1930s Sculptures

Lioness Turning by Roger GODCHAUX (1878-1958) A very fine bronze sculpture with nuanced dark brown patina Signed " Roger Godchaux " on the base Marked and stamped by the bronze fou...

A very rare bronze cast of two battling Rams, by Sirio Tofanari (1886-1969). An old cast with a dark brown shaded patina. On a heavy green marble steppe...

Elephant running with coiled trunk by Roger GODCHAUX (1878-1958) Sculpture in bronze with a very nuanced brown patina Signed on the base "Roger Godchaux" Cast by "Susse Frs Edts Par...

Pair of bookends with Elephants by Ary BITTER (1883-1973) A very fine pair of bronze sculptures with a nuanced green patina Signed " Ary Bitter Sclp " on an original plaque on one o...

An extraordinary group of Ibeji "triplets" sculpted by the same master sculptor. Ibeji is name of a very specific type of carved wooden figure from Yoruba in Nigeria. Ibejis repre...

Pair of bookends with Elephants by Ary BITTER (1883-1973) A very fine pair of bronze sculptures with a nuanced dark brown patina Signed " Ary Bitter Sclp " on an original plaque on ...

Bushbuck by Charles DELHOMMEAU (1883-1970) Sculpture with a nuanced reddish-brown patina Signed on the base "Delhommeau" Sand cast France circa 1938 height 27,5 cm base 20,5 x 7,5 ...

Portrait of a Man by Marcel GIMOND (1894-1961) Bronze with a very nuanced dark brown patina signed on the neck with the monogram "MG" period cast by "Meroni Radice, cire perdue, Par...

F. Luis Mora (American, 1874-1940) Native American, c. 1930s Ceramic Stamped on bottom, Cowan Pottery 9 x 7 x 5 inches Francis Luis Mora was one of the better-known American artists...

French Art Deco terracotta sculpture by Ugo Cipriani (1887-1960), France, 1930s. A man operating a rudder. Measurements : Width : 31"(79cm), Height : 16.7"(42.5cm), Depth : 8.7"(22cm...

Art Deco patinated bronze titled "The Discus Thrower" by Claire Jean Roberte Colinet (1880-1950) Raised on a circular green marble base and the attached to a square lacquered metal b...

A fine quality, twentieth-century bronze model of a roaring lioness by Alberic Collin (Belgian 1886-1962). Prior to casting by the Valsuani foundry it w...

Maxim Geo Woman with child Metal, marble, onyx, 39x51x15 cm small defect

American artist Burton Freund worked in Chicago in the 1930's and 1940’s for the FAP (Federal Arts Project) as an illustrator and sculptor. These original wood sculptures are time capsules of the 1930's and 1940's, hand carved out of solid wood including their bases. Walking the train platform in Chicago in 1938, the artist saw a "Red Cap" porter with a Phi Beta Kappa key hanging around his neck. When asked, the porter...

Walter Sinz (American, 1881-1966) Zinnia, c. 1930 Plaster Signed on base 9 x 8 x 4 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on July 13, 1881. Sinz’s fa...

Entangled bodies, 1942. Terracotta sculpture by Giorgio Rossi (1894-1981). Tuscan Sculptor. Material: Hand-modeled terracotta by the artist. Unique piece. Dimensions: Height 23 c...

Golf (Wall Plaque) Polychromed ceramic, c. 1930-1 Signed with the artist's initials: VS recto Very rare, only a few produced prior to the closure of Cowan Pottery Format: Round ceramic plate, 11 1/4 inches Designed by the artist while working for Cowan Pottery in 1930. One of Cowan's clients, an interior designer, requested plates decorated with different outdoor activities. Others in the series included "Swimming," "Tennis," "Polo," and "The Hunt." According to Henry Adams, the number of examples created was very limited due to the closing of Cowan Pottery in 1931. Very rare Condition: Good, with the usual craquelure of the glazes used. Note: Industrial design democratizes high style, and Mr. Schreckengost was widely considered among the most democratic industrial designers. He made, quite literally, the stuff of life — things found routinely in homes, backyards and garages in this country and around the world. He designed bicycles for Sears and everyday china for American Limoges...

This mask was hand-carved by an unknown artist from the Mende tribe in Sierra Leone, Africa. It depicts a face with its eyes downcast, hair in rows, and two birds on the top. 16" x 10" x 10 1/2" The Mende people (also spelled Mendi) are one of the two largest ethnic groups in Sierra Leone. The Mende are mostly farmers and hunters. Much Mandé art is in the form of jewelry and carvings. The masks associated with the fraternal and sorority associations of the Marka and the Mendé are probably the best-known, and finely crafted in the region. The Mandé also produce beautifully woven fabrics which are popular throughout western Africa, and gold and silver necklaces, bracelets, armlets, and earrings. Masks are the collective Mind of Mende community; viewed as one body, they are the Spirit of the Mende people. The Mende mask...

Quirino Ruggeri (Albacina di Fabriano 1883 - Rome 1955), Portrait of Cecilia Barbieri (1940) Bronze sculpture measuring 115 x 60 x 27 cm. Exhibitions: Quirino Ruggeri Painting and ...

"Nkondi Bakongo Fetish - Zaire" is a sculpture created out of wood, cloth, nails, and twine in circa 1930. This statue is large and formidable. The figure's limbs are wrapped up in a...

Asymmetrical head of man, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Terracotta modeled by hand by the artist. Unique piece.  Dimensions: Height 34 cm. The choice ...

Philip Paval was a sculptor and silversmith who worked primarily in Los Angeles. He was known as a Hollywood Artist, as he affiliated with many of the Hol...

Else Fürst was a German sculptor and medalist who was murdered by the Nazis. Biographical data: Bronze signed Foundry stamp of the Berlin foundry Kraas. 25 x 73 cm Born: June 25,...

This sculpture is part of our exhibition Charles Goeller: A Wistful Loneliness. Carved and painted wood and gesso, 23 x 15 3/4 x 3 inches, Signed verso "Carved by Charles L. Goeller...

This head of young boy is a rare, precious and unpublished sculpture by Marino Marini, belonging to a private collection for over 60 years. The same subject...

Numbered and signed. Limited edition of 100 pieces. Excellent conditions. Aurelio Mistruzzi was an Italian sculptor and medalist. He attended the Udine School of Art with professor ...

Woman's face, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Tuscan Sculptor. Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 27 cm. The ch...

"Secret Society Mask-Sierra Leone W. Africa," is a wood sculpture of a woman's head. The hair has been sculpted with intricate detail, and metal hair adornments...

Signed lower right: Marco Novati Italo Balbo was one of the key figures of Italian fascism, being among the four quadrumvirs of the March toward Rome whic...

Hans Harders (1875 Mörel - 1955 Berlin), Boy playing the shawm, around 1930. Dark patinated bronze with round plinth on a black marble base (2 cm high), t...

Lenci is a company founded in 1919, in Turin, by Enrico Scavini. Initially it was involved in the production of dolls, furniture and baby furniture, but also in a particular fabric n...

This half-shield from New Guinea is carved wood, embellished with vegetable pigment. It features an abstracted face with other designs. The shield is 31" x 9" x 4".

Pyrenean bear sitting by Georges GUYOT (1885-1972) Sculpture in bronze with a nuanced black patina Signed " Guyot " on the base Cast by Martin Canal, without founder mark France circa 1935 Height 18,4 cm Width 17 cm Depth 18 cm Biography : Georges Lucien Guyot (1885-1973) known as Georges Guyot was a French animal artist. From an early age, he showed artistic abilities, but the modest conditions of his parents did not allow him to study art. He was doing his apprenticeship with a woodcarver. Guyot then excelled at copying works of the fifteenth, sixteenth and seventeenth centuries, but soon he showed a special attraction for nature. This attraction led him to the Jardin des Plantes in Paris where he could study wild animals and translated his observations into sculpture and painting. As a famous figure of Montmartre, he was the host of the Bateau-Lavoir from the time of Cubism. In 1931, Georges Guyot joined the group of "The Twelve", created by François Pompon and Jane Poupelet, gathering sculptors like Marcel Lémar, Paul Jouve, André Margat, Jean-Claude de Saint-Marceaux, Georges Hilbert, or even the painter Adrienne Jouclard...

Polo (Wall Plaque) Polychromed ceramic, c. 1930-1931 Signed with the artist's initials: VS recto Cowan Pottery stamp verso References And Exhibitions: Designed by the artist while working for Cowan Pottery in 1930. One of Cowan's clients, an interior designer, requested plates decorated with different outdoor activities. Others in the series included "Swimming," "Tennis," "Golf," and "The Hunt." Condition: with the usual craquelure Size: 11 1/4 inches in diameter Industrial design democratizes high style, and Mr. Schreckengost was widely considered among the most democratic industrial designers. He made, quite literally, the stuff of life — things found routinely in homes, backyards and garages in this country and around the world. He designed bicycles for Sears and everyday china for American Limoges. He designed children’s toys and pedal cars; flashlights, furniture and fans; lawn chairs, lawn mowers...

Bronze Jewish Rabbi. Original Patina. Art-deco wood carved base. It is signed with initials P.K. and marked "Calif Art Bronze Fdry LA" (California Art Bronze Foundry Los Angeles). it is not dated. PETER KRASNOW (1886-1979), Russian-Ukrainian, American artist painter and sculptor, born Feivish Reisberg, was a California modernist and colorist artist known for his abstract wood sculptures and architectonic hard-edge paintings and drawings which were often based on Hebrew calligraphy and other subjects related to his Jewish heritage...

A rare sculpture by a fascinating American modernists, Louis Schanker. Shanker was born in New York City in 1903. At a young age he quit school, ran away from home and joined the ci...

Pheasant by François Pompon (1855-1933) Exceptional bronze with old gilded patina Cast by Valsuani Period cast France circa 1930 height 8,2 cm length 14,2 cm width 3,6 cm A similar model is represented in "Pompon, Catalog raisonné", Editions Gallimard, RMN, 1995, page 202, n°95B. Biography: François Pompon (1855-1933) is known for his animal sculptures whose innovative style is characterized by the simplification of shapes and polished surfaces. Pompon entered as an apprentice in the workshop of his father, Alban Pompon (1823-1907) who was a "compagnon du devoir" of the carpenter-cabinetmakers. Thanks to a scholarship obtained by the parish priest, he left in 1870 for Dijon where he became an apprentice stonemason with a marble worker. He attended evening classes at the School of Fine Arts in Dijon, first in architecture and engraving with Célestin Nanteuil, then in sculpture with François Dameron (1835-1900). After a short stint in the army in 1875, Pompon arrived in Paris where he became a marble worker in a funeral business near the Montparnasse cemetery. He attended evening classes at the Petite École, the future National School of Decorative Arts. His teachers were the sculptors Aimé Millet (1819-1891) and Pierre Louis Rouillard (1820-1881), also professor of anatomy, who showed him the menagerie of the Jardin des Plantes. In 1890, François Pompon entered the studio of Auguste Rodin (1840-1917), where he worked as a practitioner at the marble depot, rue de l'Université. He quickly gained the master's confidence since he ran the workshop in 1893. His role then was to pass on the accounts, pay for the marbles and supervise the work. It is in this same workshop that he met Ernest Nivet and Camille Claudel. He worked for a long time as a practitioner for other sculptors such as Jean Dampt...

Hippopotamus by Armand PETERSEN (1891-1969) Sculpture in dull finish white tender paste porcelain. The bottom signed with the monogram « AP ». Stamped « B - G (for Bing & Grøndahl),...

Artist: Burr Miller (1904-1958) Title: Bust of Helen Coolidge Woodring Year: 1939 Medium: Patinated Bronze, signed, titled, and dated on verso Size: 14.5 x 7.5 x 9 in. (36.83 x 19.05...

This ceremonial mask was created by an unknown artist in the Yaka tribe of Africa. This mask is made out of carved wood, plant fibers, and painted intricately. This mask is mounted on five steel rods and has a base. 26" x 14" x 15" The Yaka are an African ethnic group numbering around 300,000 found in southwestern Democratic Republic of the Congo, with Angola border to their west. The Yaka are notable for their arts and handicrafts. They make statues, portraits, baskets, carved objects, masks, tools for cooking, building, hunting, fishing or entertaining with additions of instruments such as drums. Their masks are bulky, distinctive with upturned noses and eyes shaped in the form of globules. These masks were frequently used in various Traditional Religion ceremonies. Their sculptures called Mbwoolo and their carved slit drum...

African Wood c1930 Ceremonial Figure w/Vessel For Offering. Nigeria-Yoruba 32 1/2 x 16 x 10"

Portrait of Albert Dubarry by Léon-Ernest DRIVIER (1878-1951) Bronze with a nuanced greenish dark brown patina signed "Drivier" cast by "Montagutelli, Paris, cire perdue" (with the ...

RICHARD GARBE, RA (1876-1957) The Falconer Signed and dated on the reverse: Richard Garbe, ARA / 1932 Patinated plaster 49.5 cm., 19 ½ in. high Proven...

Modern artist George L.K. Morris created this abstract biomorphic nonobjective plaster sculpture during the WPA era of the 1930s / 40s. Monogrammed. Though George Lovett Kingsland Morris studied with realist painters John Sloan and Kenneth Hayes Miller at the Art Students League, the influence of their points of view was replaced by that of abstractionists Amedee Ozenfant and Fernand Leger. The paintings of Morris were two-dimensional, hard-edged and brightly colored. Born in New York City in 1905, Morris became a full-fledged abstractionist and a founder in 1936 of the American Abstract Artists. He edited "The World of Abstract Art, the group's publication, and was their president from 1948-1950. Morris had graduated from Yale in 1928 and studied at the League until 1930, when he went to Paris to attend the Academie Moderne. A sculptor, writer, art critic and teacher in addition to abstract painter Morris himself later taught at the Art Students League from 1943-1944, as well as St. John's College, Annapolis, Maryland, 1960-1961. Morris' intrinsic abstract bent was made even clearer by his positive feeling for Hans Arp's sculpture. He and Arp edited the French art magazine, "Plastique." Morris also edited the "Bulletin of the Museum of Modern Art" and "Partisan Review." He died in 1975 in New York City. George LK...

"Fire Spiter's Mask/Senufo Mask of Worship Ceremonies" is made of wood and was created in the Ivory Coast circa 1930. This mask has to heads on either side...

This ceramic pot was made by an unknown Mossi artist in Burkina Fasso. It was used as a farmer's water jug. The Mossi are a people in central Burkina Faso, living mostly in the villa...

"Idgo Nigeria Female Standing" is a wooden statue with blue and white pigment created in Nigeria circa 1930. This figure stands up right with arms out slightly in front of her. A st...

Arturo Martini (Treviso 1889 - Milan 1947), La Botola (1930 / 1933) Terracotta sculpture 34 x 42 x 9 cm signed lower left; label of Galleria del Milione, Milan, on back. Provenance...

Marble portrait of a boy in 1930 not signed

Monumental, Art Nouveau, Bronze Sculpture – Anonymous (20th Century) “Woman with Two Borzoi Dogs” 6 feet 7 inches high x 3 feet 3 inches wide x 2 feet 5 inches wide Medium: Silvered, patinaed and painted bronze Provenance: Maxwell House...

"Cow Pull Toy" is a carved and painted wood sculpture by an unknown folk artist. The sculpture is 9 1/4" long and 7 1/4" high.

Ena Rottenberg (1893-1952) art glass sculpture titled "Modell.” Made in Czechoslovakia. Marked “Rottenberg” 13" H. This piece was awarded the Grand Prix at the World’s Fair Paris, 19...

Parrotlet by Armand PETERSEN (1891-1969) & SEVRES Manufacture Sculpture in white paste porcelain Signed « A. Petersen » Old edition artwork. Stamped by the porcelain manufacture of ...

Singing by Hubert YENCESSE (1900-1987) A bronze sculpture with a nuanced brown patina signed on the base " H. Yencesse " cast by " A. Rudier fondeur Paris " (with the foundry mark) ...

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

Bacchante by Charles DESPIAU (1874-1946) Sculpture in bronze with nuanced dark brown patina Signed at the back "C. Despiau" Cast by Alexis RUDIER France Vers 1930 Height 23 cm Width 18 cm Depth 13 cm The plaster model of "Bacchante" was exhibited in 1909 at the Salon of the Société Nationale des Beaux-Arts. Charles Despiau produced several variants of this work, including the one presented here. Among other known versions, there is one cast with the right leg cut off, four casts with the torso alone and eight casts with the raised leg (1929). Bibliography : "Charles Albert Despiau", Collections du musée...

Young woman seated with drapery by Pierre-Marie POISSON (1876-1953) Bronze sculpture with nuanced green patina signed on the base "P. Poisson" old cast France circa 1935-40 height 21,5 cm length 24,5 cm depth 11 cm Biography : Pierre-Marie Poisson (1876-1953) was a French sculptor and medalist. He studied sculpture at the Ecole des Beaux-Arts in Toulouse from 1893 to 1896, where he trained in plaster works. He completed this teaching in the Barrias studio in Paris. He began to exhibit his works in 1899 at the Society of French Artists and in 1907 obtained a medal of honor at the Salon as well as an allowance to reside at the villa Abd-el-Tif in Algiers where he designed and produced the decorations. He returned there regularly until 1914. After the Great War, Poisson collaborated with the Compagnie des Arts Français with Süe and Mare. In 1922 the city of Niort commissioned Poisson a war memorial located on the esplanade of the keep. Poisson created the monument to the dead in Le Havre in 1925, considered his masterpiece. He participated in various decorative works : lounge of the Paquebot...

Francesco Messina (Linguaglossa 1900 – Milan 1995), Fisherman (1930) Bronze sculpture measuring 131 x 52 x 65 cm, signed and dated 1930 on the base. Francesco Messina’s Fisherman w...

Young Antelope Or Young Deer A nice bronze cast of a young antelope or a young male deer licking its back, by Sirio Tofanari (1886-1969). An old cast wi...