Known all over the world for his colossal murals, Diego Rivera was one of the leading artists of the 20th century. The Guanajuato, Mexico-born painter’s works adorn the interiors of many public buildings throughout his native country, including the Cortés Palace in Cuernavaca, the National School of Agriculture in Chapingo and the Ministry of Public Education in Mexico City. (Rivera’s family moved to Mexico City in 1892, and he later lived and worked in Mexico’s capital with his third wife, fellow Mexican artist Frida Kahlo.)
Rivera expressed Mexican national identity like no one before him. He developed his own style of Cubism, reintroduced fresco painting as a major discipline and was a pioneer of Mexican Muralism. Rivera’s artworks have had a significant impact on the international art world.
At the age of 10 Rivera received a scholarship to study at the Academy of San Carlos in Mexico City. When he was 21, the governor of Veracruz provided the artist with a grant to study in Europe. He began his studies abroad in Spain, but ended up settling in Paris in 1909, where he befriended Spanish artist Pablo Picasso and esteemed French painter Georges Braque. Picasso's Cubist paintings were an inspiration for him — in his own work, Rivera adopted elements of Cubism, a revolutionary art movement for European culture. The painter later developed an admiration for the work of Postimpressionist artists such as Cézanne, but Renaissance paintings — and Italian frescoes, generally — had a monumental influence on the work that followed.
In 1921, Rivera returned to Mexico to work with social realist painter David Alfaro Siqueiros. In the wake of the Mexican revolution, they shared a vision of turning the interior of public buildings into a canvas for exploring concepts associated with national identity and to express sympathy for the revolution.
In 1930, Rivera traveled to the United States, where he examined modern industry and issues facing the working class in commissioned pieces at the California School of Fine Arts in San Francisco, the Detroit Institute of Arts and Rockefeller Center in New York City. For the latter, Rivera’s Man at the Crossroads outraged his sponsors owing to its expression of leftist sentiment — it featured a portrait of Russian revolutionary Vladimir Lenin.
After Rivera refused to remove Lenin from the fresco in the lobby of the RCA building in Rockefeller Center, the artist’s sponsors had the work destroyed. Rivera later repainted the composition in a mural in Mexico, relying on photographs by Lucienne Bloch — his unpaid assistant on the Rockefeller project — that she had covertly taken before the painting was destroyed.
It was the suggestions of artist George Biddle, who had studied with Rivera and was influenced by the Mexican Muralists movement, that helped lay the groundwork for the Public Works of Art Project, which was included as part of Franklin Delano Roosevelt’s New Deal.
When Rivera died in 1957 he left unfinished a grandiose mural on the history of Mexico for the National Palace in Mexico City.
Mother and Child by Diego Rivera
By Diego Rivera
Located in New Orleans, LA
Diego Rivera 1886-1957 Mexican Mother and Child Signed and dated "Diego Rivera 1934" (lower right) Tempera on plaster In this intimate masterwork, Mother and Child, the great Die...
Plaster, Tempera
Mexican Girl Returning from the Market
By Diego Rivera
Located in Saratoga Springs, NY
Diego Rivera (Mexican 1886-1957) Mexican Girl Watercolor on paper, behind glass 11 x 16 inches Signed and dated lower right, ‘Diego Rivera 1954’ Provenance: Sold as “Mexican Girl” M...
Paper, Watercolor
$611Sale Price|25% Off
H 25.99 in W 37.8 in D 0.04 in
Birds. 2020. Watercolor, paper, 66 x 96 cm
By Zigmunds Snore
Located in Riga, LV
Birds. 2020. Watercolor, paper, 66 x 96 cm Seagulls over the sea Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 an...
Paper, Watercolor
"Breath of history"
By Vasyl Kohutych
Located in Edinburgh, GB
The artist presented a sophisticated architectural landscape, executed in the technique of classical watercolor painting. The painting depicts the majestic dome of St. Paul's Cathedr...
Paper, Watercolor
The Resurrection of Christ
Located in New York, NY
Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...
Tempera, Panel
$1,748
H 25.99 in W 20.48 in D 1.19 in
Alfred Émile Léopold Stevens Period Watercolour Picture Portrait
By Alfred Émile Léopold Stevens
Located in Roma, IT
Beautiful painting in gouache technique depicting a distinguished young lady. The noblewoman presents a pose of rare elegance, with one hand resting on a planter and the other holdin...
Paper, Tempera
The Country House - Farm Landscape
Located in Soquel, CA
The Country House - Farm Landscape Highly detailed scene with a country house, workers, and a hare with rider by an unknown artist (19th Century). Five people - one on a horse - are...
Paper, Watercolor, Gouache
"Hotel de Ville"
By Vasyl Kohutych
Located in Edinburgh, GB
The watercolor painting depicts a famous Parisian landmark, the La Belle Époque carousel, located on the square in front of the Hôtel de Ville building. The painting successfully con...
Paper, Watercolor
$1,366
H 28 in W 36 in D 2 in
Tranquil River Scene in the English Countryside by 20th Century British Artist
Located in Preston, GB
Tranquil River Scene in the English Countryside by 20th Century British Artist, entitled Calm Waters Art measures 28 x 20 inches Frame measures 36 x 28 inches Unique Original Si...
Paper, Oil, Acrylic, Watercolor, Board
"The Heart of the Eternal City"
By Vasyl Kohutych
Located in Edinburgh, GB
This painting is executed in the technique of classical watercolor, which successfully combines soft strokes of sky and water with clear graphic details of architecture. The paper de...
Paper, Watercolor
Red (Floral Still Life)
By Elizabeth Osborne
Located in Wilton Manors, FL
Elizabeth Osborne (American/Philadelphia, b. 1936) "Red." Watercolor on paper. 1991/1992. Signed and dated l.r.. Sight: 9" x 12". Frame: 18 1/4" x 21 1/2". Provenance: Purchased from Jane Haslem Gallery in 1994. From the collection of Nancy Elizabeth Stanley. 1936, born Philadelphia, Pennsylvania 1959, BFA, University of Pennsylvania, Philadelphia, Pennsylvania 1954-58, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania SOLO EXHIBITIONS Berry Campbell, New York, Elizabeth Osborne: A Retrospective, 2022. Locks Gallery, Philadelphia, Pennsylvania, Reflections: Painting Memory, 2017. Locks Gallery, Philadelphia, Pennsylvania, Watercolors: Five Decades, 2017. The Delaware Art Museum, Wilmington, Delaware, Elizabeth Osborne: The 1960s, 2016. Luther W. Brady Art Gallery, George Washington University, Washington, D.C., Color Bloc: Paintings by Elizabeth Osborne, 2015. The James A. Michener Art Museum, Doylestown, Pennsylvania, Veils of Color: Juxtapositions and Recent Work by Elizabeth Osborne, 2015. (Traveled to The Lancaster Museum of Art, Lancaster, Pennsylvania, 2016.) Locks Gallery, Philadelphia, Pennsylvania, Luminous Gestures: New Works by Elizabeth Osborne, 2013. Locks Gallery, Philadelphia, Pennsylvania, Elizabeth Osborne: Watercolors, 2011. Locks Gallery, Philadelphia, Pennsylvania, New Work, 2011. The Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, Elizabeth Osborne: The Color of Light, 2009. Locks Gallery, Philadelphia, Pennsylvania, Figurative ‘60s, 2007. Locks Gallery, Philadelphia, Pennsylvania, Floating Landscapes: 1971-1979, 2006. J. Cacciola Galleries, New York, Works on Paper, 2006. The Print Center, Philadelphia, Pennsylvania, Recent Prints, 2005. Locks Gallery, Philadelphia, Pennsylvania, 2004. Locks Gallery, Philadelphia, Pennsylvania, Elizabeth Osborne: 30 Years, Works on Paper, 2002. Locks Gallery, Philadelphia, Pennsylvania, Vantage, 2000. Old Main Art Museum, Northern Arizona University, Flagstaff, Arizona, 1998. Locks Gallery, Philadelphia, Pennsylvania, 1997. Locks Gallery, Philadelphia, Pennsylvania, 1994. Jane Haslem Gallery, Washington, D.C., 1994. North Dakota Museum of Art, Grand Forks, North Dakota, 1993-94. Locks Gallery, Philadelphia, Pennsylvania, 1992. Arronson Gallery, The University of Arts, Philadelphia, Pennsylvania, Watercolors, 1991. University of the Arts, Philadelphia, Pennsylvania, 1990. Marian Locks Gallery, Philadelphia, Pennsylvania, 1988. Fischbach Gallery, New York, 1988. Fischbach Gallery, New York, 1984. Fischbach Gallery, New York, 1982. Fischbach Gallery, New York, 1980. Marian Locks Gallery, Philadelphia, Pennsylvania, 1978. Marian Locks Gallery, Philadelphia, Pennsylvania, 1976. Gimpel & Weitzenhoffer, Ltd., New York, 1977. Gimpel & Weitzenhoffer, Ltd., New York, 1974. Marian Locks Gallery, Philadelphia, Pennsylvania, Landscapes, 1972. Makler Gallery, Philadelphia, Pennsylvania, 1970. American Consulate, Sao Paulo, Brazil, 1969. Peale Galleries, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1967. Perakis Gallery, Philadelphia, Pennsylvania, 1967. Perakis Gallery, Philadelphia, Pennsylvania, 1963. GROUP EXHIBITIONS Avery Galleries, Bryn Mawr, Pennsylvania, The Women of the Pennsylvania Academy of the Fine Arts: Past to Present, 2024. Berry Campbell, New York, Perseverance, 2024. Locks Gallery, Philadelphia, Pennsylvania, From Dusk Till Dawn, 2015. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, “Something Clicked in Philly”: David Lynch and His Contemporaries, 2014. Locks Gallery, Philadelphia, Pennsylvania, It’s Not the Numbers, 2014. Locks Gallery, Philadelphia, Pennsylvania, Works on Paper, 2013. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, The Female Gaze: Women Artists Making Their World, 2013. Philip and Muriel Berman Museum of Art, Ursinus College, Collegeville, Pennsylvania, Four Visions/Four Painters: Murray Dessner...
Watercolor, Rag Paper
$11,880Sale Price|20% Off
H 33.5 in W 26 in
Orientalist "Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto
Located in SANTA FE, NM
"Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto (Spanish, 1836-1898) Watercolor on paper Signed lower left "MGHispaleto" Original wood frame with gilded stucco 18 3/4 x 12 1/2 (33 1/2 x 26 frame) inches Manuel García Hispaleto, originally Manuel García y Martínez (22 November 1836, Seville -26 December 1898, Madrid) was a Spanish painter known for portraits and costumbrista (genre) scenes. His brother, Rafael García...
Watercolor, Handmade Paper
"Colombo"
Located in Edinburgh, GB
Ludwig Hans Fischer (1848–1915) – "Colombo" (1889) An exceptional original watercolor by Austrian artist Ludwig Hans Fischer (1848–1915), titled "Colombo" (1889). This vibrant and m...
Paper, Watercolor
$303
H 9.85 in W 6.5 in D 0.04 in
Costume - Original Mixed Media on Paper by Alkis Matheos - Mid-20th Century
By Alkis Matheos
Located in Roma, IT
Costume is an original painting in mixed media, tempera and watercolor on paper, realized by the Greek-French artist Alkis Matheos. Very good conditions. Signed by artist's stamp....
Mixed Media, Tempera, Watercolor
Delfina y Dimas by Diego Rivera
By Diego Rivera
Located in New Orleans, LA
Diego Rivera 1886-1957 Mexican Delfina y Dimas Signed and dated 1935 Tempera on masonite In the intimate masterwork Delfina y Dimas, the great Diego Rivera illustrates all of his...
Masonite, Tempera
Niño Indígena Con Pelota By Diego Rivera
By Diego Rivera
Located in New Orleans, LA
Diego Rivera 1886-1957 Mexican Niño Indígena con Pelota (Indigenous Boy with a Ball) Signed and dated Oil on board A rebel against the traditional school of painting, Diego River...
Oil, Board
Retrato de una Mujer
By Diego Rivera
Located in Palm Desert, CA
Signed upper left \\\'D. Rivera\\\' and dated upper right \\\'1928\\\'
Oil, Canvas