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Edmund Blampied Art

British, 1886-1966

Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903, he went to London to attend Lambeth Art School where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year, he was awarded a scholarship to Bolt Court School of Photo-engraving and Lithography. In 1912, Blampied left the Chronicle and established his studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920s, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s, Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a monograph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. He remained there throughout World War II during the German Occupation, even though his wife was Jewish. During the Occupation, he designed banknotes and a set of postage stamps for the States of Jersey. After the War and the end of the Occupation, he continued to live and work in Jersey. In 1966, he died at the age of 80. He was a member of the Royal Society of British Artists, 1938; Royal Society of Painter-Etchers and Engravers, 1921.

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Artist: Edmund Blampied
Farm Horse Drunking
By Edmund Blampied
Located in Fairlawn, OH
Farm Horse Drunking Charcoal and pastel on artist's board, c. 1920 Signed lower right in pencil (see photo) Titled in ink lower center, as are all the illustration for At the Farm (s...
Category

1920s English School Edmund Blampied Art

Materials

Chalk

Below Stairs - 1930s British etching by Edmund Blampied
By Edmund Blampied
Located in London, GB
EDMUND BLAMPIED (1886-1966) Below Stairs Signed in pencil and numbered 57/100, signed and dated in the plate: Jan 1931 Drypoint Unframed Plate size 26 by 19.5 cm.; 10 ¼ by 7 ¾ in....
Category

Mid-20th Century Realist Edmund Blampied Art

Materials

Etching

Politics
By Edmund Blampied
Located in Storrs, CT
Politics (Tonnere de Brest). 1926. Drypoint. Appleby 108. 7 x 9 (sheet 10 1/2 x 15 1/2). A rich impression printed on cream wove paper with full margins. Illustrated: Salaman, Modern...
Category

Early 20th Century Modern Edmund Blampied Art

Materials

Drypoint, Etching

The Letter
By Edmund Blampied
Located in Storrs, CT
The Letter. 1921. Drypoint. Appleby 107. 7 x 9 3/8 (sheet 10 1/2 x 15 7/16). Edition 100. Illustrated: Fine Prints of the Year, 1925; Salaman, Modern Masters of Etching: Edmund Blamp...
Category

Early 20th Century Modern Edmund Blampied Art

Materials

Drypoint, Etching

The Butterfly.
By Edmund Blampied
Located in Storrs, CT
Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...
Category

Early 20th Century Modern Edmund Blampied Art

Materials

Drypoint, Etching

Misty Morning.
By Edmund Blampied
Located in Storrs, CT
Misty Morning. 1928-29. Drypoint. Appleby 137. 8 5/8 x 12 (sheet 11 5/8 x 18 1/16). Edition 100, #86. A rich impression with drypoint burr. Printed with ...
Category

1920s Modern Edmund Blampied Art

Materials

Drypoint, Etching

Gathering Vraic on a Jersey Shore.
By Edmund Blampied
Located in Storrs, CT
Gathering Vraic on a Jersey Shore. c. 1937. Ink and watercolor on 'Castle Linen Tolli & Harvey LD London' countermarked paper. 7 1/8 x 13 1/2 (sheet 12 1/2 x 16 1/4). Good condition, apart from small professionally repaired paper losses at the corners, from previous hinges. Dedicated 'To my friend Harold James Bailey E.B.' and annotated 'To wish you a glad glow of happiness for Christmas and the New Year'. From the collection of the famous Blampied scholar and collector, Harold J. Bailey, who wrote an article, 'Edmund Blampied: Artist and Philosopher' in the Print Collector's Quarterly 24 (1937). Housed in a 15 1/2 x 21 1/2-inch Whistler style gold wood frame. In the left rear section is a Martello or Conway tower, built as a fortiffiction. A Jersey Round Tower Coastal towers stand all along the coast of the island. The British built 22 round towers, one similar square tower, and eight Martello towers towards the end of the 18th Century and in the early to mid-19th Century, but now only 24 remain, including seven of the Martellos. Vraic is a seaweed found in the Channel Islands. The main use of vraic is for spreading over potato fields during the winter. It is then ploughed into the soil before the potatoes are planted in late winter and spring. Vraic was traditionally gathered by horse and cart in Grouville Bay and St Ouen's Bay, and in smaller quantities at Le Hocq and Havre des Pas. The practice continues using...
Category

1930s Modern Edmund Blampied Art

Materials

Ink, Watercolor

En Pension.
By Edmund Blampied
Located in Storrs, CT
En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...
Category

1920s Modern Edmund Blampied Art

Materials

Drypoint, Etching

Night Time, Dieppe.
By Edmund Blampied
Located in Storrs, CT
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
Category

1920s Modern Edmund Blampied Art

Materials

Drypoint, Etching

Homewards, Evening.
By Edmund Blampied
Located in Storrs, CT
Pencil drawing. Study for the drypoint of the same title, Appleby 20. 7 1/2 x 5 3/ (available on 1st dibs). Signed Blampied lower left. Housed in a 20 x 16-inch archival mat, suitable for framing. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court School of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category

Early 20th Century Modern Edmund Blampied Art

Materials

Carbon Pencil

Soup
By Edmund Blampied
Located in Storrs, CT
Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category

1920s Modern Edmund Blampied Art

Materials

Drypoint, Etching

The Fisherman's Return
By Edmund Blampied
Located in Storrs, CT
The Fisherman's Return. 1922. Drypoint. Appleby 83. 6 5/8 x 9 1/4 (sheet 9 1/8 x 14 7/8). Edition 100. A rich impression with drypoint burr printed on cr...
Category

Early 20th Century Modern Edmund Blampied Art

Materials

Drypoint, Etching

Fetching the Doctor (In Haste for the Doctor)
By Edmund Blampied
Located in Storrs, CT
Fetching the Doctor (In Haste for the Doctor) 1930. Lithograph. Appleby Lithographs 24. 11 x 16 (sheet 13 3/8 x 18 1/2). Edition 50. Illustration used as a ...
Category

Early 20th Century Modern Edmund Blampied Art

Materials

Lithograph

Loading Vraic St. Malo
By Edmund Blampied
Located in New York, NY
Edmund Blampied (1886-1966), Loading Vraic St. Malo, drypoint, c. 1926, signed in pencil lower right margin and numbered 50/100 lower left. Reference: Appleby 122. In very good condition, with margins, on an ivory laid paper; 6 7/8 x 10, the sheet 10 x 15 1/2 inches, archival mounting. A fine impression, with substantial burr from the drypoint work. Provenance: Collection: Albert M...
Category

1920s Realist Edmund Blampied Art

Materials

Drypoint

Lumbermen.
By Edmund Blampied
Located in Storrs, CT
Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...
Category

1920s Modern Edmund Blampied Art

Materials

Drypoint, Etching

Ostend Horse
By Edmund Blampied
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category

1920s Modern Edmund Blampied Art

Materials

Drypoint, Etching

Wheelbarrow Race
By Edmund Blampied
Located in Storrs, CT
1925-26. Drypoint. Appleby 114. 8 9/16 x 12 (sheet 12 x 17). Edition 100, #10. An excellent impression with burr, printed with plate tone on the full sheet of 'VGI' laid paper with ...
Category

1920s Modern Edmund Blampied Art

Materials

Etching, Drypoint

Returning to the Stable.
By Edmund Blampied
Located in Storrs, CT
Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...
Category

1920s Modern Edmund Blampied Art

Materials

Drypoint, Etching

Vin Rouge (Red Wine)
By Edmund Blampied
Located in Storrs, CT
1932. Drypoint. Appleby 167. 9 1/4 x 11 5/8 (sheet 11 3/8 x 17 15/16). Edition 100 #48. Mat line, well outside the image; otherwise excellent condition. A rich impression with drypo...
Category

1930s Modern Edmund Blampied Art

Materials

Drypoint

Below Stairs.
By Edmund Blampied
Located in Storrs, CT
Below Stairs. 1930-31. Drypoint. Appleby 143. 10 1/4 x 7 3/4 (sheet 15 3/4 x 10 1/8). Edition 100, #31. A very rich, tonal impression on cream-colored laid paper. Unobtrusive soiling in the top left- and lower-left hand margins, just below the platemark; and light mat line just outside the platemark. . Signed and numbered in ink. Housed in a 20 x 16-inch archival mat, suitable for framing. A charming discussion between the chef and a scullery maid in a "Downtown Abbey...
Category

1930s Modern Edmund Blampied Art

Materials

Drypoint, Etching

Night Time in a Stable.
By Edmund Blampied
Located in Storrs, CT
Night Time in a Stable. 1927-28. Drypoint. Appleby 131. 10 1/8 x 12 1/8 (sheet 11 1/2 x 16 1/2). Edition 100. Illustrated: Print Collector's Quarterly 25 (1...
Category

Early 20th Century Modern Edmund Blampied Art

Materials

Drypoint, Etching

STUDY OF A BEGGAR
By Edmund Blampied
Located in Portland, ME
Blampied, Edmund. STUDY OF A BEGGAR. Drawing, charcoal on paper, circa 1930s. Signed within the image. 11 1/8 x 8 3/4 inches, 282 x 218 mm. The gray paper has faded to tan, else in v...
Category

Mid-20th Century Realist Edmund Blampied Art

Materials

Charcoal

Chez Madame Dupont
By Edmund Blampied
Located in Storrs, CT
Chez Madame Dupont. 1931-32. Drypoint. Appleby 158. 8 3/16 x 11 3/4 ( 11 1/8 x 18 1/3). Edition 100, #75. A fine impression on pale cream-colored laid paper, printed on the full shee...
Category

1930s Modern Edmund Blampied Art

Materials

Drypoint, Etching

The Vraic Season (No 1).
By Edmund Blampied
Located in Storrs, CT
The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...
Category

1930s Modern Edmund Blampied Art

Materials

Drypoint, Etching

A Jersey Vraic Cart
By Edmund Blampied
Located in New York, NY
Edmund Blampied (1886-1966), A Jersey Vraic Cart. 1939, etching, signed in ink lower margin [also signed and dated in the plate]. Reference: Appleby 183, the full sheet, on a J. Wh...
Category

1930s Realist Edmund Blampied Art

Materials

Etching

Through the Storm.
By Edmund Blampied
Located in Storrs, CT
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
Category

1920s Modern Edmund Blampied Art

Materials

Drypoint, Etching

Ostend Bathing Machine.
By Edmund Blampied
Located in Storrs, CT
1926. Drypoint. Appleby 119. 6 7/8 x 8 7/8 (sheet 9 x 12 1/4). Edition 100, #97. Printed by David Strang on cream laid paper. Wrinkling in the margins; otherwise fine condition. A rich impression with tonal wiping and drypoint burr. Signed and numbered in pencil.n pencil. Housed in a 16 x 20-inch archival mat, suitable for framing. The bathing machine...
Category

Early 20th Century Modern Edmund Blampied Art

Materials

Drypoint, Etching

Summer
By Edmund Blampied
Located in Storrs, CT
Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pe...
Category

1910s Modern Edmund Blampied Art

Materials

Drypoint

Ostend Horse
By Edmund Blampied
Located in New York, NY
Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations. Provenance: Kennedy Galleries (with their stock number A49359) Ex Collection: Albert M...
Category

1920s Realist Edmund Blampied Art

Materials

Drypoint

The Centenarian
By Edmund Blampied
Located in Storrs, CT
The Centenarian. 1930-31. Drypoint. Appleby 144. 10 5/16 x 10 3/8 (sheet 17 3/8 by 12 3/8). Edition 100. A rich impression on cream-colored 'Whatman' laid paper with full margins. Signed and numbered in ink. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category

1930s Modern Edmund Blampied Art

Materials

Drypoint, Etching

Driving Home in the Rain
By Edmund Blampied
Located in Storrs, CT
Driving Home in the Rain. 1914. Drypoint. Appleby 35. 7 3/8 x 10 1/8 (sheet 12 x 15 3/8). Edition 40. Illustrated: Guichard, British Etchers, 1850-1940; Print Collector's Quarterly 1...
Category

1910s Modern Edmund Blampied Art

Materials

Drypoint

Edmund Blampied art for sale on 1stDibs.

Find a wide variety of authentic Edmund Blampied art available for sale on 1stDibs. You can also browse by medium to find art by Edmund Blampied in drypoint, engraving, etching and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Edmund Blampied art, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Hoi Lebadang, Eric Gill, and Sir Frank Short. Edmund Blampied art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $500 and tops out at $2,750, while the average work can sell for $975.

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