1940s Art

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

Untitled (Three Ducks Taking to Flight) Drypoint, c. 1940 Signed lower right Provenance: Estate of the Artist Winchell Heirs by descent Condition: Excellent Ima...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon B...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...

The 1949 original travel poster by Yves Brayer promoting Air France trips to Rome encapsulates the allure and elegance of mid-20th-century travel. Created by the renowned French arti...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

This lovely 1940s French polished brass frame is perfect for paintings, drawings, lithographs, mirrors, or any creative decoration. The frame has a large proportion and can be hung i...

An early 1940s fashion study featuring and advertisement for Marshall Field & Company featuring cosmetics & perfume. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion Depart...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marquet, 1948. Publish...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Swiss Alps Landscape - Original Oil on Canvas Original oil landscape by Alphons Muller (Swiss, 1898-1955) depicting the Swiss Alps. Dark green trees emerge on either side, with a sm...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Joaquín Asensio Mariné (1890-1961) - Beach - Oil on canvas Oil measures 65x81 cm. Frame measures 81x96 cm. Asensio Mariné (Barcelona, 1890-1961) was a painter who specialized in lan...

Riders of Pigeon Hill, c. 1940s, oil on canvas, signed lower right, 24 x 36 inches, label verso with title, artist’s name and address; same information inscribed verso; ex-collection...

This is a unique sculpture made of a bulding block in limestone from Notre Dame in 1949 by Einar Norman. Gustav Einar Norman, born 12 February 1896 in Avesta, died 28 October 1950 i...

This work is part of our exhibition America Coast to Coast: Artists of the 1940s Untitled (Farm in Winter), 1940s, oil on canvas, signed lower right, 26 x 30 inches, presented in an original frame Julius Delbos...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, pierre ã fe...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Cézanne: Ten Water Colors, 1947. Published by Pantheon B...

Portrait of Mrs Gilles is a Photograph realized by Renzo Cinti in the 1940s. Good condition included a cream-colored carboard passpartout (32x23 cm). Hand-signed by the artist on t...

Emile Gruppé (1896-1978) Fishing Boats A large and commanding marine sailboat fishing boat scene with blue waters and blue skies. Birds are flying up above and fish swimming below ...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Untitled (Horns and Bow), 1941, oil on board, signed and dated lower right, 15 x 20 1/x inches...

Self Portrait, c. 1940s, oil on canvas, 14 ¼ x 12 1/4 inches, signed lower left, presented in a newer frame This work is part of our exhibition America Coast to Coast: Artists of th...

Artist's Studio is a modern artwork realized by an unknown artist in 1941. Watercolor on paper. Dated and Hand-signed, illegible. Good conditions.

Portrait of Mrs Gilles is a Photograph realized by Renzo Cinti in the 1940s. Good condition included a cream-colored carboard passpartout (32x23 cm). Hand-signed by the artist on t...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Untitled (Cars), 1940, watercolor on paper, signed and dated lower right, 15 x 18 1/2 inches, ...

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 15 1/2 x...

Original vintage World War Two energy saving propaganda poster featuring great artwork by the British graphic designer Reginald Mount (1906-1979) depicting two ladies looking at thei...

"Men in Barracks" WPA Mid 20th Century American Scene Realism Gay Modernism WWII. 18 x 24 inches Watercolor on paper. c. 1940s. Signed lower right. BIO ...

Original vintage World War Two Home Front propaganda poster - Dig for Victory - featuring an iconic illustration of a child wearing a white sun hat and holding a hoe and a shovel to ...

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Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

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Halftone photographic print on gloss photographic paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Alfred Stieglitz Memorial ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, TLautrec, A Portfolio Of Twelve Reproductions of Lithogr...

Mid Century Abstract Original Painting - Blue Calligraphy on Crimson Water in Oil and Tempera on Paper Wonderful Bay Area abstract composition by San Francisco's artist Honora Berg ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, TLautrec, A Portfolio Of Twelve Reproductions of Lithogr...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, TLautrec, A Portfolio Of Twelve Reproductions of Lithogr...