Photography Art

A beautiful late 17th century Italian Old Master oil on canvas depicting The Virgin in Adoration, circle of Carlo Maratta. Excellent quality early Italian work, presented in an ant...

Paul McMillian Hyde Park Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal b...

Episodes of Dissociation (Till Death do us Part) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature...

Raymond Debieve (1931-2011) Born in northern France as a twin to brother Michel Debieve (who also become an accomplished artist later in life), Raymond painted his entire life. His ...

The Shadows We Cast III is an original painting by Henry Walsh. My work begins with snapshots of busy city life and by a process of elimination I refocus the image on elements that e...

Halftone photographic print on gloss photographic paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Alfred Stieglitz Memorial ...

Dated to the lower right. Presented in a gilt frame. On paper.

A fine oval portrait of an Victorian lady wearing a black and gold gown with red hair and pearls. The artist has portrayed the sitter with delicacy, highlighting the women's porcelai...

Anthony Rea Westside Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal black...

Hand printed photograph by artist. Taken with 2x2 Rolleiflex on film.

Together (Till Death do us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist I...

Phototype and Stencil on wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diurnes Découpages et Photographies, 1962. Published by Berggruen, Par...

Artist: Slonem, Hunt Title: Tandra Date: 2020 Medium: Oil & Acrylic w/ Diamond Dust on Wood Unframed Dimensions: 10" x 8" Framed Dimensions: 19" x 17" Signature: Signed Verso E...

Phototype and Stencil on wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diurnes Découpages et Photographies, 1962. Published by Berggruen, Par...

Inscribed with artist name and title. Presented in a gilt frame and double card mount. On paper.

"For the Shear Fun of it" Charcoal Painting 29" x 21" inch by Casey Baugh Medium: Charcoal on paper ABOUT THE ARTIST: Baugh's work can be described as narrative impressionistic re...

color lithograph on Guarro paper , edited in 1974 Limited Edition of 75 copies plus 15 HC Hand signed, dated and numbered in pencil 37/75 in pencil (lower left) Paper size: 69,5 x 52...

Dionis Baixeras i Verdaguer (1862-1943) - Docker - Charcoal drawing Drawing measurements 58x43 cm. Frame measurements 74x59 cm. Dionisio Baixeras Verdaguer (Barcelona, ​​1862-1943),...

Ed. 2/25, includes white frame. A Long Island native, von Hohenberg has always been a world traveler and took an interest in photography at the young age of fourteen. He was raised ...

Signed and dated verso. Presented in a black wooden frame with gilt detailing and an oak clasp. On paper.

Halftone photographic print on gloss photographic paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Alfred Stieglitz Memorial ...

Historical Photo is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical album including historical moments, roya...

Maidens (Till Death do us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist In...

Oil Painting by J Laslelles "A Scene in Epping Forest" flourished 1895 -1920 London painter of atmospheric landscapes in his soft impressionistic style. Oil on canvas. Signed title o...

Artist: Slonem, Hunt Title: Monte Date: 2024 Medium: Oil on Wood Unframed Dimensions: 10" x 8" Framed Dimensions: 15" x 13" Signature: Signed Verso Edition: Unique Provenance:...

Titled and dated with artists reference number and stamped on the back of the mount. Printed and signed by Cole Weston.

Artist: Slonem, Hunt Title: Maximillion Date: 2021 Medium: Oil on Wood Unframed Dimensions: 20" x 16" Framed Dimensions: 22.5" x 19" Signature: Signed Verso Edition: Unique Pr...

Signed and dated to the lower right. On board.

Historical Photo  - Rahol Bitat is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical album including historica...

Gwenda Morgan (1908-1991)- limited edition wood engraving. Signed and titled in pencil to the lower margin. Editioned 42/50. Smartly mounted in a reeded ...

A fine etching in colours. Well presented in a period circular frame, hand carved and crafted by a P. Opitz in 1926. The print has been illegibly inscribed to the lower margin. On pa...

Signed and numbered on the front of the mount. Stamped titled and dated on the back of the mount. This piece comes framed in a beautiful silver plated wood with black detail. It is s...

Unsigned. Presented in a gilt frame with an acanthus running course and washline mount. On paper.

Historical Photo  - Saad Dahlab is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical album including historica...

Historical Photo  - Ait Ahmed is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical album including historical ...

Unsigned. Label verso inscribed with artist name. Presented in a gilt frame and washline mount. On paper.

Historical Photo - Krim Belcacem, Provisory Government of Algeria is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a hi...

Historical Photo  - Michel Scembri is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical album including histor...

Kim Page - still life of white lilies and other flowers. Watercolour heightened with white. Signed in pencil to the lower right. Presented in a decorative frame with bead course to t...

On paper.

Old days Photo - Stony House is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical and Nostalgic album includin...

"Isabella", 2024 Joris Ghilini's current artistic output takes a variety of forms, from painting and sculpture to site-specific installations. It is rooted in his studio, a place of...

The Grouse Shoot, 19th century Gun shooting Grouse with Gun dogs and hilly landscape Oil on Canvas on original stretchers, housed in its original bronzed frame. This is a very speci...

Angel (Heavenly Falls) - 2016 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 9069. N...

New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social media. His “Mirrors” series sugges...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Vijay and Julie, 2013 by Jill Peters From the series The Third Gender of India Archival pigment print Overall size: 60 in H x 80 in W Individual size: 60 in H x 40 in W Edition of 3 ...

Oil on oak panel Image size: 25 1/2 x 19 inches (37.5 x 27 inches) 18th Century Auricular gilt frame Provenance New York private collection This portrait of the King Edward VI dep...

Paul D'Amato (American, b. 1956) Girl with Lingerie Catalogue, 1988 Color photo print Sight: 18 1/4 x 15 in. Framed: 28 x 25 x 1 3/8 in. Provenance: The Artis...

Historical Photo - Mohammed Khider is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical album including histor...

Oil on canvas Image size: 30 x 25 inches (76 x 63.5 cm) Hand carved gilt frame This is a charming 18th century portrait of a young boy, sporting a golden child's two-piece with a fl...

Oil Painting by Andre Eugene Louis Chochon "The Lourve" 1910 -2005 Studied Beaux Arts in Reines then exhibited at the society des Artistes. Francois from 1933, Grand Prix de Rome 193...

Yelva Petrea Sophie Vermehren, born February 13, 1878 in Helsingborg, died in 1980 102 years old, was a Swedish-Danish painter. She was the daughter of the wholesaler Johan Carl Emil...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Oil on canvas, signed bottom left Image size: 11 x 9 1/2 inches (28 x 24 cm) Gilt frame Provenance Thos. Agnew & Sons Pyms Gallery Robert Gemmell Hutchinson A native of Edinburgh, R. Gemmell Hutchison was born in 1855, and died on 22nd August 1936. After his school days he began work as a seal engraver, but soon left that occupation for painting and studied at the Art School of the Board of Manufactures. He exhibited for the first time in the Royal Scottish Academy in 1878 and in the Royal Academy in 1881. A very early work was acquired by the Royal Association for the Promotion of the Fine Arts in Scotland. An assiduous and prolific worker, Hutchison painted in oil, water, and pastel, and with varied subjects—figures, landscapes, the seashore, domestic interiors and occasionally portraits. As indicated, his works from the first found a ready sale, and he is represented in the permanent collections of Oldham - Glasgow, Kelvingrove Gallery; Modern Arts Association, Edinburgh; Liverpool, Walker Art Gallery ; Bolton; Toronto, Canada; Fine Art Association, Canada ; Blackpool; Hamilton Trustees, Glasgow; Paisley...

After Jean-Michel Basquiat Jean-Michel Basquiat Gagosian Exhibition Poster, 2013 Exhibition poster 14 × 14 in 35.6 × 35.6 cm

Untitled 18" from the esteemed collection of Photograms Literary is a captivating piece that merges art with technical elements. Crafted in 2023, this exemplary creation stands as a ...

Untitled 42" from the esteemed collection of Photograms Literary is a captivating piece that merges art with technical elements. Crafted in 2023, this exemplary creation stands as a ...