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Period: 1930s
Irish Wolfhound and Wire Haired Terrier, Cecil Aldin 1930s dog lithograph
Located in Melbourne, Victoria
'Irish Wolfhound and Wire Haired Terrier'
Cecil Aldin dog lithograph, 1935.
Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of animals, s...
Category
English School 1930s Animal Prints
Materials
Lithograph
Art Deco Etching and Aquatint "Jeunesse" Original Signed by Louis Icart
By Louis Icart
Located in Soquel, CA
Art Deco Etching and Aquatint "Jeunesse" (Youth) Signed by Louis Icart
Iconic figurative of woman and horse titled "Jeunesse" (Youth) by famous Art Deco artist Louis Icart (French, ...
Category
Art Deco 1930s Animal Prints
Materials
Paper, Pencil, Aquatint
$2,520 Sale Price
20% Off
Original Affiches Paul Mohr Compagnie Nationale des Papers 1932 vintage poster
Located in Spokane, WA
Original small format poster Affiches Paul Mohr, 1932. Archival linen backed in excellent condition, ready to frame. The rare Paul Mohr posters are incredibly elusive; many have had only one remaining known copy survive. Printing method: Helio-Typo or Typelo.
Before television, beautiful lithographs adorn the streets and walls of Paris and other European cities. Art for the street, art for the public. Weather and rain would destroy these works of art by renowned artists, only to be replaced.
The artist: Paul Gustave Mohr, a French Avant-garde poster designer from the Art Deco period was born Sept. 4, 1890 in Ham, France and died on April 13, 1959 in Paris. He lived most of his life in Paris, and then settled in the small town of Asnieres, France, just outside of Paris. He attended the Sorbonne University, as well as several art schools. During World War I, he was a pilot in the French Army from 1914-1917. Paul Mohr married Jeanne Levy in 1917 and they had three daughters: Helene, Genevieve, and Jacqueline.
As an artist, he designed advertising posters from 1920 to 1940. His
posters advertised Wonder cycles, Dainty cycles, Lustucru pasta, Banania sugar, Bremsit brakes, Champigneulles beer, L'Union beer, Dubonnet wine, as well as shoes and ham.
This information was provided to me by my mother, Helene Mohr Breitenbucher, who was his eldest daughter. Carol Schuler (granddaughter)
Advertising posters, the affiches of Paul Mohr. This is an original advertising poster for the affiches (posters) created by the master artist Paul Mohr (1890-1959). Archival linen backed in very good condition. No stains, no tears, no paper loss. Grade A condition. Ready to frame. Compagnie Nationale des Papier, Paris.
The crowd on the street looks up in amazement at the art deco-style images that the artist created. Images on the wall feature incredible image that this artist created such as Lustucru, Amer...
Category
Art Deco 1930s Animal Prints
Materials
Offset
Borzoi, Sealyham, Collie, Cecil Aldin 1930s dog lithograph
Located in Melbourne, Victoria
'Borzoi, Sealyham, Collie'
Cecil Aldin dog lithograph, 1935.
Cecil Aldin was a British artist and illustrator best known for his paintings and sketch...
Category
English School 1930s Animal Prints
Materials
Lithograph
Harrier, French hound dog chromolithograph print, 1931
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Ibiza Hound puppy, Cecil Aldin 1930s puppy dog lithograph
Located in Melbourne, Victoria
'Ibiza Hound puppy'
Cecil Aldin dog lithograph, 1935.
Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life....
Category
English School 1930s Animal Prints
Materials
Lithograph
Snaffles: 'The Timber Merchant' 1930s lithograph signed in pencil
Located in London, GB
To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Charles "Snaffles" Johnson Payne (1884-1967)
The Timber Merchant (c. 1932)
Lithograph
47 x 43 cm
Signed in pencil...
Category
Impressionist 1930s Animal Prints
Materials
Lithograph
Ferruginous Duck, French antique bird duck art illustration print
By P. Mahler
Located in Melbourne, Victoria
'Canard Nyroca - Canard Milouinan'
(Ferruginous Duck)
French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series o...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Haystack
Located in London, GB
A fine impression of this very popular image with full margins (smaller on top and bottom) published by Associated American Artists.
Category
American Modern 1930s Animal Prints
Materials
Lithograph
Resting The Horses
Located in New York, NY
Etching, 1937. Signed by the artist and dated in pencil lower right margin.
A scarce etching by this important American western artist.
Category
American Realist 1930s Animal Prints
Materials
Etching
Brittany Spaniel, French hound dog chromolithograph print, 1931
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Reginald Wilson, Horses
Located in New York, NY
Although this work is titled Horses. It nice to think it could be (Horses in a Field in Woodstock, NY), but it was printed by Will Barnet at the Art Students League, about 1938, and Wilson, who visited Woodstock with Arnold Blanche...
Category
American Modern 1930s Animal Prints
Materials
Lithograph
Bassets D'Artois a Jambes Torses, French hound dog chromolithograph print 1930s
By P. Mahler
Located in Melbourne, Victoria
'Bassets D'Artois a Jambes Torses'.
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a Fre...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Bassets D'Artois a Jambes Droites, French hound dog chromolithograph print 1930s
By P. Mahler
Located in Melbourne, Victoria
'Bassets D'Artois a Jambes Droites'.
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a Fr...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Black Spaniel , French hound, dog chromolithograph, 1930s
By P. Mahler
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Spaniel and Chow, Cecil Aldin 1930s dog lithograph
Located in Melbourne, Victoria
'Spaniel and Chow'
Cecil Aldin dog lithograph, 1935.
Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of an...
Category
English School 1930s Animal Prints
Materials
Lithograph
Minna Citron, Heifer
By Minna Citron
Located in New York, NY
This subject, Heifer, relates to Citron's mural project focusing on the Tennessee Valley Authority.
It is signed, dated, and annotated 'Et...
Category
Ashcan School 1930s Animal Prints
Materials
Etching
HORSE FRIGHTENED BY LIGHTNING - Proof imp - One of Sheet's Most Important Prints
Located in Santa Monica, CA
MILLARD SHEETS (1987 – 1989)
HORSE FRIGHTENED BY LIGHTNING, 1939
Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...
Category
American Modern 1930s Animal Prints
Materials
Lithograph
Chow and Dandie Dinmont Puppy, Cecil Aldin 1930s puppy dog lithograph
Located in Melbourne, Victoria
'Chow and Dandie (Dinmont) Puppy'
Cecil Aldin dog lithograph, 1935.
Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of animals, sports, a...
Category
English School 1930s Animal Prints
Materials
Lithograph
Squirrel, French antique natural history animal art print
Located in Melbourne, Victoria
Ecurueil (Squirrel)
French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illu...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Bassets Ardennais, French hound dog chromolithograph print, 1930s
By P. Mahler
Located in Melbourne, Victoria
'Bassets Ardennais'.
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of i...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Three Cocker Spaniels original signed etching by Leon Danchin
By Leon Danchin
Located in Paonia, CO
Three Cocker Spaniels is an original color etching by well known French sports artist Leon Danchin. The three Spaniels are in waiting mode with two lying down and one sitting ...
Category
Realist 1930s Animal Prints
Materials
Etching
Alexander Calder Circus Reproduction Lithograph After a Drawing
Located in Surfside, FL
(after) Alexander Calder
"Calder's Circus" offset lithograph on wove paper after drawings by the artist
Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's)
these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph.
James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor”
Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro.
These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great.
Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War.
Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work.
In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending.
Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles.
Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology.
Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968).
In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale.
One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas."
Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...
Category
American Modern 1930s Animal Prints
Materials
Lithograph
In th Bighorns (Wyoming)
Located in Fairlawn, OH
In th Bighorns (Wyoming)
Drypoint, c. 1930's
Signed in pencil lower right (see photo)
Titled in the plate lower left
Condition: Excellent
Image/Plate size: 6 3/8 x 4 3/8 inches
Hans Kleiber (1887-1967)
Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains.
Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife.
Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
Category
American Realist 1930s Animal Prints
Materials
Drypoint
Longhorns by Lon Megargee
Located in Phoenix, AZ
Lon Megargee 1883-1960
"Self Portrait"
Wood block print
Signed in plate, lower right
Image size: 15.63 x 12 inches
Frame size xx x xx inches
Creator of S...
Category
American Impressionist 1930s Animal Prints
Materials
Screen
Daniel in the Lions' Den
Located in New York, NY
Ukrainian-born, lower East Side based, Sarah Berman was active on the NYC-WPA and in artists' circles. Daniel in the Lions' Den is an etching, signed and ...
Category
Ashcan School 1930s Animal Prints
Materials
Etching
Snipe, French antique natural history water bird art print
Located in Melbourne, Victoria
Becassine - Snipe
French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illust...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Asie (Asia) from the series Atlas
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Asie (Asia) from the series Atlas', engraving, 1928, edition c. 50, Tonneau-Ryckelynck & Plumart 162. Signed and annotated 'epreuve definitive' (final proof) in pencil...
Category
Modern 1930s Animal Prints
Materials
Engraving
Curly Coated Retriever, French hound dog chromolithograph print, 1930s
By P. Mahler
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Sealyham and Setter, Cecil Aldin 1930s dog lithograph
Located in Melbourne, Victoria
'Sealyham and Setter'
Cecil Aldin dog lithograph, 1935.
Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of...
Category
English School 1930s Animal Prints
Materials
Lithograph
Original Visitez Les Aquariums Mosans vintage poster
Located in Spokane, WA
"Original Vintage Aquariums Mosans Poster – Art Deco Design by A. de Loof, 1930s European Travel Advertising"
Discover the Captivating "Moselle Aquariums" - A Vintage Poster by A. d...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Dan Burne Jones, Affection
Located in New York, NY
Dan Burne Jones is widely know as the author of the Rockwell Kent print catalogue raisonne. It's so interesting to see that he is a gifted wood engraver as well. Jones's own prints a...
Category
American Modern 1930s Animal Prints
Materials
Woodcut
Pointer, French hound dog chromolithograph print, 1930s
By P. Mahler
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Pheasant, French antique natural history bird art illustration print
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds.
195mm by 265mm (sheet)
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Black Spaniel with Rabbit original signed etching by Leon Danchin
By Leon Danchin
Located in Paonia, CO
Black spaniel with Rabbit is an original signed etching by Leon Danchin with a very faint water stain on lower right side background that can be seen in the photo section. My ph...
Category
Realist 1930s Animal Prints
Materials
Etching
$550 Sale Price
26% Off
Irish Wolfhound, French hound dog chromolithograph print, 1930s
By P. Mahler
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Cocker Spaniel, French hound dog chromolithograph print, 1931
By P. Mahler
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Lion Défendant sa Proie (Lion Defending Its Prey)
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Lion Défendant sa Proie (Lion Defending Its Prey)', engraving, 1931, edition 50, Tonneau-Ryckelynck & Plumart 215. Signed and numbered '18/50' in pencil. A fine impres...
Category
Modern 1930s Animal Prints
Materials
Engraving
Wild Boar, French antique natural history animal art print
Located in Melbourne, Victoria
Sanglier (Wild Boar)
French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of ill...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Eurasian Teal, French antique bird duck art illustration print
By P. Mahler
Located in Melbourne, Victoria
'Sarcelle D'Hiver'
(Eurasian Teal)
French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of ...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Basset Bleu de Gascogne, French hound dog chromolithograph print, 1930s
By P. Mahler
Located in Melbourne, Victoria
'Basset Bleu de Gascogne'.
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French serie...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
English Setter, French hound dog chromolithograph print, 1931
By P. Mahler
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Arab Greyhound or Sloughi, French hound dog chromolithograph print, 1930s
By P. Mahler
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Brent (Brant) Goose, French antique natural history bird art illustration print
By P. Mahler
Located in Melbourne, Victoria
'Bernache Cravant'
(Brent Goose)
French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of bi...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Irish Water Spaniel, French hound, dog chromolithograph, 1930s
By P. Mahler
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
2 Lazy 2 P
Located in Phoenix, AZ
2 Lazy 2P, ca. 1939
Lon Megargee
Serigraph
20 x 24 inches
Signed in screen
Original serigraph print by Lon Megargee 1883 - 1960
Featured in "Hot Irons" by Oren Arnold and John Hale, 1940
SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE
Lon Megargee created this serigraph from his commission with Oren Arnold and John Hale to do their dust jacket for the book, " Hot Irons", 1940. Arnold and Hale wanted to establish a reference work, an "authority", with a entertaining history about the evolution of the brand. Megargee created a painting of a steer that was branded with the script, 2 Lazy 2 P. Surrounding the steer is a random display of famous brands of ranches in the Southwest. It was well received and must have prompted Megargee to create the likeness as a print.
The brand is described in chapter thirteen, page 207-208 and says, " Ed Stram, who was Arizona state veterinarian for sixteen years, fire-branded his cattle with this peculiar crest. It isn't peculiar unless you have an equally peculiar sense of humor. At a glance it appears to be just another typically unimaginative brand, but it has been used to make many a thousand girls blush, and a few thousand bashful young men as well".
COLLIER GALLERY, FINE ART ESTATE OF LON MEGARGEE
Born and raised in Philadelphia, Pennsylvania, Lon Megargee, at age 13, ran away from his upper class home and went West in 1896 led by his zest for the wild and adventuresome life. There he established a reputation as a cowboy painter and illustrator with work most associated with Arizona Brewing Company ads featuring humorous aspects of cowboy life.
In his youth, he worked as a free-lance cowboy, exhibition roper, poker dealer, and bronco buster in Arizona, and then went east again to study art in Philadelphia at the Pennsylvania Academy of Fine Arts, and to New York at the Art Students League and Pratt Institute.
He returned to Arizona, living in Cave Creek, Salt River Canyon, Phoenix and the last years of his life near Sedona. His Phoenix home later became a popular hotel and dining place called the Hermosa Inn.
Megargee was a ranch owner and also did oil canvases of the places he loved and the cowboy life he admired. By 1910, he was among the earliest resident artists, and was probably the best known artist in Arizona. His name was first associated with a landscape series of 15 large murals for the Capitol Building, newly constructed just after Arizona became a state in 1912. Another one of his paintings, Elemental, was the first painting by an artist living in Arizona to be acquired for the Municipal Collection of Phoenix. These works were chosen from entries in the State Fair, where he continued to win prizes for figure and landscape painting.
From 1911 to 1953, he did numerous commission works for the Santa Fe Railroad, including a work titledNavajos Watching a Santa Fe Train. Between 1915 and 1930, he also painted in the Los Angeles area of California and had entries in the California State Fair. He died in Cottonwood, Arizona. After his death, theSaturday Evening Post had a double-page reproduction of his painting Cowboy's Dream.
Creator of the iconic logo for the Stetson Hat Company, " Last Drop From his Stetson", still in use today.
Fine Art Estate of Lon Megargee
We offer signed in print and original signature block prints. Custom, hand carved, signature frames, with archival standards and a speciality in hand dyed mats and french matting are provided for a beautiful and timeless presentation.
Megargee explored different mediums; printmaking captivated him in particular. The contrast of the black and white block print method captured perfectly his interpretation of a bold American West. The first print was produced around 1921 and culminated with the creation of “The Cowboy Builds a Loop” in 1933 with 28 images and poetry by his friend, Roy George. Megargee continued producing prints throughout the 1940s and early 50s.
At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar Ranch . . . and, after a few years, was offered a job by Billy Cook...
Category
American Modern 1930s Animal Prints
Materials
Screen
Bassets Griffons, French hound dog chromolithograph print, 1930s
By P. Mahler
Located in Melbourne, Victoria
'Bassets Griffons de Bretagne et de Vendee'.
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. F...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Greyhound, French hound dog chromolithograph print, 1930s
By P. Mahler
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Griffon D' Arret A Poil Dur, French hound dog chromolithograph print, 1931
By P. Mahler
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Western Swamphen, French antique natural history water bird art print
Located in Melbourne, Victoria
Porphyrion ou Poule Sultane - Western Swamphen
French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illust...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Water Rail, French antique natural history water bird art print
Located in Melbourne, Victoria
Rale D'Eau - Water Rail
French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds.
195...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Eurasian Wigeon, French antique bird duck art illustration print
By P. Mahler
Located in Melbourne, Victoria
'Canard Siffleur'
(Eurasian Wigeon)
French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Corn Crake, French antique natural history water bird art print
Located in Melbourne, Victoria
Rale des Genets - Corn Crake
French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. ...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Griffon Vendeens, French hound, dog chromolithograph, 1930s
By P. Mahler
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Grey Heron, French antique natural history water bird art illustration print
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds.
195mm by 265mm (sheet)
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Garganey, French antique bird duck art illustration print
By P. Mahler
Located in Melbourne, Victoria
'Sarcelle D'Ete'
(Garganey)
French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. ...
Category
Art Deco 1930s Animal Prints
Materials
Lithograph
Original "Queen of the Jungle" US 1-sheet vintage (1935) movie poster
Located in Spokane, WA
Original Queen of the Jungle vintage lithograph movie poster, archival linen backed. US 1-sheet.
"The Temple of Mu." Serial. Episode No 10. St...
Category
American Modern 1930s Animal Prints
Materials
Lithograph
$760 Sale Price
20% Off
Snaffles: 'The Huntsman' signed lithograph - "The 'oss loves the 'ound"
Located in London, GB
To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
C...
Category
Impressionist 1930s Animal Prints
Materials
Lithograph
A La Queue (Join the Queue) Naughty Dogs of Paris by O'Klein
Located in Paonia, CO
A La Queue (Join the Queue) original etching from the series Naughty Dogs of Paris showing a line of five dogs of various breeds trailing a small Chihuahua on a leash who is turning her head towards the queue. This original etching is in excellent condition, hand signed by the artist and published by Sidney Lucas.
paper size 13.75 x 29.25 image size 8.50 x 24
Boris O'Klein ( 1893-1985 ) immigrated to France from Russia with his family when he was a young boy. He settled in Paris after World War I and became a prolific artist well known for his watercolors and etchings of dogs getting into mischief. His images are often risque and are considered very humorous. They have been referred to as the Naughty or Dirty Dogs of Paris.
Category
Other Art Style 1930s Animal Prints
Materials
Etching
Alexander Calder Circus Reproduction Lithograph of a Drawing
Located in Surfside, FL
(after) Alexander Calder
"Calder's Circus" offset lithograph on wove paper a reproduction lithograph after the drawings by the artist
Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's)
these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph.
James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor”
Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro.
These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great.
Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War.
Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work.
In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending.
Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles.
Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology.
Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968).
In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale.
One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas."
Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...
Category
American Modern 1930s Animal Prints
Materials
Lithograph
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