1930s Sculptures

"PANTHER" Sculpture covered in a cold patina. c.1930 Rests on marble base. Inscribed in script: D. H. Chiparus. Cold patina wa...

« Malagasy woman » also known as « Mulatto girl » also known as « Portrait of Aïcha Goblet » Bronze with black patina cast by ANDRO Belgian School circa 1935 Height 51 cm Biograph...

GILBERT LEDWARD, RA, PRBS (1888-1960) Tennis, Golf, Shooting, Ice-Skating, Dreaming – Proposed Design for Decorative Frieze in the Italian Drawing Room at Eltham Palace, commissioned by Stephen Courtauld Signed and dated July 9th 1933 Watercolour and pencil 12.5 by 49.5 cm., 5 by 19 ½ in. (frame size 36 by 67 cm., 14 ¼ by 26 ¼ in.) Exhibited: The artist’s daughter; London, The Fine Art Society, A Centenary Tribute, Feb 1988, no. 43. Gilbert Ledward was born in London. He was educated at St Mark’s College, Chelsea. In 1905 he entered the Royal College of Art to study sculpture under Edouard Lanteri and in 1910 he entered the Royal Academy Schools. In 1913 he won the Prix de Rome for sculpture, the Royal Academy’s travelling award and gold medal, which allowed him to travel in Italy until the outbreak of the Wold War I. During the war he served as a lieutenant in the Royal Garrison Artillery and was appointed as an official war artist in 1918. Following the war he was largely occupied as a sculptor of war memorials including the Guards Division memorial in St James’s Park and the Household Division’s memorial in Horse Guards Parade. In 1934, supported by Eric Gill and Edwin Lutyens, he established a company called Sculptured Memorials and Headstones, which promoted better design of memorials in English churchyards. His war memorials after World War II include one in Westminster Abbey to the Submarine Service, Commandos and Airborne Forces. Ledward was Professor of Sculpture at the Royal College of Art (1927-1929) and in 1937 was elected at Royal Academician. He became President of the Royal Society of British Sculptors and a trustee of the Royal Academy. The present work is a design for an intended decorative frieze for the Italian Drawing Room of Eltham Palace. In 1935 the remains of the medieval royal palace of Eltham was rescued from decay by Stephen and Virginia Courtald who built an ultra modern Art Deco house to adjoin the existing Great Hall. They employed the architects John Seeley and Paul Edward Paget and the fashionable Mayfair interior designer the Marchese Peter Malacrida to design the strikingly glamorous 1930s interiors of the new house. The dramatic entrance hall was created by the Swedish designer Rolf Engstromer...

Francesco Messina (Linguaglossa 1900 – Milan 1995), Fisherman (1930) Bronze sculpture measuring 131 x 52 x 65 cm, signed and dated 1930 on the base. Francesco Messina’s Fisherman w...

Portrait of the artist’s wife. Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived and worked in Paris. He was born in Romania, the son of Haralamb and Saveta. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the Ecole des Beaux Arts* to pursue his art at the classes of Antonin Mercie and Jean Boucher. Demetre Chiparus died in 1947 and was buried in Bagneux cemetery, just south of Paris. The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine*, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children. The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre, and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated. He worked primarily with the Edmond Etling and Cie Foundry in Paris administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry which constantly worked with Chiparus and produced the sculptures of his models. Chiparus rarely exhibited at the Salon. In 1923 he showed his Javelin Thrower, and in 1928 exhibited his Ta-Keo dancer. During the period of Nazi persecution and the World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened. Since the early 1940s almost no works of Chiparus were sold, but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures Polar Bear...

Balancing Elephant Louis-Albert Carvin (France, 1875-1951) Bronze, marble Circa 1930s, Art Deco 8 x 7.5 x 2 (4 1/4 x 7 1/2 x 1 7/8 figure) inches Artist Louis-Albert Carvin, born in Paris in 1875, was exposed to art from an early age through his painter father. Carvin's formal education in art began at the École des Beaux-Arts, where he studied under artists like Émmanuel Frémiet and Georges Gardet. Over the years, artist Louis-Albert Carvin became a renowned sculptor, dedicating his life’s work to the modeling of human and animal figures. He studied under Fremiet and Gardet and became a member of the Société des Artistes Français, exhibiting at the Salon des Artists Francais from 1894 until 1933 winning the Medal of Honor in his first year in 1894. Remarkably, he sculpted La Muse de l’Aviation, the bronze trophy...

French Art Deco terracotta sculpture by Ugo Cipriani (1887-1960), France, 1930s. A man operating a rudder. Measurements : Width : 31"(79cm), Height : 16.7"(42.5cm), Depth : 8.7"(22cm...

SASHA S. SCHNITTMAN "BALINESE DANCE" BRONZE, SIGNED AMERICAN, DATED 1937 17.5 INCHES ___________________________ Sascha S. Schnittman 1913-1978 He was born in New York City i...

Jo Daviidson: 1883-1952. Well listed American Sculptor who has had auction results over $31,000. He has had results over $6000 for these FDR bronze editions. The bust itself measures...

"Wrestlers" 1936 Olympic Porcelain Gay Mid 20th Century Art Deco WPA Modern LGBT Hungarian porcelain sculpture designed by Bela Pankotai Farkas for the 1936 Berlin Olympics...

Edris Eckhardt (American, 1905-1998) Earth, c. 1939 Signed on base Glazed earthenware 20.5 x 7.5 x 7 inches Born in Cleveland, Ohio January 28, 1905, Edris was given the name Edythe Aline Eckhardt. After graduating from Cleveland's East High she enrolled in the painting program at Cleveland School of Art. While enrolled in school she worked part-time at Cowan Pottery where she learned production techniques and firing schedules of various ceramic materials. She switched her choice of study at CIA to sculpture and graduated from Cleveland's School of Art in 1932. Edythe changed her name to the non-gender-specific name Edris in her mid-twenties after being passed over for an award to study sculpture in Europe for one year. Following graduation Edris studied sculpture with Alexander Archipenko in Woodstock, New York. She returned to Cleveland that same year. She was hired as a faculty member of Cleveland School and taught at the institution for 30 years. From 1935-1942 Ms. Eckhardt was the head of the Ceramics and Sculpture division of the Federal Art Project (later known as Works Progress Administration - WPA) of Cleveland. During this time frame she won first prize of the 1936 Cleveland Museum of Art May Show for her Alice in Wonderland figure, third Prize in the 1937 May Show for a Song of the South...

Industrial Machine Age American Scene WPA Mid 20th Century 1939 SF World's Fair HAIG PATIGIAN (American/Armenian, 1876-1950) Aeronautics Pediments Two Plaster Casts, c. 1930s each 13.25 x 14.75 x 6 inches It's possible these moquettes were created for the 1939 World's Fair, the Golden Gate International Exhibition in San Francisco. Provenance: Private Collection of Lois M. Wright, Author of "A Catalogue of the Life Works of Haig Patigian, San Francisco Sculptor, 1876-1950),” 1967 Loan to Oakland Museum of California (Oakland, CA) BIO Haig Patigian is noted for his classical works, which are especially numerous in public venues in San Francisco, California. Patigian was born in Van, Armenia, which at that time was under Turkish rule. Haig was the son of Avedis and Marine Patigian, both teachers in the American Mission School there. He and his older brother showed an aptitude for art early on and were encouraged by their parents. Their father himself had taken up the new hobby of photography. The 1880s were harsh times, however, for many Armenians under an oppressive rule by the Turkish government. Many people were fleeing to the safety of the United States. Suspicious Turkish authorities accused his father of photographing city structures for the Russian government, and in 1888 he fled for his life to America. Haigs father made his way to Fresno, California, and began life anew as a ranch hand. Within two years he sent for his wife, as well as Haig, his three sisters and brother, and in 1891 the Patigians made the journey from Armenia. Haigs father, an industrious man, worked on various farms, and eventually bought his own ranch and vineyard. It was among fertile farmland of Fresno that Haig grew up. Young Haigs education consisted of teachings by his parents and by intermittent attendance in public schools. Although he had dreams of becoming an artist, he did not have the opportunity for formal study of art, and began working long days in the vineyards around Fresno. At age seventeen, Haig made a step towards his dreams and apprenticed himself to learn the trade of sign painting. In his spare time he nurtured his interest in art by painting nature and life scenes with watercolors and oil paints. When his sign-painting mentor left Fresno, Haig opened his own shop and made a name for himself in the town. San Francisco, in the meantime, had been attracting artists since the Gold Rush and had become a thriving art center. Within a few years, Haig had put aside several hundred dollars to move to San Francisco, joining his brother who was already working there as an illustrator. In 1899, when he was twenty-three, Haig had saved enough money to enroll at the Mark Hopkins Art Institute in San Francisco. Like many aspiring artists of his time, Patigian supported himself by working as a staff artist in the art department of a local newspaper, and in the winter of 1900, nearing his 24th birthday, Haig began work for the San Francisco Bulletin, producing cartoons, black and white illustrations, as well as watercolors. In 1902 tragedy struck Haig and his family. His 29-year-old brother died of pneumonia, and then his frail mother died a short time later. Five months more saw his youngest sister, just out of high school, die too. Saddened and depressed, Haig moved out of the studio he had shared with his brother, and into a dilapidated studio in a poor section of town. During this time of sadness, Haig fed a growing interest in sculpture. In 1904 Haig created what he later called his "first finished piece in sculpture". The work, called "The Unquiet Soul", depicted a man thrown back against a rock while waves lash at his feet. The body was tense and twisted, with one hand, in Haig's own words, "searchingly leaning and clutching the rock, while the other masks his troubled head". The Press Club of San Francisco, which Haig had joined in 1901, put "The Unquiet Soul" on exhibition and local headlines proclaimed "Local Newspaper Artist Embraces Sculptor's Art", and "First Work Predicts Brilliant Future". With the support of friends and community acclaim, the young illustrator left his newspaper job and became a professional sculptor. The path of his new career was not easy though. Haig had never made much money working for the newspaper and his father needed help with growing debt from funeral expenses and business problems. From time to time Haig sold some artwork, but also occasionally borrowed from friends to pay the rent. He was the classic 'starving artist'. In the spring of 1905 a white-bearded 81-year-old stranger knocked on Haig's door. It was George Zehndner, from Arcata, California. Zehndner had been born in Bavaria, Germany in 1824, the son of a farmer. In 1849 he had come to America looking for prosperity, settling in Indiana, where he worked on a farm and learned English. He found his way to the West Coast in 1852. Penniless, he worked in various jobs from San Francisco to Sacramento, then found some luck working in the gold fields of Weaverville in Trinity County, and eventually moving to a farm on 188 acres near Arcata. In his 77th year in May of 1901, Zahndner had taken a trip to San Jose, where he stood in a crowd to see a man he thought much of, President William McKinley. McKinley was popular as 'the first modern president' partially because he realized going out to meet the common person increased his support. In September of that year, however, an anarchist assassinated the president while he stood in a receiving line at the Pan-American Exhibition in Buffalo, New York. Soon after, the city of San Jose erected a statue of the slain president in St. James Park. Zehndner took a second trip to San Jose where he visited the McKinley monument. Touched, Zehndner decided that, no matter the cost, his town of Arcata too would memorialize McKinley. George Zehndner had read about Haig in a newspaper article and asked if Patigian would create a heroic statue of the late President McKinley for Arcata. When asked how much it would cost, Haig responded, despite his borderline poverty, with the fabulous sum of $15,000. Zehndner agreed. The President was to be portrayed standing, wearing an overcoat, with his feet planted squarely on the ground. In the finished statue, one hand is held out before him in a typical posture of speaking, with the other hand holding the speech as his side. The 9-foot statue...

Pair of fabulous large vintage Chinese wood geese sculptures. Rare early 20th Century handcrafted, painted wood, geese sculptures with amazing details and beautiful rustic earthy col...

This French Art-Deco hand-carved wooden panel or wall-mounted sculpture features a stunning Venetian mask. This high-dimensional panel is made of natural wood with a warm tone and re...

Impressive Bronze Relief by Käthe Kollwitz ( 1867-1945, Germany ). Created 1938 in memory of her friend Ernst Barlach. Bronze brown patinated. On the left side signed: Kollwitz. He...

Signed, dated, and inscribed on the verso: Malvina Hoffman/ Den Pasar/ “Nipolog”-/ © 1932/ Bali Provenance: The artist; her estate. Literature: Mal...

Arrighini Nicola (Pietrasanta 1905-1977) a sculptor of Pietrasanta (Italy) in 1930 decided to create, in white Carrara marble on black marble basis, the Mask of Leopoldo Fregoli, o...

Presenting an original carved wood sculpture by American WPA artist Avis Zeidler Nemkoff. "Isabella", is a hand carved wood sculpture measuring 18.5 inches tall, exceptional original condition, originally acquired from the estate of the artist who resided in Northern California. This is a magnificent one of a kind hand carved wood sculpture, c.1938. Please contact the gallery for additional information •Avis Zeidler was born in Madison, Wisconsin, in 1908. •It is not known when Zeidler moved to California. However, in the 1930s she majored in art at the University of California. •Later, she enrolled at the California School of Fine Arts after receiving a scholarship for her studies there. She studied with Ray Boynton, Lucien Labaudt, Karl Eugen Neuhaus, and Ralph Stackpole...

This sumptuous engraved wooden panel depicting panthers in the bush was created by N.R. Brunet (France, 20th Century). Art Deco design typical of the period, N.R. Brunet is known for...

This is a lovely 1930's C bronze bust signed by the Art Deco sculptor Henry Van Hoeter.

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

Young Antelope Or Young Deer A nice bronze cast of a young antelope or a young male deer licking its back, by Sirio Tofanari (1886-1969). An old cast wi...

A very rare bronze cast of two battling Rams, by Sirio Tofanari (1886-1969). An old cast with a dark brown shaded patina. On a heavy green marble steppe...

Numbered 1/8 Cast Fonderie Rocher A fine cast with a vivid green patina of a bird of prey

A fine quality, twentieth-century bronze model of a ram and a ewe by Alberic Collin (Belgian 1886-1962). Cast by the Rocher Paris foundry signed, inscri...

A fine quality, twentieth-century bronze model of a roaring lioness by Alberic Collin (Belgian 1886-1962). Prior to casting by the Valsuani foundry it w...

African Wood c1930 Ceremonial Figure w/Vessel For Offering. Nigeria-Yoruba 32 1/2 x 16 x 10"

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

A stunning French Art Deco bronze sculpture figurine. The statue features a stylized freestyle interpretation of Artemis or Diana the Huntres...

Elegant wooden sculpture, statuette by sculptor G. Rouxel (France, 20th Century). Finely carved seagull bird on a stylized rock. The statue is in beechwood with a rich golden brown patina. The engraved signature on the base reads "G. Rouxel - Vannes," and on the other side of the base, there is an engraved monogram. Measurements: 4.32 in. wide (11 cm) x 4.75 in. deep (12 cm) x 15 in. high (38 cm). About: G. Rouxel is a sculptor from Vannes (Morbihan - France) who carved many wooden animals in the Art Deco style. We know of this same artist, wooden religious statues...

RICHARD GARBE, RA (1876-1957) The Falconer Signed and dated on the reverse: Richard Garbe, ARA / 1932 Patinated plaster 49.5 cm., 19 ½ in. high Proven...

Max Kalish (American, 1891-1945) Harmony, c. 1930 Bronze with green marble base Incised signature on right upper side of base 14 x 9 x 5 inches, excluding base 17 x 10 x 8 inches, including base Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti...

Artist: Bernardo Morescalchi Title: Ephebe Medium: marble sculpture Signature: signed on the base Bibliography: Nuovo Dizionario degli Scultori Italiani dell’Ottocento e del Primo No...

Stunning, original Art Deco bronze of a male archer by the well known French sculptor, Pierre Le Faguays. Condition is very good. Verde green finish over bronze patina. Slight rubbed...

Polo (Wall Plaque) Polychromed ceramic, c. 1930-1931 Signed with the artist's initials: VS recto Cowan Pottery stamp verso References And Exhibitions: Designed by the artist while working for Cowan Pottery in 1930. One of Cowan's clients, an interior designer, requested plates decorated with different outdoor activities. Others in the series included "Swimming," "Tennis," "Golf," and "The Hunt." Condition: with the usual craquelure Size: 11 1/4 inches in diameter Industrial design democratizes high style, and Mr. Schreckengost was widely considered among the most democratic industrial designers. He made, quite literally, the stuff of life — things found routinely in homes, backyards and garages in this country and around the world. He designed bicycles for Sears and everyday china for American Limoges. He designed children’s toys and pedal cars; flashlights, furniture and fans; lawn chairs, lawn mowers...

An extraordinary group of Ibeji "triplets" sculpted by the same master sculptor. Ibeji is name of a very specific type of carved wooden figure from Yoruba in Nigeria. Ibejis repre...

The soft muted colors of the black men playing craps with well worn clothing is a typical depiction of Black Folk Art reflecting the images of black men...

Keith Murray Pottery smaller size 6" matte green and yellow vessels. $950 each or $1750 for pair. Both in excellent condition, a little wear on the bottom. We also have a larger collection of Keith Murray pottery in large Moonstone and Bombe, celadon polished glaze bowls and many others. Please contact for further details and photographs. All from Keith Murray designed for Wedgwood in the 1930' and illustrated in the book "Wedgwood Ceramics...

Feminine Nude Bronze with black patina Signed on Base 31 inches Paris Listed in Major Art books Iconic pose of both arms pressed close to the body with ...

Antique French wooden steer's head is used as the exterior sign of a butcher’s shop (in French, they call it a Boucherie). The sign must be over a hundred years old, still has its or...

Hammer and two nails on wood board, 1930, signed in pencil, from an unknown edition size, published by Edition VICE-Versand, Remscheid, Germany, overall sizes: 34 x 16.5 x 7.8 cm. (1...

A substantial and dramatic Art Deco figure of a horse, hand-carved in rose-ochre alabaster. Unsigned, American School circa 1930.

Figurative bronze sculpture of a man with his dog hunting. The man has a drawn bow. The sculpture is mounted on a marble base. The signature is stamped on to the bronze. Artist Bio...

The stylized bronze nude posing on black Lucite base,

Golf (Wall Plaque) Polychromed ceramic, c. 1930-1 Signed with the artist's initials: VS recto Format: Round ceramic plate, 11 1/4 inches Designed by the artist while working for Cowan Pottery in 1930. One of Cowan's clients, an interior designer, requested plates decorated with different outdoor activities. Others in the series included "Swimming," "Tennis," "Polo," and "The Hunt." According to Henry Adams, the number of examples created was very limited due to the closing of Cowan Pottery in 1931. Very rare Condition: Good, with the usual craquelure of the glazes used. Note: Industrial design democratizes high style, and Mr. Schreckengost was widely considered among the most democratic industrial designers. He made, quite literally, the stuff of life — things found routinely in homes, backyards and garages in this country and around the world. He designed bicycles for Sears and everyday china for American Limoges. He designed children’s toys and pedal cars; flashlights, furniture and fans; lawn chairs, lawn mowers...

Signed 'Lloyd' for Caroline Lloyd (American, 1875-1945) and created circa 1935. Base impressed with foundry stamp, 'C. Valsuani Cire Perdue', for Claude Valsuani Fonderie, Paris. Born in Indiana, Caroline Lloyd first studied at the Convent of Notre Dame in Milwaukee. After raising a family, she moved to Paris where she studied under Robert Wierick at the Ecole des Arts Appliqué à l’Industrie and, subsequently, at the Académie de la Grande Chaumière in Montparnasse. In France, Lloyd quickly achieved both commercial and critical success and was made welcome in Modernist artistic circles. She exhibited widely, including at the Salon D'Automne, the Salon des Tuileries and the Salon des Beaux Arts among other Ateliers and galleries. At the Paris International Exposition of 1937, Lloyd was awarded a medal and her exhibited work was purchased by the French government for the permanent collection of the Jeu de Paume...

This ceramic pot was made by an unknown Mossi artist in Burkina Fasso. It was used as a farmer's water jug. The Mossi are a people in central Burkina Faso, living mostly in the villa...

"Barge Toiler" by Max Kalish is a Mid 20th Century modern Depression-Era sculpture from his Labor series. The WPA era work is made of plaster. Max Kalish (1891 – 1945) Barge Toiler...

"Nkondi Bakongo Fetish - Zaire" is a sculpture created out of wood, cloth, nails, and twine in circa 1930. This statue is large and formidable. The figure's limbs are wrapped up in a...

"Idgo Nigeria Female Standing" is a wooden statue with blue and white pigment created in Nigeria circa 1930. This figure stands up right with arms out slightly in front of her. A st...

Modern artist George L.K. Morris created this abstract biomorphic non0objective plaster sculpture during the WPA era of the 1930s / 40s. Though George Lovett Kingsland Morris studie...

Sculpture Terracotta From Marcel Bouraine (1886-1948)" Original terra cotta sculpture of Marcel Bouraine Naïade of the 1930's Signed Bouraine On the ...

"Fire Spiter's Mask/Senufo Mask of Worship Ceremonies" is made of wood and was created in the Ivory Coast circa 1930. This mask has to heads on either side...

"Secret Society Mask-Sierra Leone W. Africa," is a wood sculpture of a woman's head. The hair has been sculpted with intricate detail, and metal hair adornments...

Edition of 100 copies numbered and signed by the artist. Excellent conditions. Aurelio Mistruzzi was an Italian sculptor and medalist. He attended the Udine School of Art with profe...

Marble portrait of a boy in 1930 not signed

Trego Samhain ca. 1930s Foundry Mark: Fundicion Campaiota Bronze 30 x 11.75 x 7 inches $8,500