1910s Art

Edvard MUNCH (1863 - 1944) Cabaret Lithograph Signed on the plate Proof, HC On Arches vellum, 50 x 65 cm (c. 19.7 x 25.6 in) INFORMATION: Published by Art.Paris based on the origin...

‘La Couronne de Marguerite’ by Édouard-Louis-Lucien Cabane (1857-1942). The painting – which depicts a young French beauty wearing a crown of daisies – is signed by the artist and ...

Signed oil on panel riverscape by French impressionist painter Maximilien Luce. Painted in mainly blues and greens, the piece depicts a view of Rolleboise, a scenic cliffside commune...

Dale Bessire Winter Landscape Signed lower right Oil on canvas 20 x 24 inches A founding member of the Brown County Art Gallery Association, Dale Bessire was a native of Indianapol...

George Wright, British, 1860–1942Over the FenceFox-Hunting SceneOil on canvas, circa 1910Signed lower rightPresented in a burr walnut frame with gilt inner slip This spirited early ...

Frank Moss Bennett Cardinal at table oil painting A fine oil painting of a Cardinal seated at a table before a stained-glass window signed and dated lower left 'FM Bennett 1917'T...

'The Boat in Martigues', oil on canvas, by Marie de Nivouliès de Pierrefort (circa 1910). Martigues is a small port town just northwest of Marseille in the South of France. Its nickname is the Provençal Venice. Further eastward down the coast is the town of Toulon where the artist was born in 1879. Nivouliès depicts a charming sailboat tied to the small pier yet with an unfurled sail. It looks to be a wondrous day along the Mediterranean, the kind we can always dream about. The painting is over one hundred years old and is in fair condition, yet recently brought back to life by an art restoration professional. Elegantly framed, it is stabilised now for decades into the future. Signed by the artist on the lower right corner. Please enjoy the many photos accompanying the listing. Upon request, a video may be provided of the artwork. About the Artist: Although she was a direct descendant of the counts of de Pierrefort, Marie de Nivouliès de Pierrefort's (1879-1968) family was very poor. In spite of the poverty, Pierrefort attended a Catholic school run by nuns, obtaining a scholarship from the School of Fine Arts of Paris. While still a student, she attended workshops of great Impressionist masters such as Pierre Auguste Renoir (1841-1919) and Pierre Bonnard (1867-1947). In 1910 she won a travel award from the school and traveled to Tunisia where she painted several Mediterranean landscapes. In 1938 the painter moved to Rio de Janeiro, Brazil, where she painted the beautiful landscapes seen from her window. In Rio, Pierrefort had two individual exhibitions, both at the National Museum of Fine Arts, in the years 1946 and 1956. Although widowed in 1944, Pierrefort decided not to return to France until 1950. She remained there until 1959 when she definitively returned to Brazil. Her atelier in the neighbourhood of Glória was frequented by many emerging artists who learned the techniques of impressionism from her. Afterwards, Pierrefort painted for almost a decade in Brazil until she passed away in 1968 in Rio. After her death, many canvases were found in her studio but had been damaged or destroyed by humidity and by the intervention of her many cats. The painter Sergio Telles...

Antique American landscape oil painting by . Oil on board. Signed. Framed. Measuring 16 by 19 inches overall and 10 by 13.5 painting alone.

Oscar Bluemner SoHo Canal, From Hill, January 30, 1919, 1919 Signed, Titled, Dated, and Monogrammed lower left Graphite on Paper 4 1/4 x 6 inches Provenance The artist Estate of the...

Stunning early watercolor by William Zorach, Along the Seine, Paris. Beautiful condition and housed in a wonderful frame. Watercolor on paper, 7.5" x 10.5", signed and titled lower r...

Signed lower right, 'R. Emmett Owen' for Robert Emmett Owen (American, 1878-1957) and painted circa 1915. Displayed in a substantial, carved, giltwood frame Framed dimensions: 30 x 1...

A wonderfully vivid view of a Savannah fruit market by Harry Leslie Hoffman, dating to his 1914 trip to the city. Hoffman paints the figures with remarkable confidence and sets them...

Original poster: Red Cross Christmas Roll Call. “Where Columbia sets her name let every one of you follow her” Linen-backed in very good condition, ready to frame. Artist: Edwin Howland Blashfield. The Red Cross stands on the left helping hold the banner that reads Where Columbia sets her name let every one of you follow her. December 16th to 23d. World War 1...

Interior scene from a study or collectors room signed and dated with monogram "HNH 1912", Hans Nikolaj Hansen (1853-1923) presenting a quiet yet intellectually charged space. In the foreground stands a writing desk furnished with an inkwell and a book, objects that suggest reflection, scholarship, and artistic contemplation. Beyond the desk, set against a deep red wall, rises a large neoclassical sculpture whose pale surface contrasts with the warmth of the interior. The composition balances intimacy with monumentality: the scholar’s table before us, the silent authority of antiquity behind. Executed in oil on canvas, the painting reveals Hansen’s characteristic sensitivity to historical atmosphere. Hans Nikolaj Hansen was a Danish painter and Illustrator, born in 1853, the son of wine merchant C.J.A. Hansen and Sophie. After graduating in 1872 from Borgerdydskolen on Christianshavn, he followed his early artistic inclination and enrolled at the Royal Danish Academy of Fine Arts in Copenhagen, completing his studies in 1877. He debuted the following year with the historical painting "Uden for Sigbrits Port", before travelling to Paris where he continued his education under the influential French painter Léon Bonnat. The Parisian training left a lasting imprint on his painterly discipline and compositional clarity. He also stayed in Rome for a time where he painted numerous historical and genre works. His art is distinguished by originality, narrative imagination, and a keen sense for historical character. Hansen achieved his greatest recognition as an illustrator and graphic artist. His illustrations for Gaffelen by Johan Herman Wessel...

'Westmacott Boy' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the imag...

The Russo-Japanese War (1904–1905) marked a pivotal moment in naval warfare, and this circa 1900 original print vividly captures the intensity of battle. Titled "Our Torpedoes Attack...

"Couple on Bench at the Beach" is an original pastel drawing on paperboard by Francesco Spicuzza. The artist signed the piece in the lower left. This drawing depicts two figures sitting on a bench in front of a body of water. The artist used mostly pastel colors for this piece. 6 7/8" x 9 7/8" art 18 1/2" x 21 3/8" frame Francesco J. Spicuzza, born in Sicily on July 23, 1883, came to America at the age of 8. He supported himself as a fruit peddler until a newspaperman gave him $4 a week to go to school. He attended classes at the Milwaukee Art Students League, where he studied under Alexander Mueller. There he learned to paint in the then-fashionable "Munich School" technique, with detailed realism in heavy browns and grayed-out hues. Spicuzza completed eight grades in four years, and then in 1911, three businessmen advanced him enough money to allow him to study in New York under artist and teacher John Carlson. It was during this time that Spicuzza changed his style of painting, developing an impressionistic use of color, form and atmospheric renditions. After a period of grinding poverty, one of Spicuzza's pictures won a major New York competition. It was the first of 60 wins, both in the U.S. and Paris. He became a fashionable painter, and many of the leading collections have his work. Spicuzza's typical works were beach scenes, still life, landscapes and portraits done in pastels, oils, ink, charcoal and watercolors. Much of his work traced the history of Milwaukee in the early 1900s. He was probably best known for his scenes of women and children splashing in the waves...

A powerful and emotionally charged work by renowned American illustrator and painter Frank Schoonover, *The Flood* (1914) captures the drama, humanity, and masterful storytelling tha...

Wassily Kandinsky Woodcut in color on Dutch laid paper Cut from the folio Klänge, conceived 1911-1912, published in 1913 Kandinsky monograph lower right in plate Published by R. Pip...

This expansive coastal landscape by Alfred Bergström presents a luminous and windswept shoreline, where sea, sky, and land are unified through a sensitive and dynamic treatment of li...

'Choiseul-Gouffier Apollo' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner o...

Arthur Hoeber Green Landscape, circa 1910 Signed lower right Oil on canvas 25 x 30 inches Provenance Sal Sciarrino, New Jersey Born in New Jersey in 1854, Arthur Hoeber had a natu...

The White Cloud, Salem, A Classic Watercolor from his Magic Year, 1917 Modern Charles Burchfield (1893-1967) The White Cloud, Salem, 1917 21 1/2 x 17 12 inches Watercolor on paper S...

Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

This superb RSA exhibited Scottish Edwardian interior oil painting is by Glasgow Boy artist Alexander Ignatius Roche. It was painted circa 1914 when Roche was living at 8 Royal Terrace, on Calton Hill, a very prestigious property in Edinburgh, now the Halcyon Hotel. The painting is a view of Roche's studio, quite possibly one of the rooms at the above address. The painting was exhibited at the Royal Scottish Academy the following year, no. 333 entitled The Studio. The painting shows Roche beneath the vast window in his studio against a red wall that meets pale floorboards. Various items and furniture are scattered about. The balance of the white window and pale floorboards with the red wall intersecting is perfect. A really lovely example of this great Glasgow Boy artist's work and a very personal piece showing his inner sanctum. Signed lower right. Provenance. Exhibited at the Royal Scottish Academy 1915 no. 333, entitled The Studio. Condition. Oil on canvas, 24 inches by 20 inches and in good condition. Frame. Housed in a gilt frame, 32 inches by 28 inches and in good condition. Alexander Ignatius Roche RSA NEAC RP (1861-1921) was a Scottish artist in the late 19th century and an important figure in the “Glasgow Boys. He was born in the Gallowgate in Glasgow, the son of a milliner, Alexander Roche. He attended St Mungo’s Academy in Bridgeton, Glasgow. He originally trained as an architect, but then changed to art, studying at the Glasgow School of Art and, from 1881, at L’Ecole des Beaux Arts in Paris. Here he studied under Gustave Boulanger and Jean-Leon Gerome. In his time here he befriended William Kennedy, John Lavery, Thomas Millie Dow and William Stott. In the early 1880s he joined a colony of Scots artists in Grez-sur-Loing south of Fontainebleau. On his return to Scotland in 1885 he joined with the Glasgow Boys working on murals for the 1888 International Exhibition. In 1888 he travelled to Capri where he befriended Fabio Fabbi and Harold Speed. In following years he visited both Venice and Florence, and married an Italian girl on the latter trip. This marriage was short-lived and they separated. As both were Catholics there seems to have never been any divorce. In 1896 he moved from Glasgow to Edinburgh and began to distance himself from the Glasgow Boys. His work drifted from largely landscape to portraits. In 1906 he remarried (possibly bigamously), to Jean Alexander, daughter of Robert Alexander. During this period they enjoyed the friendship of Joseph Crawhall...

Original landscape oil on canvas by American illustrator N.C. Wyeth. Painted in his hometown of Chadds Ford, PA c. 1911-12. The work is unsigned but is included in the artist's catal...

Amazing early 1900s impressionist beach scene of Good Harbor Beach in Massachusetts. Very finely pained with great color and lots of detail and figures. Located on verso. Nicely f...

Medium: original woodcut. This impression on wove paper was printed in 1919 for Das Kestnerbuch, an important collection of original prints published during the height of the German ...

'Caryatid of the Erechtheum' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner...

Théo van Rysselberghe (Belgian, 1862–1926), Roses on a Fence, oil on canvas, monogrammed lower right with the artist's device — a garden study by a founder of Les XX and the leading ...

Exquisite engraving of the original work of the famous British painter Sir Alfred James Munnings, one of the greatest exponents of equestrian art of the twentieth century and a key f...

Edith (Glackens) Dimock (1876 - 1955) Untitled (Female Nude), circa 1915 Oil on canvas 34 1/2 x 28 1/4 inches Signed lower left Provenance: Private Colle...

GIOVANNI BOLDINI (FERRARA 1842–1931 PARIS) Profilo di Giovane Seduta 1915 circa Expertise by Prof. Dini ( see photo attached) oil on panel cm 35 x 26,8 not signed

Work on cardboard

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue "Liebe" (Dear), Text in German on the plate, The drawing created unusually bold erotic subjects through deft strokes. Good conditions. Mihály Zichy...

Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism George Pearse Ennis (American, 1884-1936) "Forging a Gun Tube #1...

Saint Mark's Basilica Venice Oil Painting Signed, lower left dated, titled verso. Romanesque Bizantine Basilica. canvas 35"x45" framed 46.5 x56.5. Frank LeB...

Original 1919 Vintage "Americans All!" Victory Liberty Loan Poster by Howard Chandler Christy. Archival linen backed in A- condition, ready to frame. This iconic 1919 "American...

Medium: Oil on Canvas Signature: n/a Soldier's Pride was created as a component of Kuppenheimer's six-piece easel-backed World War I advertisement placards for in-store display. These pieces were expertly printed on a coated cardboard substrate so the black background would dramatically display the clothing item. Kuppenheimer & Hart Schaffner Marx...

Robert Antoine Pinchon (French, 1886–1943), Sur la terrasse – Honfleur, oil on canvas, signed lower right and dated 1910 — a Belle Époque terrace scene above the Seine estuary by a l...

Louise Lenka German, Early 20th Century Sparrows Eating Cherries in a Landscape Circa 1910 Oil on wooden panel Signed on the reverse and lower left Presented in a gilt period frame ...

A spirited and humorous lithograph by Jean‑Gabriel Domergue (1889–1962), titled Zeppelinade and dated 29 May 1915. Created during the early years of WWI, the work captures the era's ...

William Anderson Coffin (1855 - 1925) Springtime Landscape, circa 1910 Oil on canvas 30 x 24 inches Signed lower right Landscape and figure painter William Anderson Coffin was born...

Sven Linderoth (1859–1934) Sweden Sunset in the Archipelago, 1914 signed and dated 1914 lower left oil on canvas unframed 50 × 94 cm (19.7 × 37 in) framed 66 × 110 cm (26 × 43.3 in...

Signed lower left, "Gerhardt Schwarz" (American, 20th Century) and dated 1919. Additionally signed and titled verso 'Provincetown, Mas, Early Spring'. Moving among the dynamic bohe...

Hunting Dog at the Ready (L) Louis Lartigau (French, 19th/20th) Oil on canvas 9 1/8 x 11 3/4 (frame) Signed lower right A very finely drawn and executed painting of a hunting dog at...

Jane Peterson Stone Wharf, Brittany, circa 1910 Signed lower right Oil on canvas 18 x 24 inches Provenance Private Collection, New York Born Jennie Christine in Elgin, Illinois, s...

This lovely British Edwardian portrait oil painting is attributed to circle of John Singer Sargent. Sargent was born in America then trained in Paris before coming to London. Painted...

Erik Tryggelin (1878–1962) Sweden Cloud Study, Egypt, 1914 signed and dated lower left Erik Tryggelin, Den 5 maj 1914 watercolour on paper unframed 15.5 × 24 cm (6.1 × 9.4 in) fram...

William Baxter Closson Trail of the Snowshoes, circa 1910 Signed lower right Oil on canvas 30 x 40 inches Provenance The Cooley Gallery, Old Lyme, Connecticut Born October 13, 184...

Beautiful impasto, oil on canvas. Contemporary custom frame. Unsigned, but very well executed painting.

A signed and dated oil on canvas by British artist Robert Watson (1865–1916), depicting a shepherd tending his flock along a mountain path in the Scottish Highlands. The composition ...

Rare Original 1912 Théâtre National de L'Opéra Paris Poster - ROMA Opera - Rochegrosse Art - Jules Massenet - Classical Theater Collectible. This poster is archival, linen-backed, ...

Georges Braque (Argenteuil-sur-Seine, 1882 - Paris, 1963) "Valse" 1919. Oil on canvas. 33 x 45,8 cm (67 x 82 cm) Signed "G Braque" on the back. Provenance: - Private collectio...

Franz Xaver Hoch 1869 Freiburg im Breisgau – 1916 Chatas Lichtes Hoch, 1910 Oil on canvas Signed and dated lower right Dimensions: 70 x 85 cm Frame: 84.5 x 99.5 cm Several exhibit...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Early Tonalist Landscape -- California Coastal Live Oaks William Schneider 1915 Beautiful early 20th Century tonalist landscape of California by New York artist William G. Schneider...

Carl Johansson (1863-1944), also known as "Ultramarin Johansson," was a highly skilled Swedish landscape painter who is known for his ability to capture...

Spectacular example of Warren Sheppard's work, from what most consider his best period. Sunset (possibly, sunrise) executed with strong orange/red palette, and rock formations, maki...