Skip to main content

1940s Art

to
1,286
2,902
1,168
1,042
413
267
Overall Width
to
Overall Height
to
7,576
21,448
163,092
226,116
2,003
2,273
4,953
6,502
5,816
14,942
20,556
25,682
18,587
14,022
5,367
2,199
414
307
219
172
118
83
69
50
20
9
2
2
3,351
2,209
156
3,021
1,462
1,175
924
896
569
392
357
356
356
286
267
264
262
227
192
163
151
147
146
2,057
1,464
1,288
1,019
710
114
111
83
57
46
1,581
937
3,760
1,861
Period: 1940s
Kollwitz, Mother and Child (after)
Kollwitz, Mother and Child (after)

Kollwitz, Mother and Child (after)

By Käthe Kollwitz

Located in Southampton, NY

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

Category

Modern 1940s Art

Materials

Lithograph

Jean Cocteau, Untitled, from Alternation, 1946
Jean Cocteau, Untitled, from Alternation, 1946

Jean Cocteau, Untitled, from Alternation, 1946

By Jean Cocteau

Located in Southampton, NY

This exquisite etching by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier, P...

Category

Modern 1940s Art

Materials

Engraving

Henri Matisse, The Sun, from Verve, Revue Artistique, 1948
Henri Matisse, The Sun, from Verve, Revue Artistique, 1948

Henri Matisse, The Sun, from Verve, Revue Artistique, 1948

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph by Henri Matisse (1869–1954), titled Le Soleil (The Sun), from Verve, Revue Artistique et Litteraire, Vol. VI, No. 21–22, originates from the 1948 issue pub...

Category

Fauvist 1940s Art

Materials

Lithograph

Racing Car

Racing Car

By Bert Hardy

Located in London, GB

A driver in his car during a race on the Channel Island of Jersey. Original Publication: Picture Post – 4364 – Road Racing In Jersey – pub. 1947 (Photo Bert Hardy) A beautiful Li...

Category

1940s Art

Materials

Silver Gelatin

Surrealist composition

Surrealist composition

By (after) Joan Miró

Located in Henderson, NV

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Category

Surrealist 1940s Art

Materials

Photogravure

'Bullfight'— Mid-century American Surrealism, Chicago Avant-garde
'Bullfight'— Mid-century American Surrealism, Chicago Avant-garde

'Bullfight'— Mid-century American Surrealism, Chicago Avant-garde

By Robert Vale Faro

Located in Myrtle Beach, SC

Robert Vale Faro, 'Bullfight', wood engraving, 1945, edition 15. Signed, dated, titled, and numbered '105' (the artist's inventory number) and '13/15' in pencil. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/16 to 2 3/8 inches), in excellent condition. Scarce. Matted to museum standards, unframed. Image size 5 1/16 x 4 1/16 inches (129 x 103 mm); sheet size 8 9/16 x 6 5/16 inches (217 x 160 mm). An impression of this work is included in the museum collection of the National Gallery of Art. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal...

Category

Surrealist 1940s Art

Materials

Woodcut

"Standing Proud" by Herbert Mason

"Standing Proud" by Herbert Mason

Located in London, GB

"Standing Proud" by Herbert Mason St Paul's cathedral standing above the surrounding burning buildings during the London blitz. Unframed Paper Size: 30"...

Category

Modern 1940s Art

Materials

Black and White

Dixieland (1948) Limited Estate Stamped - Giant

Dixieland (1948) Limited Estate Stamped - Giant

By Slim Aarons

Located in London, GB

Dixieland (1948) Limited Estate Stamped (Photo By Slim Aarons) An impromptu concert in Rome with American Jazz trumpeter and singer Louis Armstrong (1901 – 1971), Earl ‘Fatha’ Hines (1905 – 1983) on piano and Jack Teagarden (1905 – 1964) on trombone playing with the ‘Rhythm Kings’. Hines and Teargarden play in Armstrong’s ‘All-Stars’ band. November 1948 About this Image: Louis Daniel Armstrong, nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter, composer, vocalist, and actor who was among the most influential figures in jazz. His career spanned five decades, from the 1920s to the 1960s, and different eras in the history of jazz. Earl Kenneth Hines, also known as Earl "Fatha" Hines, was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano...

Category

Modern 1940s Art

Materials

Black and White, Archival Pigment

Original "Me Travel?  not this summer  Vacation At Home vintage poster  1945
Original "Me Travel?  not this summer  Vacation At Home vintage poster  1945

Original "Me Travel? not this summer Vacation At Home vintage poster 1945

Located in Spokane, WA

Original World War Two, U. S. Military poster: ME TRAVEL? … NOT THIS SUMMER, VACATION AT HOME. Artist Albert Dorne. This is the large format printing (26" x 37") of this poster...

Category

American Realist 1940s Art

Materials

Offset

Edgar Degas, Dancer Arranging Her Dress, 1945 (after)
Edgar Degas, Dancer Arranging Her Dress, 1945 (after)

Edgar Degas, Dancer Arranging Her Dress, 1945 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseuse arrangeant sa robe (Dancer Arranging Her Dress), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and intimate observation, capturing the grace, poise, and psychological immediacy that define his iconic ballet imagery. In Danseuse arrangeant sa robe (Dancer Arranging Her Dress), Degas reveals gesture and inner emotion through economical contour and lyrical nuance. Executed as a lithograph and pochoir on velin paper, this work measures 17 x 13 inches (43.18 x 33.02 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island, one of the notable American ateliers specializing in fine art lithography during the mid-20th century. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseuse arrangeant sa robe (Dancer Arranging Her Dress), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 17 x 13 inches (43.18 x 33.02 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island, 1945 Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches, published in 1945 by The Studio Publications, Inc., New York, stands as one of the most elegant and scholarly mid-century American fine art folios devoted to the ballet imagery of Edgar Degas. Conceived as a high-quality interpretive portfolio, the album presents a series of lithograph-and-pochoir renderings based on Degas’s original drawings, executed with exceptional attention to tonal subtlety, contour fidelity, and the emotional interiority that defines the artist’s draftsmanship. Rendered and printed by Albert Carman on City Island, the publication embodies an American postwar effort to restore and celebrate European masterworks through meticulous handcraft and artisanal color application, honoring Degas’s distinctive line and the atmospheric delicacy of his studio-based studies. Produced in a substantial edition of MMMD examples, the portfolio offered audiences rare access to Degas’s private working drawings—images rarely seen outside institutional collections—while exemplifying the technical refinement and interpretive care characteristic of Carman’s workshop. Today, Degas, Ten Ballet Sketches remains a sought-after historical publication, valued for its craft, fidelity to Degas’s aesthetic, and its role in preserving and disseminating the artist’s intimate ballet imagery in a beautifully executed mid-century fine art format. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Edgar Degas lithograph...

Category

Impressionist 1940s Art

Materials

Lithograph

The Fall of Icarus, from Verve, Revue Artistique, 1945
The Fall of Icarus, from Verve, Revue Artistique, 1945

The Fall of Icarus, from Verve, Revue Artistique, 1945

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph by Henri Matisse (1869–1954), titled La Chute d’Icare (The Fall of Icarus), from Verve, Revue Artistique et Litteraire, Vol. IV, No. 13, originates from the...

Category

Fauvist 1940s Art

Materials

Lithograph

"Les deux belles-soeurs" lithograph

"Les deux belles-soeurs" lithograph

Located in Henderson, NV

Medium: lithograph (after the original Edouard Vuillard lithograph). Printed on Renage wove paper in 1948 by the atelier Mourlot and published in an edition of 2500. Size: 12 3/8 x 9...

Category

1940s Art

Materials

Lithograph

Pablo Picasso, Head, from Not Wanting, 1942
Pablo Picasso, Head, from Not Wanting, 1942

Pablo Picasso, Head, from Not Wanting, 1942

By Pablo Picasso

Located in Southampton, NY

This exquisite zincograph by Pablo Picasso (1881–1973), titled Tete (Head), from the album Non vouloir (Not Wanting), originates from the 1942 edition published by Editions Jeanne Bu...

Category

Cubist 1940s Art

Materials

Lithograph

Harry Shokler, Island Harbor
Harry Shokler, Island Harbor

Harry Shokler, Island Harbor

By Harry Shokler

Located in New York, NY

Harry Shokler used serigraphy to great advantage in this landscape. It's colorful and detailed. It is signed in the image at the lower left. When printmakers began making serigraphs...

Category

American Modern 1940s Art

Materials

Screen

Santa Fe The Chief Way original American railroad poster
Santa Fe The Chief Way original American railroad poster

Santa Fe The Chief Way original American railroad poster

Located in Spokane, WA

Original Santa Fe The Chief Way vintage railroad travel poster. Archival linen backed in very fine condition, ready to frame. Most of the Santa Fe Railway posters feature American Indians, but this poster features the big boss, The Chief! The poster has about a 1" white border around the entire image, the linen backing is not counted in the poster's measurement. Several of the trains were named "Chief" which includes the San Francisco Chief, Texan Chief, Kansas City Chief...

Category

American Impressionist 1940s Art

Materials

Offset

"Hombre contemplando la luna" original etching
"Hombre contemplando la luna" original etching

"Hombre contemplando la luna" original etching

By Rufino Tamayo

Located in Henderson, NV

Medium: original etching and aquatint. Printed in 1947 on Velin de Hollande paper and published in New York by the Quadrangle Press as the frontispiece of the deluxe edition of Rober...

Category

Surrealist 1940s Art

Materials

Etching, Aquatint

Mid Century Sierra Mountain Lake Landscape in Oil on Canvas, Signed
Mid Century Sierra Mountain Lake Landscape in Oil on Canvas, Signed

Mid Century Sierra Mountain Lake Landscape in Oil on Canvas, Signed

By Lillian Jackson Heath

Located in Soquel, CA

Mid Century Sierra Mountain Lake Landscape Sweeping mid-century landscape of a lake and snow-capped mountains by Lillian Josephine Heath (American, 1864-1961). A gigantic, snow-cove...

Category

American Impressionist 1940s Art

Materials

Canvas, Oil

SLOW TRAIN THROUGH ARKANSAS
SLOW TRAIN THROUGH ARKANSAS

SLOW TRAIN THROUGH ARKANSAS

By Thomas Hart Benton

Located in Portland, ME

Benton, Thomas Hart (American, 1889-1975 SLOW TRAIN THROUGH ARKANSAS. Fath . Lithograph, 1941. Edition of 250 published by Associated American Artists (A.A.A.). 9 7/8 x 12 inches (im...

Category

1940s Art

Materials

Lithograph