Skip to main content

Boris Lovet-Lorski Art

American, 1894-1973

Boris Lovet-Lorski, sculptor, lithographer and painter, who contributed significantly to the American Art Deco movement, was born in Lithuania in 1894. Trained as an architect at the Royal Academy in Petrograd, throughout his career, Lovet-Lorski was acutely sensitive to volume and structural space. He also incorporated architectural backgrounds in the flattened aesthetic of his Art Deco neoclassicism, hallmarks of his elegant in a distinctly original style. Lovet-Lorski's idealized subject matter and masterful designs quickly won the young sculptor critical acclaim and led to his first one-man show in Boston in 1925, the year he became an American citizen. He was then invited to teach at the Milwaukee Institute of Art & Design, quickly developing a reputation that catapulted him into the New York artistic milieu. He exhibited on a regular basis with the Wildenstein Gallery from 1928 onward. Lovet-Lorski was a quintessentially Art Deco artist. His unique style was an amalgam of Modern, Tribal, Oriental, Archaic and Teutonic influences. His Slavic roots and eclecticism tempered his modernism with lyricism and a sense of mystery. His sculptures, in bronze or Black Belgian Marble, are sleek and gorgeously polished. The work from the 1920s and 1930s often featured exotic, allegorical nudes, stylized horses or busts. Lovet-Lorski was particularly noted for his female nudes with narrow hips, thoracic cages that broaden as they rise from waist to shoulder and wide-spread arms, with hands clasped and held behind or above classically modeled heads that were perched on their torsos like flowers on a stem. Lovet-Lorski's idealized vision coincided perfectly with the mechanization of the era, its gleaming, streamlined airplanes, automobiles and proud skyscrapers, that were the sacramentals of the inter-war period. He regularly worked in sumptuous and precious materials, onyx, jade and rare, fossilized wood essences, such as that taken from a 600-year old, Assyrian lemon tree. He tailored the subjects of his sculptures to suit the nature of his materials. The Belgian black marble of Head of a Woman is a dense and close-grained stone that complements the idealized features of the figure. God Unknown, one of the sculptor's best-known works was carved in pure white Carrara marble. His preferred exteriors were like polished silk,” adding to the serenity and timelessness that his sculptures convey. Lovet-Lorski’s style and the allure of his materials brought him commissions for portraits of high society and celebrated figures. By 1929, he was successful enough to maintain studios in New York, Rome and Paris. Wildenstein Gallery gave him a retrospective exhibit in 1940. His recognition was international and his sculptures were acquired by the permanent collections of over 20 major museums. The sculptor received the French Legion of Honor in 1950. He was a member of the National Academy of Design, the National Sculpture Society, the Society of Independent Artists and the Salons of Paris. His last major work was the Manila War Memorial. He attempted to complete the monument in 1957, but arthritis had crippled him to the point that he could no longer sculpt. He finished his career as a painter and his works continued to enjoy considerable success. Lovet-Lorski's works are held in the collections of the Musée de Luxembourg, Paris; the Bibliothèque Nationale, Paris; the Petit Palais, Paris; the British Museum, London; and many museums and galleries in the United States: the Metropolitan Museum of Art, New York; the Los Angeles Museum of Art; the Seattle Art Museum and the San Francisco Museum of Fine Arts. As an interesting footnote: in his youth, he had considerable success with the feminine sex that was so eloquently extolled in his art.

to
4
19
15
2
1
19
Overall Height
to
Overall Width
to
14
4
14
12
11
5
4
4
3
2
2
2
1
1
1
19
13
6
19
7,308
3,982
2,507
1,219
13
3
3
1
1
Artist: Boris Lovet-Lorski
Untitled (Nude in Landscape)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Nude in Landscape)', lithograph, edition 250, 1929. Signed and numbered 5 in pencil. Number 5 of Volume 1, a series of 10 lithographs published by the ...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Crucifixion)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Crucifixion), lithograph, edition 250, 1929. Signed and numbered 7 in pencil. Number 7 of Volume 1, a series of 10 lithographs published by the artist a...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Black Woman Crouching)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Black Woman Crouching)', lithograph, edition 250, 1929. Signed and numbered 16 in pencil. Number 16 of Volume 2, a series of...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Nude Dancer)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Nude Dancer)', lithograph, edition 250, 1929. Signed and numbered 12 in pencil. Number 12 of Volume 2, a series of 10 lithogr...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Portrait of an African Woman — 1920s Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Portrait of an African Woman), lithograph, edition 250, 1929. Signed and numbered 13 in pencil. Number 13 of Volume 2, a series of 10 lithographs publis...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Profile of an African Woman)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Profile of a Black Woman)', lithograph, edition 250, 1929. Signed and numbered 14 in pencil. Number 14 of Volume 2, a series of 10 lithographs publishe...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Nude with Buildings)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nude with Geometric Forms), lithograph, edition 250, 1929. Signed and numbered 8 in pencil. Number 8 of Volume 1, a series of 10 lithographs published b...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Nude Dancer — 1920s Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nude Dancer in Modernist Stage-setting), lithograph, edition 250, 1929. Signed and numbered 20 in pencil. Number 20 of Volume ...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Nike)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nike), lithograph, edition 250, 1929. Signed and numbered 1 in pencil. Number 1 of Volume 1, a series of 10 lithographs in each of 2 portfolios, publish...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Profile of an African Woman —1920s Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Profile of an African Woman), lithograph, edition 250, 1929. Signed and numbered 15 in pencil. Number 15 of Volume 2, a series of 10 lithographs publish...
Category

1920s American Modern Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Crucifixion) — 1920s modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Nude Crucified)', lithograph, edition 250, 1929. Signed and numbered 19 in pencil. Number 19 of Volume 2, a series of 10 lithographs published by the a...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Nude with Horse)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nude with Horse), lithograph, edition 250, 1929. Signed and numbered 10 in pencil. Number 10 of Volume 1, a series of 10 ...
Category

1920s American Modern Boris Lovet-Lorski Art

Materials

Lithograph

Preliminary Study for Cretan Dancer Bronze
By Boris Lovet-Lorski
Located in Fairlawn, OH
Preliminary Study for Cretan Dancer Bronze Graphite on tracing paper, 1930 Unsigned Note: The bronze sculpture measures 24 1/2 x 33 5/8 inches and is signed and dated 1930 on the bas...
Category

1930s Art Deco Boris Lovet-Lorski Art

Materials

Graphite

Preliminary Study for a Sculpture Project
By Boris Lovet-Lorski
Located in Fairlawn, OH
Preliminary Study for a Sculpture Project Graphite, charcoal and wash on tracing paper, c. 1930-1940 Signed upper left and lower left (see both photos) Created while the artist was l...
Category

1930s American Modern Boris Lovet-Lorski Art

Materials

Charcoal

Art Deco Prancing Horse with Female Nude
By Boris Lovet-Lorski
Located in Miami, FL
Famed Art Deco Sculptor Boris Lovet-Lorski depicts his signature "Stallion." in this stunningly elegant drawing. It features a nude female that is c...
Category

1930s Art Deco Boris Lovet-Lorski Art

Materials

Crayon, Paper

Untitled (Rendez-Vous) — 1920s modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Rendez-Vous), lithograph, edition 250, 1929. Signed in pencil. Signed in the stone, lower right. From a suite of 10 lithographs published by the artist ...
Category

1920s American Modern Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Two Standing Nudes, one seated nude)
By Boris Lovet-Lorski
Located in Fairlawn, OH
Untitled (Two Standing Nudes, one seated nude) Graphite on wove paper, heightened with color, c. 1930 Unsigned From a sketchbook created while the artist was working in Paris Condition: Very good Provenance: Estate of the Artist Dawson's Auction, Morris Plains, NY, 2001 Boris Lovet-Lorski Lithuanian/Russian/American 1894-1973 Sculptor, painter, and printmaker, Boris Lovet-Lorski was born in Lithuania in 1894. His mother died when he was age three. His father was affluent and owned real estate. Boris grew up in a privileged environment. He studied architecture and then fine arts at the Imperial Academy of Art in Petrograd, Russia (now Saint Petersburg). Following the revolution in 1917 and its aftermath, Boris immigrated to Boston to live with his brother. In the 1920’s, his stylized, Art Deco inspired sculptures, lithographs, and paintings proved to be popular among the American elite. He exhibited frequently, holding his first solo exhibition in Boston, 1920. In the following years, Boris exhibited in New York at Marie Sterner Gallery, Jacques Seligmann Galleries and Wildenstein and Company. He lived in Paris from 1926 to 1932 where he befriended Joseph Hecht, and was exposed to the works of Pablo Picasso, Ossip Zadkine, Contantin Brancusi and Aristide Maillol. In 1932 he returned to America where he became a citizen later in the decade. Lovet-Lorski exhibited in the United States, South America, Europe and Asia. He was a member of the Society of Independent Artists (New York), the National Academy of Design (New York), and the Lotos Club (New York), as well as several Parisian salons. His work is in the permanent collections of numerous museums including the Musée Luxembourg, Bibliotèque Nationale, and the Petit Palais in France, the British Museum in London, the Metropolitan Museum in New York, the National Gallery in Washington, the Los Angeles County Museum of Art. (A more extensive list of his works in museums follows) He is considered one of the most successful and recognized sculptors of his generation. His creative influence can be seen in many of his contemporary artists. He died in Los Angeles in 1973. Regarding his iconic Art Deco sculptures of Cretan Dancers: “The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.” Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12. Lovet-Lorski created sculptures of the following major figures I.J. Paderewski, Prime Minister of Poland Arturo Toscanini, Italian Conductor Lilian Gish, Actress President Franklin D. Roosevelt Mrs. M. C. Niarchos, wife of Stavros Niarchos President Abraham Lincoln James Forrestal, Secretary of the Navy, First Secretary of Defense Pope Pius XII Dr. Albert Einstein, theoretical physicist President Dwight D. Eisenhower Albert Schweitzer, theologian, organist, writer, humanitarian, philosopher, and physician General Charles De Gaulle, President of the Fourth and Fifth Republic, France John Foster Dulles, Secretary of State, 1953-1959 President John F. Kennedy Works by Lover Lorski are in the following public collections: Albright-Knox Art Gallery, Buffalo Art Institute of Chicago Bibliotheque Nationale, Paris Brandeis University, Waltham, MA British Museum, London Boston University Brooklyn Museum California Palace of the Legion of Honor, Sam Francisco...
Category

1930s Art Deco Boris Lovet-Lorski Art

Materials

Graphite

Preliminary study for Cretan Dancer bronze sculpture
By Boris Lovet-Lorski
Located in Fairlawn, OH
Preliminary study for Cretan Dancer bronze sculpture Unsigned Graphite on tracing paper, 1930-1934 Sheet size: 6 7/8 x 7 1/8 inches Created while the artist was woring in Paris, c. 1930 “The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.” Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12. Regarding the artist: Boris Lovet-Lorski Lithuanian/Russian/American 1894-1973 Sculptor, painter, and printmaker, Boris Lovet-Lorski was born in Lithuania in 1894. His mother died when he was age three. His father was affluent and owned real estate. Boris grew up in a privileged environment. He studied architecture and then fine arts at the Imperial Academy of Art in Petrograd, Russia (now Saint Petersburg). Following the revolution in 1917 and its aftermath, Boris immigrated to Boston to live with his brother. In the 1920’s, his stylized, Art Deco inspired sculptures, lithographs, and paintings proved to be popular among the American elite. He exhibited frequently, holding his first solo exhibition in Boston, 1920. In the following years, Boris exhibited in New York at Marie Sterner Gallery, Jacques Seligmann Galleries and Wildenstein and Company. He lived in Paris from 1926 to 1932 where he befriended Joseph Hecht, and was exposed to the works of Pablo Picasso, Ossip Zadkine, Contantin Brancusi and Aristide Maillol. In 1932 he returned to America where he became a citizen later in the decade. Lovet-Lorski exhibited in the United States, South America, Europe and Asia. He was a member of the Society of Independent Artists (New York), the National Academy of Design (New York), and the Lotos Club (New York), as well as several Parisian salons. His work is in the permanent collections of numerous museums including the Musée Luxembourg, Bibliotèque Nationale, and the Petit Palais in France, the British Museum in London, the Metropolitan Museum in New York, the National Gallery in Washington, the Los Angeles County Museum of Art. (A more extensive list of his works in museums follows) He is considered one of the most successful and recognized sculptors of his generation. His creative influence can be seen in many of his contemporary artists. He died in Los Angeles in 1973. Regarding his iconic Art Deco sculptures of Cretan Dancers: “The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.” Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12. Lovet-Lorski created sculptures of the following major figures I.J. Paderewski, Prime Minister of Poland Arturo Toscanini, Italian Conductor Lilian Gish, Actress President Franklin D. Roosevelt Mrs. M. C. Niarchos, wife of Stavros Niarchos President Abraham Lincoln James Forrestal, Secretary of the Navy, First Secretary of Defense Pope Pius XII Dr. Albert Einstein, theoretical physicist President Dwight D. Eisenhower Albert Schweitzer, theologian, organist, writer, humanitarian, philosopher, and physician General Charles De Gaulle, President of the Fourth and Fifth Republic, France John Foster Dulles, Secretary of State, 1953-1959 President John F. Kennedy Works by Lover Lorski are in the following public collections: Albright-Knox Art Gallery, Buffalo Art Institute of Chicago Bibliotheque Nationale, Paris Brandeis University, Waltham, MA British Museum, London Boston University Brooklyn Museum California Palace of the Legion of Honor, Sam Francisco...
Category

1930s Art Deco Boris Lovet-Lorski Art

Materials

Graphite

Boris Lovet-Lorski Limestone Art Deco Head, circa 1930
By Boris Lovet-Lorski
Located in New York, NY
White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...
Category

1930s Boris Lovet-Lorski Art

Materials

Limestone

Related Items
'Tom, Dick & Harry', Paris, Salon d'Automne, Art Deco, Woman Artist, ASL, AIC
By Nura Ulreich
Located in Santa Cruz, CA
A fresh, hand-colored stone lithograph titled 'Tom, Dick and Harry' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and stamped wit...
Category

1940s Art Deco Boris Lovet-Lorski Art

Materials

Paper, Lithograph

Original exhibition poster for Salon des 90 Independants
Located in Petworth, West Sussex
Salon des 90 Independants An exhibition poster Lithograph 72.5 x 54cm. (unframed) Newly framed in black and silver art deco style frame protected behind perspex. A very stylish art...
Category

Early 20th Century Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

'Sisters', Paris, Salon d'Automne, New York, Art Deco, AIC, ASL, Woman Artist
By Nura Ulreich
Located in Santa Cruz, CA
Signed center left, 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally stamped, verso, with certification of authenticity. An early twentieth...
Category

1930s Art Deco Boris Lovet-Lorski Art

Materials

Paper, Lithograph

'Judy & Jessica', Art Deco Lithograph, Woman Artist, Salon d'Automne, Paris, AIC
By Nura Ulreich
Located in Santa Cruz, CA
A mid-century. stone lithograph titled 'Judy and Jessica' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A brigh...
Category

1940s Art Deco Boris Lovet-Lorski Art

Materials

Paper, Lithograph

Soiree Chez Maxime, Lithograph by Francois Batet
By Francois Batet
Located in Long Island City, NY
Artist: Francois Batet Title: Soiree Chez Maxine Date: 1986 Medium: Lithograph, signed and numbered in pencil Edition: 155/200 Image Size: 19 x 23 inches Paper Size: 22 x 27 inches
Category

1980s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Rainy Day, Signed Lithograph by Rene Gruau
By René Gruau
Located in Long Island City, NY
Artist: Rene Gruau, Italian (1909 - 2004) Title: Rainy Day Year: circa 1990 Medium: Lithograph on Japon, signed and dedicated in pencil Image Size: 24 x 19 inches Size: 29 x 21 inches
Category

1970s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

'Sylvia', Woman Artist, Art Student's League, Salon D'Automne, Art Deco, Paris
By Nura Ulreich
Located in Santa Cruz, CA
A mid-century, stone lithograph titled 'Sylvia' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stam...
Category

1940s Art Deco Boris Lovet-Lorski Art

Materials

Paper, Lithograph

Summer : Nude with a Fan - Original woodcut, Handsigned
By Paul Vera
Located in Paris, IDF
Paul VERA Summer : Nude with a Fan, 1922 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp ...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Woodcut

Melisande from the At the Theatre Suite, Art Deco Lithograph by Erte
By Erté
Located in Long Island City, NY
This glamorous screenprint was created by Russian-born French artist Erte. Erte is perhaps most famous for his elegant fashion designs which capture the art deco period in which he w...
Category

1970s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Chess Game - Vintage Postcard designed by Mitzi Marbach - Early 1900
Located in Roma, IT
Chess Game is a wonderful color lithographed postcard realized in the early years of the XX century by the Austrian artist, Mitzi Marbach. A beautiful, little dimension, postcard in...
Category

Early 20th Century Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

'Peggy and Dot', Art Deco Sisters, Woman Artist, AIC, Paris, Salon d'Automne
By Nura Ulreich
Located in Santa Cruz, CA
Signed lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally titled lower left, 'Peggy and Dot' with numb...
Category

1940s Art Deco Boris Lovet-Lorski Art

Materials

Paper, Lithograph

Alcyon Cycles-Moto Vintage Poster
By Georges Favre
Located in Paonia, CO
Alcyon Cycles-Moto is an original lithographic poster by George Farve in very good condition and published Affiches Gaillard-Paris-Amiens. The type under the image reads Nos Bicyclet...
Category

20th Century Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Previously Available Items
Reclining Female Nude
By Boris Lovet-Lorski
Located in Fairlawn, OH
Reclining Female Nude Graphite on wove paper, heightened with colors, c. 1930 Signed with the artist's initials BLL lower left (see photo) Sheet size: 8 7/16 x 6 inches Condition: Go...
Category

1930s Art Deco Boris Lovet-Lorski Art

Materials

Watercolor

Untitled (Standing Female Nude)
By Boris Lovet-Lorski
Located in Fairlawn, OH
Untitled (Standing Female Nude) Graphite on paper, c. 1930 Signed bottom right: Lorski (see photo) Sheet size: 9 5/16 x 5 13/16 inches From a sketchbook created while the artist was working in Paris Condition: Good Thin spots verso from previous mounting Soft vertical fold running across image Barely visible on recto Provenance: Estate of the Artist Dawson's Auctioneers and Appraisers, 2001 Amity Art Foundation Boris Lovet-Lorski Lithuanian/Russian/American 1894-1973 Sculptor, painter, and printmaker, Boris Lovet-Lorski was born in Lithuania in 1894. His mother died when he was age three. His father was affluent and owned real estate. Boris grew up in a privileged environment. He studied architecture and then fine arts at the Imperial Academy of Art in Petrograd, Russia (now Saint Petersburg). Following the revolution in 1917 and its aftermath, Boris immigrated to Boston to live with his brother. In the 1920’s, his stylized, Art Deco inspired sculptures, lithographs, and paintings proved to be popular among the American elite. He exhibited frequently, holding his first solo exhibition in Boston, 1920. In the following years, Boris exhibited in New York at Marie Sterner Gallery, Jacques Seligmann Galleries and Wildenstein and Company. He lived in Paris from 1926 to 1932 where he befriended Joseph Hecht, and was exposed to the works of Pablo Picasso, Ossip Zadkine, Contantin Brancusi and Aristide Maillol. In 1932 he returned to America where he became a citizen later in the decade. Lovet-Lorski exhibited in the United States, South America, Europe and Asia. He was a member of the Society of Independent Artists (New York), the National Academy of Design (New York), and the Lotos Club (New York), as well as several Parisian salons. His work is in the permanent collections of numerous museums including the Musée Luxembourg, Bibliotèque Nationale, and the Petit Palais in France, the British Museum in London, the Metropolitan Museum in New York, the National Gallery in Washington, the Los Angeles County Museum of Art. (A more extensive list of his works in museums follows) He is considered one of the most successful and recognized sculptors of his generation. His creative influence can be seen in many of his contemporary artists. He died in Los Angeles in 1973. Regarding his iconic Art Deco sculptures of Cretan Dancers: “The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.” Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12. Lovet-Lorski created sculptures of the following major figures I.J. Paderewski, Prime Minister of Poland Arturo Toscanini, Italian Conductor Lilian Gish, Actress President Franklin D. Roosevelt Mrs. M. C. Niarchos, wife of Stavros Niarchos President Abraham Lincoln James Forrestal, Secretary of the Navy, First Secretary of Defense Pope Pius XII Dr. Albert Einstein, theoretical physicist President Dwight D. Eisenhower Albert Schweitzer, theologian, organist, writer, humanitarian, philosopher, and physician General Charles De Gaulle, President of the Fourth and Fifth Republic, France John Foster Dulles, Secretary of State, 1953-1959 President John F. Kennedy Works by Lover Lorski are in the following public collections: Albright-Knox Art Gallery, Buffalo Art Institute of Chicago Bibliotheque Nationale, Paris Brandeis University, Waltham, MA British Museum, London Boston University Brooklyn Museum California Palace of the Legion of Honor, Sam Francisco...
Category

15th Century and Earlier Art Deco Boris Lovet-Lorski Art

Materials

Graphite

Untitled (Presence) — 1920s modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Presence), lithograph, edition 250, 1929. Signed in pencil. From a suite of 10 lithographs published by the artist and printed by Ad. Braun & Co., Paris...
Category

1920s American Modern Boris Lovet-Lorski Art

Materials

Lithograph

Boris Lovet-Lorski Art Deco "Nude Figure on Wave" Signed Lithograph c.1930
By Boris Lovet-Lorski
Located in San Francisco, CA
Boris Lovet-Lorski Art Deco "Nude Figure on Wave" Signed Lithograph c.1930 Dimensions 9.5" wide x 12.5" high The frame measures 16.75" wide x 20" high Pencil signed by the artist ...
Category

Early 20th Century Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Seated Female Nude facing right)
By Boris Lovet-Lorski
Located in Fairlawn, OH
Untitled (Seated Female Nude facing right) Graphite on wove paper, with watercolors Signed with the artist's initials BLL lower right (see photo) Sheet size: 9 1/4 x 6 inches From a sketchbook created while the artist was working in Paris, c. 1930 Unidentified inscription lower left in circle with the initials MD and the date 1940 Provenance: Estate of the Artist Dawson's Auctioneers and Appraisers, 2001 Amity Art Foundation Boris Lovet-Lorski Lithuanian/Russian/American 1894-1973 Sculptor, painter, and printmaker, Boris Lovet-Lorski was born in Lithuania in 1894. His mother died when he was age three. His father was affluent and owned real estate. Boris grew up in a privileged environment. He studied architecture and then fine arts at the Imperial Academy of Art in Petrograd, Russia (now Saint Petersburg). Following the revolution in 1917 and its aftermath, Boris immigrated to Boston to live with his brother. In the 1920’s, his stylized, Art Deco inspired sculptures, lithographs, and paintings proved to be popular among the American elite. He exhibited frequently, holding his first solo exhibition in Boston, 1920. In the following years, Boris exhibited in New York at Marie Sterner Gallery, Jacques Seligmann Galleries and Wildenstein and Company. He lived in Paris from 1926 to 1932 where he befriended Joseph Hecht, and was exposed to the works of Pablo Picasso, Ossip Zadkine, Contantin Brancusi and Aristide Maillol. In 1932 he returned to America where he became a citizen later in the decade. Lovet-Lorski exhibited in the United States, South America, Europe and Asia. He was a member of the Society of Independent Artists (New York), the National Academy of Design (New York), and the Lotos Club (New York), as well as several Parisian salons. His work is in the permanent collections of numerous museums including the Musée Luxembourg, Bibliotèque Nationale, and the Petit Palais in France, the British Museum in London, the Metropolitan Museum in New York, the National Gallery in Washington, the Los Angeles County Museum of Art. (A more extensive list of his works in museums follows) He is considered one of the most successful and recognized sculptors of his generation. His creative influence can be seen in many of his contemporary artists. He died in Los Angeles in 1973. Regarding his iconic Art Deco sculptures of Cretan Dancers: “The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.” Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12. Lovet-Lorski created sculptures of the following major figures I.J. Paderewski, Prime Minister of Poland Arturo Toscanini, Italian Conductor Lilian Gish, Actress President Franklin D. Roosevelt Mrs. M. C. Niarchos, wife of Stavros Niarchos President Abraham Lincoln James Forrestal, Secretary of the Navy, First Secretary of Defense Pope Pius XII Dr. Albert Einstein, theoretical physicist President Dwight D. Eisenhower Albert Schweitzer, theologian, organist, writer, humanitarian, philosopher, and physician General Charles De Gaulle, President of the Fourth and Fifth Republic, France John Foster Dulles, Secretary of State, 1953-1959 President John F. Kennedy Works by Lover Lorski are in the following public collections: Albright-Knox Art Gallery, Buffalo Art Institute of Chicago Bibliotheque Nationale, Paris Brandeis University, Waltham, MA British Museum, London Boston University Brooklyn Museum California Palace of the Legion of Honor, Sam Francisco...
Category

1930s Art Deco Boris Lovet-Lorski Art

Materials

Watercolor

Untitled (Male Nude) — 1920s modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Male Nude), lithograph, edition 250, 1929. Signed in pencil. From a portfolio of a series of 10 lithographs published by the artist and printed by Ad. B...
Category

1920s American Modern Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Nude with Hand Raised)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Nude with Hand Raised)', lithograph, edition 250, 1929. Signed and numbered 18 in pencil. Number 18 of Volume 2, a series of 10 lithographs published b...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Nude in Spotlight)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nude in Spotlight), lithograph, edition 250, 1929. Signed and numbered 4 in pencil. Number 4 of Volume 1, a series of 10 lithographs in each of 2 portfo...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Nude with Wave)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nude with Wave), lithograph, edition 250, 1929. Signed and numbered 11 in pencil. Number 11 of Volume 2, a series of 10 lithographs in each of 2 portfol...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Untitled (Nude Couple with Horse in Mythical Landscape)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nude Couple with Horse in Mythical Landscape), lithograph, edition 250, 1929. Signed and numbered 17 in pencil. Number 17 of ...
Category

1920s Art Deco Boris Lovet-Lorski Art

Materials

Lithograph

Art Deco Sculpture Flapper Womans Head Xenozane Marble Stone
By Boris Lovet-Lorski
Located in Surfside, FL
This is a portrait sculpture bust of a flapper woman. The sitter was Frances Widney, (Mrs. Robert Gump of the San Francisco family who owned Gump's Department stores). This auction i...
Category

1920s Art Deco Boris Lovet-Lorski Art

Boris Lovet-lorski art for sale on 1stDibs.

Find a wide variety of authentic Boris Lovet-Lorski art available for sale on 1stDibs. You can also browse by medium to find art by Boris Lovet-Lorski in lithograph, graphite, pencil and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Art Deco style. Not every interior allows for large Boris Lovet-Lorski art, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of Leonetto Cappiello, Louis Icart, and Nura Ulreich. Boris Lovet-Lorski art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $760 and tops out at $60,000, while the average work can sell for $950.

Artists Similar to Boris Lovet-Lorski

Recently Viewed

View All