Johann Wilhelm Weinmann Art

An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...

An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...

This striking hand-colored botanical mezzotint and line engraving is entitled "Gnaphalium, Gossypium (Cotton Plant)". It is plate 551 in Johann Weinmann's monumental publication "Phy...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...

This is an original antique colored botanical mezzotint and line engraving of flowering Gas Plants or Burning Bush and Fraxinella, which is finished with hand-coloring. It is entitle...

Not signed The hand-colored etching plates by Johann Wilhelm Weinmann, from Phytanthoza Iconographia (1737–45), present carrot and primrose with a detailed balance of structure and v...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Lathyrus Major Peremis Richern B. Lathyrus Narbonensis Flore Albescen...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...

This is an original antique colored botanical mezzotint and line engraving of flowering Red Geraniums which is finished with hand-coloring. It is entitled "Geranium Anemones folio Af...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame. So...

This is a hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741), entitled "A. Alcea Folio Lacinato, B. Alcea Vesicaria, C. Alchimilla minima, D. ...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Caryophyllus Anglicus flore". It is plate 326 in Weinmann's monumental pu...

Rare Botanical Hand Colored Engraving about 1737-1745 Beautifully framed French hand painted mat, in gold leaf frame each print measure 9.5x14.5 with the frame 23.5hx18.5x1 Johann ...

This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...

'Acarna Theophrasti' and 'Acer Campestre minus' Mezzotint printed in colours. Circa 1740. From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The fi...

This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...

'Antirrhinum Orontium' Mezzotint printed in colours. Circa 1740. From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The first botanical series to u...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Geniculata Wieder Kraief, B. Genipa seu Ganipaba". It is plate 531 in...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame. So...

This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...

Mezzotint Engraving with Some Hand Coloring image size 15.25 x 10 from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive scientific eight volume set w...

This is an original antique hand-colored botanical mezzotint and line engraving of flowering Chrysanthemum matricaria plants. It is entitled "A. Chrysanthemum Matricarice Folus Flore...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Pisum Mapis flore pupureo". It is plate 818 in Weinmann's monumental publ...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Bardana Major Folio Non Serrato, Napoliere, B. Bdellifera Arbor, de Qu...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...

Price is for each framed print (nine available). From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually di...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Esula seu Tithyinalus Africanus SpinosusCera Effigie, B. Esula seu Ti...

This striking hand-colored botanical mezzotint and line engraving is entitled Malus domestica, Pomier, Apfelbaunt (Apple)". It is plate 704 in Johann Weinmann's monumental publicatio...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually di...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually di...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually distinctive botanical publications of the period. Published in Regensburg, Germany, the four-volume work documented an extraordinary range of flowers, plants, trees, fruits and fungi through more than 1,000 botanical plates. Johann Wilhelm Weinmann (1683–1741) was a German apothecary and botanist whose extensive plant collection formed the basis for this remarkable undertaking. The illustrations were created by several artists, most notably the celebrated botanical artist Georg Dionysius Ehret (1708–1770), whose early work for Weinmann helped establish the naturalistic style for which he later became famous. Other artists included N. Asamin, while important German printmakers Bartholomäus Seuter, Johann Elias Ridinger and Johann Jakob Haid participated in producing the plates. Phytanthoza Iconographia was technically innovative as well as beautiful. Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand. The publication is particularly significant for its pioneering successful use of color-printed mezzotint in botanical illustration. The resulting combination of printed color and hand finishing gives the flowers wonderful depth, subtle tonal variation and a distinctly painterly quality. For interior designers, these original Weinmann botanical prints...

This is an original antique colored botanical mezzotint and line engraving of a flowering Betel Nut Palm plants, which is finished with hand-coloring. It is entitled "Fagus Fau Buch,...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Mespilus Aronia Azarolie B. Mespilus Vulgaris Neflier". It is plate 7...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Stramonia Aegyptiaca foetida semine pallido flore albo duplici triplicive...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Convolvulus Major Folio Subrotundo Purpureg Albo, B. Convolvulus Major...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually di...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually di...

This is a striking original antique colored botanical mezzotint and line double page engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 1. Musa,...

This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled a. Thyrsus asparagi. b. Asparagus, Asperge. c. Aspa...

Johann Wilhelm Weinmann Ananus Sclvestris ( Pineapple ) N. 110 mezzotint engraving with hand coloring paper size 15.50 x 9.50 image size 13 x 8.25 Ananus Sclvestris ( Pineapple ) N....

“Columbines Pl. 162” A Weinmann, Johann, Wilhelm Mezzotint Engraving With Some Hand Coloring from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive sci...

Rare hand colored copper plate engraving by noted Botanist Johann Wilhelm Weinmann (1683-1741) Beautiful color after 250+ years! This wonderful antique engraving is beautifully mat...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Pisum Minus sine Putamine, b. Pisa Indicum". It is plate 819 in Weinma...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually di...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually distinctive botanical publications of the period. Published in Regensburg, Germany, the four-volume work documented an extraordinary range of flowers, plants, trees, fruits and fungi through more than 1,000 botanical plates. Johann Wilhelm Weinmann (1683–1741) was a German apothecary and botanist whose extensive plant collection formed the basis for this remarkable undertaking. The illustrations were created by several artists, most notably the celebrated botanical artist Georg Dionysius Ehret (1708–1770), whose early work for Weinmann helped establish the naturalistic style for which he later became famous. Other artists included N. Asamin, while important German printmakers Bartholomäus Seuter, Johann Elias Ridinger and Johann Jakob Haid participated in producing the plates. Phytanthoza Iconographia was technically innovative as well as beautiful. Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand. The publication is particularly significant for its pioneering successful use of color-printed mezzotint in botanical illustration. The resulting combination of printed color and hand finishing gives the flowers wonderful depth, subtle tonal variation and a distinctly painterly quality. For interior designers, these original Weinmann botanical prints...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually di...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually distinctive botanical publications of the period. Published in Regensburg, Germany, the four-volume work documented an extraordinary range of flowers, plants, trees, fruits and fungi through more than 1,000 botanical plates. Johann Wilhelm Weinmann (1683–1741) was a German apothecary and botanist whose extensive plant collection formed the basis for this remarkable undertaking. The illustrations were created by several artists, most notably the celebrated botanical artist Georg Dionysius Ehret (1708–1770), whose early work for Weinmann helped establish the naturalistic style for which he later became famous. Other artists included N. Asamin, while important German printmakers Bartholomäus Seuter, Johann Elias Ridinger and Johann Jakob Haid participated in producing the plates. Phytanthoza Iconographia was technically innovative as well as beautiful. Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand. The publication is particularly significant for its pioneering successful use of color-printed mezzotint in botanical illustration. The resulting combination of printed color and hand finishing gives the flowers wonderful depth, subtle tonal variation and a distinctly painterly quality. For interior designers, these original Weinmann botanical prints...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually distinctive botanical publications of the period. Published in Regensburg, Germany, the four-volume work documented an extraordinary range of flowers, plants, trees, fruits and fungi through more than 1,000 botanical plates. Johann Wilhelm Weinmann (1683–1741) was a German apothecary and botanist whose extensive plant collection formed the basis for this remarkable undertaking. The illustrations were created by several artists, most notably the celebrated botanical artist Georg Dionysius Ehret (1708–1770), whose early work for Weinmann helped establish the naturalistic style for which he later became famous. Other artists included N. Asamin, while important German printmakers Bartholomäus Seuter, Johann Elias Ridinger and Johann Jakob Haid participated in producing the plates. Phytanthoza Iconographia was technically innovative as well as beautiful. Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand. The publication is particularly significant for its pioneering successful use of color-printed mezzotint in botanical illustration. The resulting combination of printed color and hand finishing gives the flowers wonderful depth, subtle tonal variation and a distinctly painterly quality. For interior designers, these original Weinmann botanical prints...

Dating from 1737–1745, these original 18th-century botanical prints come from Johann Wilhelm Weinmann’s monumental Phytanthoza Iconographia, one of the most ambitious and visually distinctive botanical publications of the period. Published in Regensburg, Germany, the four-volume work documented an extraordinary range of flowers, plants, trees, fruits and fungi through more than 1,000 botanical plates. Johann Wilhelm Weinmann (1683–1741) was a German apothecary and botanist whose extensive plant collection formed the basis for this remarkable undertaking. The illustrations were created by several artists, most notably the celebrated botanical artist Georg Dionysius Ehret (1708–1770), whose early work for Weinmann helped establish the naturalistic style for which he later became famous. Other artists included N. Asamin, while important German printmakers Bartholomäus Seuter, Johann Elias Ridinger and Johann Jakob Haid participated in producing the plates. Phytanthoza Iconographia was technically innovative as well as beautiful. Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand. The publication is particularly significant for its pioneering successful use of color-printed mezzotint in botanical illustration. The resulting combination of printed color and hand finishing gives the flowers wonderful depth, subtle tonal variation and a distinctly painterly quality. For interior designers, these original Weinmann botanical prints...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...