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Period: 1910s
Pommier en fleur - Post Impressionist Figures in Landscape Oil by Eugene Chigot
Pommier en fleur - Post Impressionist Figures in Landscape Oil by Eugene Chigot

Pommier en fleur - Post Impressionist Figures in Landscape Oil by Eugene Chigot

By Eugene Henri Alexandre Chigot

Located in Marlow, Buckinghamshire

Signed post impressionist figures in landscape oil on panel circa 1910 by French painter Eugene Henri Alexandre Chigot. The work depicts a mother and child outside a thatched cottage beside a pond. In the centre of the painting is an apple tree in blossom - beautifully painted in pinks, blues and greens. Signature: Signed lower right Dimensions: Framed: 19"x22.5" Unframed: 12.5"x16" Provenance: Private French collection A pupil of his father Alphonse Chigot, Eugène Chigot...

Category

Post-Impressionist 1910s Art

Materials

Oil, Panel

Twighlight Meadow
Twighlight Meadow

Twighlight Meadow

Located in North Clarendon, VT

A beautiful Boston School painting, Twilight Meadow by Nathaniel Leander Berry. Oil on artist board, signed lower right. 8" x 10" sight, 12" x 14" framed. Nathaniel Leander Berry (...

Category

American Impressionist 1910s Art

Materials

Oil

China Town San Francisco 1896 - Watercolor on Paper
China Town San Francisco 1896 - Watercolor on Paper

China Town San Francisco 1896 - Watercolor on Paper

By Theodore Ernest Langguth

Located in Soquel, CA

China Town San Francisco 1896 - Watercolor on Paper A vintage watercolor by Theodore Ernest Langguth (German-American, 1861-1952). Presented in a rustic giltwood frame. Signed "T. Langguth" lower right. Watercolor circa 1920-30. Image: 12.5"H x 8.5"W. Painted from the photograph by Arnold Genthe...

Category

American Impressionist 1910s Art

Materials

Paper, Watercolor, Pencil

Original "Are You 100% American, Prove It!  Third Liberty Loan vintage poster
Original "Are You 100% American, Prove It!  Third Liberty Loan vintage poster

Original "Are You 100% American, Prove It! Third Liberty Loan vintage poster

Located in Spokane, WA

Original " Are You 100% American? Prove it! Buy US government bonds. Third Liberty Loan" vintage poster. This poster from World War I questions whether the viewer is genuinely A...

Category

American Modern 1910s Art

Materials

Lithograph

Mother and Child
Mother and Child

Mother and Child

Located in New York, NY

Watercolor on paper laid on board: An exceptional watercolor in terms of quality and presentation. During this earlier period of Day's career he exhibited extensively and was inspir...

Category

Pre-Raphaelite 1910s Art

Materials

Watercolor, Board, Archival Paper

In the Morning
In the Morning

In the Morning

Located in North Clarendon, VT

Well painted 1919 American School oil on board. Signed and dated lower right. Framed in a period frame. From an estate in Gloucester MA.

Category

American Impressionist 1910s Art

Materials

Oil

Antique French School Oil Painting Canvas Cliffs at Etretat Normandy France 1910
Antique French School Oil Painting Canvas Cliffs at Etretat Normandy France 1910

Antique French School Oil Painting Canvas Cliffs at Etretat Normandy France 1910

Located in Portland, OR

A fine & large antique oil painting on canvas by Raimond Louis Lecourt (1882-1946), the cliffs at the Atlantic Ocean, Etretat, Normandy, France, circa 1910. Lecourt was the quintessential painter of scenes of Normandy France, this is a large and very fine example of his work. The painting depicts the Falaise d' Amont located near Etretat, Normandy, the Falaises (cliffs) are on the Atlantic coast and are a very impressive formation of flint cliffs with huge naturally created archways. The painting is beautifully rendered and in some areas the artist has employed impasto technique (thickly applied paint) to provide texture to the ocean & cliffs, in the foreground of the cliffs is a flock of herring gulls circling overhead. The painting is signed "Lecourt" lower right with a dedication, the painting is housed in the original sponge decorated gesso frame, also created by the artist. Condition is excellent, this charming painting is ready to hang on your wall. The artist was born in Le Havre, and studied at the National School of Fine Arts and the Regional School of Fine Arts of Rouen, he studied under Charles Lhuillier and Léon Bonnat. He received the Croix de Guerre 1914-1918 Military medal during WW1. Lecourt studied at the Le Havre School of Fine Arts under the direction of Charles Lhuillier , then with Léon Bonnat at the Paris School of Fine Arts . He then lived in Fontaine-la-Mallet , where he painted in the Normandy region, which was his favorite subject. In 1899, Lecourt obtained the honorary prize for the upper course with the city's silver medal. A municipal scholarship which allowed him to enter the Paris School of Fine Arts in the studio of the painter Léon Bonnat . There he found his comrades from Le Havre who had preceded him there: Othon Friesz , Raoul Dufy , the brothers René and Henri de Saint-Delis . He debuted at the Salon of French Artists in 1901 with his painting Le Herseur . He completed his studies in the studio of Luc-Olivier Merson and it was around this time that he got into the habit of spending his holidays in Fontaine-la-Mallet with his comrade Othon Friesz . He settled there permanently in 1907, after a trip to Brittany from where he brought back numerous sketches and portraits. During the First World War , he was mobilized on August 1, 1914 in the same regiment and behaved like a hero, decorated with the Croix de Guerre and the Military Medal . During an engagement at Courcy - Brimont , September 14, he was injured by a gunshot to the right forearm. He continued to draw with his left hand then, after a long rehabilitation, he regained the use of his right hand. He became a member of the Society of French Artists, also exhibited at the Salon des Indépendants, and made regular submissions to the Salons. Many paintings by him appear in museums & galleries in Denmark , Germany, the United States, Japan, and in England where the "Dogs of the Duchess of Manchester" painting was exhibited and won Lecourt great acclaim. After the outbreak of World War II, Lecourt takes the German Occupation of France very badly. After General Philippe Petains's handshake with Hitler in Montoire-sur-le-Loir, he returned his military medal to the Chancellery, accompanied by this comment: "We have no need for decorations in a country which no longer has the sense of honor" During this period, he resided with Charles Toussaint, a Le Havre broker and companion from the 74th infantry regiment, at the Frescinet manor, a property which would disappear under the bombings of the September 11, 1944. At this time, he painted mainly on wood, as canvases were rare and expensive at this time. In the winter of 1943-1944, he was hit by a military truck which skidded on the ice, during the fighting for the liberation of the port of Le Havre, the village of Fontaine-la-Mallet, where he lived, was raised to the ground under heavy bombing. His house, his studio, his notes and sketches were destroyed. However he went back to work with courage, but something had broken inside him. The following winter, he caught a cold and contracted pneumonia which took him away in eight days, unable to be properly treated following the refusal of an American army colonel, to give to civilians penicillin that only the Americans had at the time. His friends mourned him and others said that he was a gifted painter of Cauchoise (Normandy) painting, and who knew so well how to render plough horses, Normandy cows...

Category

French School 1910s Art

Materials

Canvas, Oil

Broad Street (Wall Street)
Broad Street (Wall Street)

Broad Street (Wall Street)

By Bror Julius Olsson Nordfeldt

Located in Myrtle Beach, SC

B.J.O. Nordfeldt, 'Broad Street (Wall Street)', etching, edition not stated, c. 1915. Signed in pencil. A superb impression, with rich burr, selectively wiped plate tone, and inky plate edges, on cream wove paper; the full sheet with margins (3/4 to 1 1/4 inches), in excellent condition. Printed by the artist. Matted to museum standards, unframed. Impressions of this work are in the permanent collections of the Fine Arts Museums of San Francisco, Princeton University, Smithsonian American Art Museum. A view looking down Broad Street past the New York Stock Exchange Building on the right with the columned Federal Hall...

Category

American Impressionist 1910s Art

Materials

Etching

'Storm Clouds (Arizona)' — Early 20th-Century American Impressionism
'Storm Clouds (Arizona)' — Early 20th-Century American Impressionism

'Storm Clouds (Arizona)' — Early 20th-Century American Impressionism

By Albert Groll

Located in Myrtle Beach, SC

Albert Lorey Groll, 'Storm Clouds (Arizona)', graphite on paper, c. 1914. Signed in pencil, in the image, lower left. A fine spontaneous rendering on heavy buff, wove paper, with margins (1 1/2 to 2 inches); slight toning at the sheet edges, in good condition. With a pen and ink landscape drawing, verso. Image size 7 5/8 x 10 inches; sheet size 10 3/4 x 13 5/8 inches. Matted to museum standards, unframed. Provenance: Ex. collection Kennedy Galleries, New York. ABOUT THE ARTIST Albert Lorey Groll (1866-1910) was born in New York in 1866, the son of a pharmacist immigrant from Darmstadt, Germany. During his early years, he traveled to Europe to study at the Royal Academy of Fine Arts in Munich under Nicholas Gysis and Ludwig von Löfftz. He further pursued his studies in London and at the Royal Academy of Fine Arts in Antwerp, Belgium. Groll returned to New York in 1895 and moved from figure to landscape painting while expanding his interests to printmaking. In 1904 Groll made the first of several trips to the American Southwest, traveling to Arizona with ethnographer Stewart Culin of the Brooklyn Museum. Later he went to New Mexico with his friend, the artist and illustrator William Robinson Leigh (see our 1stDibs listing no. LU53239015112 ). He focused on impressionistic scenes of Native American lands. The Laguna Pueblo people admired Groll's paintings, honoring him with the name "Chief Bald Head Eagle Eye." Groll kept a studio in the Gainsborough Studios in Manhattan and won several awards for his work in Arizona and New York, including the Salmagundi Club Shaw Prize in 1904 and a gold medal at the Pennsylvania Academy of Fine Arts in 1906. He was also awarded the George Inness gold medal from the National Academy of Design in 1912 for his painting of Lake Louise in the Canadian Rockies. In 1910 he was elected into the National Academy of Design and, in 1919, an associate member of the Taos Society...

Category

American Impressionist 1910s Art

Materials

Pencil

Original 'Soldiers - Sailors and Women Guests' Welcome to the YWCA Hostess House
Original 'Soldiers - Sailors and Women Guests' Welcome to the YWCA Hostess House

Original 'Soldiers - Sailors and Women Guests' Welcome to the YWCA Hostess House

By Walter Tittle

Located in Spokane, WA

Original poster: SOLDIERS-SAILOR AND WOMEN GUESTS welcome to the Y.W.C.A. hostess house "A bit of home within the camps". A sailor shakes the hand of a man while a woman is standing and smiling at them. Linen-backed original WW1 poster...

Category

American Realist 1910s Art

Materials

Lithograph

Harvester Inkwell
Harvester Inkwell

Harvester Inkwell

By Bruno Zach

Located in Los Angeles, CA

A dramatic early 20th century Austrian Art Deco bronze Inkwell of a muscular male holding a scythe with one arm and wiping his brow with the other. The bronze has a rich dark brown p...

Category

Art Deco 1910s Art

Materials

Marble, Bronze

Aprilafton, Delsbo (April Evening, Delsbo), c. 1910
Aprilafton, Delsbo (April Evening, Delsbo), c. 1910

Aprilafton, Delsbo (April Evening, Delsbo), c. 1910

By Oscar Lycke

Located in Stockholm, SE

Oscar Lycke’s Aprilafton, Delsbo (“April Evening, Delsbo”), c. 1910, is a luminous oil painting that masterfully captures the gentle transition from winter to early spring in the rur...

Category

Post-Impressionist 1910s Art

Materials

Canvas, Oil

Icy Waters with Birds, Naturalistic Oil Painting, Signed, 1918, Framed
Icy Waters with Birds, Naturalistic Oil Painting, Signed, 1918, Framed

Icy Waters with Birds, Naturalistic Oil Painting, Signed, 1918, Framed

Located in Stockholm, Stockholm

A female and male Goosander bird on ice floes. In the center, a small opening in ice covered waters. This painting, by Christian Berg (1893-1976) is quite interesting and unusual for...

Category

Naturalistic 1910s Art

Materials

Canvas, Oil

A Jolly Time -- German Genre Tavern Painting, 1918
A Jolly Time -- German Genre Tavern Painting, 1918

A Jolly Time -- German Genre Tavern Painting, 1918

Located in Soquel, CA

Wonderful German genre painting of 17th century tavern scene in style of Franz Hals by Karl Josef Muller (German, 1864-1942) dated 1918. Signed and dated lower left corner "Karl Muller - Hamburg 1918". Condition: Good; professionally restored: Canvas restreched on new stretcher bars; five repairs made to small tears in canvas (see image); cleaned and re-varnished with UV-resistant varnish. Unframed. Image size: 39.5"H x 55"W. We have the original frame which needs some extensive repair to the gesso. Happy to include the frame with the painting as is. Karl Müller was born in Hamburg-Altstadt in 1865. His wealthy Jewish parents Abraham Müller (1832-1896), citizen of the Hanseatic city since 1869, and Henriette "Jette", b. Burchard (born 1832 Neubuckow / Mecklenburg), had a cigar factory at Spielbudenplatz 5 in St.Pauli. When Karl Müller was ten years old, next to factory and warehouse, now at Speersort 11 (Altstadt), there was also a branch in Altona-Ottensen with the address Am Felde 68. The family lived at the time at Pferdemarkt 13 (Old Town). After attending the Jewish Foundation School at the Zeughausmarkt, Karl Müller completed a three-year lithography apprenticeship. From 1886 to 1888, he studied at the Royal Saxon School of Applied Arts in Dresden with the history and decoration painter Donadini, then with Professor Hanke of the Prussian Academy of Arts in Berlin. Karl Müller's painting style was conventional-realistic and did not follow modern trends. In 1891, the oil paintings "Preparation for the Service", "In the guardroom", tattoo", "gymnastics lesson", "covert patrol” and "return from the field service exercise”, whose main motive almost always soldiers formed.In 1893, he painted the" invasion of the 76er " as a horizontal format in black and white, the painting was acquired by the Museum of Hamburg History in 1930. The disposition of Karl Müller could be classified as "kaisertreu" and "national" (Maike Bruhns) at this time - not by chance he acted with his Nicknamed "Soldatenmüller", he successfully participated in exhibitions in Berlin and Hamburg before the turn of the century. Even at this time, the frequent change of residence is striking: 1893 Papendamm 25 (Rotherbaum), 1896 Bundesstraße 9 (Rotherbaum). In 1898 he was in the Hamburg address book as a "genre and portrait painter" with the residential address 1. average 43 (Rotherbaum) out. At the age of 38, Karl married in 1903 in the Hanseatic city of the Jewish Louise Hauer (born 12.2.1872 in Hamburg), called "Lieschen". Before her marriage, she lived with her mother at Grindelberg 78. Her father, Martin Hauer (1836-1897), also born in Hamburg and was a citizen of the city since 1862, owned a factory for soap and perfume. In 1904 and 1911, the two daughters Karla and Lotte were born. 1904, the family lived at this time in the Bogenstraße 20, Karl Müller commissioned a portrait of the emigrated hamburger Henry Jones opening the same lodge in the Hartungstraße 9-11. Already at this time he might have been a member of the Hamburg Artists Association of 1832. Starting from 1908 further change of dwellings on the basis of the telephone books are comprehensible: nearly yearly the family moved and moved thereby from the Grindel quarter over Hoheluft east to Harvestehude and Winterhude. Around 1912 she moved into an apartment in Sierichstraße 156. Here, the landlord Schröder provided the artist with an area of ​​around 45 square meters as a studio on the dry floor. But the building police criticized this use and after some disputes, the painter had to move once again with family and studio. The official telephone directory recorded as an address from 1914 to 1918 Klosterallee 20 (Harvestehude). Friedrich Jansa described Karl Müller's changed motif choice in his artist's glossary in 1912: "In recent years he has been watercolouring a lot in the Hamburg area and now mainly takes his motifs from Hamburg harbor...

Category

Realist 1910s Art

Materials

Linen, Oil

Portrait of a Lady /// Impressionism British Augustus Edwin John Drawing Red
Portrait of a Lady /// Impressionism British Augustus Edwin John Drawing Red

Portrait of a Lady /// Impressionism British Augustus Edwin John Drawing Red

By Augustus Edwin John

Located in Saint Augustine, FL

Artist: Augustus Edwin John (Welsh, 1878-1961) Title: "Portrait of a Lady" *Signed by John lower right Circa: 1910 Medium: Original red and black Chalk Drawing on wove paper Framing:...

Category

Post-Impressionist 1910s Art

Materials

Chalk, Charcoal

'Improvisation 7' original first ed. woodcut  from 'Klänge' by Wassily Kandinsky
'Improvisation 7' original first ed. woodcut  from 'Klänge' by Wassily Kandinsky

'Improvisation 7' original first ed. woodcut from 'Klänge' by Wassily Kandinsky

By Wassily Kandinsky

Located in Milwaukee, WI

The present woodcut print comes from 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. This first edition was released in an edition of 300, each book signed and numbered by the artist. The title of the album and this particular print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. 7.5 x 5 inches, image 22 x 19.5 inches, frame Woodcut in black ink on laid paper (watermark Van Gelder Zonen) Signed with encircled 'K' in the block, lower right Framed to conservation standards using 100 percent acid free archival materials including silk-lined matting with 1/4 inch bevel, museum glass, and a gold-gilded moulding Ref. Roethel 124 The Museum of Modern Art described 'Klänge (Sounds)' as follows: Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book. Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...

Category

Blue Rider 1910s Art

Materials

Woodcut

Antique French Watercolor Portrait - Profile of Elegance (Woman)
Antique French Watercolor Portrait - Profile of Elegance (Woman)

Antique French Watercolor Portrait - Profile of Elegance (Woman)

Located in Houston, TX

Graceful watercolor portrait of an elegant auburn haired female in profile, 1912. Signed "Laure" and dated lower right. Over 100 years old. Original vintage one-of-a-kind artwork on...

Category

1910s Art

Materials

Paper, Watercolor

Antique American School Pointillist Fall Landscape Lake View Oil Painting
Antique American School Pointillist Fall Landscape Lake View Oil Painting

Antique American School Pointillist Fall Landscape Lake View Oil Painting

Located in Buffalo, NY

Antique American school pointillist landscape painting. Oil on board, circa 1920. Unsigned. Displayed in a period impressionist frame. Image size, 14"L x 16"H.

Category

Pointillist 1910s Art

Materials

Canvas, Oil

"Stony Cove and Headland, " Henry Ward Ranger, Coastal Landscape, Seascape
"Stony Cove and Headland, " Henry Ward Ranger, Coastal Landscape, Seascape

"Stony Cove and Headland, " Henry Ward Ranger, Coastal Landscape, Seascape

By Henry Ward Ranger

Located in New York, NY

Henry Ward Ranger (1858 - 1915) Stony Cove and Headland, 1910 Oil on canvas 28 x 36 inches Signed lower right Provenance: McDonough Gallery, New York William Macbeth Galleries, New York American Art Association, The Completed Pictures Left by the Late Henry Ward Ranger, 1917, Lot 72 A key person in the establishment of the Old Lyme, Connecticut art colony in 1899, Henry Ward Ranger is regarded as the leader of the Tonalist movement in America and was a leading painter in this country in the late 19th and early 20th-centuries. He was born in Geneseo and raised in Syracuse, New York, and in 1873, enrolled in the College of Fine Arts at Syracuse University, where his father was a professor of photography and drawing. Two years later, he became a re-toucher of paintings in his father's studio and did not earn a college degree. He also spent much time in New York City, where he was a writer of music criticism and visited galleries, where he had his first exposure to French Barbizon painting...

Category

American Impressionist 1910s Art

Materials

Canvas, Oil

Fisherman with Windmill - Antique Monotype
Fisherman with Windmill - Antique Monotype

Fisherman with Windmill - Antique Monotype

Located in Soquel, CA

Fisherman with Windmill - Antique Monotype Impressionistic monotype of a fisherman with nets in front of a windmill by John J. Witcombe (British, b. 1872 d. 1918.) Visible brushstro...

Category

Impressionist 1910s Art

Materials

Paper, Ink, Monotype

Autumn Landscape
Autumn Landscape

Autumn Landscape

By Edward Gay

Located in Saratoga Springs, NY

Edward Gay (1837–1928) Autumn Landscape, 1914 Oil on canvas, 18 × 24 inches Signed lower left; dated 1914 Framed: 26.5 × 32.5 inches Edward Gay’s Autumn Landscape is a beautifully b...

Category

1910s Art

Materials

Canvas, Oil

Female Nude in a Studio
Female Nude in a Studio

Female Nude in a Studio

By Bertalan Karlovszky

Located in Houston, TX

"Female Nude in a Studio" circa 1910. 19 X 13 1/2 inches, oil on wood panel. Etched signature lower right. Well listed Hungarian artist. Spent his student years under the guidance o...

Category

Academic 1910s Art

Materials

Oil

The Picador Incites the Bull.
The Picador Incites the Bull.

The Picador Incites the Bull.

By James McBey

Located in Plano, TX

The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the i...

Category

Modern 1910s Art

Materials

Drypoint

UP TO THE WOOLWORTH
UP TO THE WOOLWORTH

UP TO THE WOOLWORTH

By Joseph Pennell

Located in Santa Monica, CA

JOSEPH PENNELL (1857- 1926) UP TO THE WOOLWORTH 1915 (Wuerth 673) Etching, signed in pencil. Early state before additional work, especially before extensive darkening in the sky. I...

Category

American Impressionist 1910s Art

Materials

Etching

“Still Life with Strawberries”
“Still Life with Strawberries”

“Still Life with Strawberries”

Located in Southampton, NY

Very nicely executed original still life oil painting on fiberboard of strawberries by an unknown artist. Signed lower right, Charles Burch. I believe this painting is quite possibly the work of Edward Pritchard...

Category

Academic 1910s Art

Materials

Oil, Fiberboard

"La Marre de Soire, " George Leonard, American Impressionist, Beach Seascape
"La Marre de Soire, " George Leonard, American Impressionist, Beach Seascape

"La Marre de Soire, " George Leonard, American Impressionist, Beach Seascape

Located in New York, NY

George Henry Leonard, Jr. (1869 - 1928) La Marre de Soire Oil on canvas 15 x 21 3/4 inches Signed lower right A landscape painter--primarily using a late impressionist loose stroke as his main mode of expression--Leonard drew not only upon French influences, but also the American school of impressionism characterized by Frank Boggs...

Category

American Impressionist 1910s Art

Materials

Canvas, Oil

"Red Chrysanthemums" Large Still Life Flower Vase Early 1900s French School
"Red Chrysanthemums" Large Still Life Flower Vase Early 1900s French School

"Red Chrysanthemums" Large Still Life Flower Vase Early 1900s French School

Located in Pistoia, IT

Large still life with vase of red chrysanthemums, oil on canvas, French school, early 20th century, signed lower right Y. Evrard. This large oil on canvas depicts a rich bouquet o...

Category

Art Nouveau 1910s Art

Materials

Canvas, Oil

Summer
Summer

Summer

By Edmund Blampied

Located in Plano, TX

Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pe...

Category

Modern 1910s Art

Materials

Drypoint