1910s Art
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Period: 1910s
John Sloan Etching, 1916, "McSorley's Back Room"
By John Sloan
Located in Phoenix, AZ
John Sloan (1871-1951) etching created 1916.
Edition: 100
Titled: “McSorley’s Back Room”
Plate size: 5 1/4" H x 7 " W
Sheet size: 7 1/2" H x 10 3/8" W
In excellent condition, unframe...
Category
1910s Art
Materials
Paper
Couronne de Marguerite - French Belle Epoque Portrait Oil Painting Paris Beauty
Located in Gerrards Cross, GB
‘La Couronne de Marguerite’ by Édouard-Louis-Lucien Cabane (1857-1942).
The painting – which depicts a young French beauty wearing a crown of daisies – is signed by the artist and ...
Category
French School 1910s Art
Materials
Oil
Meenakshi Temple Madurai Tamil India 1913 Hindu Priest Sacred Elephant Oil Paint
Located in Rancho Santa Fe, CA
Andre Chéronnet Champollion
Meenakshi Temple Hindu Priest & Sacred Elephant Madurai, Tamil
Oil on canvas
Painting Dimensions: 36 x 28 inches
Framed Dimensions: 44.5 x 36.5 inches
Sig...
Category
Impressionist 1910s Art
Materials
Oil, Canvas
Late 19th Century Original Lake Tahoe Indian Encampment Landscape
Located in Soquel, CA
Beautiful early 19th Century oil painting of Lake Tahoe with Indian encampment on far side of lake by John Englehart (AKA as John Englehardt), (American, 1867-1915). A peaceful lake at dawn reflects snow-capped mountains in background with redwoods and dirt road to lake. At far side of lake, an Indian encampment shows the wisps of a campfire. Signed "Delane" lower right (see further notes below) Many, perhaps all, of these are renderings of scenes in the Lake Tahoe area. Englehart worked under a number of pseudonyms and used variant spellings including Delane, J. Engelhardt, J. Englehardt, J. Englehart, J. Engelhart, C.N. Doughty, C.C. Foucks, C.L. Willis, J.L. Monahan, W.L. Willis, WM. J. Schon, J. Lang, J. Gran, J. Grant, J. Cole, J. Enright, J. Hart, Enblhart, Ed Shroder, C. Williams, Joseph John Engelhart...
Category
American Impressionist 1910s Art
Materials
Linen, Oil
Japanese Tabako/Tool Box with Kiseru -wabi Sabi-Taisho Era-GSY Gallery Select
Located in London, GB
This antique Japanese Tobacco Box, complete with drawers, a kiseru, is a captivating piece of history. The warm hew of the elm is telling a story ...
Category
Showa 1910s Art
Materials
Metal
Karl Nordström, Yellow Tulips, Signed and dated.
Located in Stockholm, SE
A beautiful still-life of yellow and red tulips in a vase by Karl Nordström (1855-1923), signed 'KN' and dated a tergo 1917. The vibrant flowers are standing in a vase which is placed on a cloth against a bluish-green background.
Karl Fredrik Nordström was born on the Swedish west coast on the large island of Tjörn and was a Swedish painter known mostly for his landscape paintings.
He came to Stockholm in 1875 and started to study at the
Royal Art Academy, where he was tutored by Edvard Perséus, among others. There, he also became close friends with the artists Richard Bergh and Nils Kreuger...
Category
Expressionist 1910s Art
Materials
Canvas, Oil
Still life, Fruits on a Table. Early 20th Century Oil on Canvas.
Located in Stockholm, SE
A beautiful still life of fruits in a basket set on a table by Ewald Svante Bergh, (1885-1946). Oil on canvas. Bergh was a Swedish painter and a member of the artist group 'De tolv'....
Category
Impressionist 1910s Art
Materials
Canvas, Oil
St Etheldreda's Fulham WW1 commemorative window design by Reginald Hallward
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Reginald Hallward (1858 - 1948)
Stained glass window design for St Etheldreda'...
Category
1910s Art
Materials
Gouache, Pencil
Still life oil on canvas painting
Located in Barcelona, Barcelona
Frame size 59x70 cm.
Category
Impressionist 1910s Art
Materials
Oil, Canvas
Henri Bendel Coat, 1915
By Erté
Located in Greenwich, CT
Erté created dress and coat designs for Henri Bendel for several years, beginning in 1914. Erté's artistry had a profound effect on women's fashions, beginning with his stint at Poir...
Category
Art Deco 1910s Art
Materials
Gouache, Paper
Untitled Fashion Design, 1919
By Erté
Located in Greenwich, CT
Likely a dress design for Henri Bendel or B. Altman, Untitled Fashion Design from 1919 is an iconic early Erté design. Erté's stylized Villa Excelsior name stamp and the 'Composition...
Category
Art Deco 1910s Art
Materials
Gouache, Paper
Swiss Nocturne Landscape - British artist 20s watercolour landscape Switzerland
Located in London, GB
This beautiful, atmospheric British 1920’s watercolour landscape painting is by noted artist Albert Goodwin. He was championed by famed art critic John Ruskin who took him on tour in...
Category
Impressionist 1910s Art
Materials
Watercolor
Warwick Castle - British art early 20th century painting river landscape autumn
By Henry Charles Brewer
Located in London, GB
A large, fresh and vibrant watercolour view of Warwick Castle which was painted in 1917. The view is captured in detail by Henry Charles Brewer RI who travelled widely and who exhib...
Category
Impressionist 1910s Art
Materials
Watercolor
Nude Female - Italian British art Edwardian nude portrait drawing female artist
Located in London, GB
This is a fine detailed and superbly executed Edwardian drawing by Estella Canziani which dated to circa 1911. Drawn by one of the leading artists of the day, it is a very striking a...
Category
Realist 1910s Art
Materials
Carbon Pencil
Newcomb Pottery Candlesticks, Great Condition, Flowers Estate (New Orleans)
Located in New Orleans, LA
A pair of candlesticks in great condition - no chips or cracks - from the famous Newcomb Pottery program in New Orleans. Beautiful buff grayish-blue glaze. Newcomb mark stamped on bottom. Came from a fine St. Charles Avenue home out of the estate of Chip Flowers of New Orleans, with lots of Newcomb pottery in the collection, including a Joseph Meyer bowl we have also listed on this site. Proudly presented by Guy Lyman Fine Art, New Orleans. If you are reading this it is probably because you are already familiar with Newcomb Pottery, but here's some information from Wikipedia, and there is a wealth of information about it online should you wish to learn more:
"Newcomb Pottery, also called Newcomb College Pottery, was a brand of American Arts & Crafts pottery produced from 1895 to 1940.[1] The company grew out of the pottery program at H. Sophie Newcomb Memorial College, the women's college now associated with Tulane University in New Orleans, Louisiana. The Pottery was a contemporary of Rookwood Pottery, the Saturday Evening Girls, North Dakota pottery, Teco and Grueby.
Newcomb College had been founded expressly to instruct young Southern women in liberal arts.[2] The art school opened in 1886 and production of art pottery on a for-profit basis began in 1895 under the supervision of art professors William Woodward, Ellsworth Woodward, and Mary Given Sheerer.[3][4][5]
Potters
Among the first persons to be hired by the Woodwards to assist with the new pottery...
Category
Art Nouveau 1910s Art
Materials
Clay
Path Through Willow Trees, Summer
Located in Hillsborough, NC
Impressionist oil painting of arching trees, titled 'Path Through Willow Trees, Summer' is by Sir James Lawton Wingate (1846-1924), President of the Royal Scottish Academy and knight...
Category
Impressionist 1910s Art
Materials
Oil, Canvas
Red blooming war landscape with dead soldier - Bleeding flowers -
Located in Berlin, DE
Johannes Friedrich Heinrich Hänsch (1875-1945), Red blooming war landscape with dead soldier, 1918. Watercolor and gouache on paper, 15 x 24.5 cm (image), 27 x 37 cm (sheet size / frame), monogrammed and dated "19JH18" at lower left.
- Paper slightly darkened
About the artwork
Despite the relatively small format, the watercolor with an internal frame depicts a panoramic view of a flat landscape stretching to the horizon. As far as the eye can see, the poppies bloom in flaming red. The flowers are not rendered individually, however, creating an almost cohesive red surface. The bright red is interspersed with vegetal green. A complementary contrast that creates an intense color effect. In this color contrast, a white area breaks through from the middle ground, widening towards the foreground and surrounding a brown hole. Next to it, in blue, is the actual protagonist of the painting, the first thing that catches the eye: a dead soldier. Next to him is his helmet, revealing the empty interior. The brown, hollow shape corresponds to the hole in the ground. A shell funnel is surrounded by bright ash, which, like the inverted helmet, becomes a sign of death. The soldier's arms point to the funnel, while the empty helmet paraphrases the calotte of the skull and, like the funnel, thematizes the empty darkness of death.
The soldier's body, however, is intact and not - as in Otto Dix's triptych "The War" - a dismembered corpse. Instead, Johannes Hänsch activates the landscape, especially the color, to illustrate a blooming landscape of death that extends from the shell funnel in the foreground to the rising column of smoke on the horizon. If the soldier's body is intact, the tangle of barbed wire emblematically placed over the empty helmet also appears tattered. On the right side of the picture, the barbed wire even seems to stretch its arms to the sky in horror. Against the background of this allegory, the content of the bright red also becomes clear: the landscape is drenched in blood, literally a sea of blood, and the single unknown soldier stands pars pro toto for all those who died on the battlefield. Dying in war is not dying in community, but in solitude. In order to emphasize the isolation in death, Johannes Hänsch has set the blue of the soldier in the axis given by his body in the middle ground of the picture into the red sea.
A master of landscape painting, Hänsch succeeds in creating a natural-looking landscape allegory that illustrates the horror and death of war, without depicting the brutality of war itself. This singular 'war memorial' of the unknown soldier is the opposite of heroization and yet the dignity of the deceased soldier is preserved through the integrity of his body.
About the artist
As the son of the sculptor Adolf Haensch, the young Johannes received his first artistic training in his father's Berlin studio. However, he eventually decided to become a painter, and in 1897 he entered the Berlin Academy of Arts. He initially studied under Paul Vorgang and Eugen Bracht, and was particularly influenced by Bracht's increasingly colourful landscape painting. In 1901 he moved to the class of Friedrich Kallmorgen, with whom he spent several weeks on excursions into nature. In 1905 he became a master pupil of Albert Hertel, who taught him watercolour painting.
From 1903 to 1933 he exhibited annually at the Great Berlin Art Exhibition, the exhibitions of the Berlin Artists' Association and the Munich Glaspalast. In 1905 he was awarded the Carl Blechen...
Category
Realist 1910s Art
Materials
Watercolor
Nude Young Woman
Located in San Antonio, TX
Charming early 1900s alabaster sculpture of a young maiden, seated nude on a stump. This work dates to the period when the artist was active in Italy, during this time Ceccarelli's w...
Category
Romantic 1910s Art
Materials
Alabaster
Le Jardin du Luxembourg
Located in London, GB
'Le Jardin du Luxembourg', oil on canvas, by Marie de Nivouliès de Pierrefort (circa 1910). Parisians are not equivocal about their park preferences. Some clearly favour the Tuileries, while others stand firmly with feet planted in the Jardin du Luxembourg. Perhaps this is analogous to residents' strongly-held preferences for either the Café Deux Magots or the Café de Flore, just down the Boulevard Saint-Germain. Back to the gardens though, I have always been captivated by the Luxembourg Gardens. It's the lawns, tree-lined promenades, tennis courts, flowerbeds, model sailboats on its octagonal Grand Bassin, as well as the picturesque Medici Fountain...
Category
Impressionist 1910s Art
Materials
Canvas, Oil
The Boat in Martigues, France
Located in London, GB
'The Boat in Martigues', oil on canvas, by Marie de Nivouliès de Pierrefort (circa 1910). Martigues is a small port town just northwest of Marseille in the South of France. Its nickname is the Provençal Venice. Further eastward down the coast is the town of Toulon where the artist was born in 1879. Nivouliès depicts a charming sailboat tied to the small pier yet with an unfurled sail. It looks to be a wondrous day along the Mediterranean, the kind we can always dream about. The painting is over one hundred years old and is in fair condition, yet recently brought back to life by an art restoration professional. Elegantly framed, it is stabilised now for decades into the future. Please enjoy the many photos accompanying the listing. Upon request, a video may be provided of the artwork.
About the Artist: Although she was a direct descendant of the counts of de Pierrefort, Marie de Nivouliès de Pierrefort's (1879-1968) family was very poor. In spite of the poverty, Pierrefort attended a Catholic school run by nuns, obtaining a scholarship from the School of Fine Arts of Paris. While still a student, she attended workshops of great Impressionist masters such as Pierre Auguste Renoir (1841-1919) and Pierre Bonnard (1867-1947). In 1910 she won a travel award from the school and traveled to Tunisia where she painted several Mediterranean landscapes.
In 1938 the painter moved to Rio de Janeiro, Brazil, where she painted the beautiful landscapes seen from her window. In Rio, Pierrefort had two individual exhibitions, both at the National Museum of Fine Arts, in the years 1946 and 1956.
Although widowed in 1944, Pierrefort decided not to return to France until 1950. She remained there until 1959 when she definitively returned to Brazil. Her atelier in the neighbourhood of Glória was frequented by many emerging artists who learned the techniques of impressionism from her. Afterwards, Pierrefort painted for almost a decade in Brazil until she passed away in 1968 in Rio. After her death, many canvases were found in her studio but had been damaged or destroyed by humidity and by the intervention of her many cats. The painter Sergio Telles...
Category
Impressionist 1910s Art
Materials
Canvas, Oil
“Apple Blossom Time”
Located in Southampton, NY
Here for your consideration is a light filled oil on canvas painting by the American artist, David Clark. The meandering path, apple blossoms. the first ...
Category
Post-Impressionist 1910s Art
Materials
Oil, Canvas
Evening, Port of Genoa
Located in Storrs, CT
Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...
Category
Modern 1910s Art
Materials
Drypoint
Pair of Flower Paintings c1913 English Signed by Artist
Located in FR
Pair of Flower Paintings c1913 English Signed by Artist
A good pair of original Paintings
Painted on to card
Artist is Duncar 10.12.1913
Highl...
Category
Realist 1910s Art
Materials
Oil
Frosty Dawn, Upstate New York, 20th century American modern watercolor
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887-1964)
Frosty Dawn, Upstate New York, c. 1916
Watercolor and gouache on board
Signed lower right
21 x 30 inches
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters". In 1906 Wilcox enrolled from the Cleveland School of Art...
Category
American Modern 1910s Art
Materials
Watercolor, Gouache
"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
By Max Kuehne
Located in New York, NY
Max Kuehne (1880 - 1968)
Train Station, circa 1910
Watercolor on paper
8 1/4 x 10 1/4 inches
Signed lower right
Provenance:
Private Collection, Illinois
Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes.
Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work.
Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri.
A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him.
After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie.
Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically.
Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
Category
American Impressionist 1910s Art
Materials
Paper, Watercolor
Still Life Flowers, Wallflowers, By Owen Bowen, Watercolour
Located in York, GB
watercolour of a vase of wallflowers , still life flowers by Owen Bowen. Dated and signed lower left 1911.
Size of image 48 cm by 38 cm whilst overall the s...
Category
English School 1910s Art
Materials
Watercolor
Pair of 20th century views of Venice, Near St. Marks and Squero di San Trovaso
Located in Woodbury, CT
Attributed to Antonio María de la Concepción Reyna Manescau
María de la Concepción Reyna Manescau, variously cited as Antonio María Reyna Manescau or simply Antonio Reyna Manescau...
Category
Impressionist 1910s Art
Materials
Oil, Canvas
Bacchus
Located in Los Angeles, CA
OSCAR EISHACKER
"DIONYSOS"
"BACCHUS"
BRONZE, SIGNED
FRANCE, C.1910
ALEXIS RUDIER FONDEUR
21.5 X 20 X 9 INCHES
Oscar Eishacker
1881-1961
Eishack...
Category
Art Deco 1910s Art
Materials
Bronze
Early 20th Century Seascape of Capri, Amalfi Coast
Located in Soquel, CA
Luminous early 20th Century seascape of Capri on Amalfi Coast by Albert Wenk (German, 1863-1934), 1913. Signed and dated lower left corner. Cond...
Category
Impressionist 1910s Art
Materials
Oil, Linen
Impressionist Winter Landscape in Evening Light by Swedish Artist Anton Genberg
Located in Stockholm, SE
A magnificent Winter Landscape by the Swedish artist Anton Genberg (1862-1939).
In this painting from 1912, we see the characteristic features that made ...
Category
Impressionist 1910s Art
Materials
Oil, Canvas
Henry George Gawthorn Fishermen Newlyn Cornwall Great Western Railway watercolor
By Henry George Gawthorn
Located in Eversholt, Bedfordshire
Henry George Gawthorn (1879–1941) Rare watercolor study of two fishermen examining a large fishing net in the harbour.
Inscribed ‘rough sketch for poster’ & signed H G Gawthorn in pencil.
With a pencil sketch of one of the fishermen on the reverse Reputedly Newlyn. probably artwork for GWR, Great Western Railway...
Category
1910s Art
Materials
Watercolor, Paint
Two Men Zwei Männer - Monogrammed India Ink Drawing German Expressionism
Located in London, GB
CONRAD FELIXMÜLLER 1897 - 1977
Dresden 1897 - 1977 Berlin (German)
Title: Two Men Zwei Männer, 1919
Technique: Monogrammed India Ink Drawing on thin JW Zanders Laid Paper
Paper ...
Category
1910s Art
Materials
Ink
Early 20th Century Serene Mountaintops Landscape
Located in Soquel, CA
Sweeping early 20th century landscape painting of mountains reflected over a California lake by an unknown artist. Circa 1915. Unframed. Image size: 20"L x 16"H.
Category
American Impressionist 1910s Art
Materials
Fiberboard, Oil
Mon Colonel
Located in London, GB
'Mon Colonel', pencil and crayon on paper, by noted French artist, Auguste Chabaud (circa 1914-1918). A delightfully simple drawing of a French Army colonel in profile along with clo...
Category
Modern 1910s Art
Materials
Paper, Crayon, Pencil
Early 20th Century Palm Springs Landscape
Located in Soquel, CA
Gorgeous early 20th Century Palm Springs landscape by Edward Marion Langley (American, 1870-1949), 1913. Signed lower right corner. Titled "Palm Springs" and dated "'13" on verso. Unframed. Condition: Very Good; Previous restoration included relining; newly cleaned and retouched. Image size: 18"H x 22"W.
Born in London, England on March 27, 1870. When quite young Langley was abandoned by his parents in Australia. Making his way to Canada, he traveled alone by canoe down to the Gulf of Mexico. In Chicago he worked with Wm Selig in developing the motion picture camera and became a U.S. citizen in 1904. Before that he had played trumpet in the Illinois State Guard for many years. Sometime before 1917 he came to Hollywood, CA with Selig where they produced the pioneer epic, 'The Spoilers." A few years later Langley became art director for the Fairbanks Studio on such films as "Thief of Bagdad...
Category
American Impressionist 1910s Art
Materials
Oil, Linen
Antique American Ashcan School Modernist Circus Scene Signed PA Oil Painting
Located in Buffalo, NY
Antique American school modernist circus scene by Ann Taube Goodman (Born 1905). Oil on canvas, circa 1925.
Signed. Displayed in a modernist fra...
Category
Modern 1910s Art
Materials
Oil, Canvas
Antique American Impressionist Panoramic Cloud Landscape Signed Oil Painting
Located in Buffalo, NY
Antique American impressionist landscape oil painting by George Ames Aldrich (1872 - 1941). Oil on canvas, circa 1910. Signed. Displayed in a period impressionist frame. Image size,...
Category
Impressionist 1910s Art
Materials
Canvas, Oil
St. Mary's Church in Bibury, England
Located in New Orleans, LA
This image is stamped as being rom the personal collection of Arms Referenced as Fletcher #386 the image is signed .and inscribed in pencil and is from a small edition of 16. The An...
Category
American Modern 1910s Art
Materials
Etching
Dock Workers under the Brooklyn Bridge
By Martin Lewis
Located in Storrs, CT
Martin Lewis, N.A. (Dock Workers under the Brooklyn Bridge). c. 1916-18. Aquatint and etching. McCarron 15. 17 3/4 x 23 3/4 (sheet 26 x 31). 5 recorde...
Category
American Modern 1910s Art
Materials
Aquatint, Etching
Arcade dans la Neige - Impressionist Watercolor, Night Landscape by Henri Duhem
By Henri Duhem
Located in Marlow, Buckinghamshire
Signed landscape watercolour on paper circa 1910 by French impressionist painter Henri Duhem. The work depicts a snow covered archway in a village on a clear winter's evening.
Sign...
Category
Impressionist 1910s Art
Materials
Paper, Watercolor
Kissing Wood Nymphs - Early 20th Century Figurative Landscape
By Carl F. Ruhnau
Located in Soquel, CA
Figurative landscape of Wood Fairies kissing in a forest by Carl F. Ruhnau (German, c.1876-1940). Signed “C. Ruhnau” in the bottom right corner. Signed and ...
Category
Impressionist 1910s Art
Materials
Oil, Canvas
Sur la Grève - Original Lithograph by L. von Hoffmann - 1910 ca.
Located in Roma, IT
Sur la Grève is a red lithograph realized by the German artist Ludwig von Hofmann. It was published in the Gazette des Beaux Arts in 1910 (cfr.n. 1910.12 of the catalog Sanchez Seydo...
Category
1910s Art
Materials
Lithograph
Painter in the Jardin de Luxembourg, Paris
Located in London, GB
'Painter in the Jardin de Luxembourg, Paris', pastel on fine art paper, French School (1919). An intriguing depiction of a hatted-woman dressed in white at her easel in the park. A b...
Category
1910s Art
Materials
Paper, Pastel
Mele - Original Advertising Lithograph by Marcello Dudovich - 1910s
Located in Roma, IT
Image dimensions. 26x18.2 cm.
Mele is a precious color lithograph printed by G. Ricordi and C. Milano, Milan, between 1895 and 1914.
An advertising poster of the famous Italian tai...
Category
Art Nouveau 1910s Art
Materials
Lithograph
Mele - Original Advertising Lithograph by Marcello Dudovich - 1910s
Located in Roma, IT
Mele is a rare colored lithograph, printed by G. Ricordi and C. Milano, Milan, between 1895 and 1914.
An advertising poster of the famous Napolitan tailoring society "Mele", in very...
Category
Art Nouveau 1910s Art
Materials
Lithograph
Joseph and Potiphar's Wife 1
Located in Santa Monica, CA
LOVIS CORNTH (German 1858 - 1925)
JOSEPH und POTIPHARS WEIB 1, 1914 (S. 168)
Drypoint, Unsigned, platemark 7 3//8" X 9 5/8 " on good watermarked laid paper. Full margins, deckl...
Category
Expressionist 1910s Art
Materials
Drypoint
Art Déco Painting, ca. 1910, oil on cardboard. Romantic love scene in the forest
Located in Berlin, DE
Painting, around 1910, oil on cardboard. Romantic love scene in the forest.
Signed, Gaston Bussiere.
With beautiful (original) Art Deco frame.
Frame has minimal damage in places.
Dimensions with frame 67cm x 86cm
This painting is offered here for the first time exclusively on 1stdibs!
From private, German estate.
Gaston Bussière (April 24, 1862 in Cuisery – October 29, 1928 or 1929 in Saulieu) was a French Symbolist painter and illustrator.
Bussière studied at l'Académie des Beaux-Arts in Lyon before entering the école des beaux-arts de Paris where he studied under Alexandre Cabanel and Pierre Puvis de Chavannes. In 1884, he won the Marie Bashkirtseff...
Category
Symbolist 1910s Art
Materials
Oil, Panel, Cardboard
I Buffoni - Vintage Adv Lithograph by L. Metlicovitz - 1914
Located in Roma, IT
Image dimensions: 26.2x9.1 cm.
I Buffoni is a beautiful colored lithographed original manifesto on cardboard, realized by the Italian artist and one of the fathers of the modern Italian poster art, Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944). Printed by Officine Ricordi, Milan in 1914, this advertising poster for "I Buffoni" is inspired by the Art Nouveau graphic style.
Indeed Metlicovitz, through the Ricordi, realized much advertising posters and manifestoes for many emerging companies such as Pirelli, Ettore Moretti, Magazzini Mele in Naples, relied with his talented pencil. The Liberty atmosphere is palpable from the sensuality of the female body appearing flat and emptied and turning into a mere twisted black contouring graphic line. The colors are enameled, the languid glances, the fixed smiles, veined by an almost imperceptible underground decadence that is a prelude to the First World War.
This is a wonderful vintage advertising poster, with the inscriptions printed on lower margin, under the image: "L. Metlicovitz / Off. G. Ricordi and C. Milano / 70 x 200. In excellent conditions, except for some minor stains along the margins.
This modern artwork shows the vintage Art Nouveau taste and the Metlicovitz's draftsmanship and his full mastery of the artistic medium, has the dignity of an object of art to collect and could be a colorful and fashionable piece for your sophisticated home furniture.
Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944)
The Italian painter, illustrator, theatrical and advertising scenographer is considered one of the precursors of Futurism and, together with Leonetto Cappiello, Adolf Hohenstein, Giovanni Maria Mataloni and Marcello Dudovich, one of the fathers of modern Italian poster art.
He began his artistic career at the age of fourteen working as an apprentice in a typography in Udine, where he learned the technique of lithography. Here he is noticed by Giulio Ricordi, owner of the namesake Officine Grafiche, who invites him to Milan to work as a lithographer. In 1892, after collaborating with Tensi, a photographic product company, he returned to Ricordi as technical director. At the same time, he entered the theatrical environment and began his career as a set designer and costume designer at La Scala. The Mele di Napoli tailoring company entrusted him with the task of advertising his clothes and in 1906, on the occasion of the great Universal Exposition in Milan, he won the competition for the fair poster, establishing himself also as a poster artist and then collaborating with several magazines as an illustrator. For Ricordi he takes care of the illustrations of calendars, opera librettos, postcards. Other famous images created by him are those for the poster of the film Cabiria, a blockbuster of the silent film scripted by Gabriele D'Annunzio, and the trademark that is still used today by the Brothers Branca Distilleries, producers of Fernet Branca...
Category
1910s Art
Materials
Lithograph
Junge Frau mit Blumenvase - Original Etching by Karl Koepping - 1910
Located in Roma, IT
Junge Frau mit Blumenvase (Young Woman with a flower vase) is a wonderful black and white etching with aquatint and drypoint interventions on cream-colored paper, realized in 1910 b...
Category
Symbolist 1910s Art
Materials
Etching, Aquatint
Mein Weg mit dem Weib #14 - Original Etching by W.R. Rehn
Located in Roma, IT
Drypoint and aquatint (brown ink) on cream paper.
Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...
Category
Symbolist 1910s Art
Materials
Drypoint, Aquatint
Mein Weg mit dem Weib - Original Etching by W.R. Rehn
Located in Roma, IT
Etching and aquatint on cream paper.
Signed in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints.
Plate in excellent co...
Category
Symbolist 1910s Art
Materials
Drypoint, Aquatint
Galloping Horses - Charcoal on Paper by Giuseppe Cominetti - 1916
By Giuseppe Cominetti
Located in Roma, IT
Galloping Horses is a wonderful and original drawing in charcoal on paper, realized by the italian divisions artist Giuseppe Cominetti.
Hand-signed in charcoal and dated on the lower...
Category
Post-Impressionist 1910s Art
Materials
Charcoal
Sketched Portrait - 1910s - Original Collotype Print by Gustav Klimt
Located in Roma, IT
Sketched Portrait is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-color collotypes after drawings by Gustav Klimt.
Published by Gilhofer and Ranschburg, Vienna, July 1919, just one year after Klimt...
Category
Modern 1910s Art
Materials
Black and White
Sketch for a Frieze - Original Collotype Print - 1919
Located in Roma, IT
Sketch for a Frieze is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-color collotypes after drawings by Gustav Klimt.
Published by Gilhofer and Ranschburg, Vienna, July 1919, just one year after Klimt...
Category
Modern 1910s Art
Materials
Black and White
Woman and Young Lady - 1910s
Located in Roma, IT
Two Lying Female Nudes (Woman and Young Lady) is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-color collotypes after drawings by Gustav Klimt.
Published by Gilhofer and Ranschburg, Vienna, July 1919, just one year after Klimt...
Category
Modern 1910s Art
Materials
Black and White
Ballade du Pauvre Macchabé Mal Enterre - 1910s - André Derain - Woodcuts
By André Derain
Located in Roma, IT
Limited edition of 125 copies, including 6 original woodcuts by André Derain, 4 of whch out of text and full page. Realised by the poet René Dalize, friend of Guillaume Apollinaire a...
Category
Modern 1910s Art
Materials
Paper, Woodcut
Fishing Party - Pencil drawing - circa 1914
Located in Paris, FR
Georges CONRAD (1874-1936)
Fishing Party
Original pencil and color pencil drawing
Signed with the stamp of atelier
On paper 26.5 x 20 cm (c. 10,4 x 7.8 in)
Very good condition, pap...
Category
Academic 1910s Art
Materials
Color Pencil, Carbon Pencil
Weiblicher Rückenakt - Original Lithograph after Egon Schiele
Located in Roma, IT
This lithograph from the portfolio "Egon Schiele" is a reproduction of "Weiblicher Rückenackt", an original artwork realized by Egon Schiele in 1917. The portfolio, that includes 10 ...
Category
Modern 1910s Art
Materials
Lithograph
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