1940s Art

Work on paper Dimension with pass 31.7 x 24 cm

Original “The 3rd Man”, 1949, linen-backed vintage one-sheet movie poster "The 3rd Man". NSS: # 49/452. Excellent condition with restored original fold m...

An oil on canvas by American artist Gordon Hope Grant featuring a schooner off of the coast. This painting is signed and dated i1945 n the lower left and measures 33.5" x 33.5" inclu...

Harding Black (1912-2004) San Antonio Artist Image Size: 3 inches tall Frame Size: 5 1/2 diameter Medium: Art Pottery Ceramic Dated 1945 Mid Century Modern "Drip Bowl" Robin Egg Blue...

This exquisite lithograph after Kathe Kollwitz (1867–1945), titled Brot! (Bread!), from the folio Kathe Kollwitz, Ten Lithographs, originates from the 1941 edition published by Henry C. Kleemann, New York, and Curt Valentin, New York; printed by Duenewald Printing Corporation, New York. The composition reflects Kollwitz’s profound engagement with themes of hardship, deprivation, and human suffering, rendered with stark emotional intensity and a powerful graphic economy that underscores her enduring social message. Executed as a lithograph on velin paper, this work measures 19 x 16 inches (48.26 x 40.64 cm), overall; 13.5 x 11 inches (34.29 x 27.94 cm), image. Unsigned and unnumbered as issued. Artwork Details: Artist: After Kathe Kollwitz (1867–1945) Title: Brot! (Bread!), from Kathe Kollwitz, Ten Lithographs Medium: Lithograph on velin paper Dimensions: 19 x 16 inches (48.26 x 40.64 cm), overall; 13.5 x 11 inches (34.29 x 27.94 cm), image Inscription: Unsigned and unnumbered as issued Date: 1941 Publisher: Henry C. Kleemann, New York, and Curt Valentin, New York Printer: Duenewald Printing Corporation, New York Condition: Well preserved, consistent with age and medium Provenance: From the folio Kathe Kollwitz, Ten Lithographs, 1941 About the Publication: Kathe Kollwitz, Ten Lithographs, published in New York in 1941 by Henry C. Kleemann in collaboration with Curt Valentin, represents an important early American presentation of Kollwitz’s graphic work at a time when her reputation was expanding internationally. Issued during the turbulence of the Second World War and following the suppression of her work in Germany under the Nazi regime, the folio played a crucial role in introducing her imagery to a broader audience outside Europe. The publication gathers a selection of her most powerful lithographic compositions, emphasizing her mastery of tonal contrast, expressive line, and psychological depth. Produced with careful attention to print quality by Duenewald Printing Corporation, the edition reflects the continued transmission of European modernist printmaking traditions into the American context, serving both as a document of artistic excellence and as a vehicle for the preservation and dissemination of Kollwitz’s humanistic vision. About the Artist: Kathe Kollwitz (1867–1945) was a German draughtsman, printmaker, and sculptor whose profoundly moving imagery, exceptional technical mastery, and unwavering social conscience established her as one of the most important and influential artists of the twentieth century, widely recognized as a master of modern printmaking and one of the most powerful visual chroniclers of human suffering, war, and social injustice. Born in Konigsberg, East Prussia, into a progressive and intellectually engaged family, Kollwitz was encouraged from an early age to pursue art and developed a deep awareness of social inequality that would shape her entire career, studying in Berlin and Munich at a time when women were largely excluded from formal academies while mastering drawing and graphic techniques with extraordinary discipline. Her breakthrough came with the monumental graphic cycle A Weavers’ Revolt (1893–1897), followed by The Peasants’ War (1901–1908), works that combined complex narrative structure with extraordinary technical command in etching, aquatint, and lithography, establishing her reputation as one of Europe’s leading graphic artists. Throughout her career, Kollwitz remained committed to portraying the lives of workers, mothers, and victims of poverty and conflict with unflinching honesty, creating compositions defined by bold, sculptural line, dense shadow, and unparalleled psychological depth that conveyed grief, resilience, and dignity. Working during a period transformed by the radical innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Kollwitz maintained a resolutely figurative and human-centered approach, aligning more closely with German Expressionism and artists such as Ernst Barlach, Max Liebermann, and Edvard Munch, whose emotional intensity and symbolic treatment of the human figure profoundly shaped her artistic language. Her later work, particularly the woodcut cycle War (1922–1923), stands among the most powerful anti-war statements in the history of art, reflecting both personal tragedy, including the death of her son in World War I, and a universal condemnation of violence and loss. In addition to her prints, Kollwitz created deeply moving sculptures that extended her exploration of grief and maternal protection into three dimensions, reinforcing her status as a multidisciplinary artist of exceptional range. She achieved significant recognition during her lifetime, becoming the first woman elected to the Prussian Academy of Arts, though her work was later condemned by the Nazi regime as degenerate, leading to her forced resignation and the removal of her works from public collections, yet her reputation expanded internationally after World War II and she is now regarded as a central figure in modern art. Her influence has been profound and far-reaching, shaping later artists including Francis Bacon, Anselm Kiefer, Leon Golub, Kiki Smith, and numerous contemporary figurative and socially engaged artists who continue to explore themes of trauma, memory, and human vulnerability. Today her works are held in major museum collections worldwide, including the Kathe Kollwitz Museum in Berlin, the Museum of Modern Art in New York, the British Museum in London, and the Art Institute of Chicago, and remain highly sought after by collectors for their emotional intensity and historical significance. The highest auction record for a work by Kathe Kollwitz is held by her sculpture Mutter mit totem Sohn (Mother with Dead Son), which achieved approximately 1.2 million EUR at auction, confirming her enduring importance. Kathe Kollwitz Brot 1941 lithograph German Expressionism social realism print.

David Arnold Burnand (Swiss artist 1888-1975) 107 auctions in Switzerland. Oil paint on cardboard with frame Total size with frame 40x50 cm One...

A Timely and Prescient, 1940s WWII Era Political Cartoon / Illustration Ink Drawing by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). Titled "USA No Admittance". A p...

Bold print of "Death Takes the Children" by Kathe Kollwitz (German, 1867-1945). This piece is one of the Lithographic reproductions of the original lithographs, plate 9 from a series...

Nicely painted Flamenco dancer portrait. Framed. Oil on board. Signed. Image size, 20H by 16L.

Bungalow (fauvist painting of New York scene) 1940's. image is 10X 11.5 inches. Hand signed lower right Watercolor painting on paper board Country Scene Samuel Grunvald was a Hunga...

Pablo PICASSO Carmen, Portrait of a Bull, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catal...

Jules Schyl (Sweden, 1893-1977) Title: Ballet Dancers A Ballet Dancer painting is a rare find for an artist mostly known for his oeuvre with Cubism and Expressionist paintings. The current painting has many similarities with Degas sketches...

This silver gelatin print is initialed "AA" in felt-tip ink either by the artist or an unknown hand on the front of the mount. This print comes from the collection of the artist's da...

Profile of a Tiger is beautiful original charcoal drawing on ivory-colored paper, realized by the German artist Wilhelm Lorenz in 1940s, best know as Willi Lorenz (German, 1901–1981)...

Published in France in 1948, this framed photogravure by Brassaï reproduces one of Picasso’s sculptural works with striking clarity and tonal depth. Issued by Editions du Chêne for T...

Charcoal drawing realized by Mino Maccari in 1946 ca. Hand signed lower right. Very good condition.

Untitled, Still Life of Shell Graphite on paper, 1945-1951 Signed lower right in pencil "Bisttram" (see photo) Condition: Excellent Sheet size: 9.63 x 7 .5 inches EMIL BISTTRAM (189...

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Henri Pierre Fortier, Untitled (Autumn Landscape), gouache, c. 1940s. Signed in ink. Inscribed 'To my Friend CLINTON R. MULFORD'. A fine, painterly watercolor, with rich, layered colors, on heavy dark brown drawing paper with approximately 1/4 inch margins; an unfinished figurative sketch...

Medium: original lithograph. Printed in 1947 at the Mourlot atelier in an edition of 950 on Rives wove paper for "Pierre a feu / Les miroirs profonds" and published in Paris by Maegh...

A 1940s American Modern etching of a dynamic view of the Manhattan skyline by artist Nat Lowell. Signed and titled in pencil, dating circa 1940. Artworks size: 4 1/4" x 5 1/4". A...

The artwork is double matted with an antique style contemporary gold leaf gallery frame in fine condition. Overall framed measurements are 24 by 31 inches. Provenance: A Sarasota, Florida collector. Guy de Neyrac was born in France in 1900 and is widely known for his impressionistic watercolor and pen drawings of Paris...

Consigned to American Legacy Fine Arts by H&N Fine Art as part of the Katherine A. Norris Legacy Collection, Newport Beach, California; Bonham’s California, April 11, 2005, lot 205, sold for $7,000; Estate of Sam Harris Signed "Sam Hyde Harris...

Medium: original woodcut. Printed in 1947 in an edition of 950 on Rives wove paper for "Pierre a feu / Les miroirs profonds" and published in Paris by Maeght. Image size: 8 1/4 x 6 1...

“Early Spring” is a rare and evocative 1944 original oil painting by celebrated Colorado artist Ethel Magafan, a key figure in American Regionalism and one of the renowned Magafan si...

Outstanding male portrait by 20th-century American artist, Vito Tomasello. Portrait of a young man, c.1950. Pencil on paper, sheet measures 14 x 17 inches. Excellent condition. S...

A stylish, vintage, 1940s fashion study featuring an elegant design for women's dresses (day & evening wear). Most likely a design study for a print advertisement for the famed Chicago department store, Marshall Field & Co. Inscription reads: "Above- Irene Castle inspired this dinner gown...

A serene, 1940s Modern Western landscape painting with horses by famed Chicago artist, Francis Chapin. Accompanied with a handsome walnut brown stained wooden frame. Canvas size: 22 x 28 inches. Framed size: 25 x 31 inches. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Whimsical oil on paper painting of a tabby cat resting on a rug and backed by large abstract cat forms, circa 1940. Signed lower left. Original artwork on paper displayed on a whit...

Original Santa Fe The Chief Way vintage railroad travel poster. Archival linen backed in very fine condition, ready to frame. Most of the Santa Fe Railway posters feature American Indians, but this poster features the big boss, The Chief! The poster has about a 1" white border around the entire image, the linen backing is not counted in the poster's measurement. Several of the trains were named "Chief" which includes the San Francisco Chief, Texan Chief, Kansas City Chief...

Somewhere there is a room filled with polished mahogany and yards of immaculate warm white linen slipcovering the furnishings and framing the windows. The French doors open wide to f...

Untitled (Surrealist composition) Wax resist monotype with scraffito, 1947 Signed in scraffito in the image lower right (see photo) Unique image, part a of series of similar works i...

This exquisite lithograph by Henri Matisse (1869–1954), titled Lithographie II (Lithograph II), from the album Repli, Gravures de Henri Matisse (Repli, Engravings by Henri Matisse), ...

Bold lithograph titled "Bread" by Kathe Kollwitz (German, 1867-1945). This piece is one of the Lithographic reproductions of the original lithographs, plate 2 from a series of 10, pr...

5118 Antique Scandinavian oil painting of a beautiful young pigtsiled beauty Framed Image size 11.5x19" Signed C.Keskulla 1941

This colorful portrait of a young man is by well listed and collected Arbit Blatas. Painted just after the Second World War, there is a fresh modernist approach to the style. His he...

Lithograph on vélin paper. Paper Size: 12 x 9 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, View, Surrealism in Belgium, vol. VII, n°2, D...

Depression Era Mid 20th Century Social Realism Modern WPA American Scene NYC Saul Kovner (1904-1981) Hot Summer Night 25 x 30 inches Oil on canvas Signed lower left and dated‘48 Fr...

This exquisite lithograph by Pierre Bonnard (1867–1947), titled Sans titre (Untitled), from the album Pierre Bonnard, Correspondances, originates from the 1944 edition published by E...

This richly detailed acrylic composition by François Arnal reflects the artist’s fascination with symbolic form, texture, and visual rhythm during the formative years of postwar abst...

Medium: original lithograph. Printed in 1946 by Andre Clot on Arches paper for the rare "Eloge de Pierre Bonnard" and published in Paris by Manuel Bruker. Image size: 7 3/8 x 5 3/4 ...

Beautiful oil on fiberboard painting of fishing boats at the docks of Gloucester by the well known North Fork Long Island artist Caroline M. Bell. Circa 1945. Signed lower left by the artist. Condition is very good. Housed in its original silver leaf over wood frame in restored condition. Overall framed measurements are 20 by 18 inches. Provenance: Sarasota, Florida estate. Biography: Caroline M. Bell (1874 -1870) Caroline Bell was the leader of a group of artists known as the Peconic Bay...

Portrait of a Man Smoking a Pipe in Oil on Masonite Detailed portrait of a man with a pipe by Heinz Robert Schubert (German, 1912-2001 approx.). A man wearing a short-brimmed hat is...

Color lithographic educational chart depicting fifteen breeds of farm bulls arranged in a grid format, each identified by breed name beneath the illustration. Issued as part of Deyro...

East River (Untitled), c. 1940s, oil on canvas signed lower right, 18 x 24 inches Isabella Markell was a painter, etcher, and sculptor, who is best known for her New York City scen...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie O, var. 1 (Series O, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Pablo PICASSO Carmen, The Bull's Horns, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

This exquisite engraving after Marie Laurencin (1883-1956), titled Sans titre (Untitled), from the folio Dialogue sur la Danse (Dialogue on the Dance), originates from the 1949 editi...

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Striking regionalist painting by American/Hungarian artist Charles Harsanyi. Autumn Colors in Stephenstown NY. 15" x 20" Oil on board with bold brushwork housed in a 19.25 x 24.25 white washed period frame. Charles Harsanyi (American, 1905-1973) Charles E. Harsanyi was born in Tapolcza, Hungary in 1905. He studied at the Royal Academy in Budapest, Hungary with A. Bankhard from 1923 to 1928. Nineteen years later, in 1947, Harsanyi moved to the U. S., settling in Jackson Heights, New York. The painter and drawing specialist became a member of numerous prestigious art clubs including the Salmagundi Club, The Society of Independent Artists and the Allied Artists of America. Harsanyi served as an awards director and chairman of admissions for the Audubon Artists Association during the 1950s. Later in life after living in Stephentown, New York and Cape Coral, Florida, Harsanyi passed away in Fort Myers, Florida in 1973. STUDIED Royal Academy in Budapest, Hungary with A. Bankhard, 1923-28 MEMBER Salmagundi Club, 1941 Brooklyn Painters & Sculptors American Artists Congress Society of Independent Artists Audubon Artists Association, jury awards director, 1952; chairman admissions committee, 1953; nominating committee, 1955, 1956 Artists Fellow Allied Artists of America, life member; jury awards 1945; jury selection, 1954 AWARDS Long Island Art League, 1954 (prize) Cumberland Valley Artists, 1949, 1950, 1952 (prizes) EXHIBITIONS: Society of Independent Artists, 1929, 1930, 1936-40, 1943, 1944 National Academy of Design, 1933-55 Salons of America, 1934 Brooklyn Museum, 1934 Corcoran Gallery, 1935-51 (four times) Allied Artists of America, 1935-53 (bronze medals 1944, 1953) Doctor Saharunis Art Gallery, Naples, Florida, 1970s American Federation of Arts traveling exhibit Farnsworth Museum, 1950 Springfield Museum of Art, 1947-50 Denver Art Museum, 1937-39 Washington County Museum of Fine Art, 1937-46 (prizes 1938, 39, 41, 43, 54) (gold medal 1946) Butter Art Institute, 1953 World's Fair, New York, 1939 Baltimore Museum of Art, 1939 Art Institute of Chicago, 1941-44 Cincinnati Art Museum, 1941 Pennsylvania Academy of the Fine Arts, 1942, 1948, 1949 Salmagundi Club, 1946 (prize), 1951 (prize) Connecticut Academy of Fine Arts, 1942, 1943, 1945, 1953, 1955 (William Bradford...

Albert Heckman Cubist Landscape Signed lower right Oil on canvas 21 3/4 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to tr...

Antique American modernist abstract oil painting by Lela "Jackie" Axline (1910-1998). Oil on board, circa 1940. Signed. Displayed in a period modern frame. Image, 16"L x 24"H.

Title: Landscape of Olot Artist: Joaquim Marsillach Codony (1905-1986) Year: 1945 Technique: Oil on canvas Dimensions: 23.6 x 28.7 in (60 x 73 cm) Location: Olot School, Catalonia Mo...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Stephen DENISON 1909 - 1965 Canvas Size: 20 x 24" (50 x 60cm) Outside Frame size: 27 x 31" (69 x 79cm) Signed and dated 1948 A wonderful example of Modern British art. This Englis...

5-3537 Reverse oil painting on glass with gilt detailing. Set in a gilt wood frame Image size 9.5x7.5"

Carlos Ruano Llopis (1878-1950) Original Vintage Bullfighting Poster August 1955 107cm x 53cm Carlos Ruano Llopis was born in 1878 in Orba, Spain...

Hawaiian Symbolism Figurative & Landscape Oil painting of Huakai Hui (Journey Together) Symbolic and surreal landscape of a female and male figure ascending stairway flanked by to...

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...