1910s Art

This is an original stone lithograph created in 1910 as a label for the Lefevre Utile Biscuits Company in France for their Miarka products. It is in the Art Nouveau style by Alphonse...

Lilacs in Bloom is a lush and romantic 19th-century still life oil painting that exudes quiet elegance. Rendered in rich, earthy tones and dramatic chiaroscuro, the artist captures a...

This charming painting by Ernest Walbourne is a quintessential example of the artist’s ability to capture the serene beauty of rural life. Known for his idyllic landscapes and depict...

"Abstract Cityscape" NYC Early 20th Century American Scene Social Realism Ashcan Abraham Walkowitz (American, 1878-1965) Abstract Cityscape Sight: 6 1/4' x 8 1/2 inches Mixed media...

Original WW1 poster. Put Fighting Blood in Your Business. Here’s his record! Does he get a Job? Arthur Woods, Assistant to the Secretary of...

Distinguished Gentleman Portrait Signed by D - Lubin (French, early 20th century) Dated 1915 oil on panel, unframed panel: 13.75 x 10.5 inches Provenance: Private collection, Paris ...

The European Macabre Dance N.2 is an hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed...

Signed figures in landscape oil circa 1910 by French post impressionist painter Paul Madeline. This beautiful work depicts two small children on riverside path picking wildflowers fr...

Wilson Irvine Winter Landscape Signed lower left Oil on canvas 24 x 27 inches A prolific Impressionist with a penchant for atmospheric scenes, Illinois native Wilson Irvine began h...

Original. FIGHT OR BUY BONDS. THIRD LIBERTY LOAN. Linen backed. Lithograph. World War 1 authentic vintage poster. ARTIST: Howard Chandler Christy. Linen-backed, larger size format for this poster. Ready to frame. Despite minor edge wear touch-up from linen backing, this poster presents very well and is in above-average condition. You can be confident in the quality of this piece. One of the most famous and powerful WW1 propaganda images, this flag-waving Ms. Liberty (aka Columbia) poster is unusual in that it urged both recruitment and bond sales. The US had just entered the war when this poster appeared and it is one of the earliest examples of myriad illustrations that were used to motivate both troops and the American public. It's designer, Howard Chandler Christy, was at the height of his fame. He earned his spurs as a wartime artist when he accompanied US troops to Cuba in 1898, an experience that stood him in good stead when he was called on to create his famed series of patriotic WW1 posters...

Antique American impressionist landscape oil painting. Oil on canvas. Framed. No signature found.

This painting by Carl Johansson captures the scenic beauty of Ramsele, featuring the Faxälven river winding through a typical Niplandskap. The Niplandskap, characteristic of Sollefte...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.69 x 11.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.93 x 11.81 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Early American impressionist landscape painting. Framed. Possibly signed verso. Oil on board.

A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions...

Signed impressionist oil on canvas landscape painting by French painter Maxime Maufra. The piece depicts people rowing boats through the flooded streets in Paris. Signature: Signed...

Signed lower left, 'Alf. Broge' for Carl Harald Alfred Broge (Danish, 1870-1955) and dated '1918'. Frame dimensions: 38.75 H x 1.25 D x 32.5 W inches (98.5 H x 3.25 D x 82.5 W cen...

This early 20th-century oil painting by English artist John Falconar Slater (1857-1937) depicts a rustic cottage interior with an elderly lady reading. Slater was an accomplished, Ro...

Preliminary Drawing for the color aquatint "New Orlaens, Street Gossip" Signed by the artist in pencil lower left Graphite on tracing paper, 1916-1917 An impr...

Albert Pierre LaPlanche (1854 Sainte-Menehould - 1935 Chäteau-Thierry), Vigilant sitting shepherd dog, around 1915. Brown patinated bronze on cast terrain plinth. 45 cm (height) x 45...

Original poster: Rembember Your First Thrill of Ameridan Liberty YOUR DUTY Buy United States Government Bonds 2nd Liberty Loan of 1917. Linen backed and ready to frame. Poste...

“One of Mucha’s best Czech posters, printed by the firm of V. Neubert in the Smichov quarter of Prague, was for Princezna Hyacinta, a fairy-tale ballet and pantomime with music by Oskar Nedbal and libretto by Ladislav Novák. The portrait of the popular actress Andula Sedlácková as the princess dominates the poster. The plot develops as a dream of a village blacksmith who falls asleep after digging for a buried treasure. In his dreams he becomes lord of a castle, and his daughter Hanicka becomes the Princess Hyacinth. Of her three suitors, one is a sorcerer who abducts her to his underground palace, but she is rescued by a poor knight who looks like her real-life lover. Mucha used the motif of the hyacinth throughout the entire design, from embroideries to silver jewelry, and for an elaborate circle sparkling against the mossy green background. The portrait of the actress is seen against a sky full of stars and encircled with images from the dream: the blacksmith’s tools...

Medium: original etching. Printed on laid paper in 1919 and published in Berlin by Paul Cassirer. Plate size: 3 3/4 x 5 3/4 inches (98 x 147 mm). Signed in the plate (not by hand).

Dale Bessire Winter Landscape Signed lower right Oil on canvas 20 x 24 inches A founding member of the Brown County Art Gallery Association, Dale Bessire was a native of Indianapol...

Initialed lower left, 'J.P' for Julius Paulsen (Danish, 1860-1940) and painted circa 1910. A dramatic, early twentieth-century work by this notable Post-Impressionist painter and th...

Emil Hermann (1871 - 1966) Austria, Ohio, Wichita Falls (Texas) Artist Image Size: 47.5 x 36 Frame Size: 54.5 x 44 Medium: Oil Dated 1918 "Sam Houston" Emil Hermann (1871 - 1966) Emil Hermann (Am.1871-1966) Emil Hermann was born in Vienna of French and Austrian parents. His father was an engineer who did not consider art a proper profession for a young man. But so obvious was Hermann's talent, that his father let him enter the Royal Academy in Vienna. He went on to study at the National Art Institute at Budapest and the Rembrandt Art Institute in Amsterdam. In 1889, Hermann came to the United States to study at the Pennsylvania Academy of Fine Arts at the age of nineteen. Hermann was the organizer and first president of the Ohio Brush and Pencil Club and president of the Dayton, Ohio Art Club. As a result of his work in the latter city, a two-million-dollar art center was later founded there. After enrolling in the Academy, he opened his first studio in Philadelphia. In 1890, he received his citizenship papers. His first break came when a Dayton art dealer invited Hermann to hold a one-man art show. From this show, he obtained a position as a muralist with the great Schachne Studios. Soon, he became one of the best-known portrait artists in the area, drawing the leading citizens of Dayton to his studio. The upcoming artist was such a success that, soon, he was traveling throughout the country to execute portrait commissions and hold exhibitions. On one such trip, he was in Tulsa. After viewing his exhibition, a group of Missouri attorneys, some of whom were living in Oklahoma, commissioned Hermann to paint a portrait of General John H. Pershing from an only existing photograph that had been made in France. This work, when completed, was presented to the Missouri Historical Society in St. Louis, and he was later commissioned to duplicate the portrait for the city of Loclede, Missouri, the birthplace of General Pershing. At a suggestion from his Tulsa friends, Hermann opened an exhibit on the balcony of the Freer Furniture Company, at Ninth and Scott in Wichita Falls, in 1919, in the midst of the great Burkburnett oil boom. Mr. and Mrs. J.A. Kemp commissioned him to do a portrait, which now hangs in the Kemp Public Library. As a result of this show his fame spread and he was soon flooded with offers from all parts of the southwest. The Fort Worth citizens club gave him a commission to do a portrait of Teddy Roosevelt...

Original World War 1 antique poster: Go Over The Top With U.S. Marines. Artist John Coughlin. Linen backed. Grade A, Excellent condition. Rare W...

Figure of a woman is a pencil drawing realized by Jean Bernard on 1910 ca. In good condition, worn paper on the marginal line, and traces of old scotch on the back. Atelier's stamp...

landscape, fishing, England, 1910,pastel,green,blue Edouard CHAPPEL (Anversa, 1859 – Cagnes-sur-Mer, 1946) MUSEI BELGIO Anversa Musée Royal des Beaux-Arts FRANCIA Paris Musée d...

Very finely painted late 19th or early 20th century portrait painting. Oil on canvas. In excellent original condition. Handsomely framed in a giltwood molding. Excellent conditio...

"Ragards sur le passé" - is an original woodcut engraving of Wassilij Kandinsky which was edited by Nina Kandinsky from his work from 1912. The work is in the artist's characterist...

Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Size: 20 x 30 Frame: 26 x 36 Medium: Oil Wash? Watercolor? Dated: 1917 "Misty Bayou" Housed in the original magnificent frame. Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Alexander John (A.J.) Drysdale was an early 20th century Louisiana artist who specialized in landscapes using the technique of oil wash, that gave his works a characteristic of a hazy look. Drysdale made use of this technique by diluting the oil paint with kerosene and applying it with cotton balls. Alexander John Drysdale, born in Marietta, Georgia on March 2, 1870, came to New Orleans at the age of fifteen with his parents. His father, Reverend Alexander J. Drysdale, became the rector of Christ Church Cathedral. Alex received private tutoring from a Professor Mehado and art lessons from Ida Hackell at the Southern Art Union. Later in New Orleans (1887) he studied art under Paul Poincy (1833-1909). The exact date of Drysdale's arrival in New York is unknown, but he enrolled in the Art Students League where he received instruction from Charles C. Curran and Frank Vincent DuMond. Apparently, he remained in New York for about five years and did not go to Europe for further study. After some time, Drysdale began specializing in landscapes, executed in a tonalist manner. Back in New Orleans, Drysdale was inspired by local subjects, especially swamp or bayou areas and other desolate wetlands. Over a period of many years Drysdale's landscapes evolved to a unique stylistic maturity. In 1909 he received a gold medal from the New Orleans Art Association. It is easy to see the influence of two artists that he admired: Corot and Inness. Working equally well in oil and watercolor (he also did scenes in charcoal), Drysdale usually divided his scene into halves or thirds, typically, a foreground consisting of tall swamp grasses achieved with broad vertical strokes; a middle ground consisting of a backdrop row of trees at the horizon line executed with staccato, jabbing strokes resulting in textural contrast; and a background devoted totally to a tonalist-like moisture-laden sky often hazy with no clouds or only a slight indication of them. This formulaic compositional format rendered with an economy of technique resulted in imagery with repetitious forms and shapes diffused in a nebulous space. In this regard, Drysdale's works are impressionistic; he also tended to use the violets and blues of the impressionist palette. Yet he lacked a specific interest in color and light. Although his expression of the Louisiana scenery is very personal, even mystical, the artist appears to have been very limited in subject matter. One of his last works was a mural for the Shushan (New York) Airport administration building, and shortly before his death he was employed as an artist by the Civil Works Administration. Drysdale was a member of the Arts and Crafts Club of New Orleans, and his work was in the permanent collection of the Delgado Museum for many years. The artist worked at his studio at 320 Exchange Place in the picturesque Vieux Carré until his death at the age of sixty-three. Stewart (in Painting in the South, 1983), describes how Drysdale was a shrewd businessman. He would solicit new homeowners who might need a canvas to decorate a wall, or a cotton broker who recently made the headlines. Drysdale died in New Orleans, on February 9, 1934. Sources: Louisiana Artists from the Collection of Dr. and Mrs. James W. Nelson. Baton Rouge, LA: Louisiana State University, 1968; Wiesendanger, Martin and Margaret Wiesendanger, Nineteenth Century Louisiana Painters and Paintings from the Collection of W. E. Groves. New Orleans: W. E. Groves Gallery, 1971, pp. 44-45; Painting in the South: 1584-1980, Exh. cat. Richmond, VA: Virginia Museum, 1983, pp. 106-107, 114, 276; Chambers, Bruce W., Art and Artists of the South: The Robert P. Coggins Collection of American Paintings. Exh. cat. Rochester, NY: Memorial Art Gallery of the University of Rochester, 1984, p. 88; Zellman, Michael David, 300 Years of American Art. Seacacus, NJ: Wellfleet Press, 1987, p. 634; Gerdts, William H., Art across America: Two Centuries of Regional Painting, 1710-1920. New York: Abbeville Press, 1990, vol. 2, pp. 110-111. Submitted by Richard H. Love and Michael Preston Worley, Ph.D. Biography from The Johnson Collection ALEXANDER JOHN DRYSDALE (1870–1934) Born in Marietta, Georgia, Alexander John Drysdale was the only son of an ordained Episcopal priest whose ministry required frequent moves to parishes in Georgia, Alabama, and Tennessee. In 1883, he accepted the call to become dean of Christ Church Cathedral, New Orleans, and was later elected a bishop. Alexander, thirteen years old when the family settled in New Orleans, began his art studies under the instruction of Ida C. Haskell, a California-born artist who was on the faculty of the recently established Southern Art Union. The local academy had been founded by several leading artists, including Andres Molinary, William Henry Buck...

Original Oil on Canvas by Giovanni Giani, realized by the artist in 1911. Signed and date lower left "G. Giani 1911". Very good conditions.

Jane Peterson Street In Paris (Eglise St. Julien), circa 1910 Signed lower right; artist's labels on the reverse Oil on canvas 24 x 18 inches Exhibited New York, Lincoln Glenn Galle...

We are delighted to present this enchanting winter landscape by the Sundsvall-born artist Oscar Lycke. Executed in 1911, Motif from Ljusdal captures the serene beauty of a snow-cover...

This superb British exhibited portrait oil painting is by noted artist George Spencer Watson. The influence of Lord Frederick Leighton and the It...

A rare original signed Art Deco gouache on paper by Erte (Romain de Tirtoff) . This stunning theatrical costume design is signed Erte at the lower right. The piece is 20 by 18 fram...

Richard Seewald, 'Der Hirte (The Shepherd)', woodcut with hand coloring, c. 1919. Unsigned as published in 'Genius', Vol 1, no. 1, 1919. A fine, richly...

One of the main and most famous works by the Italian futurist poet F.T. Marinetti ( Alessandria d'Egitto , 1876   –  Bellagio ,  1944 ), clearly inspired by the Adrianople siege in 1912, which he witnessed as a reporter for L'Intransigeant . It is considered one of the most typical futurist work, since the author conceived it using different fonts, dimensions and other graphic elements that were responsible to take the reader right inside the battle. In fact, “the dynamic rhythms and onomatopoetic possibilities that the new form of expression offered, was made even more effective through the revolutionary use of different typefaces, forms and graphic arrangements and sizes that became a distinctive part of Futurism. ” (Caroline Tisdall-Angelo Bozzola...

Nicely painted Italian seascape painting. Oil on board. Nicely framed. Signed.

A fine & large antique oil painting on canvas by Raimond Louis Lecourt (1882-1946), the cliffs at the Atlantic Ocean, Etretat, Normandy, France, circa 1910. Lecourt was the quintessential painter of scenes of Normandy France, this is a large and very fine example of his work. The painting depicts the Falaise d' Amont located near Etretat, Normandy, the Falaises (cliffs) are on the Atlantic coast and are a very impressive formation of flint cliffs with huge naturally created archways. The painting is beautifully rendered and in some areas the artist has employed impasto technique (thickly applied paint) to provide texture to the ocean & cliffs, in the foreground of the cliffs is a flock of herring gulls circling overhead. The painting is signed "Lecourt" lower right with a dedication, the painting is housed in the original sponge decorated gesso frame, also created by the artist. Condition is excellent, this charming painting is ready to hang on your wall. The artist was born in Le Havre, and studied at the National School of Fine Arts and the Regional School of Fine Arts of Rouen, he studied under Charles Lhuillier and Léon Bonnat. He received the Croix de Guerre 1914-1918 Military medal during WW1. Lecourt studied at the Le Havre School of Fine Arts under the direction of Charles Lhuillier , then with Léon Bonnat at the Paris School of Fine Arts . He then lived in Fontaine-la-Mallet , where he painted in the Normandy region, which was his favorite subject. In 1899, Lecourt obtained the honorary prize for the upper course with the city's silver medal. A municipal scholarship which allowed him to enter the Paris School of Fine Arts in the studio of the painter Léon Bonnat . There he found his comrades from Le Havre who had preceded him there: Othon Friesz , Raoul Dufy , the brothers René and Henri de Saint-Delis . He debuted at the Salon of French Artists in 1901 with his painting Le Herseur . He completed his studies in the studio of Luc-Olivier Merson and it was around this time that he got into the habit of spending his holidays in Fontaine-la-Mallet with his comrade Othon Friesz . He settled there permanently in 1907, after a trip to Brittany from where he brought back numerous sketches and portraits. During the First World War , he was mobilized on August 1, 1914 in the same regiment and behaved like a hero, decorated with the Croix de Guerre and the Military Medal . During an engagement at Courcy - Brimont , September 14, he was injured by a gunshot to the right forearm. He continued to draw with his left hand then, after a long rehabilitation, he regained the use of his right hand. He became a member of the Society of French Artists, also exhibited at the Salon des Indépendants, and made regular submissions to the Salons. Many paintings by him appear in museums & galleries in Denmark , Germany, the United States, Japan, and in England where the "Dogs of the Duchess of Manchester" painting was exhibited and won Lecourt great acclaim. After the outbreak of World War II, Lecourt takes the German Occupation of France very badly. After General Philippe Petains's handshake with Hitler in Montoire-sur-le-Loir, he returned his military medal to the Chancellery, accompanied by this comment: "We have no need for decorations in a country which no longer has the sense of honor" During this period, he resided with Charles Toussaint, a Le Havre broker and companion from the 74th infantry regiment, at the Frescinet manor, a property which would disappear under the bombings of the September 11, 1944. At this time, he painted mainly on wood, as canvases were rare and expensive at this time. In the winter of 1943-1944, he was hit by a military truck which skidded on the ice, during the fighting for the liberation of the port of Le Havre, the village of Fontaine-la-Mallet, where he lived, was raised to the ground under heavy bombing. His house, his studio, his notes and sketches were destroyed. However he went back to work with courage, but something had broken inside him. The following winter, he caught a cold and contracted pneumonia which took him away in eight days, unable to be properly treated following the refusal of an American army colonel, to give to civilians penicillin that only the Americans had at the time. His friends mourned him and others said that he was a gifted painter of Cauchoise (Normandy) painting, and who knew so well how to render plough horses, Normandy cows...

Signed fauvist oil on canvas landscape circa 1910 by French painter Louis Valtat. This stunning piece depicts a view of Bagatelle Park in the north of France in summer when all of th...

A stunning impressionist oil painting by listed female artist Clara Elizabeth Sackett.

George Laurence Nelson American, 1887-1978 Spring Landscape Oil on canvas 20 ⅛ by 24 ⅛ in, w/ frame 28 by 32 in Signed and dated 1912 lower right George Laurence Nelson was born in...

A very large 24" (61cm) Franz Xavier Bergmann (1861-1936) cold painted bronze group statue, signed, Austria, circa 1910. The bronze in the Orientalist manner & depicts a young slave ...

Frosch Serenade is an original drawing in watercolour and pencil on paper, realized by Ludwig Von Hofmann . Framed. In very good conditions. The artwork represents a nude woman-bu...

This is a very rare painting by Louisville, Kentucky native Goldsborough Cowan Robinson. He was born in 1887 to Charles Bonnycastle Robinson (1853-1928) and his wife Helen Blasdell ...

Wonderful American impressionist landscape oil painting by John J. Inglis (1867 - 1946). Colorful and vibrant cherry blossom view. Framed. Oil on canvas. Signed. Image size, 24H...

Jean-Emile LABOUREUR Sheltered From The Storm, 1919 Original wood engraving Printed signature in the plate Limited editions to 400 copies On vellum Ar...

Impressive early American impressionist forest interior landscape oil painting by William McKendree Snyder (1848 - 1930). Framed. Oil on board. Signed. Image size, 18H by 24L.

Wonderful American impressionist landscape oil painting by John J. Inglis (1867 - 1946). Colorful and vibrant cherry blossom view. Framed. Oil on canvas. Signed. Image size, 24H...

Dick Beer (b. London 1893 - d. Stockholm 1938) The Church in Taormina, Sicily (Kyrkan i Taormina) oil on canvas canvas dimensions 54 x 47 cm signed and dated Dick Beer 1914 painted 1914 Exhibited: Varias Konstsalong, Stockholm, 1916; Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

Carved folk art vase, with hand-painted bright cloisonné enamel embellishments. The form's contrasting glazes amplify its intricate carvings and mottled texture. Stamped Amphora in t...

Outstanding drawing realized fro Expo Roma by Carlo and Adolfo Coppedè in 1911. Charcoal on paper mounted on stretcher. Includes a beautiful iron frame by Roberto Fallani, realized...

Medium: original etching. This Hermann Struck etching was printed in 1919 and published in Berlin by Paul Cassirer. Plate size: 8 x 5 3/4 inches (205 x 145mm). A good impression on w...

This charming French Impressionist watercolour painting was painted in 1914 and is indistinctly signed. The composition is a market scene with various stalls under trees. The colouring is lovely and it is housed in a superb, gilded oak frame...

This lovely British Edwardian Impressionist portrait oil painting is by noted artist Percy William Gibbs. Pained circa 1910 it is a head and shoulders portrait in semi profile of a d...

Portrait of an Elegant Lady by John Arthur Machray Hay (Scottish, 1887-1960) signed and dated 1910 oil on canvas, unframed canvas: 30 x 24 inches provenance: private collection, UK c...

Signed oil on canvas figures in riverscape circa 1910 by sought after French impressionist painter Pierre Eugene Montezin. The work depicts bathers in a river on a sunny summer's day...

Leonetto Cappiello's original "Je ne fume que le Nil" poster, created in 1916 and printed by Vercasson in Paris, for Papier à Cigarettes Joseph Bar...

Signed oil on canvas figures in riverscape circa 1910 by sought after French impressionist painter Pierre Eugene Montezin. The work depicts women dressed in summer dresses and sunhat...

Signed fauvist oil on canvas landscape circa 1910 by French painter Louis Valtat. This stunning piece depicts a view of Bagatelle Park in the north of France in summer when all of th...

'Rivière de Mon Paix', Pair of Fine French Impressionist Oils, Musée d'Orsay, Luxembourg Museum. --- Raoul André Ulmann (French, 1867-1941) Each signed, 'R.A. Ulmann' and offered as ...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.65 x 11.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 6 x 9 Frame Size: 10.75 x 13.75 Medium: Oil Dated 1910 "A Glowing Sky" SW Texas Julian Onderdonk (1882 - 1922) Known as...

Stanislas Warnie (1879-1958), Summer Forest Landscape, 1915. Watercolor, 31.5 cm x 45 cm (passepartout), 50.5 cm x 63.5 cm (frame), signed "S. Warnie" at lower left and dated "1915"....

Andrée KARPELES Paris 1885 - Cannes 1956 View of a mountain in Sonarmag, Kashmir region, Himalayan Range About 1910 Oil on canvas Titled “Sonarmag” on the back and numbered “49” ...

The Hay Barge, Paris Pont Saint-Marie French Impressionist artist, c. 1918 signed with monogram verso, dated 1918 oil on board, unframed board : 8.25 x 10.25 inches Provenance: priva...

Original 1918 Red Cross Poster - "Have YOU a Red Cross Service Flag?" - Illustrated by Jessie Willcox Smith, Linen Backed. Restored horizontal fold mark and restored small tears along the bottom. This poster is, after all, more than 107 years old. Own a Piece of History! 1918 "Have You a Red Cross Service Flag?" Poster ✨ Step back into history with this original 1918 Red Cross poster. It is a poignant and touching piece of WWI-era Americana, beautifully preserving a time of nationwide unity and heartfelt service. Illustrated by the celebrated artist Jessie Willcox Smith, this lithograph captures the tender moment of a child hanging a Red Cross service flag in the window—a symbol of hope, sacrifice, and pride in supporting humanitarian efforts during World War I. The poster radiates warmth, with Smith’s signature style of innocence and emotional depth shining through in the delicate depiction of the boy, the adorned window, and the serene winter backdrop. The vibrant red and white cross emblem on the service flag is a focal point of the artwork, inspiring viewers to reflect on the values of compassion and generosity that the Red Cross championed during this period. As a significant historical artifact and a beautiful piece of early 20th-century American illustration, this poster would be an exceptional addition to any serious collection of WWI memorabilia...

Agnes Louise Agnete Jensen Weie (Danish, 1878-1964) and painted circa 1911. Provenance: ABR auction 170, 1964, catalog #83, 1964 (see photo); Inscribed, verso, '83/170' from auction ...

Artist: Augustus Edwin John (Welsh, 1878-1961) Title: "Portrait of a Lady" *Signed by John lower right Circa: 1910 Medium: Original red and black Chalk Drawi...

This early 20th-century portrait of a Polo Pony by the esteemed English artist George Paice is an exquisite representation of equine artistry, showcasing Paice’s remarkable skill in ...