1930s Art

An exceptional, large, early work by American artist Dorothy Eisner (1906-1984). This painting was recently exhibited at Gracie Mansion in 2019 as part of “She Persists” - a show de...

Serene French watercolor along the banks of the Côte d'Azur by artist M. Kesseler, 1938. Signed and dated lower left. Original vintage one-of-a-kind artwork on paper displayed on a ...

An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks. A native of Charleston, South Carolina...

Signed oil on canvas landscape circa 1930 by Gaston Balande. The piece depicts a meandering river in a green landscape. Signature: Signed lower right Dimensions: Framed: 27"x34.5" ...

Benton Spruance, 'Slack Rope Artist', lithograph, 1930, edition 30, Fine and Looney 35. Signed and titled in pencil. Numbered '2' in the bottom right margin. A fine impression, with ...

'Bassets D'Artois a Jambes Droites'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a Fr...

'Still Life with Imari Bowl' by Victor Isbrand. Paris, Post-Impressionist Oil, Royal Academy ----- Signed upper right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painte...

JOHN STEUART CURRY (1897-1946) THE MISSED LEAP, 1934 (Cole 23) Lithograph Signed titled, dated and numbered in pencil. Signed in the stone lower left. Image 17 x 9 3/4 “, sheet 20 ¼...

A very attractive oil on canvas painting by the French Post-Impressionist painter Charles Picart le Doux (1891-1959), a beach scene in Spain, signed and dated 1933. The painting depi...

This male nude bronze is an exquisite example of dual sexuality. It's amalgamation of male and female forms are crafted in metal but become flesh. Sensuality emanates from every part...

Sun Beams Into Grand Central Station (1930) - Silver Gelatin Fibre Print (Photo by Hal Morey/Getty Images) Beams of sunlight streaming through the windows ...

Signed impressionist oil on canvas figures in cityscape circa 1930 by sought after French painter Edouard Cortes. The work depicts a bustling evening street scene outside the Cafe Br...

Mural Study for "History of Water" American Scene Modernism Social Realism WPA Thomas Hart Benton (American, 1889-1975) "Water Story" (Study for The History of Water) Tempera and o...

A colorful, blustery painting of sailing off the coast of Martha's Vineyard by famed Chicago Modern artist, Francis Chapin. Painted in the early 1950s, the painting depicts a vibran...

Original Authorized Map of the Second BYRD Antarctic Expedition vintage poster map. Printed in 1934 by G.F. Corp. Artist: George Annand. Authentic 1934 Print: This is the genuin...

Times Square by Night (1953) - Oversized (Photo by H. Armstrong Roberts/Alamy) 1930, Golfer teeing off circa Additional Information: Unframed Paper Size: 40x60'' Printed Later NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' 30 x 40'' 40 x 60'' FRAMING AVAILABLE ON REQUEST About the Artist: H. Armstrong ROBERTS (1883-1947) is an artist born in 1883 The oldest auction result ever registered on the website for an artwork by this artist is a photography sold in 2012. ACTORS ON SET, Bette Davis, Ladies Fashion...

Antique American modernist winter landscape oil painting. Oil on board. Signed. Framed. Measuring: 26 by 20 inches overall, and 20 by 15 painting alone. Excellent condition, ready t...

A beautiful large 1930's Modern British oil on canvas depicting thistle in a glass vase by Helen Stuart Weir RBA ROI. Excellent quality early work by this important female artist, w...

A Charming 1930s City Rooftop Scene by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). Depicting a colorful, early springtime view likely painted from the artist's stu...

A Winter Scene - Snowy 1930's Landscape in Oil on Canvas, Signed, w/ Exh. Label Serene winter landscape of a snow covered hills with a frozen creek and far off house in the distance...

Marcel DYF 1899 - 1985 Provenance: This piece has been confirmed by Claudine Dyf Signed Collection particulière, France Picture Size: 22 x 18" (56 x 46cm) Outside Frame Size: 28 x 2...

Original oil on board little gem of a small painting attributed to the hand of Norwood Hodge MacGilvery. Unsigned. Attributed verso by The Gallery at Juniper Hill. Condition is exce...

Signed watercolour on paper circa 1930 by French post impressionist painter Paul Signac. The piece depicts a view of sail boats in the harbour at Paimpol, a commune in the Côtes-d'Ar...

"Portrait of a Woman in a Fur Coat"—French Expressionism, signed and dated. The painting, an oil on canvas, depicts a portrait of a young woman in the figurative style of the early 2...

Jacques-Émile Blanche (French, 1861–1942), Scheveningen Beach and the Kurhaus, oil on canvas, signed and dated lower right, 1930 — a panoramic North Sea beach scene by one of the great portraitists of his age. Included in the catalogue raisonné of the artist's work by Dr Jane Roberts and Muriel Molines under reference RM1523. Blanche has taken up a position on the pier at Scheveningen, the great resort outside The Hague, and looked back along the shore. The beach runs the full width of the canvas in a single unbroken sweep of warm sand, crowded with rows of wicker beach chairs...

A rare and captivating original portrait drawing by Mariette Lydis, executed during her important 1936 journey to America. This work showcases Lydis’s mastery of line, colour, and p...

"Tennis Leap" by Douglas Miller 22nd August 1932: Three young competitors leaping over the boundary between two tennis courts at the Essex Junior Champ...

Made for Fortune Magazine. From the collection of Margaret W. Weston.

A Striking 1930s American Modern Pastel Figure Study of a Standing African American Nude Male Model by Notable Chicago Artist, Walter Burt Adams...

Anonymous, UK 1939 Keep Calm and Carry On Ministry of Information Lithographic poster 75 x 50 cm Very rare - we have traced copies in the Imperial War Museum collection but no other...

Josef Albers, 'Segments', linoleum cut, 1934, edition 20, 25, plus proofs, Danilowitz 79. Signed, titled, dated, and annotated '(proof)' in pencil. A fine, richly-inked impression on...

Original vintage 1933 poster: Graphin. The silhouette of the man is sitting on a casket of wine with a big bottle of wine resting on the ground in front ...

"Pelham Bay" WPA American Scene Social Realism Modern NYC Subway Transportation Daniel Ralph Celantano (1902-1980) "Pelham Bay" 12 1/4 x 16 inches Oil on canvas Signed lower cente...

Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...

• Created in the mid-1930s, the Figure floor lamp reflects Alberto Giacometti’s early exploration of the relationship between sculpture and functio...

French Art Deco, oil on canvas, society female portrait by Dembinkski (probably Anton J.) Signed, dated and located (Paris) bottom left. In later wood and gilt frame. A charming and...

Marc Chagall (1887-1958) Bible : Joshua and the stone of Sichem (Josué et la pierre de Sichem), 1939 Original etching Printed signature in the plate On Montval vellum, 44 x 33.5 cm ...

Medium: original woodcut. Catalogue reference Roethel 145. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 7 x 8 1/2 inches (170 x 218 mm). Sheet ...

French 20th-century Impressionist harbor, with fishing boats at sea, with landscape beyond. 20th-century French impressionist harbor scene. The...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

"Industrial Worker" Mid-20th Century Modern Gay Male Realism European Bronze Ernst Seger (German, 1868-1939) Industrial Worker Bronze Initialed and dated "36" on the verso 16 3/4 x...

Watercolor and china ink on paper. Signed by the artist.  Good condition.

Ismael González de la Serna (Guadix, Spain, 1895 - París, Francia, 1968) Untitled 1930 Oil on canvas 81 x 100 cm Signature Signed and dated in the lower left corner. Descriptio...

Jules Herve (French, 1887 - 1981) Place Jeanne D'Arc, Paris, circa 1930 Oil on canvas 8 3/4 x 10 3/4 inches Signed lower right; signed on the reverse Jules Rene Herve, an impression...

Picture stepping into the electric energy of Chicago's lakefront in 1934—a moment when the entire world seemed to converge to celebrate human achievement and technological possibilit...

Signed center left, 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally stamped, verso, with certification of authenticity. An early twentieth...

Georgina Klitgaard (1893 – 1976) The Ledge, by 1931, oil on canvas, signed lower right, 32 1/8 x 50 1/8 inches, exhibited: 1) 44th Annual Exhibition of American Paintings & Sculptur...

Boleslaw Cybis (1895-1957). Unnamed Horses (Wild Horses), ca. 1930's. Conte on paper, sheet measures 20 x 23 inches. Signed by the artist some years after its creation in blue ink...

An early Self Portrait of Frank Sinatra circa late 1930s. At home in Hoboken, NJ. One of the earliest photos found in the family archive and perhaps, like in many things, Sinatra was...

Watercolor on paper. Hand signed lower right. Very good condition.

Signed art deco figurative oil on board circa 1930 by French painter Louis Icart. This beautiful work depicts a two elegant ladies in Place la ...

A stylish 1930s American Modern drawing, fashion study illustration for men's hats by notable Chicago artist, Walter Burt Adams (Am. 1903-1990). A wonderful, early example of Adams...

A Fine 1930s Modern Academic Figure Study Drawing, Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s char...

Daniel Ralph Celentano, Untitled (Strike Breakers) pencil, c. 1934. Signed, lower right. A fine, social-realist drawing, on cream wove paper, with margins (1 1/2 to 2 1/2 inches), in...

Artist: Dali, Salvador Title: Untitled 05 (Les Chants de Maldoror) Series: Les Chants de Maldoror Date: 1934 Medium: original drypoint Unframed Dimensions: 12.5" x 9.75" Framed...

This Setof Autographs by Fausto Pirandello is addressed to the Countess Pecci-Blunt and to Silvio Perina, Written in Italian, from 1938 to 1957, is composed of 9 items, perfectly r...

Perfect for your cycling enthusiast! A dynamic, 1930s drawing of a bicycle race by notable Chicago Modern artist, Francis Chapin. Charcoal on paper, most likely a study relating to numerous lithographs and Chapin created in the 1930s with bicycle racing as the subject. Image size: 11 x 14 inches, (unframed); archivally matted to 16 x 20 inches (ready to frame). Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Emile Albert Gruppe was a very well known Cape Ann, Massachusetts painter who founded his own Gruppe Summer School in 1942. He was born in Rochester, NY in 1896 and studied at the A...

Blazer, Hermann. PKZ [Hand putting Rose into lapel of Suit]. 1936, Color lithograph. On Linen. Blazer was a Graphic Designer who designed posters for the PKZ Dept. store in Swit...

Le Corbusier (1887-1965) Two Spanish Women, 1938 Original lithograph Signature printed in the plate Dated in the plate On light vellum 21 x 27 cm (c. 8 ...