Constantin Antonovici Art

Sitting Ballerina Tying Shoe Vintage bronze sculpture of a ballerina tying shoe, signed N. Abrams.

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

Beautifully patinated bronze Art Nouveau female dancer by the Viennese sculptor Peter Tereszczuk. Signed on the base with AR monogram foundry stamp Arthur Rubinstein...

Figurative Abstract Bronze Sculpture Patinated bronze sculpture edition 13/30. Artist signature incised to verso R Tamayo, granite base. Rufino Tamayo was born on August 26, 1899, ...

A good antique Italian Grand Tour Bronze and marble bust of Dante Alighieri, circa 1880. The bronze is most likely Florentine and mod...

Modernist nude bronze sculpture by Houston, TX artist David Adickes. The sculpture depicts an abstract armless female nude torse that stands on a wooden base. The piece is signed by the artist at the back of the sculpture's left leg. Artist Biography: Born (1927) and raised in Huntsville, TX, David Adickes is an artist whose art and heart are closely aligned with Paris, France. After studying art at the Atelier F. Leger in the late 40s, Adickes burst onto the art scene in Houston and elsewhere in the early 50s and has been a prominent member of Houston’s art community ever since. While his most visible works are his giant sculptures, from the Virtuoso in downtown Houston...

In this sculpture the Mexican artist Victor Salmones renders the image of two joined hands embracing or a handshake using the lost wax casting method, the sculpture is mounted on a marble base. This sculpture is signed by the artist, and numbered E_45 (it might be edition 4/5) Victor Salmones (1937-1989) was the most widely known sculptor living and working in Mexico during his lifetime. His sculptures won him universal acclaim and are held in the collections of museums, corporations, cities, universities and private collectors in some 30 countries. During his career, he was highly sought after and increasingly involved in the execution of commissions for major public works around the world. Salmones developed his love and talent for creating sculpture by working with clay in high school. He attended the Instituto de Bellas Artes where he was an apprentice to the Bauhaus master, Hoffman. He was trained to use the exacting, age-old lost wax method of casting and worked principally in bronze. His work explores styles that are both abstract and figurative and the grace and spirit inherent in his work endows his bronzes with a transcendent vitality. The international acceptance of Salmones’ sculpture attests not only to his artistic mastery of the medium, but to the universal appeal of the themes that inspire his work: love, compassion and humanity. He was one of Mexico's best known artists a modern master of the generation after Diego Rivera, Frida Kahlo, Jose Clemente Orozco, and David Alfaro Siqueiros. Hoffman's encouragement led to the opening of Victor's own sculpture workshop in Cuernavaca in 1966. In 1967, Salmones' fluid bronze Adam was awarded first prize at the Biennale Exposition of the National Museum of Modern Art. His life-size bronze Narcissus...

Max Kalish (American, 1891-1945) Harmony, c. 1930 Bronze with green marble base Incised signature on right upper side of base 14 x 9 x 5 inches, excluding base 17 x 10 x 8 inches, including base Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti...

Lovely Seated Bronze Cat Statue by Emmanuel Frémiet as French Sculptor French, born in 1824. Highlighted by a brown patina the sculpture is charmin...

Untitled (Man, Woman and Child Dancing) bronze on marble plinth base. signed and numbered Gerard Koch was a French Post War & Contemporary sculptor who was born in 1926. Gérard K...

This remarkable patinated bronze depiction of a female is encapsulated by the solid dress form. It sits on a wood base. The clever use of negative space alludes to a certain softness and femininity within its constraints and exudes elegance beyond. Mildred Kouzel...