Photography Art

Painting oil on panel depicting a strong and distinctive old man's head with dimensions of 36 x 28 cm without frame and 68 x 60 with frame coeval Flemish school of the second half of...

Two Sunsets (One with Square Blue Moon), 1994 Screenprint 48 x 32 inches Edition of 49

"Insomnia" by Ritchelly Oliveira is a thought-provoking painting that draws viewers into the depths of the human psyche. Against a white background, the central focus of the artwork ...

Oil on wood Hand-signed on verso

Oil and acrylic with diamond dust on wood Hand-signed on verso

Francien Krieg, a contemporary Dutch artist, gives a new dimension to figurative painting with her penetrating and unfiltered portraits. Krieg, who received her art education at the ...

Portrait of General Henry Ireton (1611-1651) Son In Law to Oliver Cromwell, 17th Century attributed Robert WALKER (1607-1658) Large 17th Century portrait of General Henry Ireton, oil on canvas. Excellent quality and condition Civil War portrait...

French School - 18th century Paris, Louis XV-Transition period Portrait of a man seen from three quarters Mid-18th century Sanguine 40 x 29 cm 59 x 50 cm framed Superb Transition pe...

GARAT Francis (1870 - NC) The Farm of The Donkey Oil on canvas signed and dated 1883 low right Frame guilded Size canvas : 50 X 76 cm - Size frame : 60 X 76 cm GARAT Francis (1870 -...

Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. Date stamped on verso Oct 27 1980 Provenance: Fr...

Contemporary figurative painting

Original frame in gilded wood and gilded pastiglia. Autograph dedication of the artist in the back of the painting. Natale Schiavoni (Chioggia (Venice), 1777 – Venice, 1858) wan a...

Cow face with mother Botticelli eye by Kristen Flynn

Death comes to you, Day of the Dead, Dia de los Muertos, Isla Mujeres, Mexico, 2023 Photograph by Cosmo Condina in Black and White of a woman dressed for the celebration of the Day ...

Since 1977, Hunt Slonem has had more than 350 exhibitions at prestigious galleries and museums internationally. In 2010 there are shows in the Coral Springs Museum, Coral Springs, Fl...

Signed Lower Right by Artist

Signed Lower Left by Artist Hand written to back Painting by Russell Sandbrook (Cousin of Jim Disney)

Oil and acrylic on paper

Mikael Siirilä Helsinki, Finland, 2017 Handmade silver gelatin print. The fibre-based photograph is tea-toned, stamped, signed and numbered in pencil o...

"Keith Richards, Midwest Airport, 1979" black and white photograph by Henry Diltz. Image size: 21 3/4 x 16 inches. This framed photograph was previously displayed in a guest room of ...

Oil on canvas. Engaging. Female centric. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmodern feeling of refl...

Artist Name: Lidija Commeca Title of Artwork and Date of creation: Between the Years, 2023 Medium on ground: Print on Hahnemühle fine art paper Signature : Not signed Artwork Unique ...

Un Mundo Interior

Original Graphite Sketch on Paper 1953 / Signed 1959 Inscribed “Sketch for Robe Feature” 10 5/8″ x 13 1/2″ Viewable 25″ x 29 1/2″ Framed The Robe, a fictional Biblical epic film was ...

Archival Giclée print on Hahnmuhle Photorag Paper Signed and Dated Limited edition of 8

This portrait of a young boy with an apple is a beautiful piece by Georg Cornicelius.

Edition of 9 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten trying years of working in business, Rennert was inspired to explore ...

Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Nude Boy Bathing, early 20th Century French School - signed indistinctly Large early 20th Century French School portrait of a young boy preparing to bath himself, oil on canvas sig...

Roby Dwi Antono CLARA, 2022 Individually signed and numbered by the artist 25-layer silkscreen with curable UV inks, printed on 410gsm Somerset Tub Sized Radiant White paper. 19.7 x ...

Unique artwork. Pencil and watercolor.

By and in the Black Earth. It is a Mystery. A Secret Fire that attracts us, caresses us, carries us into cosmic depths where the Black becomes Light. The artist animates a delicate ...

School Girl

Achille Théodore CESBRON (1849-1915) Flower Arrangement Oil on oval canvas signed low right Framed by Gault (Paris - Fbg St Honoré) Dim canvas : 63 X 48 cm Dim frame : 79 X 64 cm Achille Théodore CESBRON (1849-1915) French school 19th-20th century Born the 5th of November 1849 in Oran (Algeria). Dead the 4th of January 1915. Painter of genre scene, portraits, still life, flowers, pastel. Pupil of Bonnat and Cormon, he regularly exhibited at the « Salon des Artistes Français », whose he became shareholder in 1883, getting several rewards and medals from 1882 to 1886. He has got the Marie...

This photogravure by Carol Munder, 16 x 16" framed; has a beautiful sense of light that creates an expressive image for the viewer, depicting a quiet scene divided in foreground, middle ground, and background that draws the viewer into the atmospheric perspective. In the foreground there is a haunting figure making eye contact, followed by some houses that create a gap to reveal another figure in the background that is out of focus, all if these aspects come together creating an engaging narrative. Carol Munder (b. 1953) is a Key West based photographer and lithographer. Munder graduated from Colombia College in 1973 with a focus in photography. In 1986, she was the recipient of the NEXUS PRESS Book Competition residency. From the mid-1990s to the early 2000s, she created large-format black and white prints of nineteenth-century statuary and Etruscan figurines utilizing a simplistic camera with a plastic lens. After she acquired a gravure press, Munder taught herself the art of photogravure. Munder explains, "This [plastic] lens produces a soft focus image that is evident in my work…The tree then branches as I work with the process if photogravure. Photogravure is a 19th century technique used to transfer an image to a copper plate by means of photomechanical process... the plate is [then] inked and printed on paper using a gravure press. My current imagery is focusing on wooden sculptures that have been found in French flea markets"

"Pink Carnations" Antique Victorian photo album page with c-type print, and framed. Dimensions: Artwork 8.125 x 11.125 in, Framed 17 × 13 × 1 in This ...

Urs Lüthi with his various alter egos and androgynous self-portraits raises questions about identity through the use of the body. Faces uncertain between masculine and feminine, bodi...

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Davide Maria Coltro Colour Landscape, 2006 Medium: Photography Lambda print on aluminium Unique Framed This artwork includes a certificate of authenticity In perfect condition

Date: 8/6/2021 Canon R. Lens: RF28-70mm f/2 L USM. Focal Length : 70 Exposure: 1/160 Sec at f/5 Iso: 100. place: Palaue de Riquer Barcelona, Spain.

Florence, don't say fuck!

This head and shoulders portrait is an outstanding example of the breadth, force and beauty of this artist's pictorial manner and abilities. This captivating portrait features a musi...

Attributed to Gainsborough Dupont (1754 - 1797, British) Portrait of Owen Ormsby, bust-length, in a brown coat, with slightly later inscription identifying the sitter oil on canvas 2...

This work is unique. Stamped on the reverse by The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. The work comes with an Authentication Letter from the Andy Warhol Authentication Board, Inc. Provenance: Gift of the Artist to Pat Hackett to Hedges Projects...

Samir Sarkar - Untitled - 15 x 11 inches (unframed size) Acrylic on Stripped Board. Style : He says, “All my paintings have people wearing some headgear that has a face painted on...

A set of four. photographs by Andy Warhol. "Julian Schnabel 4 Polaroids" is a set of four Polaroids, Polacolor by pop artist Andy Warhol. The work is numbered FA05.01027, FA05.01022,...

Graduated from the Prilidiano Pueyrredón National School of Fine Arts. He also studied set design, was a student of Osvaldo Attila and Armando Sapia, among other artists. He held so...

USA, New York City, 1954 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Ava...

A photograph by Andy Warhol. "Self Portrait" is a gelatin silver print by American pop artist Andy Warhol. The artwork is numbered AWL116. Andy Warhol — who famously said that, “In t...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

A polaroid by Andy Warhol. ""Self-Portrait"" is a Post-War Polaroid by American Pop Artist Andy Warhol. The work has been given the Warhol Foundation authentication number AWL200 and...

V&A - John French - Soft Helmets - Limited Edition Pattie Boyd and Celia Hammond modelling feathered capsule hats, John French (1907-66), London, 1960s © Victoria and Albert Museum,...

Jacopo Scassellati was born in Sassari (Sardinia) in 1989 where he still resides today. His family is originally from Umbria. Very early on, he disp...

'C. Z. Guest' by Slim Aarons American socialite Mrs. Winston F. C. Guest (aka C. Z. Guest, 1920 - 2003) with a Great Dane at her ocean-front estate, Villa Artemis, in Palm Beach, Fl...

Louis Stettner Parking Lot, Volendam, Holland, 1962 Signed, dated and numbered in pencil on mount recto Gelatin silver print 16x20" affixed to 20x26" mount...

This is a unique work. Stamped on verso by The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. Annotated with Foundation inventory number and initialed Tim ...

ERNEST BLANC-GARIN (1843-1916) Portrait of a Young Lady around 1880 Oil on wood panel signed low Old Original frame gilded with leaves Dimensions wood : 40 X 30 cm Dimensions frame : 62 X 53 cm ERNEST BLANC-GARIN (1843-1916) Belgian Painter 19th Century Born 8 October 1843 in Givet (France) Died 1916 in Brussels (Belgium) Painter of Portraits and Urbanscapes. In Brusssels he was taught by Jan Portaëls (1818-1895); then in Paris by Alexandre Cabanel (1823-1889) He took part in the Salon de Paris from 1868. After a trip to Italy in 1870, he came back to Brussels for creating a private Art Academy providing a very liberal teaching. His portraits are made with a lot of freedom and gracefulness. Bibliography : Dictionary of Artists E. Benezit Book II / 373 Gérald SHURR : Les petits Maîtres de la Peinture 1820- 1920 Book V

This is a unique work. Stamped on verso by The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. Annotated with Foundation inventory number. The work comes wi...