1910s Art

3 Field, on the spot Sketches NW Frontier India : Manasbal Lake, Kashmir Artist: Unknown Medium: Pen & Ink Created: 1890s Size: 13 x 18 cm each A charming set of on-the-spot sketch...

Georges Braque (Argenteuil-sur-Seine, 1882 - Paris, 1963) "Valse" 1919. Oil on canvas. 33 x 45,8 cm (67 x 82 cm) Signed "G Braque" on the back. Provenance: - Private collectio...

Sketched Portrait is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-color collotypes after drawings by Gustav Klimt. Published by Gilhofer and Ranschburg, Vienna, July 1919, just one year after Klimt...

'Still Life, Turquoise & Coral' by Jais Nielsen, 1913. Fauve, Paris, Salon d’Automne, Section d'Or ---- Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated ...

Raoul DUFY The Love, c. 1910 Original woodcut Signed stamp of the artist's studio Numbered on /220 On vellum 50.5 x 65.4 cm (c. 19.6 x 25.5 inch) Excellent condition

Original poster: Food and the War! American wheat to win! Rare and very seldom seen original World War 1 authentic vintage poster. Archi...

Antoine Calbet presents his works, mainly portraits and genre scenes, at the Salons of the Société des artistes français from 1881 until 1940, as well as at the international exhibit...

"Female Nude in a Studio" circa 1910. 19 X 13 1/2 inches, oil on wood panel. Etched signature lower right. Well listed Hungarian artist. Spent his student years under the guidance o...

China ink drawing realized by Gabriele Galantara in the 1910s. Not signed. Very good condition.

This superb Portrait oil painting is by noted Italian born artist Pilade Bertieri. Painted circa 1910, Bertieri had a London address in 1908 and exhibited five pictures at the Royal ...

Each plate 20 1/4" x 13 1/2" 1 4-fold plate 2 2-fold plates Georges Goursat (1863–1934), known as Sem, was a French caricaturist famous during the Belle Époque. Life and works Youth (1863–1900) Georges Goursat was born and raised in an upper-middle-class family from Périgueux. The wealth inherited from his father at the age of 21 allowed him to sustain a gilded youth. In 1888 he self published in Périgueux his first three albums of caricatures, signing some as "SEM" (Figure, left), allegedly as a tribute to Amédée de Noé who signed his caricatures for Le Monde illustré as "Cham". From 1890 to 1898, he settled for a few years in Bordeaux. During this period, he published more albums and his first press caricatures in La Petite Gironde and discovered the work of Leonetto Cappiello. His style matured, becoming both simpler and more precise. During the same period, he made trips to Paris. In 1891, he designed two posters printed in the workshop of Jules Chéret for the singer Paulus . He published his first caricatures of artists in L'Illustration (Albert Brasseur) and Le Rire (Paulus, Polin and Yvette Guilbert). From 1898 to 1900, he lived in Marseille. During this stay, he met Jean Lorrain who convinced him to live in Paris. Caricature women on a boat being sailed by a sailor by Sem, 1925 Belle Époque (1900–1914) Goursat arrived in Paris in March 1900, at the time of the opening of the Universal Exposition. He picked horse races as his way of entry in high society. In June, three months after his arrival, he self-published a new album, Le Turf, with caricatures of many prominent Parisian socialites (Marquess Boni de Castellane, Prince Trubetskoy, Count Clermont-Tonnerre, Baron Alphonse and Gustave de Rothschild, Polaire). The success of this album made him famous overnight. In October of the same year, he published another album, Paris-Trouville, with the same success. Nine others followed until 1913. In 1904, Goursat received the Légion d'honneur. In 1909, he exhibited with the painter Auguste Roubille, first in Paris, then in Monte Carlo and London. a diorama, composed of hundreds of wooden figurines "of all the merely Paris celebrities". World War I (1914–1918) Aged over 50 at the start of World War I, Goursat was not drafted. He nevertheless involved himself as a war correspondent for Le Journal. Some of his rather "chauvinistic" articles had an "enormous impact".Ten were published in 1917 in Un pékin sur le front. Two others were incorporated in 1923 in another book, La Ronde de Nuit. In 1916 and 1918 Goursat published two albums of Croquis de Guerre (War sketches). Their style is completely different from his previous work. He also designed posters for war bonds. Années Folles (1918–1934) After the war, Goursat came back to the kind of caricatures that made him famous. In 1919, he published Le Grand Monde à l'envers (High Society upside down). Around 1923, he published 3 albums under the general title of Le Nouveau Monde...

Woman on a Patio Pastel on paper, c. 1915 Unsigned Provenance: Gift of the artist to his wife, Mary Hess Buehr By decent to the artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art Thomas French Fine Art Ronald C. Sloter, Columbus, Ohio Columbus College of Art and Design (de-accessed) Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibition at the North Franklin Street Gallery. One of the early Chicago artists to adopt Impressionism, Karl Buehr became a figure and landscape painter. As a figure painter, his specialty became "gorgeously colored images of young women on porches overlooking brilliant summertime gardens." (Kennedy 98) His later work often showed a female figure with serious expression engaging the viewer with a direct stare. In his landscapes, he was noted for his strong coloration. In a December 1896 student exhibition at the Art Institute, a reviewer for the "Chicago Times Herald" described Buehr's landscapes as "blithe and joyous" with "country roads brilliant in sunlight . . . fields rich in summer verdure, under soft skies painted in a high, musical key." (Gerdts 68) Buehr was born as one of seven sons to a prosperous German family who immigrated to America and settled in Chicago in 1869. He was first exposed to his signature style of Impressionism in 1888 when he enrolled in night classes at the Art Institute while working in the shipping department of a lithographic firm near the Institute. He remained a student there until 1897 and was recognized in a "Chicago Times Herald" editorial of June 13, 1897 as one of the Institute's most outstanding pupils. The next year, his art career was temporarily put on hold when he briefly enlisted with the U.S. Army in the Spanish American War. In 1899, he resumed his art studies, this time with Frank Duveneck. He exhibited a painting at the Paris Salon of 1900. In 1905, thanks to a wealthy Chicago patron, Buehr and his family moved to France. They spent the following year in Taormina, Sicily, and spent time in Venice as well. In Paris, Buehr studied at the Academy Julian with Raphael Collin for two years. Then he went to England, enrolling in the London Art School but had returned to Paris by 1908. During this time, he began painting at Giverny, the home of Impressionist leader Claude Monet (1840-1926, and by 1912, Buehr was listing that village as his home address. One of his good friends and associates at Giverny was Frederick Frieseke. One of Buehr's paintings from that time, "News from Home", was exhibited in 1913 at the French Salon in Paris and at the annual exhibit of the Chicago Art Institute. It shows a woman in floral dress sitting on a porch with a background with potted flowers and lush greenery background. Of his painting done at Giverny, Buehr wrote in 1912 to William Macbeth of Macbeth Galleries in New York: "My figures painted in and around Giverny are costumed and in appropriate out door settings." (Gerdts 68) In 1914, he returned to the United States and took a teaching position in Chicago at the Art Institute, which he held for the remainder of his life. He was married to Mary Hess, a painter of miniatures and decorative works. In 1928-29, he was a guest artist at Stanford University. Courtesy, AskArt “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Frantisek Kupka, Czech (1871 - 1957) - Abstract Composition (Color). Year: 1913, Medium: Color Etching on Richard de Bas, stamp signed and signed in the plate, Image Size: 6 x 13.5 i...

Wonderful German genre painting of 17th century tavern scene in style of Franz Hals by Karl Josef Muller (German, 1864-1942) dated 1918. Signed and dated lower left corner "Karl Muller - Hamburg 1918". Condition: Good; professionally restored: Canvas restreched on new stretcher bars; five repairs made to small tears in canvas (see image); cleaned and re-varnished with UV-resistant varnish. Unframed. Image size: 39.5"H x 55"W. We have the original frame which needs some extensive repair to the gesso. Happy to include the frame with the painting as is. Karl Müller was born in Hamburg-Altstadt in 1865. His wealthy Jewish parents Abraham Müller (1832-1896), citizen of the Hanseatic city since 1869, and Henriette "Jette", b. Burchard (born 1832 Neubuckow / Mecklenburg), had a cigar factory at Spielbudenplatz 5 in St.Pauli. When Karl Müller was ten years old, next to factory and warehouse, now at Speersort 11 (Altstadt), there was also a branch in Altona-Ottensen with the address Am Felde 68. The family lived at the time at Pferdemarkt 13 (Old Town). After attending the Jewish Foundation School at the Zeughausmarkt, Karl Müller completed a three-year lithography apprenticeship. From 1886 to 1888, he studied at the Royal Saxon School of Applied Arts in Dresden with the history and decoration painter Donadini, then with Professor Hanke of the Prussian Academy of Arts in Berlin. Karl Müller's painting style was conventional-realistic and did not follow modern trends. In 1891, the oil paintings "Preparation for the Service", "In the guardroom", tattoo", "gymnastics lesson", "covert patrol” and "return from the field service exercise”, whose main motive almost always soldiers formed.In 1893, he painted the" invasion of the 76er " as a horizontal format in black and white, the painting was acquired by the Museum of Hamburg History in 1930. The disposition of Karl Müller could be classified as "kaisertreu" and "national" (Maike Bruhns) at this time - not by chance he acted with his Nicknamed "Soldatenmüller", he successfully participated in exhibitions in Berlin and Hamburg before the turn of the century. Even at this time, the frequent change of residence is striking: 1893 Papendamm 25 (Rotherbaum), 1896 Bundesstraße 9 (Rotherbaum). In 1898 he was in the Hamburg address book as a "genre and portrait painter" with the residential address 1. average 43 (Rotherbaum) out. At the age of 38, Karl married in 1903 in the Hanseatic city of the Jewish Louise Hauer (born 12.2.1872 in Hamburg), called "Lieschen". Before her marriage, she lived with her mother at Grindelberg 78. Her father, Martin Hauer (1836-1897), also born in Hamburg and was a citizen of the city since 1862, owned a factory for soap and perfume. In 1904 and 1911, the two daughters Karla and Lotte were born. 1904, the family lived at this time in the Bogenstraße 20, Karl Müller commissioned a portrait of the emigrated hamburger Henry Jones opening the same lodge in the Hartungstraße 9-11. Already at this time he might have been a member of the Hamburg Artists Association of 1832. Starting from 1908 further change of dwellings on the basis of the telephone books are comprehensible: nearly yearly the family moved and moved thereby from the Grindel quarter over Hoheluft east to Harvestehude and Winterhude. Around 1912 she moved into an apartment in Sierichstraße 156. Here, the landlord Schröder provided the artist with an area of ​​around 45 square meters as a studio on the dry floor. But the building police criticized this use and after some disputes, the painter had to move once again with family and studio. The official telephone directory recorded as an address from 1914 to 1918 Klosterallee 20 (Harvestehude). Friedrich Jansa described Karl Müller's changed motif choice in his artist's glossary in 1912: "In recent years he has been watercolouring a lot in the Hamburg area and now mainly takes his motifs from Hamburg harbor...

This Ekamka Fetish sculpture was carved from wood by an unknown Nigerian artist. It depicts a figure holding a mask. The figure has two symbolic horns protruding from his head and he sits on a thin...

An exceptional impressionist beachside scene with figures and powerful clouds by American artist Augustus B. Koopman (1869-1914). Koopman was born in Charlotte, North Carolina, initially studied at the Pennsylvania Academy of Fine arts, and going on to live a large portion of his short life in Paris, studying at the Academie Julian and the Ecole des Beaux Arts, painting many of his marine and figure paintings on the coast at Etaples, near Belgium. Among his teachers were William Bouguereau, Benjamin Constant, and Tony Robert-Fleury. He was well known for his genre, maritime, landscape, figure, and portrait paintings. His drypoints and etchings can be found in both the Congressional and New York Public Libraries, and his painting “Vision of the Grand Canyon” is displayed in the Santa Fe Railway...

Aurelia is an original modern rare book written written by Gérard Labrunie (Paris, 1808 – Paris, 1855) and illustrated by Alfred Leopold Isidor Kubin (Leitmeritz, 1877 – Zwickledt, 1959) in 1910. Original First Edition. Published by Georg Muller, München/Leipzig. Format: Large 8°. The book includes 146 pages with 57 drawings (several are full page drawings). Binding by Paul Renner Mint conditions. Alfred Leopold Isidor Kubin (Leitmeritz, 1877 – Zwickledt, 1959) in 1910. He was an Austrian printmaker, illustrator, and occasional writer. Kubin is considered an important representative of Symbolism and Expressionism. Kubin is considered an important representative of Symbolism and Expressionism and is noted for dark, spectral, symbolic fantasies, often assembled into thematic series of drawings. Like Oskar Kokoschka and Albert Paris Gütersloh, Kubin had both artistic and literary talent. He illustrated the works of Edgar Allan Poe, E. T. A. Hoffmann, and Fyodor Dostoevsky...

Work on canvas Beige wooden frame 63 x 85.5 x 6.5 cm

A gorgeously colored summer landscape by Important American Impressionist, Frank V Dumond. Fresh in color and elegant in the tonally complimentary French frame with silk liner. Atm...

Charles Harold Davis Autumn on the Farm, circa 1930s Signed lower left Oil on canvas 20 x 27 1/4 inches Provenance Private Collection, Florida Charles Harold Davis was born in Ame...

The original 1914 poster "Your King and your country need you" is a seminal piece of British propaganda from World War I, embodying the fervor and urgency of the time. Released shortly after the outbreak of the war, it aimed to rally men to enlist in the armed forces and serve their country in its time of need. At the heart of the poster is a striking image of Lord Kitchener, the British Secretary...

Concarneau (Quatorze Juillet), 1911 Oil on canvas, 40 x 50 inches (101.6 x 127 cm) Framed dimensions: 44 1/2 x 54 inches Signed and dated lower right: Hayley Lever / 1911. Provenanc...

Georges CONRAD (1874-1936) Moulin Rouge Dancer Original pencil and color pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c....

President's Wilson Great Message is an original vintage poster, realized n 1917. The status of preservation is quite Good.

Cover of Good Housekeeping magazine, January 1915. Image of woman in rocking chair with yarn. One of the first master illustrators. Created the de...

Landscape,France,1910,Fouves Léopold SURVAGE (1879-1968) At a young age, Survage was directed to enter the piano factory operated by his Finnish father. He learned to play piano, th...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Place Jean-Baptiste-Clément by Maurice Utril...

The Blue Street - Monochrome Rural Town Landscape in Colored Pencil on Paper Delicate drawing of a rural street by Alle Wijtze "Charles" de Somer (Dutch, 1869-1919). One of the arti...

Fisherman with Windmill - Antique Monotype Impressionistic monotype of a fisherman with nets in front of a windmill by John J. Witcombe (British, b. 1872 d. 1918.) Visible brushstro...

Sketch for a Frieze is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-color collotypes after drawings by Gustav Klimt. Published by Gilhofer and Ranschburg, Vienna, July 1919, just one year after Klimt...

This haunting original 1917 lithographic poster by the renowned Swiss-French artist Théophile Steinlen was created during the final years of World War I. The stark title, "Sur la ter...

Maurice Decamps French 1892 - 1953 Canvas Size: 18 x 22" (46 x 56cm) Outside Frame Size: 24 x 28" (61 x 71cm) This painting was exhibited at the Salon des Artistes Francais in 1937 w...

Lillian Mathilde Genth Golden Harbor, Gloucester, circa 1910 Signed lower right, titled in graphite on verso Oil on canvas 20 x 25 inches Born in Philadelphia, Lillian Mathilde Gen...

China Town San Francisco 1896 - Watercolor on Paper A vintage watercolor by Theodore Ernest Langguth (German-American, 1861-1952). Presented in a rustic giltwood frame. Signed "T. Langguth" lower right. Watercolor circa 1920-30. Image: 12.5"H x 8.5"W. Painted from the photograph by Arnold Genthe...

Artist: Hermann Max Pechstein (German, 1881-1955) Title: "Frau und Mädchen (Woman and Girl)" Portfolio: Paraphrasen zur Samländischen Ode (Paraphrases of the Samland Ode) *Signed and...

Young Lady in Profile (Dorothy Gibson) Graphite on paper, c. 1915 Signed lower right (see photo). The sitter for this drawing, along with a huge number of Harrison Fisher’s works, i...

landscape, fishing, England, 1910,pastel,green,blue Edouard CHAPPEL (Anversa, 1859 – Cagnes-sur-Mer, 1946) MUSEI BELGIO Anversa Musée Royal des Beaux-Arts FRANCIA Paris Musée d...

Artist: Henry Sené (French, 1889-1961) Title: By the River Date: 1916 Medium: Oil on thick paper Dimensions: 14 x 9 cm l 5 1/2 x 3 1/2 in. Frame: 20 x 15 cm l 7 7/8 x 5 9/10 in. Sign...

This original drypoint is hand signed and dated in pencil by the artist "Emil Nolde" at the lower right margin. It is one of at least 18 impressions printed on Van Gelder Zonen pape...

Paper Size: 19.75 x 25.5 inches ( 50.165 x 64.77 cm ) Image Size: 12.25 x 20.5 inches ( 31.115 x 52.07 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Ad...

Work on canvas Golden wooden frame 86 x 73 x 6 cm

Very finely painted in muted pastel colors is an original oil on canvas board painting by the American artist, Norwood Hodge MacGilvery. Signed lower right. Titled verso along with ...

This 1918 original poster by Suzanne Ferrand, titled "Réservez le Vin pour Nos Poilus" ("Reserve the Wine for Our Soldiers"), is a powerful piece of World War I propaganda, emphasizi...

Old Antwerp Road is an artwork realized by Jan Claessens (Belgian, 1879 - 1963) in 1914. Woodcut print Good condition.

Hand signed. Not numbered. With dedication to "Bernard" (1921). Etching and aquatint technique. Perfect conditions. Image Dimensions ： 15 x 19 cm Passepartout included : 35 x 50 cm

Alphonse Mucha (Czech, 1860-1939) Original Lithograph 1913 - Very Large - "Zdenka Cerny" The Greatest Bohemian Violincellist Prague, Czechoslovak Color lithograph Signed and dated "...

George Dorival created this poster in 1911 to promote the comic operetta, La Divorce'e. The text describes La Divorce'e as a 3 act play with music by Leo Fall. Leo Fall (1873-1925)...

Attached is “Anita” (1916), by William Cahill (1878-1924), oil on artist board, 14 x 14 inches, signed & dated l/r. Exhibited at the Salmagundi Club, 1...

Medium: Oil on Canvas Artwork Dimensions: 27.75 x 17.75 in. Frame Dimensions: 31.5 x 21.5 in. Signature: Signed Lower Right Illustration for 'Fighting for the Flock' written by Edwi...

Signed figurative oil on original canvas by French realist painter Victor Gabriel Gilbert. The work shows a flower seller filling a young girl's basket with cherries while a little b...

Impressive early American impressionist parrot portrait oil painting. Framed. Oil on board. Image size, 20H by 16L.

A wonderful impressionist painting of palm trees in Cuba, by Canadian-American artist William Henry Clapp. Clapp was born in Canada, and moved with his family to Oakland, California ...

During World War I, artistic and cultural events played a crucial role in supporting humanitarian efforts and boosting morale. Among the notable artifacts from this period is the 191...

Der Mantel is an original modern rare book written by Nikolaj Vasil'evič Gogol'-Janovskij (Velyki Soročynci, 1809 - Moscow, 1852) and illustrated by Walter Gramatté (Berlin, 1897 –...

Attributed to Hortense Mattice Gordon (Canadian, 1886-1961) and painted circa 1925. Unsigned. The attribution is based on the similar style, composition and subject matter of McGill ...

Here for your consideration is a light filled oil on canvas painting by the American artist, David Clark. The meandering path, apple blossoms. the first ...

Untitled (woman's head) Lithograph printed in grey ink on japanese paper, c. 1900-1920 Unsigned Provenance: estate of the Artist By descent to wife ...

Oil on wooden panel by the Spanish artist, Thomas Campuzano y Aguirre. Seated man on a large rock with a hat with a woman with basket standing close by. Circa 1910. In very good o...

Original oil on canvas painting of a nocturnal bonfire with several figures, a moored boat and a glowing moon. The artist signature is lower right “J. Hammerstad”. Condition is exc...

A fine portrait oil on canvas by noted British Staithes listed artist Ernest Higgins Rigg. It is a super Edwardian portrait of Enid Richards and was painted at Govilon in Wales in 1...