1930s Animal Prints

Black spaniel with Rabbit is an original signed etching by Leon Danchin with a very faint water stain on lower right side background that can be seen in the photo section. My ph...

Irish Setters in the Field is an original etching by Leon Danchin showing two adult Irish Setters in a field pointing to the right.This etching is printed on Arches paper, pencil si...

Dan Burne Jones is widely know as the author of the Rockwell Kent print catalogue raisonne. It's so interesting to see that he is a gifted wood engraver as well. Jones's own prints a...

Ukrainian-born, lower East Side based, Sarah Berman was active on the NYC-WPA and in artists' circles. Daniel in the Lions' Den is an etching, signed and ...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published by Aux Éditions Jeanne Bucher, Paris, 1933; printed by F. Duval, February 20, 1933. Notes: Fr...

Oedicneme Criard - Eurasian Stone Curlew French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustration...

Heron Blongios - Little Bittern French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of bird...

'Macreuse Noire - Macreuse a Lunettes' (Common Scoter and Surf Scoter) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From ...

"White Horse" is an original wood engraving by Howard Thomas, signed in plate. A white horse trots past the foreground of the image, spirals in it's eyes and spots on its hide. A bla...

2 Lazy 2P, ca. 1939 Lon Megargee Serigraph 20 x 24 inches Signed in screen Original serigraph print by Lon Megargee 1883 - 1960 Featured in "Hot Irons" by Oren Arnold and John Hale, 1940 SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Lon Megargee created this serigraph from his commission with Oren Arnold and John Hale to do their dust jacket for the book, " Hot Irons", 1940. Arnold and Hale wanted to establish a reference work, an "authority", with a entertaining history about the evolution of the brand. Megargee created a painting of a steer that was branded with the script, 2 Lazy 2 P. Surrounding the steer is a random display of famous brands of ranches in the Southwest. It was well received and must have prompted Megargee to create the likeness as a print. The brand is described in chapter thirteen, page 207-208 and says, " Ed Stram, who was Arizona state veterinarian for sixteen years, fire-branded his cattle with this peculiar crest. It isn't peculiar unless you have an equally peculiar sense of humor. At a glance it appears to be just another typically unimaginative brand, but it has been used to make many a thousand girls blush, and a few thousand bashful young men as well". COLLIER GALLERY, FINE ART ESTATE OF LON MEGARGEE Born and raised in Philadelphia, Pennsylvania, Lon Megargee, at age 13, ran away from his upper class home and went West in 1896 led by his zest for the wild and adventuresome life. There he established a reputation as a cowboy painter and illustrator with work most associated with Arizona Brewing Company ads featuring humorous aspects of cowboy life. In his youth, he worked as a free-lance cowboy, exhibition roper, poker dealer, and bronco buster in Arizona, and then went east again to study art in Philadelphia at the Pennsylvania Academy of Fine Arts, and to New York at the Art Students League and Pratt Institute. He returned to Arizona, living in Cave Creek, Salt River Canyon, Phoenix and the last years of his life near Sedona. His Phoenix home later became a popular hotel and dining place called the Hermosa Inn. Megargee was a ranch owner and also did oil canvases of the places he loved and the cowboy life he admired. By 1910, he was among the earliest resident artists, and was probably the best known artist in Arizona. His name was first associated with a landscape series of 15 large murals for the Capitol Building, newly constructed just after Arizona became a state in 1912. Another one of his paintings, Elemental, was the first painting by an artist living in Arizona to be acquired for the Municipal Collection of Phoenix. These works were chosen from entries in the State Fair, where he continued to win prizes for figure and landscape painting. From 1911 to 1953, he did numerous commission works for the Santa Fe Railroad, including a work titledNavajos Watching a Santa Fe Train. Between 1915 and 1930, he also painted in the Los Angeles area of California and had entries in the California State Fair. He died in Cottonwood, Arizona. After his death, theSaturday Evening Post had a double-page reproduction of his painting Cowboy's Dream. Creator of the iconic logo for the Stetson Hat Company, " Last Drop From his Stetson", still in use today. Fine Art Estate of Lon Megargee We offer signed in print and original signature block prints. Custom, hand carved, signature frames, with archival standards and a speciality in hand dyed mats and french matting are provided for a beautiful and timeless presentation. Megargee explored different mediums; printmaking captivated him in particular. The contrast of the black and white block print method captured perfectly his interpretation of a bold American West. The first print was produced around 1921 and culminated with the creation of “The Cowboy Builds a Loop” in 1933 with 28 images and poetry by his friend, Roy George. Megargee continued producing prints throughout the 1940s and early 50s. At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar Ranch . . . and, after a few years, was offered a job by Billy Cook...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in t...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper reproduction after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawi...

"Boy With Cows" is an original drypoint etching by John Edward Costigan. It depicts a young boy with three cows standing in a watering hole. The artist si...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in t...

"Brahma vs. Leghorn" is an original wood engraving by Howard Thomas. In front of an understated farm house, Brahma and Leghorn face off, ready to battle. An unidentified plant sits on the center. Unsigned. Image: 6" x 7.44" Framed: 13.75" x 15.18 Thomas Howard (1899-1971) born a Quaker in Ohio, trained in the Midwest at Ohio State University and the Chicago Art Institute. He taught in the Art Department of the Milwaukee State Teachers College (now University of Wisconsin-Milwaukee) where he became good friends with Carl Holty, Edward Boerner, Robert von Neumann...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in t...

'Pekingnese, Chow and Spaniel' Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of animals, sports, and ...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Zebra and foal by Orovida Pissarro (1893-1968) Etching 20 x 17.3 cm (7⁷/₈ x 6³/₄ inches) Signed and dated lower right Orovida 1938 Titled lower middle and numbered 4/50 lower right ...

'Canard Tadorne' (Common Shelduck) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of ...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

A La Queue (Join the Queue) original etching from the series Naughty Dogs of Paris showing a line of five dogs of various breeds trailing a small Chihuahua on a leash who is t...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

'Chow and Pekinese' (Pekingnese) Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of animals, sports, an...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Jacques NAM Nude and cat Original lithographie Printed signature in the plate On vellum 15 x 11" (38 x 28 cm) Very good condition, manipulation bend in ...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

'Canard Morillon' (Tufted Duck) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of bir...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

'Canard Pilet' (Northern Pintail) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of b...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Plate 20 from "Formes et couleurs; vingt planches en couleurs contenant soixante-sept motifs décoratifs" by Auguste H. Thomas. Paris: A. Levy, Librarie Centrale des Beaux-Arts, circa...

This is a fine aquatint etching by British artist Percival Gaskell. The title is: The Lonely Tower, Roman Campagna, it was created and printed in 1924 in an edition of 150. The ima...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published by Aux Éditions Jeanne Bucher, Paris, 1933; printed by F. Duval, February 20, 1933. Notes: Fr...

French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. 195mm by 265mm (sheet)

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. C...

Also a sculptor, Harry Wickey was a master printmaker and Art Students League teacher. This rural scene pre-dates the much better known, very close subject, John Steuart Curry's li...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

'Canard Sauvage' (Wild Duck) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds....

'Sarcelle D'Hiver' (Eurasian Teal) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of ...

Laying the Ghost by Orovida Pissarro (1893-1968) Etching 39 x 26.3 cm (15 ⅜ x 10 ⅜ inches) Signed and dated lower right Orovida 1932 Numbered lower left 1/9 and titled lower middle ...

Heron Bihoreau - Black Crowned Night Heron French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrati...

Heron Butor - Bittern French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of il...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

'Oie a Front Blanc' (Great White-Fronted Goose) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illu...

Mouflon French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of...

Original vintage poster: Lavocat aliments irradies. Force, Energie par les produits. This is a classic French late Art Deco period poster featuring a buff rugby player almost outpacing a steed - due no doubt to Lavocat, an 'irradiated' food. Even today, the American FDA believes that irradiating food can burn off harmful bacteria, airborne germs, and other microbes which can adversely affect food. We love this poster's depth of color, texture, and oomph - powerful and very, very Art Deco. This poster is an original Art Deco lithograph. This poster is related more to sports and running than food, but food provides energy. Note that the red is cherry red since different monitors produce the red color of this poster in different qualities. Excellent condition, undated on the poster. Behind the rugby runner is a black horse that appears to be neck and neck...

French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. 195mm by 265mm (sheet)

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

'Canard Eider - Canard Chipeau' (Common Eider) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illus...

MARGUERITE KIRMSE (English/American 1885-1954) THREE’S A CROWD, c 1930 Etching, signed and titled in pencil. Plate 6 3/8 x 9 ¾ inches. Full sheet with edges on all sides. Sheet 10 5/8 x 13 5/8 inches. In good condition, save for old tape on sheet edges verso, showing through to recto. A hint of a mat line below the signature Kirmse is considered to be one of the most important etchers of Dogs. Sheet with even white tone - photos show oblique shadows From Wikipedia: Marguerite first trained as a harpist at the Royal Academy of Music but spent much of her spare time drawing animals. She went to the United States in 1910 on holiday with friends but stayed there.[4] She was not successful in advancing her musical career and focused her attention increasingly on her animal drawing, which she developed by frequent sketching trips to the Bronx Zoo.[5] In 1921 she started producing etchings of dogs...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...