1910s Art

Original watercolor on archival paper by the well known American artist, George Howell Gay. Signed lower left by the artist. Circa 1910. Condition is excellent. Great vibrant colo...

Frank Nelson Wilcox (American, 1887-1964) The Wood Chopper, Brecksville, Ohio, c. 1917 Oil on masonite 33 x 24 inches "We were fortunate in that the two farms in Brecksville were still open to our visits. The urbanization of the township was then only beginning and we spent several summers there where I tried to capture something of the rural peace so soon to be erased from the countryside." - Wilcox Exhibited: “Water Colors and Oils by Frank N. Wilcox,” Cleveland Museum of Art, January 1937. Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School...

Mesmerizing one-of-a-kind watercolor of an old town French street scene by artist Alphonse Soumers, circa 1920. Original one-of-a-kind vintage work of art on paper displayed on a w...

Signed, titled and dated oil on canvas landscape by Danish realist painter Peder Mork Monsted. This stunning piece depicts a beautiful view of the Sandvig Stand, the beach and coastl...

Signed fauvist oil on canvas landscape by French painter Louis Valtat. The work depicts a field of poppies. Signature: Signed lower right Dimensions: Framed: 22"x26" Unframed: 14"x...

Signed post impressionist riverscape oil on canvas circa 1910 by French painter Ferdinand du Puigaudeau. The work depicts a view of La Briere - a wetland region in France - by moonli...

Immerse yourself in the serene world of lyrical landscape painting, rendered in the post-impressionist manner by Swedish artist Gabriel Strandberg. This work reveals Strandberg's ful...

Bathed in the gentle light of a Parisian afternoon, this charming original aquatint by Manuel Robbe captures an idyllic moment of bourgeois leisure in the Parc Monceau, one of the ca...

Original vintage lithograph poster with depiction of Munich-based balletic duo Peter Pathe and Maria Hagen. Design by Walter Schnackenberg (German, 1880-1961). A very scarce example....

This charming Scottish Impressionist Edwardian summer landscape oil painting is by noted Scottish artist Sir Charles Lawton Wingate RSA. Painted circa 1910, the composition is a view...

Original woodcut 7.5 x 4.88 in (19.05 x 12.4 cm) Framed 19.32 x 16.69 in #124 in the catalogue Raisonné of Kandinsky's Graphic Works by Hans K. Roethel

Olive Brack San Antonio River (1890-1957) San Antonio, TX Image Size: 12 x 18 Frame Size: 15.5 x 21.5 Medium: Oil on Canvas Dated 1912 "Lilly Pads" Biogra...

After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

Title page numbered: 263/450

Signed pointillist oil on board landscape circa 1910 by French impressionist painter Joseph Louis Francois Lepine. The painting depicts a landscape in autumn. The green leaves are tu...

Work on cardboard

Original WW1 poster: A Wonderful Opportunity for You. Ashore, on leave. United States Navy. A pre-war recruiting lithographic poster features an ebullient sailor going home o...

'Maenad in Frenzy' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the im...

This Illustration Boudoir style Illustration by Female Illustrator Suzanne Meunier was done on an assignment for a French Postcard. It's a very early ...

Original coloured woodcut from the 1913 suite Klänge. Bearing Kandinsky's cut monograph bottom right. (This piece is not signed or numbered.) Published by Verlag R. Piper & Co. of ...

This lovely Scottish Edwardian oval portrait oil painting is by noted artist George Harcourt. Painted circa 1910 it is a three-quarter length standing portrait of a young girl with t...

Woman on a Patio Pastel on paper, c. 1915 Unsigned Provenance: Gift of the artist to his wife, Mary Hess Buehr By decent to the artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art Thomas French Fine Art Ronald C. Sloter, Columbus, Ohio Columbus College of Art and Design (de-accessed) Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibition at the North Franklin Street Gallery. One of the early Chicago artists to adopt Impressionism, Karl Buehr became a figure and landscape painter. As a figure painter, his specialty became "gorgeously colored images of young women on porches overlooking brilliant summertime gardens." (Kennedy 98) His later work often showed a female figure with serious expression engaging the viewer with a direct stare. In his landscapes, he was noted for his strong coloration. In a December 1896 student exhibition at the Art Institute, a reviewer for the "Chicago Times Herald" described Buehr's landscapes as "blithe and joyous" with "country roads brilliant in sunlight . . . fields rich in summer verdure, under soft skies painted in a high, musical key." (Gerdts 68) Buehr was born as one of seven sons to a prosperous German family who immigrated to America and settled in Chicago in 1869. He was first exposed to his signature style of Impressionism in 1888 when he enrolled in night classes at the Art Institute while working in the shipping department of a lithographic firm near the Institute. He remained a student there until 1897 and was recognized in a "Chicago Times Herald" editorial of June 13, 1897 as one of the Institute's most outstanding pupils. The next year, his art career was temporarily put on hold when he briefly enlisted with the U.S. Army in the Spanish American War. In 1899, he resumed his art studies, this time with Frank Duveneck. He exhibited a painting at the Paris Salon of 1900. In 1905, thanks to a wealthy Chicago patron, Buehr and his family moved to France. They spent the following year in Taormina, Sicily, and spent time in Venice as well. In Paris, Buehr studied at the Academy Julian with Raphael Collin for two years. Then he went to England, enrolling in the London Art School but had returned to Paris by 1908. During this time, he began painting at Giverny, the home of Impressionist leader Claude Monet (1840-1926, and by 1912, Buehr was listing that village as his home address. One of his good friends and associates at Giverny was Frederick Frieseke. One of Buehr's paintings from that time, "News from Home", was exhibited in 1913 at the French Salon in Paris and at the annual exhibit of the Chicago Art Institute. It shows a woman in floral dress sitting on a porch with a background with potted flowers and lush greenery background. Of his painting done at Giverny, Buehr wrote in 1912 to William Macbeth of Macbeth Galleries in New York: "My figures painted in and around Giverny are costumed and in appropriate out door settings." (Gerdts 68) In 1914, he returned to the United States and took a teaching position in Chicago at the Art Institute, which he held for the remainder of his life. He was married to Mary Hess, a painter of miniatures and decorative works. In 1928-29, he was a guest artist at Stanford University. Courtesy, AskArt “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Frank Waller (American, 1842-1923) House in the Country Oil on canvas, 10 1/2 x 20 1/4 inches FRAMED: 16 x 26 inches (approx.) Signed and dated at lower left: "Frank Waller Study 19...

This lovely Scottish Edwardian oval portrait oil painting is by noted artist George Harcourt. Painted circa 1910 it is a three-quarter length standing portrait of a young girl facing...

Frank Usher de Voll Paris Street Scene, circa 1910 Signed lower right Oil on canvas 21 x 27 1/2 inches Frederick Usher De Voll was an American la...

Beautiful impasto, oil on canvas. Contemporary custom frame. Unsigned, but very well executed painting.

The S.S. San Jose shown making way in medium water. This early refrigerated freighter, built in 1904, was designed to transport bananas between the Caribbean and the American mainlan...

River Motif is an original black-and-white lithograph by renowned Swedish-American artist Birger Sandzén (1871–1954), depicting a serene Western landscape with a broad river bordered...

Original woodcut 6.63 x 8.5 in (16.84 x 21.59 cm) Framed 18.5 x 20.38 in #145 in the catalogue Raisonné of Kandinsky's Graphic Works by Hans K. Roethel

Antal Berkes (1874-1938) Antal Berkes (1874–1938) was a Hungarian painter, born in Budapest, Hungary. He lived in Paris for some time and produced cityscapes there as well as simi...

Frode Kierulf Copenhagen 1889 - 1963 Playing Cat, 1916 Oil on canvas Signed lower right and dated "1916" Size: 33 x 43 cm Frame: 55 x 65 cm Authenticity guaranteed in writing. D...

Signed lower right, 'A. W. Kerr' for Alexander Kerr (Australian, 1875-1950) and painted circa 1920. Inscribed on original frame, 'Menam River, Bangkok, Siam' A finely painted, early...

Frank Nelson Wilcox (American, 1887-1964) Women's Corner, Along the Cuyahoga River, c. 1916 Watercolor and graphite on paper 21 x 29 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Thomas Edwin Mostyn was an English painter associated with late Victorian and early 20th-century idealism. He is best known for his romantic garden scenes and refined portraits, ofte...

Exquisite engraving of the original work of the famous British painter Sir Alfred James Munnings, one of the greatest exponents of equestrian art of the twentieth century and a key f...

Elisée MACLET (1881-1962) Normandy : The Old Roman Church, c. 1915 Original oil on panel Signed bottom left On board 50 x 65 cm (c. 20 x 26 in) Presented in a golden frame, 69 x 84...

Work on canvas

Figurative landscape of Wood Fairies kissing in a forest by Carl F. Ruhnau (German, c.1876-1940). Signed “C. Ruhnau” in the bottom right corner. Signed and ...

Story illustration for "The Valley of the Giants," by Peter B. Kyne, published in The Red Book Magazine, June 1918, vol. 31, issue 2, pages 30-39 Kyne's tale was first serialized in...

Medium: original etching. Published in 1912 by Gazette des Beaux Arts. Plate size: 5 x 9 1/4 inches (128 x 232 mm) on cream laid paper. Signed in the plate, not by hand. The Gazett...

Raoul DUFY The Love, c. 1910 Original woodcut Signed stamp of the artist's studio Numbered on /220 On vellum 50.5 x 65.4 cm (c. 19.6 x 25.5 inch) Excellent condition

3 Field, on the spot Sketches NW Frontier India : Manasbal Lake, Kashmir Artist: Unknown Medium: Pen & Ink Created: 1890s Size: 13 x 18 cm each A charming set of on-the-spot sketch...

Firmado y fechado en la parte inferior. Siglo XIX. Se presenta enmarcada la pintura. Buen estado de conservación Medidas obra: 76 x 51 cm. Medidas marco: 91 x 65 cm.

EXHIBITED: Museum of American Illustration at the Society of Illustrators, New York, "Americans Abroad: J.C. Leyendecker and the Influence on American Illustration," May 21-July 12, ...

Authentic Vintage World War I Recruitment Poster - A Rare Piece of Historical Memorabilia. Archival linen backed and ready to frame. ...

The lonely man, in 1910s, is an original drawing in china ink on creamy paper realized by Gabriele Galantara (1865-1937). In good conditions. This is an...

Alfred Banner was an English landscape and figure painter. He often worked in a late Victorian style, with his compositions being young children enjoyi...

"Female Nude in a Studio" circa 1910. 19 X 13 1/2 inches, oil on wood panel. Etched signature lower right. Well listed Hungarian artist. Spent his student years under the guidance o...

Signed and dated still life oil on canvas by French post impressionist painter Albert André. The work depicts a still life scene in an interior. There is a white and blue ceramic vas...

Tanigami Konan (1879-1928) Iris Color woodcut, 1917-1918 Unsigned (as issued) Note: This print comes from a famous book and has a centerfold as usual. The colors are fresh and unfade...

The present woodcut print comes from 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. This first edition was released in an edition of 300, each book signed and numbered by the artist. The title of the album and this particular print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. 7.5 x 5 inches, image 22 x 19.5 inches, frame Woodcut in black ink on laid paper (watermark Van Gelder Zonen) Signed with encircled 'K' in the block, lower right Framed to conservation standards using 100 percent acid free archival materials including silk-lined matting with 1/4 inch bevel, museum glass, and a gold-gilded moulding Ref. Roethel 124 The Museum of Modern Art described 'Klänge (Sounds)' as follows: Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book. Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...

This superb British figurative interior oil painting is by noted Newlyn school artist Harold Harvey. Painted circa 1912 the composition is a Cornish family, bathed in golden light, s...

This charming British Edwardian oil painting is attributed to the circle of Tom Mostyn. Painted circa 1910 it is a wooded landscape with figures stopping to rest on a path bathed in ...

Agnes Louise Agnete Jensen Weie (Danish, 1878-1964) and painted circa 1911. Unsigned. Provenance: ABR auction 170, 1964, catalog #83, 1964 (see photo). Inscribed, verso, '83/170' fro...

Annot Jacobi Berlin 1894 - 1981 Munich Still Life Oil on canvas Signed lower right Size: 65 x 50 cm Frame: 73 x 58 cm Good original condition, minor pai...

'Caryatid of the Erechtheum' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner...

Antoine Calbet presents his works, mainly portraits and genre scenes, at the Salons of the Société des artistes français from 1881 until 1940, as well as at the international exhibit...

John Henry Sylvester (British, fl. late 19th–early 20th century) Self-Portrait Holding Palette and Brush Oils on canvas, monogrammed. Circa 1910–1920. This intimate and distinguishe...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

A substantial, early twentieth-century oil showing two children, wearing period summer dress and posed beside a well, with a view beyond across lush green lawns towards a substantial...