1930s Art

An original silver gelatin photograph capturing a timeless black and white street scene in Paris, France, circa 1930—a rare and authentic glimpse into the rhythm of a bygone era. Fea...

This mural study is part of our exhibition America Coast to Coast: Artists of the 1930s Industry and Commerce, 1936, tempera on panel, 16 ½ x 39 ½ inches, signed verso “John Ballator, Portland Ore.” provenance includes: J.C. Penney Company, represented by Russell Tether Fine Arts Assoc.; presented in a newer wood frame About the Painting Industry and Commerce is a prime example of WPA Era muralism. Like a Mediaeval alter, this mural study is filled with icons, but the images of saints and martyrs are replaced with symbols of America's gospel of prosperity through capitalism. Industry and Commerce has a strong narrative quality with vignettes filling the entire surface. Extraction, logistics, design, power generation, and manufacturing for printing, chemicals, automobiles and metal products are all represented. To eliminate any doubt about the mural's themes, Ballator letters a description into the bottom of the study. Ballator also presents an idealized version of industrial cooperation, as his workers, lab-coated technicians and tie-wearing managers work harmoniously toward a common goal in the tidy and neatly designed environments. Although far from the reality of most industrial spaces, Ballator's study reflects the idealized and morale boosting tone that many mural projects adopted during the Great Depression. About the Artist John R Ballator achieved success as a muralist, lithographer, and teacher during the Great Depression. Born in Oregon, he studied at the Portland Museum Art School, the University of Oregon and at Yale University where he received a Bachelor of Fine Art. In 1936, Ballator was commissioned to paint a mural panel for the new Department of Justice Building in Washington DC, an important project that spanned five years with several dozen artists contributing a total of sixty-eight designs. Ballator completed murals for the St. Johns Post Office and Franklin High School, both in Portland, Oregon. He also contributed to the 1938 murals at Nathan Hale School in New Haven, Connecticut. During the late 1930s, Ballator taught art for several years at Washburn College in Topeka, Kanas, where he completed a mural for the Menninger Arts & Craft Shop before accepting a professorship at Hollins College...

A vintage watercolor capturing a daily scene in the Spanish colonial town of Taxco, Mexico by Theodore Ernest Langguth (German-American, 1861-1952). Titled, dated and signed lower ma...

Oil on plywood realized by Armando Cermignani (1888-1957) in 1930s. Hand signed and dated. Excellent condition. Armando Cermignani was an Italian painter, engraver, ceramist and p...

5169 Antique American Large Impressionist seascape oil painting .Oil on canvas circa 1930 Framed Image size 15.5x19.5"

This portrait depicts Rivera's second wife, the artist Frida Kahlo (1907-54), sitting on a bed wearing stockings and shoes and fastening rows of beads around her neck. An accident wh...

Young Blonde Girl is an original painting realized by Lucie Navier in the 1930s. Original oil painting on cardboard. Hand-signed by the artist on the lo...

ARTIST: Salvador Dali TITLE: La Femme Visible MEDIUM: original Heliogravure - Etching in the book titled "La Femme Visible" SIGNED: Hand Signed by Salvador Dali on the frontispie...

"Painter" 20th Century American Scene Social Realism Working Man Modern WPA Era Jo Cain (1904 - 2003) Painter 41 ½ x 36 3/4 inches (sight) Gouache on paper c. 1930s Signed lower rig...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...

Consigned to American Legacy Fine Arts, Pasadena, California; Private Collection, Pasadena, California; Mutual Savings, Pasadena, California — acquired presumably from the artist via an art consultant; Displayed at Mutual Savings headquarters, Colorado Boulevard, Pasadena, California, c. 1965–1993 A 1955 photo showing Bickerstaff paintings on display at the same Mutual Savings and Loan office in Pasadena can be seen through the online resource at Pasadena Digital History Label on Verso Mutual Savings No. 3107 Description This luminous desert landscape, painted in rich yet delicately modulated tones, depicts California’s Palm Springs Desert with a scattering of smoke trees...

This vibrant French Art Deco floral oil painting is by noted French artist Jacques Emile Blanche. Painted circa 1930, the palette is of wonderful tones of yellow and orange with spla...

This superb floral still life oil painting is by Scottish artist David Alison. Painted circa 1930 it is an arrangement of pink roses in a glass vase on a table. The darker background...

Thames Divers (1934) - Silver Gelatin Fibre Print (Photo by H F Davis/Getty Images Archive) Two divers jumping off the Embankment into the River Thames in London, near Westminster...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Edward's son Cole Weston. The We...

This is an original stone lithograph poster created by the famous poster artist, Leonetto Cappiello. It was done toward the end of his prolific career. In this image Cappiello used h...

A Fine 1930s Modern Academic Figure Study Drawing, Seated Male Nude Model (Back) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s...

Pierre Montezin, French (1874 - 1946) - Les Foins, Year: 1938, Medium: Oil on Canvas, signed lower right, Size: 23.75 x 31.75 in. (60.33 x 80.65 cm), Frame Size: 31.25 x 39.5 inc...

Antique American school modernist still life painting. Oil on board. Signed. Framed. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent c...

A rare, original silver gelatin black-and-white photograph by Wide World Photos for The New York Times in Paris. The image depicts a quintessential street scene from circa 1930, feat...

Early in Parkinson's fashion career shooting designs by Dilkusha and Paquin, for Harper’s Bazaar, August, 1937 Fashion by Dilkusha and Paquin, for Harper’s Bazaar, 1937 Silver gelat...

Leon Dolice Central Park Signed lower left Watercolor on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the young ma...

Vintage American impressionist landscape oil painting. Oil on board. Framed. Signed. Measuring: 15 by 20 inches overall, and 12 by 18 painting alone.. In excellent original conditi...

An incredibly striking study of the male form with the figure set against a colourful background with stylised organic forms. Attractively framed, the painting is ready to be hung an...

A Fine 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930...

Rockwell Kent, 'Mountain Climber', wood engraving, 1933, edition 250, Burne Jones 93. Signed in pencil. A brilliant, black impression, on cream, wove Japan paper; the full sheet with margins (2 9/16 to 3 5/8 inches); slight skinning at the top sheet edge verso, where previously hinged; otherwise, in excellent condition. Archivally matted to museum standards, unframed. Image size 7 7/8 x 5 7/8 inches (200 x 149 mm); sheet size 14 x 11 1/8 inches (356 x 283 mm). Printed by Pynson Printers, New York. Distributed by The Print Club of Cleveland, Publication No. 11, 1933. Literature: 'Rockwellkentiana,' Harcourt, Brace and Company, New York, 1933. '101 of The World’s Greatest Books', edited by Spencer Armstrong, 1950. Impressions of this work are held in the following museum collections: Akron Art Institute, Burne Jones Collection, IL; Cincinnati Art Museum; Cleveland Museum of Art; Columbus Gallery of Fine Arts; Crystal Bridges Museum of American Art; Davis Museum at Wellesley College; Fine Art Museums of San Francisco; H. M. de Young Museum; Hermitage Museum; Kent Collection, NY; Library of Congress; Memorial Art Gallery, University of Rochester; Metropolitan Museum of Art; New York Public Library; Philadelphia Museum of Art; Princeton University Library; Smithsonian American Art Museum, Spector Collection, NY; SUNY, Plattsburg. ABOUT THE ARTIST Rockwell Kent (1882-1971), though best known as a painter, graphic artist, and illustrator, pursued many careers throughout his life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager, undoubtedly kindling his interest in exploring the world. Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing a career in the fine arts; however, after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University. Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies but soon left Columbia to study painting full-time. In addition to Chase, Kent took classes with Robert Henri and Kenneth Hayes Miller, where his classmates included the artists George Bellows and Edward Hopper. Kent spent the summer of 1903 assisting the eccentric painter Abbott Handerson Thayer at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer’s naturalist lifestyle and almost mystical appreciation for natural phenomena greatly influenced Kent; he returned to Dublin for many years to visit Thayer and his family. Thayer gave the young artist time to pursue his work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock. In 1905 Kent moved from New York to Monhegan Island in Maine, home to a summer art colony, where he continued to find inspiration in nature. Kent soon found success exhibiting and selling his paintings in New York, and in 1907, he was given his first solo show at Claussen Galleries. The following year he married his first wife, Kathleen Whiting (Thayer’s niece), with whom he had five children. The couple divorced in 1924, and Kent married Frances Lee the following year. They divorced after 15 years of marriage, and the artist married Sally Johnstone. For the next several decades, Kent lived a peripatetic lifestyle, settling in several locations in Connecticut, Maine, and New York. During this time he took several extended voyages to remote, often ice-filled, corners of the globe, including Newfoundland, Alaska, Tierra del Fuego, and Greenland, to which he made three separate trips. For Kent, exploration and artistic production were twinned endeavors, and his travels to these rugged, elemental locations inspired his visual art and his writings. He developed a stark, realist landscape style in his paintings and drawings that revealed both nature’s harshness and its sublimity. Kent’s human figures, which appear sparingly in his work, often allude to the mythic themes of isolation, individualism, heroism, and the quest for self-connection. Important exhibitions of works from these travels include the Knoedler Gallery’s shows in 1919 and 1920, featuring Kent’s Alaska drawings...

Signed lower right, 'Andre Regagnon' (French, 1902-1976) and painted circa 1935; additionally signed on label verso. A substantial and lyrical 'Intimiste' work showing an interior s...

Nicely painted American school modernist portrait. Oil on canvas. Framed. Ready to hang excellent condition.

Leon Dolice New York Harbor (Brooklyn Bridge), circa 1939-1940 Signed lower left Pastel on paper 12 x 19 inches Exhibited Roslyn Harbor, New York, Nassau County Museum of Art, Deco ...

A Fine 1930s Modern Academic Figure Study Drawing, Depicting an Artist's Sketch Class and a Seated Young Male Mode by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An excep...

Paul Cadmus, 'Two Boys On A Beach, No. 1', etching, 1938, edition 75, Johnson & Miller 85. Signed in pencil and initialed in the plate in the lower right image corner. Annotated by t...

Studio per l’opera Aeroarmonie esposto alla biennale di Venezia del 1934 Sul retro cartiglio : Ufficio storico -Popolo d’Italaia- Autentica prof. Duranti N° archivio 2272 Osvaldo Per...

Pablo PICASSO Métarmorphoses d'Ovide, Woman and Horse, 1936 Original etching (Atelier Lacourière, Paris) Unsigned On BFK Rives vellum 32.5 x 25 cm (12.7 x 9.8 in) REFERENCES : - C...

“First Tracks at Courchevel, French Alps” Marius Chambon (French, 1876-1962) Gouache on paper Signed lower right. 16 1/2 x 10 1/2 (24 x 18 frame) inches Capturing the moment in the...

Artist: Pablo Picasso Title: Sculpteur et Modele debout Year: 1933 Medium: Original etching Edition: hand signed in pencil from an edition of 250 on small margins Size: Frame: 27 x 2...

EDOUARD LÉON CORTÈS French, 1882 - 1969 PARIS EVENING signed "EDOUARD CORTÈS" (lower right) oil on canvas 25-3/4 x 36-1/4 inches (65 x 91.5 cm.) unframed This work is accompanied by a certificate of authenticity issued by "Comité Édouard CORTÈS" PROVENANCE Private Collection, France Edouard Léon Cortès (1882–1969) was a French post-impressionist artist of French and Spanish ancestry. He is known as "Le Poète Parisien de la Peinture" or "the Parisian Poet of Painting...

A study in grace and subtle sensuality, this evocative 1934 black pencil and charcoal drawing by French artist Marie Louise Simard (1886–1963) showcases a nude female figure with scu...

6th Avenue El at 8th St NYC Cityscape American Scene Social Realism Mid-Century Max Arthur Cohn (1903-1998) 6th Avenue El at 8th Street 13 x 18 inches Watercolor on paper, c. 1930 ...

Original oil pastel on archival paper by the well known American artist, Leon Dolice. The painting depicts Trinity Church with several of the more contemporary buildings of Wall Stre...

Bette (1931) Silver Gelatin Fibre Print (photo by Glasshouse Archive / Alamy Archives) Actress Bette Davis, Portrait by Jack Freilich, 1931. Additional Information: Unframed Paper Size: 10x12...

During the 1930s, Art Deco reigned supreme as a symbol of modernity and elegance. Charles Delavat's iconic poster for Dubonnet, created around 1930, epitomizes this era of sleek design and vibrant allure. At its center is a stylish woman, the epitome of Art Deco fashion, holding a glass of Dubonnet with confidence and allure. The poster's bold geometric shapes, rich colors, and dynamic composition reflect the era's spirit of sophistication and cultural dynamism. Delavat's work not only promoted Dubonnet but also captured a lifestyle—luxurious, modern, and vibrant. It remains a timeless example of how advertising merged with art to create enduring symbols of style and glamour. In the realm of Art Deco design, Charles Delavat's Dubonnet poster...

Antique American oil painting. Oil on canvas. Signed. Framed. Measuring 30 by 36 inches overall and 24 by 30 painting alone. In excellent original condition. Handsomely framed in a ...

Signed lower left, 'Mogens Hertz' (Danish, 1909-1999) and painted circa 1935. This notable Impressionist first studied with the classically-trained Academician, Laurits Ring and, su...

➡️Vivid Landscape⬅️ ➡️Plein air Impressionist Landscape⬅️ ⏩It is signed H Sauvard.⏪ Possibly Henri Sauvard (1880-1973) From Wikipedia: Henri Sauvard was a French landscape painte...

Max Kalish (American, 1891-1945) Harmony, c. 1930 Bronze with green marble base Incised signature on right upper side of base 14 x 9 x 5 inches, excluding base 17 x 10 x 8 inches, including base Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti...

Harald Julius Niels Pryn, or Pryene, was born in 1891 in Frederiksberg, Denmark. He was a well-known Danish landscape painter. His specialty and main subjects were light-filled sea...

  Terracotta galloping horse. Signed on the base by the sculptor Giorgio Rossi (1894-1981). Period: 1930-40 Terracotta modeled by hand by the artist. Unique piece. Dimensions: Heigh...

An original Art Deco illustration hand-painted with ink and gouache on paper. The drawing features two elegant women with large windows and drapery in the background. This image was ...

An Art Deco bronze relief in the style Swedish Graze by an unknown artist inspired by Carl Milles modern classicism. The concept of Swedish Grace was introduced by the English archi...

Eurybia and Eros Etching, 1932 Printed on BFK Rives paper Unsigned (as issued by Vollard) Published by Ambrose Vollard, Paris From the suite of 16 illustrations for Hesiod's Theogony...

" Sunlit Mountains" Majestic Mount Jefferson And Mount Hood Oregon 1930s A well executed oil on linen of two mountain peaks by California and Illinois artist Andrew Dobos (American/P...

A Fine 1930s, Modern Academic Anatomical Figure Study Drawing of a Standing Male Nude Model (Legs) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well ex...

Frida at the Barbizon Plaza Hotel by Lucienne Bloch is a black and white portrait of Mexican painter Frida Kahlo sitting in a chair under her self portrait hanging on the wall. Im...

This superb British 1930's modern art tempera painting is by noted interwar artist Blair Hughes-Stanton. Painted in 1936 it is part of the myth se...

An impressive French Art Deco sculpture of a semi nude male holding a trident. Cast in patinated French spelter and sits on a marble base. We believe Bezin may be a pseudonym for ano...

An Introspective 1930s Modern Portrait, "Acolyte" by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). Dry watercolor on board. Artwork size: 15” x 12” (Framed size: 18 3/4” ...

French Art Deco terracotta sculpture by Ugo Cipriani (1887-1960), France, 1930s. A man operating a rudder. Measurements : Width : 31"(79cm), Height : 16.7"(42.5cm), Depth : 8.7"(22cm...

'Paris, la Bourse', gouache on paper, by Lucien Génin (circa 1930s). Created at the beginning of the 19th century by Napoleon, la Bourse, or the Stock Exchange, was intended to assert and encourage France’s prosperity in industry and trade. In 1826 the Stock Exchange was installed in the palace that the architect Brongniart had begun in 1808. Surrounded by a large peristyle of Corinthian columns, the rectangular structure reflects the official neo-classicism of the Empire Period. The artist, Génin, depicts a typically lively 1930s day in front of the building with cars of the period zooming by pedestrians on the walkway and others on the stairs leading to the entrance. He has an extremely charming, almost childlike style particularly the way he renders the people and the vehicles. The building, on the other hand, is accurate in its detail and more seriously presented. Our gallery has held and has sold over a dozen of Genin's paintings but this one stands out for its pure stylish appeal and ability to captivate while inducing a smile in the viewer. The artwork is in good overall condition - there are some minor blemishes not on the artwork itself but on the edges of the mount to which it is attached. The frame is in fair condition showing some nicks and scratches. Please enjoy the many photos accompanying the listing. Upon request a video can be provided. Signed by the artist in the lower right hand. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer...