse Show" Edition D'Artiste, Abstract Impressionist Lithograph signed and numbered in Pencil, 28.25 x 20.63,...
    Category

    Late 20th Century Abstract Impressionist Abstract Prints

    Materials

    Lithograph

  • Hot Dog Man ( Edition 67/150)
    By Shelly Fink
    Located in New York, NY
    Shelly (Sheldon) Fink (American, 1925-2002), "Hot Dog Man" Edition 67/150, Figurative/Landscape Lithograph signed on Paper, 17 x 14, Late 20th Century, 1968 Color: Black and White Sheldon Fink was born in 1925 in Brooklyn, NY. He attended the High School of Music and Art in Manhattan, and won Tiffany Foundation grants in 1957 and 1963. Shelly's work has appeared at the Albany Art Institute, the Berkshire Art...
    Category

    1960s Abstract Abstract Prints

    Materials

    Lithograph

  • Untitled Winter Landscape (Edition 85/150)
    By Bernard Charoy
    Located in New York, NY
    Bernard Charoy (French b. 1931 ) , "Untitled Winter Landscape," Edition 85/150, Abstract Lithograph signed and numbered in Pencil, 22 x 30, Late 20th Century Colors: Green, White, G...
    Category

    Late 20th Century Abstract Landscape Prints

    Materials

    Lithograph

You May Also Like
  • 'Monterey at Sunset', California Post-Impressionist Landscape
    By John Maxon
    Located in Santa Cruz, CA
    A substantial trillium monotype landscape showing a view of the cultivated fields and coastal hills of Monterey County, California bathed in the glow of a radiant sunset. Signed lower left, "Maxon" for John Maxon (American, 20th century) and created circa 1985. Coming from a western tradition in Wyoming, John Maxon developed an expansive view of nature and the spiritual essence it imbued. Moving eventually to the San Francisco Bay area, John’s delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged and, at 16, he began figurative art classes with Howard Brodie. Maxon spent his youthful days painting seriously in the fields behind Stanford University, and was fortunate to be exposed to and to study the works of Nathan Oliviera, Wayne Thiebaud and David Park during those years. He attended San Jose State University, and apprenticed for Sam Richardson...
    Category

    1980s Post-Impressionist Abstract Prints

    Materials

    Archival Paper, Monotype

  • Flowers
    Located in Llanbrynmair, GB
    ’Flowers’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 635mm x 870mm Date - c1975 Condition - Very good. 9 out of 10. Colour of print may not be accurate when...
    Category

    1970s Contemporary Landscape Prints

    Materials

    Lithograph

  • Bundanon Shore. (2 Cockatoos)
    Located in Llanbrynmair, GB
    ’Bundanon Shore ’ By Arthur Boyd Medium - Lithograph Signed - Yes Edition - Artist Proof Size - 735mm x 540mm Date - 1994 Condition - 9 Colour of print may not be accurate when viewed on a monitor. Hand drawn metal plate lithograph printed with Senefelder press on rag paper. Being sold from the Andrew Purches collection. Arthur Merric Bloomfield Boyd AC OBE (24 July 1920 – 24 April 1999) was a leading Australian painter...
    Category

    1990s Contemporary Landscape Prints

    Materials

    Lithograph

  • Bush scene with blue and yellow
    Located in Llanbrynmair, GB
    ’Bush scene with blue and yellow’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 630mm x 865mm Date - c1975 Condition - Excellent. 10 out of 10. Colour of print...
    Category

    1970s Contemporary Landscape Prints

    Materials

    Lithograph

  • Palace Pier, Brighton
    Located in Llanbrynmair, GB
    ’Palace Pier’ Brighton By Bernard Brett Medium - Lithograph Edition - Studio proof Signed - No Published by - Curwen Press Size - 615mm x 435mm Date - C1975 Condition - Reasonable. 8 out of 10. Some small repaired tears to edge. Not affecting image. Colour of print may not be accurate when viewed on a monitor. Bernard Brett, a painter and lithographer, was born in Birmingham. He received his education at Brighton College of Art and later taught at Wolverhampton College of Art from 1951 to 1957. He held the position of Vice Principal at East Surrey College of Art from 1967 to 1975. Brett's artistic contributions included illustrating works published by Curwen Press, and he exhibited his works multiple times at the Royal Academy (RA). In the late 1970s, he is believed to have emigrated to the United States. Brett's talent extended beyond painting, as he also excelled as a printmaker. His prints, created primarily during the 1960s and 1970s, were known for their vibrant color schemes. His artistic style shared similarities with renowned British artists of his time, including Geoffrey Elliott...
    Category

    Late 20th Century Other Art Style Abstract Prints

    Materials

    Lithograph

  • Tall Trees
    Located in Llanbrynmair, GB
    ’Tall trees’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 635mm x 870mm Date - c1975 Condition - Good. 9 out of 10. Colour of print may not be accurate when v...
    Category

    1970s Contemporary Landscape Prints

    Materials

    Lithograph

Recently Viewed

View All