1940s Art
752
to
756
3,653
2,258
1,422
870
3,598
2,091
141
2,916
1,156
1,044
481
303
Overall Height
to
Overall Width
to
2,110
454
214
211
185
147
99
83
21
17
11
1
3,138
1,590
1,157
1,023
956
685
439
398
393
366
283
275
225
204
201
194
159
151
143
140
7,736
19,415
152,511
244,374
1,839
2,260
4,702
6,511
5,928
14,522
18,834
23,309
16,675
13,841
5,309
84
79
66
61
59
1,909
1,317
1,221
1,192
681
Period: 1940s
Daumier, Les Gens de Justice, Law and Justice (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Honoré Daumier, Law and Justice, Twenty-Four Lithographs, 1944. Published by Pan...
Category
Realist 1940s Art
Materials
Lithograph
Mourlot, Composition, De Goupil a Margot, Histoires de Bêtes (after)
Located in Auburn Hills, MI
Lithograph in colors on Grand Vélin Blanc paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, de Goupil a Margot, Histoires De Bêtes et Lithographies Originales de Maurice Mourlot, 1948. Published by Henri Kaeser, Éditeur, Lausanne; printed by Mourlot Frères, Paris, March, 1948. Excerpted from the volume (translated from French), This edition of "de Goupil a Margot" by Louis Pergaud, produced under the direction of Henri Kaeser, was completed to be printed on the presses of l'imprimerie centrale de Lausanne, in March, One Thousand Nine Hundred and Forty-Eight. The lithographs are by Maurice Mourlot. They were shot on the presses of Mourlot Frères in Paris. Justification of the draw—this edition was drawn on Grand Vélin White, has MMM examples numbered from I to MMM.
MAURICE MOURLOT (1906-1983) was a French painter, lithographer, engraver and draughtsman. His brother, Fernand Mourlot (1895-1988), was the director of the l’imprimerie lithographique Mourlot. Maurice is the youngest of a family of nine children. His father, Jules Mourlot, a printer-lithographer, noticed his youngest son's talent as a drawing very early on and reported several of his drawings on lithographic stone. Although admitted to the Estienne school...
Category
Modern 1940s Art
Materials
Lithograph
Composition (Ginestet/Pouillon 65-72), Jacques Villon, Huit lithographies
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in pencil and unnumbered, as issued. Good condition. Notes: From the folio, Jacques Villon, Huit Lithographies Originales, 1962. Published ...
Category
Modern 1940s Art
Materials
Lithograph
Composition (Ginestet/Pouillon 65-72), Jacques Villon, Huit lithographies
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in pencil and unnumbered, as issued. Good condition. Notes: From the folio, Jacques Villon, Huit Lithographies Originales, 1962. Published ...
Category
Modern 1940s Art
Materials
Lithograph
Composition (Ginestet/Pouillon 65-72), Jacques Villon, Huit lithographies
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in pencil and unnumbered, as issued. Good condition. Notes: From the folio, Jacques Villon, Huit Lithographies Originales, 1962. Published ...
Category
Modern 1940s Art
Materials
Lithograph
Lithographie X (Duthuit 20), Repli, Gravures de Henri Matisse
Located in Auburn Hills, MI
Lithograph on vélin a la forme des papeteries d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Repli, Gravures de Henri Matisse, 1947. Publ...
Category
Modern 1940s Art
Materials
Lithograph
Lithographie I (Duthuit 20), Repli, Gravures de Henri Matisse
Located in Auburn Hills, MI
Lithograph on vélin a la forme des papeteries d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Repli, Gravures de Henri Matisse, 1947. Publ...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Rivera, Composition, Diego Rivera, Acuarelas 1935-1945 (after)
By Diego Rivera
Located in Auburn Hills, MI
Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Diego Rivera, Acuarelas 1935-1945, Colección Frieda Kahlo, 1948. Published by Edi...
Category
Modern 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category
Impressionist 1940s Art
Materials
Lithograph
Rembrandt, Moses and the Burning Bush, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
Baroque 1940s Art
Materials
Lithograph
Rembrandt, Jacob Exhorting the Brothers to Watch over Benjamin (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
Baroque 1940s Art
Materials
Lithograph
Rembrandt, Moses Taken from the River, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
Baroque 1940s Art
Materials
Lithograph
Rembrandt, Joseph Interpreting the Dreams of Pharaoh's Officers (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
Baroque 1940s Art
Materials
Lithograph
Rembrandt, Jacob's Dream, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
Baroque 1940s Art
Materials
Lithograph
Rembrandt, Isaac Blessing Jacob, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
Baroque 1940s Art
Materials
Lithograph
Rembrandt, Isaac Refusing His Blessing to Esau, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
Baroque 1940s Art
Materials
Lithograph
Rembrandt, Abraham About to Sacrifice Isaac, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
Baroque 1940s Art
Materials
Lithograph
Rembrandt, The Offerings of Cain and Abel, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
Baroque 1940s Art
Materials
Lithograph
Rembrandt, The Lament for Abel, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category
Baroque 1940s Art
Materials
Lithograph
Gauguin, Change of Residence (Changement de résidence), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
Post-Impressionist 1940s Art
Materials
Woodcut
Gauguin, Spirit of the Dead (Manaò tupapaú), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
Post-Impressionist 1940s Art
Materials
Woodcut
Gauguin, Delightful Land (Nave nave fenua), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
Post-Impressionist 1940s Art
Materials
Woodcut
Gauguin, Women at the River (Auti te pape), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
Post-Impressionist 1940s Art
Materials
Woodcut
Gauguin, The Creation of the Universe (L'Univers est créé), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
Post-Impressionist 1940s Art
Materials
Woodcut
Gauguin, The Long Night (Te Po), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
Post-Impressionist 1940s Art
Materials
Woodcut
Gauguin, Be in Love and You will be Happy, Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
Post-Impressionist 1940s Art
Materials
Woodcut
Gauguin, The God (Te atua), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
Post-Impressionist 1940s Art
Materials
Woodcut
Gauguin, Here We Make Love (Te Faruru), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
Post-Impressionist 1940s Art
Materials
Woodcut
Gauguin, The Devil Speaks (Mahna No Varua Ino), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
Post-Impressionist 1940s Art
Materials
Woodcut
Henry Gasser Oil Painting, Circa 1940's - “Homeward”
Located in Phoenix, AZ
Henry Gasser (1909 - 1981)
This is a beautiful work by New Jersey artist Henry Gasser titled: “Homeward.”
It is Oil on Paner created in the 1940's. Signed “H. Gasser” lower right....
Category
1940s Art
Materials
Paint
Werner Drewes Modernist American Painting, Southwest Subject, 1947
Located in Phoenix, AZ
Werner Drewes (1899-1985) oil on canvas, 1947
Titled: “Adobe Village”
Measures: 15 ½ x 36 Frame: 21 x 42
Signed lower left and also on the verso
In excellent condition.
Born in Nie...
Category
1940s Art
Materials
Paint
Girl in profile oil on canvas painting
Located in Barcelona, Barcelona
José Miret Aleu (1912-1999) - Girl in profile - Oil on canvas
Oil measurements 41x33 cm.
Frame size 50x42 cm.
Painter born in Barcelona in 1912. He studied drawing at the Baixas Aca...
Category
Impressionist 1940s Art
Materials
Canvas, Oil
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