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Thomas Hart Benton Art

American, 1889-1975
Thomas Hart Benton was born in Neosho, Missouri on April 15, 1889. Even as a boy, he was no stranger to the "art of the deal" or to the smoke-filled rooms in which such deals were often consummated. His grandfather had been Missouri's first United States Senator and served in Washington for thirty years. His father, Maecenas Benton, was United States Attorney for the Western District of Missouri under Cleveland and served in the United States House of Representatives during the McKinley and Theodore Roosevelt administrations. Benton's brother, Nat, was prosecutor for Greene County, Missouri, during the 1930s. As soon as he could walk, Benton traveled with his father on political tours. There he learned the arts of chewing and smoking, and while the men were involved in their heated discussions, Benton delighted in finding new cream colored wallpaper on the staircase wall, at the age of six or seven, and drew in charcoal his first mural, a long multi-car freight train. As soon as he was eighteen, even though his father wanted him to study law, Benton left for Chicago where he studied at the Art Institute during the years 1907 and 1908. He continued his studies in Paris, where he learned delicious wickedness, aesthetic and otherwise. Once back home, he became the leader of the Regionalist School, the most theatrical and gifted of the 1930s muralists and as Harry Truman described him,"the best damned painter in America." Detractors said that Benton was "a fascist, a communist, a racist and a bigot"; the ingenious structure, powerful use of modeling and scale and the high-colored humanity of the murals and easel paintings are retort enough. He was a dark, active dynamo, only 5 ft., 3 1/2 in. tall. He was outspoken, open, charmingly profane; he had a great mane of hair and a face the texture of oak bark. He wore rumpled corduroy and flannel, and walked with the unsteady swagger of a sailor just ashore. He poured a salwart drink, chewed on small black cigars and spat in the fire. Benton was once described as the "churlish dean of regionalist art." If you listened to a variety of art authorities, you would find them equally divided between Harry Truman's assessment of Benton as "the best damned painter in America" and Hilton Kramer who proclaimed Benton "a failed artist." The East Coast art establishment tended to regard Benton as memorable for one reason only: he was the teacher of Jackson Pollock. Benton was married in 1922 to Rita, a gregarious Italian lady, and they had a daughter and a son. At the height of his fame in the 1940s, Benton bungled the buy-out he was offered by Walt Disney and went his own way, completing his last mural in 1975 in acrylics the year of his death. He died in 1975.
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Artist: Thomas Hart Benton
Making Camp
Making Camp

Making Camp

By Thomas Hart Benton

Located in Columbia, MO

Thomas Hart Benton (American, 1889 - 1975) was a painter, muralist, and printmaker whose sinuous, rhythmic style came to define the Regionalist movement. His paintings and lithograph...

Category

20th Century American Modern Thomas Hart Benton Art

Materials

Lithograph

Mural Study for "History of Water" American Scene Modernism Social Realism WPA
Mural Study for "History of Water" American Scene Modernism Social Realism WPA

Mural Study for "History of Water" American Scene Modernism Social Realism WPA

By Thomas Hart Benton

Located in New York, NY

Mural Study for "History of Water" American Scene Modernism Social Realism WPA Thomas Hart Benton (American, 1889-1975) "Water Story" (Study for The History of Water) Tempera and o...

Category

1930s American Modern Thomas Hart Benton Art

Materials

Oil, Egg Tempera, Board

SLOW TRAIN THROUGH ARKANSAS
SLOW TRAIN THROUGH ARKANSAS

SLOW TRAIN THROUGH ARKANSAS

By Thomas Hart Benton

Located in Portland, ME

Benton, Thomas Hart (American, 1889-1975 SLOW TRAIN THROUGH ARKANSAS. Fath . Lithograph, 1941. Edition of 250 published by Associated American Artists (A.A.A.). 9 7/8 x 12 inches (im...

Category

1940s Thomas Hart Benton Art

Materials

Lithograph

Lithograph of American rural life timeless with architecture monochrome
Lithograph of American rural life timeless with architecture monochrome

Lithograph of American rural life timeless with architecture monochrome

By Thomas Hart Benton

Located in London, GB

A man raises his hand to his chin, his neck tilted and face turned to look at a dilapidated farmhouse, barely held together by planks of wood and exposed to the elements. Behind him ...

Category

1930s American Modern Thomas Hart Benton Art

Materials

Lithograph

'Plowing It Under' — WPA Era American Regionalism
'Plowing It Under' — WPA Era American Regionalism

'Plowing It Under' — WPA Era American Regionalism

By Thomas Hart Benton

Located in Myrtle Beach, SC

Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove pape...

Category

1930s American Realist Thomas Hart Benton Art

Materials

Lithograph

Lithograph of American rural life timeless and romantic
Lithograph of American rural life timeless and romantic

Lithograph of American rural life timeless and romantic

By Thomas Hart Benton

Located in London, GB

A fine impression of this very popular image with full margins (smaller on top and bottom) published by Associated American Artists.

Category

1930s American Modern Thomas Hart Benton Art

Materials

Lithograph

Conversation
Conversation

Conversation

By Thomas Hart Benton

Located in New York, NY

A leading figure of American Modern Regionalism and also a musician, Thomas Hart Benton conceived sound as a vital expressive force, embedding auditory resonance into the visual rhyt...

Category

20th Century Thomas Hart Benton Art

Materials

Oil, Tempera, Board

Forward Pass
Forward Pass

Forward Pass

By Thomas Hart Benton

Located in New York, NY

Lithograph on wove paper, 1972. Signed by the artist in pencil, lower right. Inscribed "Ed. 250" in pencil, lower left. Published by Associated American Artists, New York. Catalog...

Category

1970s American Realist Thomas Hart Benton Art

Materials

Lithograph

Thomas Hart Benton Original Lithograph, 1944 - Wreck of the Ol’ ‘97
Thomas Hart Benton Original Lithograph, 1944 - Wreck of the Ol’ ‘97

Thomas Hart Benton Original Lithograph, 1944 - Wreck of the Ol’ ‘97

By Thomas Hart Benton

Located in Phoenix, AZ

Original stone lithograph created 1944 by well-known Regionalist Thomas Hart Benton. The print is in excellent condition with full margins and pencil signed lower right. Also signed in the stone. It is matted in a 4-ply archival mat and rests in a simple black frame. Image size: 10 ½ x 15. Frame size: 18 x 23. Published by AAA. Ed: 250. Thomas Hart Benton found inspiration for his art in the ebb and flow of daily life in rural and small-town America. Wreck of the Ol’ 97, one of his best-known prints, is based on a ballad of the same title that tells the story of a rail disaster. A speeding locomotive attempting to make up lost time jumped the tracks as it descended a Virginia mountain...

Category

Mid-20th Century Thomas Hart Benton Art

Materials

Paper, Lithograph

Planting (Spring Plowing) - Watercolor Landscape Painting with Figures, c. 1939
Planting (Spring Plowing) - Watercolor Landscape Painting with Figures, c. 1939

Planting (Spring Plowing) - Watercolor Landscape Painting with Figures, c. 1939

By Thomas Hart Benton

Located in Palm Desert, CA

"Planting (Spring Plowing)", a vibrant watercolor and graphite on paper by Thomas Hart Benton, circa 1939-40, embodies the artist's signature Regionalist style. The work depicts a ru...

Category

Mid-20th Century American Impressionist Thomas Hart Benton Art

Materials

Paper, Watercolor, Graphite

Lithograph of American rural life timeless and romantic monochrome
Lithograph of American rural life timeless and romantic monochrome

Lithograph of American rural life timeless and romantic monochrome

By Thomas Hart Benton

Located in London, GB

In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...

Category

1930s American Modern Thomas Hart Benton Art

Materials

Lithograph

Saw Mill & Cornmeal & Grinder - Custom Grinding on Saturdays
Saw Mill & Cornmeal & Grinder - Custom Grinding on Saturdays

Saw Mill & Cornmeal & Grinder - Custom Grinding on Saturdays

By Thomas Hart Benton

Located in London, GB

Beginning the summer of 1924, Benton took long trips across the country, searching to make a visual record of America and "hidden pockets of old-fashioned culture that still existed ...

Category

20th Century American Modern Thomas Hart Benton Art

Materials

Ink

HYMN SINGER / THE MINSTREL / BURL IVES  --  Large Benton
HYMN SINGER / THE MINSTREL / BURL IVES  --  Large Benton

HYMN SINGER / THE MINSTREL / BURL IVES -- Large Benton

By Thomas Hart Benton

Located in Santa Monica, CA

THOMAS HART BENTON (1890- 1975) HYMN SINGER / THE MINSTREL (Portrait of Burl Ives) 1950 (Fath 74) Lithograph signed with full signature “Thomas H. Benton” A large image, 15 ¾ x 12 i...

Category

1950s American Realist Thomas Hart Benton Art

Materials

Lithograph

Thomas Hart Benton Original Lithograph, 1939 - "Shallow Creek"
Thomas Hart Benton Original Lithograph, 1939 - "Shallow Creek"

Thomas Hart Benton Original Lithograph, 1939 - "Shallow Creek"

By Thomas Hart Benton

Located in Phoenix, AZ

Original stone lithograph by well-known Regionalist Thomas Hart Benton (1889-1975). Titled: "Shallow Creek.” The print has full margins and is in excellent condition. AAA print creat...

Category

1930s Thomas Hart Benton Art

Materials

Paper

"White Calf, " Farm Genre Scene Original Lithograph by Thomas Hart Benton
"White Calf, " Farm Genre Scene Original Lithograph by Thomas Hart Benton

"White Calf, " Farm Genre Scene Original Lithograph by Thomas Hart Benton

By Thomas Hart Benton

Located in Milwaukee, WI

"White Calf" is an original lithograph print by Thomas Hart benton. It features the image of a man milking a cow while her calf lays down in front. Benton's breathtaking way of rende...

Category

1940s American Modern Thomas Hart Benton Art

Materials

Lithograph

Lithograph of American rural life timeless figures monochrome
Lithograph of American rural life timeless figures monochrome

Lithograph of American rural life timeless figures monochrome

By Thomas Hart Benton

Located in London, GB

In this charming regionalist lithograph, Benton captures a classic Midwestern American scene: two men talking, drinking, and smoking together in a bar. Titled 'Discussion', the artwo...

Category

1930s American Modern Thomas Hart Benton Art

Materials

Lithograph

Lithograph of American rural life timeless and romantic monochrome figure
Lithograph of American rural life timeless and romantic monochrome figure

Lithograph of American rural life timeless and romantic monochrome figure

By Thomas Hart Benton

Located in London, GB

Accompanied by a lantern, an elderly man sits alone, engrossed in a newspaper. Benton used a lithographic process to draw and produce this image. He renders the face and paper well-l...

Category

1940s American Modern Thomas Hart Benton Art

Materials

Lithograph

INSTRUCTION
INSTRUCTION

INSTRUCTION

By Thomas Hart Benton

Located in Santa Monica, CA

THOMAS HART BENTON (1889-1975) INSTRUCTION 1940 (Fath 41) Lithograph, signed edition of 250 as published by Associated American Artists. 10 ¼” x 12 ¼”. Full margins, deckle edges....

Category

1940s American Realist Thomas Hart Benton Art

Materials

Lithograph

Thomas Hart Benton "Wreck of the Ol' 97", 1944
Thomas Hart Benton "Wreck of the Ol' 97", 1944

Thomas Hart Benton "Wreck of the Ol' 97", 1944

By Thomas Hart Benton

Located in Astoria, NY

Thomas Hart Benton (American, 1889-1975), "Wreck of the Ol' '97", Lithograph on Wove Paper, 1944, signed in pencil lower right, from an edition of 250, published by Associated Americ...

Category

1940s American Modern Thomas Hart Benton Art

Materials

Paper, Lithograph

The Hymn Singer
The Hymn Singer

The Hymn Singer

By Thomas Hart Benton

Located in Missouri, MO

Signed in Pencil Lower Right Ed. 500 Circulated by Twayne Publishers, New York City Image Size: 16 x 12 3/8 Framed Size: 24 1/4 x 20 1/2 inches The legendary actor actor and musici...

Category

1950s American Realist Thomas Hart Benton Art

Materials

Lithograph

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Andrew Wyeth, New Leaves, from The Four Seasons (after)

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America! America!
America! America!

James FetherolfAmerica! America!, 1973

H 22 in W 29.8 in D 0.01 in

America! America!

Located in San Francisco, CA

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Arnold Ronnebeck Lithograph "Silver Mine, Russell Gulch" Colorado Scene
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Located in Denver, CO

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lithograph

lithograph

By Thomas Hart Benton

Located in Henderson, NV

Medium: lithograph. Executed by Thomas Hart Benton to illustrate the Lynn Riggs classic "Green Grow the Lilacs" and printed in 1954 in a limited edition of 1500 by the University of ...

Category

1950s Thomas Hart Benton Art

Materials

Lithograph

lithograph

lithograph

By Thomas Hart Benton

Located in Henderson, NV

Medium: lithograph. Executed by Thomas Hart Benton to illustrate the Lynn Riggs classic "Green Grow the Lilacs" and printed in 1954 in a limited edition of 1500 by the University of ...

Category

1950s Thomas Hart Benton Art

Materials

Lithograph

lithograph

lithograph

By Thomas Hart Benton

Located in Henderson, NV

Medium: lithograph. Executed by Thomas Hart Benton to illustrate the Lynn Riggs classic "Green Grow the Lilacs" and printed in 1954 in a limited edition of 1500 by the University of ...

Category

1950s Thomas Hart Benton Art

Materials

Lithograph

lithograph

lithograph

By Thomas Hart Benton

Located in Henderson, NV

Medium: lithograph. Executed by Thomas Hart Benton to illustrate the Lynn Riggs classic "Green Grow the Lilacs" and printed in 1954 in a limited edition of 1500 by the University of ...

Category

1950s Thomas Hart Benton Art

Materials

Lithograph

lithograph

lithograph

By Thomas Hart Benton

Located in Henderson, NV

Medium: lithograph. Executed by Thomas Hart Benton to illustrate the Lynn Riggs classic "Green Grow the Lilacs" and printed in 1954 in a limited edition of 1500 by the University of ...

Category

1950s Thomas Hart Benton Art

Materials

Lithograph

lithograph

lithograph

By Thomas Hart Benton

Located in Henderson, NV

Medium: lithograph. Executed by Thomas Hart Benton to illustrate the Lynn Riggs classic "Green Grow the Lilacs" and printed in 1954 in a limited edition of 1500 by the University of ...

Category

1950s Thomas Hart Benton Art

Materials

Lithograph

'Goin' Home' — WPA Era American Regionalism

'Goin' Home' — WPA Era American Regionalism

By Thomas Hart Benton

Located in Myrtle Beach, SC

Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove paper, with margins, in excellent condition. Published by Associated American Artists. Archivally matted to museum standards, unframed. Image size 9 7/16 x 11 7/8 inches; sheet size 10 3/4 x 13 5/16 inches. Impressions of this work are held in the following museum collections: Figge Art Museum, Georgetown University Art Collection, Indianapolis Museum of Art, Library of Congress, Metropolitan Museum of Art, and the Nelson-Atkins Museum of Art. ABOUT THE ARTIST “Benton’s idiom was essentially political and rhetorical, the painterly equivalent of the country stump speeches that were a Benton family tradition. The artist vividly recalled accompanying his father, Maecenas E. Benton — a four-term U.S. congressman, on campaigns through rural Missouri. Young Tom Benton grew up with an instinct for constituencies that led him to assess art on the basis of its audience appeal. His own art, after the experiments with abstraction, was high-spirited entertainment designed to catch and hold an audience with a political message neatly bracketed between humor and local color.” —Elizabeth Broun “Thomas Hart Benton: A Politician in Art,” Smithsonian Studies in American Art, Spring 1987. Born in 1889 in Neosho, Missouri, Thomas Hart Benton spent much of his childhood and adolescence in Washington, D.C., where his father, Maecenas Eason Benton, served as a Democratic member of Congress from 1897 to 1905. Hoping to prepare Benton for a political career, his father sent him to Western Military Academy. After nearly two years at the academy, Benton persuaded his mother to support him in attending the Art Institute of Chicago for two years, followed by two additional years at the Académie Julian in Paris. In 1912, Benton returned to America and moved to New York to pursue his artistic career. One of his first jobs involved painting sets for silent films, which were being produced in Fort Lee, New Jersey. Benton credits this experience with equipping him with the skills necessary to create his large-scale murals. When World War I broke out, Benton joined the Navy. Stationed in Norfolk, Virginia, he was assigned to create drawings of camouflaged ships arriving at Norfolk Naval Station. These renderings were used to identify vessels that might be lost in battle. Benton later remarked that being a "camofleur" profoundly impacted his career: "When I came out of the Navy after the First World War," he said, "I made up my mind that I wasn’t going to be just a studio painter, a pattern maker in the fashion then dominating the art world—as it still does. I began to think of returning to the painting of subjects, subjects with meanings, which people, in general, might be interested in." While developing his Regionalist vision, Benton also taught art, first at a city-supported school and later at The Art Students League from 1926 to 1935. One of his students was a young Jackson Pollock, who regarded Benton as both a mentor and father figure. In 1930, Benton was commissioned to paint a mural for the New School for Social Research. The "America Today" mural, now permanently exhibited at the Metropolitan Museum of Art, led to many more commissions as Benton’s work gained wide recognition. The Regionalist Movement became popular during the Great Depression of the 1930s. Painters such as Benton, Grant Wood, and John Steuart Curry rejected modernist European influences, choosing instead to depict realistic images of small-town and rural life—comforting representations of the American heartland during a period of upheaval. Time Magazine referred to Benton as "the most virile of U.S. painters of the U.S. Scene," featuring his self-portrait on the cover of a 1934 issue that included a story titled "The Birth of Regionalism." In 1935, Benton left New York and returned to Missouri, where he taught at the Kansas City Art Institute. His outspoken criticism of modern art, art critics, and political views alienated him from many influential figures in both political and art circles. Nonetheless, Benton remained true to his beliefs, continuing to create murals, paintings, and prints that captured enduring images of American life. The dramatic and engaging characteristics of Benton’s artwork drawn the attention of Hollywood producers, leading him to create illustrations and posters for films, including his famous lithographs for the film adaptation of John Steinbeck’s "The Grapes of Wrath," produced by Twentieth Century Fox. During the 1930s, The Limited Editions Club of New York asked Benton to illustrate special editions of three of Mark Twain’s books...

Category

1930s American Realist Thomas Hart Benton Art

Materials

Lithograph

Thomas Hart Benton Original Lithograph, 1939 - "Cradling Wheat"
Thomas Hart Benton Original Lithograph, 1939 - "Cradling Wheat"

Thomas Hart Benton Original Lithograph, 1939 - "Cradling Wheat"

By Thomas Hart Benton

Located in Phoenix, AZ

Original stone lithograph created 1939 by well-known Regionalist Thomas Hart Benton. The print is in fine condition with full margins and pencil signed lower right. Also signed in the stone lower left. Fath #27. Image size: 9 1/2"h x 12"w. Title: “Cradling Wheat...

Category

20th Century Thomas Hart Benton Art

Materials

Paper

COMING ROUND THE MOUNTAIN
COMING ROUND THE MOUNTAIN

COMING ROUND THE MOUNTAIN

By Thomas Hart Benton

Located in Santa Monica, CA

THOMAS HART BENTON (1889-1975) COMING ROUND THE MOUNTAIN (MISSOURI MUSICIANS) 1931 (Fath 4) Lithograph, signed in pencil. Although Fath indicates an edition of 75, it is numbered ...

Category

1930s American Realist Thomas Hart Benton Art

Materials

Lithograph

lithograph

lithograph

By Thomas Hart Benton

Located in Henderson, NV

Medium: lithograph. Executed by Thomas Hart Benton to illustrate the Lynn Riggs classic "Green Grow the Lilacs" and printed in 1954 in a limited edition of 1500 by the University of ...

Category

1950s Thomas Hart Benton Art

Materials

Lithograph

Kansas Farmyard / Missouri Farmyard
Kansas Farmyard / Missouri Farmyard

Kansas Farmyard / Missouri Farmyard

By Thomas Hart Benton

Located in Santa Monica, CA

THOMAS HART BENTON (1889-1975) MISSOURI FARMYARD, 1936 (Fath 10) AKA KANSAS FARMYARD Lithograph as published by Associated American Artists. Edition 250. Signed in pencil and in the...

Category

1930s American Realist Thomas Hart Benton Art

Materials

Lithograph

lithograph

lithograph

By Thomas Hart Benton

Located in Henderson, NV

Medium: lithograph. Executed by Thomas Hart Benton to illustrate the Lynn Riggs classic "Green Grow the Lilacs" and printed in 1954 in a limited edition of 1500 by the University of ...

Category

1950s Thomas Hart Benton Art

Materials

Lithograph

Thomas Hart Benton art for sale on 1stDibs.

Find a wide variety of authentic Thomas Hart Benton available for sale on 1stDibs. You can also browse by medium to find art by Thomas Hart Benton in lithograph, paper, ink and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Thomas Hart Benton, so small editions measuring 7 inches across are available. Customers who are interested in this artist might also find the work of David Klein, Benton Murdoch Spruance, and Adolf Dehn. Thomas Hart Benton prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $100 and tops out at $8,017, while the average work can sell for $5,000.

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Questions About Thomas Hart Benton Art
  • 1stDibs ExpertJanuary 27, 2025
    Thomas Hart Benton's famous mural is located on the third floor of the Missouri State Capitol building in Jefferson City, Missouri. Called A Social History of Missouri, the 100-foot by 16-foot mural depicts the highs and lows of the history of Missouri up until its creation in 1936. All in all, the mural shows 235 faces that include enslaved Black people, farmers, industrial workers and even some members of the gang of Jesse James. On 1stDibs, explore a collection of Thomas Hart Benton art.