Known all over the world for his colossal murals, Diego Rivera was one of the leading artists of the 20th century. The Guanajuato, Mexico-born painter’s works adorn the interiors of many public buildings throughout his native country, including the Cortés Palace in Cuernavaca, the National School of Agriculture in Chapingo and the Ministry of Public Education in Mexico City. (Rivera’s family moved to Mexico City in 1892, and he later lived and worked in Mexico’s capital with his third wife, fellow Mexican artist Frida Kahlo.)
Rivera expressed Mexican national identity like no one before him. He developed his own style of Cubism, reintroduced fresco painting as a major discipline and was a pioneer of Mexican Muralism. Rivera’s artworks have had a significant impact on the international art world.
At the age of 10 Rivera received a scholarship to study at the Academy of San Carlos in Mexico City. When he was 21, the governor of Veracruz provided the artist with a grant to study in Europe. He began his studies abroad in Spain, but ended up settling in Paris in 1909, where he befriended Spanish artist Pablo Picasso and esteemed French painter Georges Braque. Picasso's Cubist paintings were an inspiration for him — in his own work, Rivera adopted elements of Cubism, a revolutionary art movement for European culture. The painter later developed an admiration for the work of Postimpressionist artists such as Cézanne, but Renaissance paintings — and Italian frescoes, generally — had a monumental influence on the work that followed.
In 1921, Rivera returned to Mexico to work with social realist painter David Alfaro Siqueiros. In the wake of the Mexican revolution, they shared a vision of turning the interior of public buildings into a canvas for exploring concepts associated with national identity and to express sympathy for the revolution.
In 1930, Rivera traveled to the United States, where he examined modern industry and issues facing the working class in commissioned pieces at the California School of Fine Arts in San Francisco, the Detroit Institute of Arts and Rockefeller Center in New York City. For the latter, Rivera’s Man at the Crossroads outraged his sponsors owing to its expression of leftist sentiment — it featured a portrait of Russian revolutionary Vladimir Lenin.
After Rivera refused to remove Lenin from the fresco in the lobby of the RCA building in Rockefeller Center, the artist’s sponsors had the work destroyed. Rivera later repainted the composition in a mural in Mexico, relying on photographs by Lucienne Bloch — his unpaid assistant on the Rockefeller project — that she had covertly taken before the painting was destroyed.
It was the suggestions of artist George Biddle, who had studied with Rivera and was influenced by the Mexican Muralists movement, that helped lay the groundwork for the Public Works of Art Project, which was included as part of Franklin Delano Roosevelt’s New Deal.
When Rivera died in 1957 he left unfinished a grandiose mural on the history of Mexico for the National Palace in Mexico City.
1952 Original exhibition poster realized by Diego Rivera Mexican Art
By Diego Rivera
Located in PARIS, FR
Very beautiful poster of exhibition realized by Diego Rivera in order to promote the exhibition "Mexican Art, from pre-Columbian to our days", which took place in 1952 in the National Museum of Modern Art. Diego Rivera was a leading Mexican painter. His large frescoes...
Paper, Lithograph
Circa 1955 travel poster by the Mexican artist Diego Rivera - Mexico
By Diego Rivera
Located in PARIS, FR
The circa 1955 travel poster created by the renowned Mexican artist Diego Rivera, promoting Mexico - Décoration murale Palais National, was issued by the National Tourism Office of M...
Paper, Lithograph
Mexican Girl Returning from the Market
By Diego Rivera
Located in Saratoga Springs, NY
Diego Rivera (Mexican 1886-1957) Mexican Girl Watercolor on paper, behind glass 11 x 16 inches Signed and dated lower right, ‘Diego Rivera 1954’ Provenance: Sold as “Mexican Girl” M...
Paper, Watercolor
$1,200
H 10.5 in W 7.88 in D 0.2 in
Standing nude, Gustav Klimt Handzeichnungen (Sketch), Thyrsos Verlag, 1922
By (after) Gustav Klimt
Located in Chicago, IL
Original collotype lithograph of a figure drawing from Gustav Kilmt’s handzeichnungen (sketch) in 1922 by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is pr...
Paper, Lithograph
$1,500
H 19.75 in W 16.5 in
Kiki Smith Lithograph/Collage Various Flying Creatures "bee" Signed Dated
By Kiki Smith
Located in Detroit, MI
A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "bee." Smith has used one of her animal/insect iconic figures for this glassine paper and wove pap...
Paper, Lithograph
$596Sale Price|25% Off
H 25.99 in W 37.8 in D 0.04 in
Birds. 2020. Watercolor, paper, 66 x 96 cm
By Zigmunds Snore
Located in Riga, LV
Birds. 2020. Watercolor, paper, 66 x 96 cm Seagulls over the sea Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 an...
Paper, Watercolor
$600
H 40 in W 30.5 in
Henri de Toulouse-Lautrec "La Revue Blanche" limited edition lithograph
By Henri de Toulouse-Lautrec
Located in Boca Raton, FL
Limited edition lithograph on Arches paper from edition of 2,000 of "La Revue Blanche" by Henri de Toulouse-Lautrec. Reproduction reissued in 1974. Th...
Paper, Lithograph
$8,500
H 20 in W 24 in
"Dove of Peace" Signed Color Lithograph of Bird Midcentury Modern Classic Cubism
By Pablo Picasso
Located in Austin, TX
Page Size: 20 x 24 in. (visible) Frame size : 47 x 32 in. Signed, bottom right. Numbered, Bottom left: 144/200. COA available upon request. Created by Pablo Picasso in 1961, this ic...
Archival Paper, Pencil, Lithograph
$4,455Sale Price|70% Off
H 33.5 in W 26 in
Orientalist "Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto
Located in SANTA FE, NM
"Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto (Spanish, 1836-1898) Watercolor on paper Signed lower left "MGHispaleto" Original wood frame with gilded stucco 18 3/4 x 12 1/2 (33 1/2 x 26 frame) inches Manuel García Hispaleto, originally Manuel García y Martínez (22 November 1836, Seville -26 December 1898, Madrid) was a Spanish painter known for portraits and costumbrista (genre) scenes. His brother, Rafael García...
Watercolor, Handmade Paper
“Place de la Concorde”
By Marc Chagall
Located in Southampton, NY
After Marc Chagall (1887–1985), “Place de la Concorde” 1952. Not examined out of frame. Under glass. Color lithograph on wove paper. Unsigned. Unknown edition. Condition is very g...
Archival Paper, Lithograph
$8,000
H 21.5 in W 25.5 in
"Business-Men's Class, Y.M.C.A." George Bellows, Ashcan School Print
By George Wesley Bellows
Located in New York, NY
George Bellows Business-Men's Class, Y.M.C.A, 1916 Signed, numbered "No. 41" and titled lower margin Lithograph on wove paper 11 1/2 x 17 1/8 inches Edition of 64 Provenance: Hirschl & Adler Galleries, New York Private Collection, Ohio Literature: Mason, 20. After his arrival from Columbus, Ohio in 1904, Bellows lived at the West Side YMCA. It was there that he met Eugene Speicher, another aspiring young artist who was to become his lifelong friend. Always interested in the anatomy of the human body, Bellows often satirized the various types who, while leading a sedentary life, feel compelled to devote a portion of their daily routine to physical self-improvement. Throughout his brief but illustrious career, George Wesley Bellows created striking scenes that documented ordinary American life in all its beauty and banality. Considered an American Realist, the artist eschewed embellishment, finding inspiration in the gritty boroughs of New York City, the rocky coastline of Maine, and, later, in his friends and family. Bellows garnered early recognition for his arresting portrayals of illegal prizefighting, dramatic works executed in dark tonal palettes that underscore the brutality of the violent sport. Bellows’ elderly Methodist parents hoped their son might pursue the ministry, a calling the extroverted athlete never received. The Columbus native competed on the baseball team at Ohio State University and also served as an illustrator for the college yearbook. In the fall of 1904—just months shy of his expected graduation—Bellows defied his father’s wishes and boarded a train to New York City in hopes of becoming a magazine illustrator like his idols Howard Chandler Christy and Charles Dana Gibson. Before leaving, he reportedly turned down an offer to play professional baseball with the Cincinnati Reds...
Paper, Lithograph
$16,500
H 29 in W 29 in
Ellsworth Kelly Black Variation III Lithograph Limited Edition of 25
By Ellsworth Kelly
Located in Minneapolis, MN
Artist: Ellsworth Kelly Title: Black Variation III Medium: Lithograph with Intaglio on Rives Paper Year: 1975 Image Size: 29" x 29" Sheet Size: 39.75" x 39" Edition: A.P. IX/XI , (as...
Paper, Lithograph
Red (Floral Still Life)
By Elizabeth Osborne
Located in Wilton Manors, FL
Elizabeth Osborne (American/Philadelphia, b. 1936) "Red." Watercolor on paper. 1991/1992. Signed and dated l.r.. Sight: 9" x 12". Frame: 18 1/4" x 21 1/2". Provenance: Purchased from Jane Haslem Gallery in 1994. From the collection of Nancy Elizabeth Stanley. 1936, born Philadelphia, Pennsylvania 1959, BFA, University of Pennsylvania, Philadelphia, Pennsylvania 1954-58, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania SOLO EXHIBITIONS Berry Campbell, New York, Elizabeth Osborne: A Retrospective, 2022. Locks Gallery, Philadelphia, Pennsylvania, Reflections: Painting Memory, 2017. Locks Gallery, Philadelphia, Pennsylvania, Watercolors: Five Decades, 2017. The Delaware Art Museum, Wilmington, Delaware, Elizabeth Osborne: The 1960s, 2016. Luther W. Brady Art Gallery, George Washington University, Washington, D.C., Color Bloc: Paintings by Elizabeth Osborne, 2015. The James A. Michener Art Museum, Doylestown, Pennsylvania, Veils of Color: Juxtapositions and Recent Work by Elizabeth Osborne, 2015. (Traveled to The Lancaster Museum of Art, Lancaster, Pennsylvania, 2016.) Locks Gallery, Philadelphia, Pennsylvania, Luminous Gestures: New Works by Elizabeth Osborne, 2013. Locks Gallery, Philadelphia, Pennsylvania, Elizabeth Osborne: Watercolors, 2011. Locks Gallery, Philadelphia, Pennsylvania, New Work, 2011. The Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, Elizabeth Osborne: The Color of Light, 2009. Locks Gallery, Philadelphia, Pennsylvania, Figurative ‘60s, 2007. Locks Gallery, Philadelphia, Pennsylvania, Floating Landscapes: 1971-1979, 2006. J. Cacciola Galleries, New York, Works on Paper, 2006. The Print Center, Philadelphia, Pennsylvania, Recent Prints, 2005. Locks Gallery, Philadelphia, Pennsylvania, 2004. Locks Gallery, Philadelphia, Pennsylvania, Elizabeth Osborne: 30 Years, Works on Paper, 2002. Locks Gallery, Philadelphia, Pennsylvania, Vantage, 2000. Old Main Art Museum, Northern Arizona University, Flagstaff, Arizona, 1998. Locks Gallery, Philadelphia, Pennsylvania, 1997. Locks Gallery, Philadelphia, Pennsylvania, 1994. Jane Haslem Gallery, Washington, D.C., 1994. North Dakota Museum of Art, Grand Forks, North Dakota, 1993-94. Locks Gallery, Philadelphia, Pennsylvania, 1992. Arronson Gallery, The University of Arts, Philadelphia, Pennsylvania, Watercolors, 1991. University of the Arts, Philadelphia, Pennsylvania, 1990. Marian Locks Gallery, Philadelphia, Pennsylvania, 1988. Fischbach Gallery, New York, 1988. Fischbach Gallery, New York, 1984. Fischbach Gallery, New York, 1982. Fischbach Gallery, New York, 1980. Marian Locks Gallery, Philadelphia, Pennsylvania, 1978. Marian Locks Gallery, Philadelphia, Pennsylvania, 1976. Gimpel & Weitzenhoffer, Ltd., New York, 1977. Gimpel & Weitzenhoffer, Ltd., New York, 1974. Marian Locks Gallery, Philadelphia, Pennsylvania, Landscapes, 1972. Makler Gallery, Philadelphia, Pennsylvania, 1970. American Consulate, Sao Paulo, Brazil, 1969. Peale Galleries, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1967. Perakis Gallery, Philadelphia, Pennsylvania, 1967. Perakis Gallery, Philadelphia, Pennsylvania, 1963. GROUP EXHIBITIONS Avery Galleries, Bryn Mawr, Pennsylvania, The Women of the Pennsylvania Academy of the Fine Arts: Past to Present, 2024. Berry Campbell, New York, Perseverance, 2024. Locks Gallery, Philadelphia, Pennsylvania, From Dusk Till Dawn, 2015. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, “Something Clicked in Philly”: David Lynch and His Contemporaries, 2014. Locks Gallery, Philadelphia, Pennsylvania, It’s Not the Numbers, 2014. Locks Gallery, Philadelphia, Pennsylvania, Works on Paper, 2013. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, The Female Gaze: Women Artists Making Their World, 2013. Philip and Muriel Berman Museum of Art, Ursinus College, Collegeville, Pennsylvania, Four Visions/Four Painters: Murray Dessner...
Watercolor, Rag Paper
$682Sale Price|40% Off
H 7.29 in W 6.11 in
Realist European painter - 19th century figure painting - Portrait of gentleman
Located in Varmo, IT
European painter (19th century) - Portrait of a Gentleman. 13.5 x 10 cm (without frame) - 18.5 x 15.5 cm (with frame). Watercolour on paper, in original 19th-century gilded wood fr...
Watercolor, Paper
$463
H 15.36 in W 12.6 in
India Listed artist 19th Century Hand Coloured Lithograph Village scene palms
Located in Norfolk, GB
A 19th century, hand coloured lithograph, the colours fresh and in good condition for its age. Artist: Captain Philip Meadows Medium: Hand coloured lithograph Plate 6 Created: 1842 Paper Size: 39 x 32.5 cm Plate Size: 27.5 x 21.2 cm With the description sheet on verso TAYLOR, Captain Philip Meadows (1808-1876). Plate from Sketches in the Deccan. London: published by J McLean 1842 Plate 6 From a series of views of the Deccan, at this time the state of Hyderabad. The suite of plates includes views, scenes and settings of places and buildings at Goa, Arungabad, Tooljapoor, Golcondag, Hyderabad, Ellors, Rozah, and the Tandoor hills, among others. Meadows Taylor arrived in India as a young man to work with a Bombay merchant, but quickly accepted a military commission...
Paper, Lithograph
$670
H 28 in W 20 in D 0.1 in
Early Breakfast, Figurative Italian Still Life, Mediterranean Oranges on Paper
By Gio Bellagio
Located in Barcelona, ES
“Early Breakfast” is a contemporary still life evoking the ease of the Italian lifestyle through clean geometry and luminous color. A bowl of oranges and a translucent bottle sit wit...
Oil, Acrylic, Watercolor, Paper
$495
H 27 in W 18 in
Original lithograph poster for "Miro 100 Sculptures 1962-1978" 1978 exhibition
By Joan Miró
Located in Boca Raton, FL
Original poster for 1978 "Miró 100 sculptures 1962-1978" exhibition of sculptures by Joan Miró. Purchased from the Musée d'art moderne de la Ville de Paris. Beautifully printed litho...
Paper, Lithograph
$375
H 6 in W 8 in
"004 - Plein Air-O'Fallon Park, CO" (2022) By Judd Mercer, Gouache Painting
By Judd Mercer
Located in Denver, CO
Judd Mercer's ( US based) "004 - Plein Air-O'Fallon Park, CO" is a gouache painting depicting a peaceful snowy forest. Artist bio/statement Judd Mercer is a contemporary landscape p...
Paper, Gouache
Mother and Child by Diego Rivera
By Diego Rivera
Located in New Orleans, LA
Diego Rivera 1886-1957 Mexican Mother and Child Signed and dated "Diego Rivera 1934" (lower right) Tempera on plaster In this intimate masterwork, Mother and Child, the great Die...
Plaster, Tempera
Sold
H 24.63 in W 28.63 in
Diego Rivera Modernist Lithograph, 1930, Signed, Framed, El Mercado De Flores
By Diego Rivera
Located in Washington, DC
Artist: Diego Rivera Title: El Mercado De Flores (Flower Market) Medium: Lithograph Date: 1930 Edition: 60/100 Framed Size: 24 5/8" x 28 5/8" Sheet Size: 19" x 24 1/2" Image Size: 1...
Lithograph
Sold
H 34.65 in W 24.02 in
Original travel poster by Diego Rivera - Mexico Mural of national Palace
By Diego Rivera
Located in PARIS, FR
This striking mid-century travel poster celebrates the cultural richness of Mexico through the unmistakable art of Diego Rivera, one of the most influential muralists of the 20th cen...
Paper, Lithograph
Delfina y Dimas by Diego Rivera
By Diego Rivera
Located in New Orleans, LA
Diego Rivera 1886-1957 Mexican Delfina y Dimas Signed and dated 1935 Tempera on masonite In the intimate masterwork Delfina y Dimas, the great Diego Rivera illustrates all of his...
Masonite, Tempera
Vendedora By Diego Rivera
By Diego Rivera
Located in New Orleans, LA
Diego Rivera 1886-1957 Mexican Vendedora (Vendor) Signed and dated (lower right) Watercolor on rice paper Diego Rivera stands among the most important artists of the 20th century...
Watercolor, Rice Paper
Niño Indígena Con Pelota By Diego Rivera
By Diego Rivera
Located in New Orleans, LA
Diego Rivera 1886-1957 Mexican Niño Indígena con Pelota (Indigenous Boy with a Ball) Signed and dated Oil on board A rebel against the traditional school of painting, Diego River...
Oil, Board
Desnudo de Frida Kahlo, Signed Lithograph by Diego Rivera
By Diego Rivera
Located in Long Island City, NY
This portrait depicts Rivera's second wife, the artist Frida Kahlo (1907-54), sitting on a bed wearing stockings and shoes and fastening rows of beads around her neck. An accident wh...
Lithograph
Tehuana con Batea by Diego Rivera
By Diego Rivera
Located in New Orleans, LA
Diego Rivera 1886-1957 Mexican Tehuana con batea Signed “D Rivera” (lower right) Graphite on cream wove paper A rebel against the traditional school of painting, Diego Rivera is revered as one of the greatest and most influential artists of the 20th century. Tehuana con batea, completed by Rivera in 1922, represents a glimpse into the artist’s process through a powerful graphite-on-paper sketch. Rivera’s thoughtful marks outline a Tehuana — a woman from the isthmus of Tehuantepec and likely a descendant of the Zapotec indigenous peoples. The woman is rendered with a kind of totemic solidity, accented by the block-like forms of her clothing and the strength of her stance. Her arms reach upwards as she carries a basket atop her head. Although highly stylized, the work retains a narrative element that was important to the artist’s output — telling the stories of the native peoples of Mexico. Composed in 1922, this drawing dates from a pivotal moment in the artist’s career. It marked the painting of his first significant mural, Creation, in the Bolívar Auditorium of the National Preparatory School in Mexico City, the first of many government-sponsored murals he would undertake over the next three decades. Later in the year, Rivera founded the Revolutionary Union of Technical Workers, Painters and Sculptors, and joined the Mexican Communist Party. The public mural projects reflected his communist politics in historical contexts. Aside from the often-controversial reactions they received, these works focused on the working-class “everyman” of Mexico and reflected the folk ideals that were familiar and respected within the native community. In addition to the rarity of this plaque due to its unique perspective, Tehuana con batea has a notable provenance, having been owned by celebrated Museum of Modern Art staff member Patricia Dowd Whitman. Remembered fondly for building relationships with donors and artists including Dorothea Rockburne and Tom Otterness over her thirty-three years at the institution, she served as Director of the Contemporary Arts Council at MoMA from 1990 until her retirement in 2007. A remarkable drawing with provenance, Tehuana con batea is one-of-a-kind. Born in Guanajuato City, Mexico in 1886, Diego Rivera showed a talent for drawing at a very young age. He began his formal art education at the Academy of San Carlos in Mexico. When he moved to Paris in 1907 to live and work with the great gathering of artists in Montparnasse, he was exposed to the burgeoning of Cubism, and fully embraced this new school of thought. His works attracted the attention of the world’s most prestigious art patrons, including Nelson Rockefeller, for whom he painted a controversial mural in 1934. While both his personal and artistic lives were at times tumultuous, it is his artistic vision and compassion for his homeland and people that have formed the legacy of this incredible figure. Created 1922 Paper: 12 7/8" high x 8 3/8" wide Frame: 20 1/2" high x 15 3/8" wide x 1 3/8" deep Provenance: Mary-Anne Martin Fine...
Paper, Graphite
SELF PORTRAIT / AUTORETRATO
By Diego Rivera
Located in Santa Monica, CA
DIEGO RIVERA (1886 – 1957) AUTORETRATO / SELF PORTRAIT, 1930 Lithograph. signed and numbered 14/100 by the artist in pencil. Image 15 x 11 ¼”. Full sheet 20 1/8 x 15” with deckle edges on all four sides. Very good condition save for an expertly repaired vertical tear at top of sheet and a small blue ink smudge on the verso. Rivera’s lithographs are scarce. He only produced 10. They were all published by Weyhe Gallery, NY, then led by Carl Zigrosser. Five were published in 1930 and five in 1932. This example is 1930. Beginning in 1930 Rivera produced a series of monumental mural...
Lithograph
Niño by Diego Rivera
By Diego Rivera
Located in New Orleans, LA
Diego Rivera 1886-1957 Mexican Niño Signed and dated “Diego Rivera 1935” (lower left) Charcoal and sanguine on rice paper A rebel against the traditional school of painting, Diego Rivera is revered as one of the greatest and most influential artists of the 20th century. Niño, completed by Rivera in 1935, represents a masterwork within an important part of the artist’s output — his portraits of children. It is a touching work paying homage to both childhood innocence and the cultural identity of the Mexican people...
Charcoal, Rice Paper
Sold
H 35.75 in W 25 in D 0.1 in
1997 Diego Rivera 'The Flower Vendor' Modernism USA Offset Lithograph
By Diego Rivera
Located in Brooklyn, NY
Paper Size: 35.75 x 25 inches ( 90.805 x 63.5 cm ) Image Size: 28.75 x 24 inches ( 73.025 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipp...
Offset
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H 23.5 in W 17.5 in D 0.1 in
1997 Diego Rivera 'Delfina Flores and Her Niece Modesta' Modernism USA Offset
By Diego Rivera
Located in Brooklyn, NY
Paper Size: 23.5 x 17.5 inches ( 59.69 x 44.45 cm ) Image Size: 23.5 x 17.5 inches ( 59.69 x 44.45 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Ship...
Offset
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H 30 in W 24 in D 0.1 in
2001 Diego Rivera 'Flower Vendor' Modernism USA Offset Lithograph
By Diego Rivera
Located in Brooklyn, NY
Paper Size: 30 x 24 inches ( 76.2 x 60.96 cm ) Image Size: 25.5 x 21 inches ( 64.77 x 53.34 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional De...
Offset
Sold
H 31.5 in W 23.75 in D 0.1 in
1998 Diego Rivera 'Still Life, 1913' Switzerland Offset Lithograph
By Diego Rivera
Located in Brooklyn, NY
Paper Size: 31.5 x 23.75 inches ( 80.01 x 60.325 cm ) Image Size: 25.5 x 20.25 inches ( 64.77 x 51.435 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...
Offset
Sold
H 35.75 in W 25 in D 0.1 in
1997 Diego Rivera 'The Flower Vendor' Modernism USA Offset Lithograph
By Diego Rivera
Located in Brooklyn, NY
Paper Size: 35.75 x 25 inches ( 90.805 x 63.5 cm ) Image Size: 28.75 x 24 inches ( 73.025 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipp...
Offset