1930s Prints and Multiples
143
to
193
1,317
1,154
187
474
1,789
717
12
1,451
310
204
326
233
Overall Height
to
Overall Width
to
815
333
56
50
47
36
26
10
2
1,273
639
607
489
384
310
232
227
200
137
130
101
98
92
74
71
64
63
59
58
4,852
9,205
55,725
30,193
749
1,027
2,176
2,561
2,622
4,722
7,571
12,592
7,207
4,100
3,894
84
37
34
34
29
868
810
602
264
122
Period: 1930s
1936 original poster French Pyrenees would you want this to be possible tomorrow
Located in PARIS, FR
The 1936 original poster by Pierre Mail, titled "Pyrénées Français, voudrais-tu que ceci soit possible demain ?! Guerre d'Espagne" (French Pyrenees, would you want this to be possibl...
Category
1930s Prints and Multiples
Materials
Linen, Paper, Lithograph
Original Vintage German Railways Travel Poster Germany Black Forest Schwarzwald
Located in London, GB
Original vintage German Railways travel poster featuring a stunning Art Deco design by the German artist Wilhelm 'Willy' Dzubas (b. 1887) depicting a steam train running along a high...
Category
Art Deco 1930s Prints and Multiples
Materials
Paper
Thomas Hart Benton Original Lithograph, 1939 - "Shallow Creek"
Located in Phoenix, AZ
Original stone lithograph by well-known Regionalist Thomas Hart Benton (1889-1975).
Titled: "Shallow Creek.” The print has full margins and is in excellent condition.
AAA print creat...
Category
1930s Prints and Multiples
Materials
Paper
Marc Chagall Original Hand Colored Etching, 1931 - 1939 - Samson and Delilah
By Marc Chagall
Located in Phoenix, AZ
Artist: Marc Chagall (1887 - 1985)
Title: Samson and Delilah (from the Bible Series), 1931-1939.
Reference: Cramer #30. Vollard #252, Illustrated on page 399.
Medium: Etching with h...
Category
1930s Prints and Multiples
Materials
Paper
Howard Cook Original Wood-Engraving, 1932 - "Acapulco Girl"
Located in Phoenix, AZ
Wonderful wood-engraving by Taos artist Howard Cook (1901-1980).
Titled: “Acapulco Girl (alternate title: Coconut Palm).” Edition: 30.
Image size: 10 1/16"h x 8"w. Sheet size: 12"h...
Category
1930s Prints and Multiples
Materials
Paper
Gene Kloss Original Etching, 1938 - "Pines at Point Lobos"
By Gene Kloss
Located in Phoenix, AZ
Etching on paper by famous Taos Artist Gene Kloss (1903-1996).
Titled: “Pines on Point Lobos.” Pencil signed lower right and in excellent condition.
Image measures: 9" H x 6.88" W. S...
Category
1930s Prints and Multiples
Materials
Paper
Robert Riggs Original Lithograph, Boxing Subject “Trial Horse”
By Robert Riggs
Located in Phoenix, AZ
Boxing subject original stone lithograph by Robert Riggs (1896-1970)
Pencil titled lower left “Trial Horse”
Pencil signed lower right “Robert Riggs”
Image measures 13 1/2" H x 17 1/2...
Category
1930s Prints and Multiples
Materials
Paper
Robert Riggs Original Stone Lithograph, Boxing Subject “Afternoon at Max’s”
By Robert Riggs
Located in Phoenix, AZ
Boxing subject original stone lithograph by Robert Riggs (1896-1970)
Pencil titled lower left “Afternoon at Max’s”
Pencil signed lower right “Robert Riggs”
Image measures 15 1/8"h x ...
Category
1930s Prints and Multiples
Materials
Paper
Bible : Joshua with the angel with the sword, 1939 - Original Etching
By Marc Chagall
Located in Paris, FR
Marc Chagall (1887-1958)
Bible : Joshua with the Angel with the sword (Josué devant l'ange à l'épée), 1939
Original etching
Printed signature in the plate
On Montval vellum, 44 x 33...
Category
Modern 1930s Prints and Multiples
Materials
Etching
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph, Stencil
Derain, Composition, Salomé, The Limited Editions Club (after)
By André Derain
Located in Auburn Hills, MI
Lithograph, Stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Salomé published by The Limited Editions Club, Paris; rendered by Jea...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph, Stencil
Delaunay, Planche No. 38, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 32, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 29, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 31, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 20, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 24, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 40, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 33, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 14, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 23, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 25, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 37, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 7, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 12, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 28, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 39, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 15, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 36, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 16, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 18, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 5, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 30, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 9, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 2, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 1, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 13, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 6, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 3, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 8, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Delaunay, Planche No. 21, Compositions, couleurs, idées: Sonia Delaunay (after)
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
Modern 1930s Prints and Multiples
Materials
Stencil
Beckmann, Composition (Hofmaier 323-329), Der Mensch ist kein Haustier (after)
By Max Beckmann
Located in Auburn Hills, MI
Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec quatre gravures à l'eau-forte de Marie Laurencin, 1926. Published by Au Sans Pareil, Paris; printed by Lacourière, Paris, 1926. Excerpted from the volume (translated from French), 20 copies on tank vellin, with a double sequence of engravings, including one in first condition. These copies, reserved for Friends of the Unparalleled and printed in their name, are numbered from 1 to 20; 35 examples; 60 copies on Holland Van Gelder, with a series of engravings (Nos. 56 to 115); 80 copies on Holland Van Gelder (Nos 116 At 195); 800 copies on velly of Annonay, of the brothers Montgolfier (Nos. 196 to 995), and some non-commercial copies, marked J. R. B., and all signed by the publisher.
MARIE LAURENCIN (1883-1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier, and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist." She had a forty years long love relationship with fashion designer Nicole Groult .
Category
Modern 1930s Prints and Multiples
Materials
Lithograph
Beckmann, Composition (Hofmaier 323-329), Der Mensch ist kein Haustier (after)
By Max Beckmann
Located in Auburn Hills, MI
Lithograph on Van Gelder Zonen Bütten paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Der Mensch ist kein Haustier, 1937. Published by...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph
Beckmann, Composition (Hofmaier 323-329), Der Mensch ist kein Haustier (after)
By Max Beckmann
Located in Auburn Hills, MI
Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec ...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph
Beckmann, Composition (Hofmaier 323-329), Der Mensch ist kein Haustier (after)
By Max Beckmann
Located in Auburn Hills, MI
Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec quatre gravures à l'eau-forte de Marie Laurencin, 1926. Published by Au Sans Pareil, Paris; printed by Lacourière, Paris, 1926. Excerpted from the volume (translated from French), 20 copies on tank vellin, with a double sequence of engravings, including one in first condition. These copies, reserved for Friends of the Unparalleled and printed in their name, are numbered from 1 to 20; 35 examples; 60 copies on Holland Van Gelder, with a series of engravings (Nos. 56 to 115); 80 copies on Holland Van Gelder (Nos 116 At 195); 800 copies on velly of Annonay, of the brothers Montgolfier (Nos. 196 to 995), and some non-commercial copies, marked J. R. B., and all signed by the publisher.
MARIE LAURENCIN (1883-1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier, and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist." She had a forty years long love relationship with fashion designer Nicole Groult .
Category
Modern 1930s Prints and Multiples
Materials
Lithograph
Beckmann, Composition (Hofmaier 323-329), Der Mensch ist kein Haustier (after)
By Max Beckmann
Located in Auburn Hills, MI
Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec quatre gravures à l'eau-forte de Marie Laurencin, 1926. Published by Au Sans Pareil, Paris; printed by Lacourière, Paris, 1926. Excerpted from the volume (translated from French), 20 copies on tank vellin, with a double sequence of engravings, including one in first condition. These copies, reserved for Friends of the Unparalleled and printed in their name, are numbered from 1 to 20; 35 examples; 60 copies on Holland Van...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph
Beckmann, Composition (Hofmaier 323-329), Der Mensch ist kein Haustier (after)
By Max Beckmann
Located in Auburn Hills, MI
Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec quatre gravures à l'eau-forte de Marie Laurencin, 1926. Published by Au Sans Pareil, Paris; printed by Lacourière, Paris, 1926. Excerpted from the volume (translated from French), 20 copies on tank vellin, with a double sequence of engravings, including one in first condition. These copies, reserved for Friends of the Unparalleled and printed in their name, are numbered from 1 to 20; 35 examples; 60 copies on Holland Van...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph
Beckmann, Composition (Hofmaier 323-329), Der Mensch ist kein Haustier (after)
By Max Beckmann
Located in Auburn Hills, MI
Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec quatre gravures à l'eau-forte de Marie Laurencin, 1926. Published by Au Sans Pareil, Paris; printed by Lacourière, Paris, 1926. Excerpted from the volume (translated from French), 20 copies on tank vellin, with a double sequence of engravings, including one in first condition. These copies, reserved for Friends of the Unparalleled and printed in their name, are numbered from 1 to 20; 35 examples; 60 copies on Holland Van...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph
Miró, L’air (Benhoura 395), Verve: Revue Artistique et Littéraire (after)
By Joan Miró
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 1, Dec...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph
Matisse, Scène d'intérieur, Dix Reproductions (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Dix Reproductions, 1933. Published by Editions ...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph
Derain, Paysage, Dix Reproductions (after)
By André Derain
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Dix Reproductions, 1933. Published by Editions ...
Category
Modern 1930s Prints and Multiples
Materials
Lithograph
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In a new show of peppy portraits, the 85-year-old artist looks back at 1950s New York, when the Abstract Expressionists ruled the scene. Only now, the women Ab-Ex artists get more of the spotlight than the men.
Just What Is an Intaglio Print, and What Makes It a Good Investment?
Bay Area art publisher Rhea Fontaine explains the difference between intaglio and woodcut printing, how to frame fine art prints and what makes them attractive to collectors.
Andy Warhol Piles Up the Gifts in This Fanciful Christmas Print
Created in the late 1950s, it’s one of a surprising number of holiday-themed works by the prolific Pop artist.
A Derrick Adams Double Portrait Brings Out the Interior Lives of His Subjects
Adams has skyrocketed to art superstardom with his exuberant depictions of Black life. Here's what makes his work important to our times.
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