1930s Art

Charming small pair of early 20th Century English Country Cottage Landscapes – Oil on Board in modern frames. A delightful duo/pendant pair of early 20th-century English Impressioni...

'The Divers', oil on board affixed to stretcher, by Berthommé Saint-André (circa 1930s). A dynamic composition capturing swimmers in mid-dive at a countryside swimming pool, rendered...

➡️ Landscape Woodland and waterfall⬅️ ⏩It is signed Degoul 1936⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐26x46cm /10.2x18.1 inch ...

Gordon Grant Hudson River View from the Palisades Oil on Masonite. Vintage American impressionist oil painting. Oil on board. Signed. Framed. Measuring: 42 by 60 inches overall, and...

Own a watershed moment in modern design with this original 1935 A.M. Cassandre L'Intransigeant vintage poster, widely regarded as the work that elevated commercial art to fine art. A...

This landscape from 1931 is an outstanding example of Otto Lindberg's mature production. Painted most likely in the surroundings of his native Söderhamn, the composition captures the...

A beautiful early 20th century Ecole de Paris oil on board still life depicting mixed flowers in a blue vase with books on table, by Hélène Polovtstoff. Excellent quality work by thi...

Sir Herbert James Gunn (1893 - 1964) A Jockey Before the Race Signed Oil on Canvas Provenance: Christies sporting art This is a striking, dynamic equestrian oil painting by the ren...

Luigi Corbellini (1901-1968) Vue d' Anvers (View of Antwerp), ca. 1950 Oil on canvas, 19.5 x 25 inches. Measuring 27.5 x 33 inches in original frame. Signed lower left. Titled i...

Clare Leighton, 'Washing Clothes, Corsica, 1934, wood engraving, edition 60, Boston Public Library 258. Signed, titled, and numbered '20/60' in pencil. A superb, richly-inked impress...

This landscape from 1938 depicts the countryside around Ramsele in Ångermanland, northern Sweden. A winding country road leads the viewer into the composition, passing open fields an...

After Gustav Klimt, Max Eisler Plate #11, Aus den Bilde “Die Jurisprudenz”; brown-toned monochrome collotype after the 1900-07 painting in oil on canvas. The original was destroyed b...

➡️ Landscape Luminous Mediterranean ⬅️ ⏩It is signed Mieutaud⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐46x55cm /18.1x21.7 inch w...

ean-Luc Gérard Olive Trees, Côte d’Azur Circa 1930 Oil on Canvas Signed and inscribed on the reverse Presented in an ornate French-style frame This vibrant and richly textured lands...

A striking Art Deco gouache on cardboard depicting a stylish singer captured in a bold, graphic modernist idiom. The figure—rendered with short red hair, a chic black hat, striped tr...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Otto Lindberg (1880–1955) Sweden Lake at Sunset, 1934 signed and dated lower right Otto Lindberg 1934 oil on canvas unframed 60 × 120 cm (23.6 × 47.2 in) framed 75 × 135 cm (29.5 ×...

This original poster printed in lithograph was created circa 1930 by French artist Georges Villa. Known as L’Élégante, or The Elegant Lady, the composition captures the refined seasi...

Reversible Composition, c. 1937, oil on composition board, signed verso in pencil, 12 x 15 / 15 x 12 inches, “#11” “22” and #104” annotated verso, label verso reads on one side: “Cha...

JESSIE ARMS BOTKE (1883 – 1971) THE INTRUDER c. 1930 Color woodcut, signed, titled and inscribed “Botke prints” Image 9 ¾ x 11”, sheet 11 7/8 x 14 3/4". On cream laid paper. Califor...

This American Impressionist painting is by listed artist Bernhard Safford Good. The artist was born in England in 1893. He came to Canada in 1910, moving west to Manitoba to work on...

An original silver gelatin black and white photograph by Press Agency Keystone View Company. New York City skyscrapers view, taken on July 7th, 1931, with the Empire State Building ...

A striking early 20th century French oil on canvas depicting figures drinking in a bar. Very unusual and interesting painting which is indistinctly signed lower right. Similar to the...

Exotischer Klang (Exotic Sound), 1930 (after) Paul Klee (Original work) is Pen and ink, pencil, and watercolour on paper, mounted on card, 47 × 61.3/62.3cm. Dusseldorf, North Rhine-...

Kawase Hasui, 'Zentsuji Temple in the Rain' from the seres 'Collected Views of Japan II', color woodblock print, 1937. Signed Hasui in black ink, with the artist’s red seal Kawase, ...

Running along the beach playing with a beach ball, the woman in this Pablo Picasso print is rendered in a minimalistic fashion with only lines, bursts of color, and a few geometric s...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Expressionistic still life with oil lamp in a room interior, signed by Arne Roland Anderson (1915-1982) and probably painted in 1938. Oil on canvas. Signed a.r.a. lower left. Accordi...

Louis Lozowick, 'Steel Valley', lithograph, 1936; edition 15; edition 250 AAA (1942); Flint 141. Signed in pencil, with the artist's monogram in the stone, lower left. A fine, richly...

'Paris, la Bourse', gouache on paper, by Lucien Génin (circa 1930s). Created at the beginning of the 19th century by Napoleon, la Bourse, or the Stock Exchange, was intended to assert and encourage France’s prosperity in industry and trade. In 1826 the Stock Exchange was installed in the palace that the architect Brongniart had begun in 1808. Surrounded by a large peristyle of Corinthian columns, the rectangular structure reflects the official neo-classicism of the Empire Period. The artist, Génin, depicts a typically lively 1930s day in front of the building with cars of the period zooming by pedestrians on the walkway and others on the stairs leading to the entrance. He has an extremely charming, almost childlike style particularly the way he renders the people and the vehicles. The building, on the other hand, is accurate in its detail and more seriously presented. Our gallery has held and has sold over a dozen of Genin's paintings but this one stands out for its pure stylish appeal and ability to captivate while inducing a smile in the viewer. The artwork is in good overall condition - there are some minor blemishes not on the artwork itself but on the edges of the mount to which it is attached. The frame is in fair condition showing some nicks and scratches. Please enjoy the many photos accompanying the listing. Upon request a video can be provided. Signed by the artist in the lower right hand. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer...

Jacques La Grange, 'The Yankee', color woodcut, edition 500, 1934. Signed and numbered '25/500' in pencil. A fine impression, with fresh colors, on cream wove paper, with margins (1 1/8 to 1 1/4 inches), in excellent condition. A work from La Grange’s celebrated series of woodcuts 'Drama and Color in the America's Cup Races'. Image size 10 x 10 11/16 inches (254 x 271 mm); sheet size 12 1/4 x 13 1/4 inches (311 x 337 mm). Archivally matted to museum standards, unframed. When the artist created this print in 1934, the 'Yankee' was one of the most promising yachts eligible for the America's Cup but ultimately 'Rainbow' was chosen to defend against England's 'Endeavor' in that year's race. The 'Endeavor' was built for Thomas Sopwith who used his aviation design expertise to ensure the yacht was the most advanced of its day with a steel hull and mast. She was launched in 1934 and won many races in her first season but the Cup challenge was blighted by a strike of Sopwith's professional crew prior to departing for America. Forced to rely mainly on keen amateurs, who lacked the necessary experience, the campaign failed. 'Rainbow' won the series 4–2. This was one of the most contentious of the America's Cup battles and prompted the headline "Britannia rules the waves and America waives the rules." ABOUT THE ARTIST Jacques La Grange was born in Clanwilliam (near Cape Town) in South Africa in 1895. He studied at London University and later immigrated to the United States. La Grange established himself as a painter, illustrator, and printmaker specializing in nautical subjects. He and his wife, Helen La Grange, published 'Drama and Color in the America's Cup Races' in 1934 and 'Clipper Ships of America and Great Britain 1833-1869', in 1936. Both were deluxe hardcover limited edition volumes with signed original color woodblock prints. La Grange had solo exhibitions at the Buchanan Gallery in 1929; the Babcock Gallery and the 56th Street Gallery, New York, in 1930; and at the Nicholas Roerich...

Dating from circa 1935, this original mixed-media drawing depicts a black panther reclining upon a stone ledge. The work was executed after a composition by Paul Jouve, whose powerfu...

A striking 1930s American Modern, Art Deco era drawing, portrait of a young woman by notable Chicago artist, Walter Burt Adams (Am. 1903-1990). A wonderful, early example of Adams'...

William H. Eppens Pond lilies Signed lower right Oil on canvasboard 6 3/4 x 6 3/4 inches

Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...

A Boldly Drawn 1930s Art Deco Modern Figure Study of a Reclining Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An early ink drawing by Haydon demonstrat...

4066 Art Deco Lady in blue pastel painting Set in a white frame

This lively city view from Vadstena was executed over two consecutive days in late October 1930. Erik Tryggelin records the scene with remarkable immediacy, capturing the fleeting at...

Signed, lower right, 'Mary B. Redfield' for Mary Bannister Redfield (American, born 1883) and painted circa 1925. Titled, indistinctly, on original card (a photo copy will accompany ...

Mokuchu URUSHIBARA Horse bowing, c. 1930 Woodcut after on an ink drawing Signed with the artist's stamp On paper 26 x 35 cm (c. 10.2 x 13.7 in) INFORMATION : Engraving published by...

Charles Turzak, 'Loop Alley (Chicago)', color woodcut, edition c. 25, c. 1935. Signed and titled in pencil. A fine, richly-inked impression, with fresh colors, on cream wove Japan pa...

Kamei Tobei, 'First Snow of the Year at Kitano (Kitano Hatsu Yuki)', color woodblock print, c. 1930s. Signed Kamei Tobei in black ink, with the artist red seal Eiichi (the artist’s g...

Raoul Millais (1901–1999) Horses in a Parkland Landscape Oil on canvas, signed lower left Circa 1930 An elegant and highly atmospheric equestrian landscape by the noted British spor...

Swan In A Car (1936) - Silver Gelatin Fibre Print (Photo by Fox Photos/Getty Images) 6th April 1936: A tame swan named Leila is given a lift in the back of a car. Additional Info...

Catalan Landscape Oil Painting Mollet Barcelona Fauvist Modernist Spain SPECIFICATIONS Artist: Albert Rafols Cullerés (Barcelona, 1892 – 1986)...

1930's California Mountain Trail Landscape, Original Oil Painting, Signed A beautiful 1930's landscape titled "Trail into California Mountains" by Oklahoman artist Sidney Lorenzo Br...

Ecurueil (Squirrel) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illu...

This intimate studio interior from 1930 belongs to the more psychologically engaging side of Carlo Hornung Jensen’s oeuvre. A seated woman has paused beside her easel and turned towa...

Charles Turzak, 'Under the Bridge', color woodcut, edition c. 50, 1934. Signed and titled in pencil. A fine, richly-inked impression, with fresh colors, on cream wove Japan paper; th...

A beautiful early 20th century French expressionist Ecole de Paris oil on panel portrait of a standing lady wearing a yellow jacket and fur stole. This excellent quality depiction o...

This evocative 1933 poster by Pierre Matossy depicts the atmospheric ruins of the Abbaye de Saint‑Wandrille, one of the most important monastic sites in Normandy. The composition cap...

Rugged California Coast, 1930's Impressionistic Seascape, Signed 18x24 Charming 1930's impressionistic seascape of blue waves crashing on a rocky shore with distant sail boats on th...

This beautiful large impressionist oil on canvas by French artist Charles Cermak was painted in the 1930's. The work depicts colourful sailing boats in a harbor on the Côte d'Azur, m...

A very beautiful signed and dated 1936 impressionist oil on canvas depicting the River Seine in Paris, by Lelia Caetani. Lelia Caetani is a fascinating female artist - an Italian...

Pacific Grove Moonlight, Mid Century Nocturnal Coastal Landscape "Pacific Grove Moonlight", a striking and unique mid-century nocturnal landscape of the moon rising over the ocean a...

"Femme Dessinant, Femme Assoupie" is a lithograph from the Marina Picasso Estate Collection after an original work by Pablo Picasso. In the 1970’s after Picasso’s death, Marina Picas...

Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Matted to museum standards, unframed. Very scarce. Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm). Created for the California Works Progress Administration, Federal Art Project (WPA). Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and the Weisman Art Museum (University of Minnesota). ABOUT THE ARTIST Nicholas Panesis (1913–1967) was an American painter, printmaker, ceramicist, and illustrator whose lithographs of the 1930s rank among the most compelling examples of California WPA printmaking. Working within the traditions of Social Realism and the American Scene movement, he combined expressive draftsmanship with a modernist sense of design to create images of remarkable graphic power that address themes of labor, race, industry, and everyday American life. Born in Massachusetts in 1913, Panesis studied art at Syracuse University before joining the faculty of Alfred University, where he taught ceramics. In the early 1930s he relocated to California, first settling in San Francisco before moving to Los Angeles. There he worked for several animation studios...

"Swan In A Car" by Fox Photos 6th April 1936: A tame swan named Leila is given a lift in the back of a car. Unframed Paper Size: 30" x 40'' (inches) Printed 2022 Silver Gelatin Fi...

Signed "Paul Buyssens" on the reverse of the painting. A poetic still life depicting a bouquet of sunflowers arranged in a simple ceramic vase. Painted in a warm and restrained pale...

Jacques La Grange, 'The Yankee', color woodcut, edition 500, 1934. Signed and numbered '25/500' in pencil. A fine impression, with fresh colors, on cream wove paper, with margins (1 ...