1930s Art

Spring landscape, green, 19th century Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressive...

Initialed lower right 'A.B.' for Axel Bentzen (Danish, 1893-1952) painted circa 1935. A large and lyrical oil still-life showing a view from the artist's window onto a sun-drenched ...

Sailboats, Ocean, France , grey, blue, azure,landscape France Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and adolescence in Amie...

A beautiful 1930's landscape titled "Trail into California Mountains" by Oklahoman artist Sidney Lorenzo Brock (American, 1869-1943). Presented in ...

> > Painter George Melville Smith (1879-1979) Painter, illustrator born in Chicago. Smith began formal art studies at the School of the Art Institute of Chicago at the age of seventeen, after first studying as an architect's apprentice. In 1925-26 he studied in Paris under Andre Lhote, then worked as a painter in France, Spain, England and Italy. He exhibited at the Art Institute of Chicago four times during the 1930s, and was included in the Whitney Museum's 1933 exhibit which also featured Grant Wood...

A vintage watercolor capturing a daily scene in the Spanish colonial town of Taxco, Mexico by Theodore Ernest Langguth (German-American, 1861-1952). Titled, dated and signed lower ma...

This lovely portrait was painted by the noted British Impressionist portrait painter Walter Ernest Webster. It depicts a young woman and was painted circa 1930 in an impressionist pa...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

A fine impression of this very popular image with full margins (smaller on top and bottom) published by Associated American Artists.

Portrait of a Lady in Purple Dress against a Pink and Blue Wallpaper background French School, circa 1930's signed lower front corner oil on canvas, unframed canvas: 22 x 18 inches p...

"Bathers" American Scene Social Realism 20th Century Modernism Ashcan Fauvism Charles Demuth (1883-1935) "Bathers" 10 1/2 x 8 1/4 inches watercolor on paper, c. 1930 Signed lower le...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Paul Emile Lecomte (1877-1950) La Grille (The Gate) Signed lower left Watercolor on paper 27 x 37 cm In quite condition: yellowed by time, some stains Framed: 43 x 53 cm Paul Emile ...

A beautiful signed and dated 1931 French naïf oil on canvas depicting Beffroi de Douai, by Jean Eve. Jean Eve was one of the "first wave" of 20th century Fre...

Greta Garbo - Somber Head Shot by Clarence Sinclair Bull, 1931 1931 Black and white somber headshot photograph of Swedish/American actress Greta Garbo (Swedish, 1905-1990) by Clarence Sinclair Bull (American, 1896-1979). Greta Garbo gazes at the camera, her curled hair sits in front of her face. The background is black. A black and white photograph, matte finish, double-weight paper, depicting a 1931 shot of the star titled 'Mata Hari,' printed decades later from the original negative, penciled in the lower left corner "A.P.," Estate stamped and blind embossed in the lower right corner "Clarence Sinclair Bull," further blind embossed in same corner "The Kobal / Collection," verso with the photographer's black ink credit stamp, verso further with two "Edward Weston" black ink credit stamps dated "1981" and "1992," originally from the John Kobal Collection. Greta Garbo was a Swedish-American actress. Regarded as one of the greatest screen actresses of all time, she was known for her melancholic, somber persona, her film portrayals of tragic characters, and her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema. Clarence Sinclair Bull was born in Sun River, Montana, in 1896. His career began when Samuel Goldwyn hired him in 1920 to photograph publicity stills of the Metro-Goldwyn-Mayer film studio's stars. He is most famous for his photographs of Greta Garbo, taken between 1926 and 1941. Bull's first portrait of Garbo was a costume study for the silent romantic drama film Flesh and the Devil in September 1926. Bull was able to study with the great Western painter...

Female Portrait is an original artwork realized in 1931 by Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942). Original Painting on canvas. Hand-signed on the lower right corner. ...

Betty Grable, 1930s / Everett Collection. stunning and vivid photograph of classic Hollywood film star Betty Grable. "With the man the world is his hea...

Le Corbusier (1887-1965) Couple : The Argument, 1938 Original lithograph Signature printed in the plate Dated in the plate On light vellum 21 x 27 cm (c. 8 x 11 inch) Very good con...

Paul Landacre, 'Verdi', wood engraving, 1936, edition 60, (only 14 printed), Wien 188. Signed, titled, and numbered '10/60' in pencil. A fine impression, on cream, laid Japan paper, ...

A beautiful large 1930's French post-impressionist oil on canvas nude portrait of a lady in the artist's studio, by Bertrand Py. Excellent quality and very good condition portrait ...

1930s French Impressionist Barbizon School oil on panel view of a river gorge by Georges Guerin (1910-1984). The painting is signed bottom right and also signed top left to the back of the board. The painting is also titled and dated to the back of the board, 'Gorges de la Bourne, Pont en Royans, Aout 1937.' A very charming view of a river passing through a gorge and leading to a sunlit and colourful rocky cliff face. Guerin has achieved a wonderful play between light and shade, bright and sombre colours making it at once classical in interpretation and yet also modern and abstract. His technique of thick impasto technique worked with a brush is especially successful and gives the paintings surface a charming quality. Guerin is noted for his landscapes as well as for his Paris street scenes and views of the Brittany coast. The Gorges de la Bourne or Bourne Gorge is a canyon at the bottom of which flows the River Bourne. It connects Pont-en-Royans to Villard-de-Lans in...

Oil on artist board, signed Emily Hoffmeier lower left Most likely a scene of Nantucket harbor and presented in what could be the original frame with a slightly highlighted silver finish. Presents well overall measuring 16.5" x 20.5" including the frame. From 1929 to her death in 1952, Emily Hoffmeier (1888-1952) spent summers on Nantucket, painting in the waterfront studios—first Harborview No. 3 and later moving to the Red Anchor Studio on Washington Street. She exhibited in the Easy Street Gallery, the Candle House Studio, and later at the Kenneth Taylor Galleries. After the death of Maud Stumm in 1935, Hoffmeier took over the direction of the annual Sidewalk Art Show, which she ran for the next eighteen years “with untiring cheerfulness and unflagging interest.” She was one of the founding members of the Artists Association of Nantucket and served on its first executive committee. A graduate of Mount Holyoke College, South Hadley, Massachuetts, Hoffmeier taught art classes at the college for several years. From 1917 to 1951 she was a teacher at West Chester High School in Pennslyvania, where she headed the mathematics department. In addition to enrolling in the plein air classes of Frank Swift Chase...

Walt Kuhn Kuhn Family Holiday Card Lithograph on paper 5 1/2 x 4 inches Walter Kuhn was born on October 27, 1877 in Brooklyn, NY. His father, Francis Kuhn, was the owner of a ship ...

Mariette Lydis, 'Four Women' from the suite 'The Beggar's Opera', lithograph, edition unknown but small, 1937. Signed in pencil; initialed in the stone, low...

Technical Data - Title: "Celebration in the Square" - Artist: Joaquin Tudela y Perales (1891-1970) - Medium: Oil on canvas - Dimensions: 15.7 x 19.6 in - Period: Early 20th...

Snowy Mountain  is a color vintage photo, realized in 1930s. Good conditions and aged. It belongs to a historical and nostalgic album includ...

Nicely painted American impressionist oil painting by Richard W. Baldwin (1920 - 2012). Oil on canvas. Framed. Signed.

Dancing male figure, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 45 cm. The choice of ter...

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

Work on cardboard

The monkis an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Not signed. Good condition. Antonio Feltrinelli (Milan, 1887 ...

Presenting an original oil on canvas by Belgian artist Karel VonBelle. "Fleurs", is an original oil on canvas, signed, dated 1935, beautifully framed.

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Spring landscape, green, 19th century Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressive...

The Flower Market French Post-Impressionist, circa 1930's oil on board, framed framed: 15.5 x 15 inches board: 14 x 13 inches provenance: private collection, Nice, France condition: ...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1934. Bouquet of Wild Flowers. Artwork typical of the manner of Charles Picart Le Doux. However, the robust and contrasti...

A 1933 lithograph on cream wove paper 14 x 18 inches (354 x 452mm), full margins. Signed, titled, and numbered 17/33 in pencil, lower margin. Minor mat tone around the perimeter of t...

Aaron Bohrod, 1907-1992 Lobster Shack, 1938 Oil on masonite 16 x 20 inches Signed and dated ower left: Aaron Bohrod 1938 Bohrod-3 Provenance: Private estate, Rhode Island, 2004 Am...

'Sealyham and Setter' Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of...

Antique American school modernist mixed media painting. Oil on board with gold leaf assemblage, circa 1930. Unsigned. Image size, 13L x 17H. Housed in a period wood frame most li...

Format : 2 Volumes, In-4° Typology : Print Suite Edition of 100 copies, including 65 original lithographs by Giorgio De Chirico in the text. This copy is in two volumes, unlike the standard edition printed in a unique volume. This edition is part of the only 6 made on Japan Supernacré Paper...

Reginald Marsh, 'Erie R.R. Locos Watering (Locomotives Watering)', etching, 1934, edition 100 (Whitney, 1969), Sasowsky 155. Unsigned as published; numbered '68/100' in pencil. A su...

Signed lower right

Art Deco Vase by DAUM "Art Deco" vase with geometric decoration Transparent blue blown-molded glass Decor deeply etched with acid Signed "Daum Nancy France" with the Cross of Lorrai...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Jean Cocteau ( 1889-1963 ) " la voix Humaine " . 1939 . dessin original de jean Cocteau . signé . avec l'étoile . 19 x 12 cm . encadrement : 39 x 32 cm. certificat de Madame Annie...

Signed, dated and numbered. Portfolio Twelve Photographs, No. 13 György Kepes was a Hungarian artist born in 1906. He studied painting at the Budapest’s Academy of Fine Arts. In 193...

Woodcut print from the Series "Der vreeselijke avonturen vas Scholastica" (The Terrible Adventures of Scholastica). Edition of 300, published by A. J. van Dishoeck. Unsigned, ass i...

Original etching from the portfolio "Les Métamorphoses d'Ovide" realized by Pablo Picasso in 1930 and published by Skira. Edition of 145 copies. Very good conditions. Re. Bloch p....

Original vintage 1933 poster: Graphin. The silhouette of the man is sitting on a casket of wine with a big bottle of wine resting on the ground in front ...

Harald Julius Niels Pryn, or Pryene, was born in 1891 in Frederiksberg, Denmark. He was a well-known Danish landscape painter. His specialty and main subjects were light-filled sea...

6th Avenue El at 8th St NYC Cityscape American Scene Social Realism Mid-Century Max Arthur Cohn (1903-1998) 6th Avenue El at 8th Street 13 x 18 inches Watercolor on paper, c. 1930 ...

Oil on canvas mounted on board, realized by Francesco Settimj in 1930s. Good condition.

Presenting a just discovered oil painting from the earliest period, c.1932, of American artist Ron Blumberg. After completing his fine art studies art at La Grande Academie Chaumiere in Paris Ron Blumberg left for New York in 1932, where he worked for eight years as a National Academy artist and a member of the Art Students League. Virtually every painting from this early New York period has been sold, making this the rarest period of work in Ron Blumberg’s career. City Street: Fifth Avenue, is an original oil on canvas, signed, c.1932, with an image dimension of 39 x 39 inches, good original condition with two very small restorations, set in a beautiful custom white gold frame. Please contact the gallery for information, availability and pricing Ron Blumberg Born: 1908 Reading, Pennsylvania Education: National Academy of Design, New York, NY Art Students League, New York, NY, 1930 Academie de La Grande Chaumiere, Paris, France, 1930-1931 ​Museum Exhibitions Delgado Museum, New Orleans, LA 1933 Houston Museum of Art, Houston, TX 1936 Oakland Museum Oakland, CA Dallas Museum of Fine Arts, Dallas, TX 1936, 1936 Denver Museum of Fine Arts, Denver, CO 1957 Tucson Museum, Tucson, AZ 1955 San Diego Museum, San Diego, CA 1962 Los Angeles County Museum of Art, Los Angeles, CA 1958 H. d Young Memorial Museum, San Francisco, CA 1967 Erma Frye Museum, Seattle, WA 1969 ​Gallery Exhibitions ACA Gallery, New York, NY 1937 Arr USA, New York, NY 1939 MacBeth Gallery, New York, NY 1932 Landau Gallery, Los Angeles, CA 1951 Esther Robles Gallery, Los Angeles, CA 1958,1959 Cushing Gallery, Dallas, TX 1972 Jean Dichter Gallery, Denver, CO 1955 Feingarten Galleries, Los Angeles, CA 1987 Trigg Ison Fine Art...

"Original Vintage Aquariums Mosans Poster – Art Deco Design by A. de Loof, 1930s European Travel Advertising" Discover the Captivating "Moselle Aquariums" - A Vintage Poster by A. d...

Georgina Klitgaard The Ledge, 1936-37 Signed lower right Oil on canvas 30 x 52 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artist...

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Factory Worker, c. 1936, oil on canvas, signed lower right, 18 ¼ x 36 inches; exhibited in City ...

Wire Haired Girl and Cat Pen and ink with watercolor, c. 1930 Signed with the Estate stamp "B" Provenance: Estate of the Artist By descent to his son Edward ...

American silent film actress Phyllis Gordon (1889 - 1964) window-shopping in Earls Court, London with her four-year-old cheetah who was flown to Britain from Kenya. (Photo by B C Par...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

A beautiful 1930's French post-impressionist oil on canvas depicting the Pont Royal bridge on the river Seine in Paris, by Bertrand Py. Excellent quality a...

Friends is an etching realized by Edouard Chimot in the 1930s. Signed on the plate by the artist on the lower right corner. Good conditions. Édouard Chimot (26 November 1880 – 7 J...

West Virginia native Grace Martin Taylor, artist for the brightly colored pastel (TownView), attended the Pennsylvania Academy of Fine Arts and the Art S...

Fitzgerald, James (1899-1971) OLD TREE. Cat Raisonne 1223. Watercolor on paper, c. 1930. Signed, lower left. 19 x 25 1/2 inches, framed to 27 5/8 x 33 1/4 inches. Provenance: Estate ...

An atmospheric and magical photo by master of the lens, photographic and cinematic, that captures a tranquil corner of Hyde Park. As Suschitzky himself said ...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

'Canard Siffleur' (Eurasian Wigeon) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of...

Finely painted American impressionist coastal landscape painting. Oil on board. Framed. Signed verso. Image size, 13 by 16 inches.

Rolla Taylor (1872-1970) San Antonio Artist Image Size: 24 x 30 Frame Size: 30.25 x 36.5 Medium: Oil on Canvas Circa 1920s/30s "Bluebonnets" Biography Rolla Taylor (187...

Marcel DYF 1899 - 1985 This piece has been confirmed by Claudine Dyf This work is registered in the Marcel Dyf Archive under N° ID 5158 Picture Size: 29 x 36" (72 x 92cm) Outside F...

Gorgeous large-scale pastel colored landscape of a Southern California grapevine valley by Eugene (Jene) Jackman (American, 1910-1970), 1937. Rolling hills sprawl across this vast la...