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Charles Partridge Adams19th C. American Impressionist Gouache of Colorado Mountains in Springcirca 1910
circa 1910
$1,250
£939.90
€1,091.45
CA$1,745.60
A$1,936
CHF 1,016.69
MX$23,775.44
NOK 12,870.35
SEK 12,136.91
DKK 8,143.43
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About the Item
This original circa 1910s plein air field study by renowned Colorado landscape artist Charles Partridge Adams captures the serene beauty of the Rocky Mountains in a masterful display of American Impressionism. Rendered in gouache on paper, the composition features a sweeping view of majestic mountains beneath a dynamic sky, with clusters of evergreens anchoring the scene. Wisps of clouds drift across the horizon, evoking the crisp, atmospheric light of a spring day in the Colorado high country.
The painting is elegantly presented in a custom vintage frame, paired with an archival mat and UV70 protectant glass for long-term preservation. Outer frame dimensions are 13.75 x 17.75 inches, with a visible image size of 6.5 x 10.75 inches.
A rare and intimate study from the artist’s fieldwork, this piece comes with provenance from the Estate of Charles Partridge Adams, along with a Letter of Authenticity.
Ideal for collectors of Western American art, early 20th-century landscapes, or those seeking an evocative, museum-quality piece that reflects Colorado’s natural grandeur.
- Creator:Charles Partridge Adams (1858-1942, American)
- Creation Year:circa 1910
- Dimensions:Height: 13.75 in (34.93 cm)Width: 17.75 in (45.09 cm)Depth: 0.75 in (1.91 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Denver, CO
- Reference Number:Seller: 253651stDibs: LU27316218322
Charles Partridge Adams
Born in Franklin, Massachusetts, Charles Partridge Adams moved with his mother and two sisters to Denver, Colorado, in 1876 in an effort to cure the two girls who suffered from tuberculosis. In Denver, Adams found work at the Chain and Hardy Bookstore. He received his first, and only, art training from the owner's wife, Helen Chain. Mrs. Chain, a former pupil of George Inness, provided instruction and encouragement to the young artist and introduced him to other artists in the area including Alexander Phimister Proctor. Proctor and Adams developed a friendship and the pair embarked on a three-month camping trip in Egeria Park, Colorado. In addition to exploring, both artists did quite a bit of sketching on the trip. After their return to Denver, Adams and Proctor shared a studio for a short period of time before Proctor moved to New York. Adams remained in Denver and after a short stint as an art teacher he studied wood engraving with Major J.M. Bagley. He quickly abandoned the engraving for health reasons and began working in crayon. His business card read "Landscapes and Crayon Portraits" though he much preferred landscapes. The artist soon made a name for himself in Denver. He established a wealthy clientele that purchased a number of his paintings to decorate their homes and to give as Christmas gifts. In 1890, Adams married Alida Joslin Reynolds and the couple honeymooned in Estes Park, Colorado. That same year, he exhibited for the first time at the National Academy of Design. Three years later, the artist opened his first studio on Larimer Street in Denver. He began working in watercolor and had success in the new medium selling his paintings in stores in Colorado Springs, Pueblo, Kansas City, and Chicago. Also in 1893, Adams became a charter member of the Denver Artists Club. In 1905, the couples dream of living in Estes Park was realized when Adams completed construction on a home and studio there. Adams referred to the studio as "The Sketch Box" and the family spent summers there every year. Though Adams is best known for his Colorado landscapes, he also painted in Yellowstone, the Tetons, the Canadian Rockies, the New Mexican Desert, and California. In 1914, the couple sailed to Europe where they spent five months touring. Three years later, Charles suffered from a near-fatal illness. In 1920, Adams moved to California where he opened a studio first in Pasadena and later in Laguna Beach. He became a member of the Laguna Beach Artists Association and began painting marine subjects. ©David Cook Galleries, LLC
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