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1930s Art

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Period: 1930s
"Le Graveur" original etching
"Le Graveur" original etching

"Le Graveur" original etching

By Pierre Bonnard

Located in Henderson, NV

Medium: original etching. Believed to be a self-portrait, this impression on laid paper was printed ca. 1930. Plate size: 7 5/8 x 4 5/8 inches (195 x 119 mm). Sheet size: 13 x 10 inc...

Category

1930s Art

Materials

Etching

"Picnic Scene" Bessie Hoover Wessel, American Impressionist Outdoor Scene
"Picnic Scene" Bessie Hoover Wessel, American Impressionist Outdoor Scene

"Picnic Scene" Bessie Hoover Wessel, American Impressionist Outdoor Scene

Located in New York, NY

Bessie Hoover Wessel Picnic Scene Signed lower right Oil on Window Shade laid on board 5 1/2 x 7 1/2 inches Born in Brookville, Indiana on January 7, 1889, Bessie Wessel moved to Cincinnati as a youngster. She received encouragement to pursue a career in art from her father, a school teacher. In 1906, she enrolled in the Cincinnati Art Academy, first studying with Lewis Henry Meakin...

Category

American Impressionist 1930s Art

Materials

Oil, Board

The Ditch

The Ditch

By Virginia True

Located in Los Angeles, CA

The Ditch, 1934, oil on board, signed and dated lower right, 18 x 24 inches, label verso has title, artist’s name, Colorado and New York addresses, and original price Virginia True ...

Category

American Modern 1930s Art

Materials

Oil, Board

A Large, Captivating 1930s Modern Portrait of a Jamaican Man in a Linen Suit
A Large, Captivating 1930s Modern Portrait of a Jamaican Man in a Linen Suit

A Large, Captivating 1930s Modern Portrait of a Jamaican Man in a Linen Suit

By Francis Chapin

Located in Chicago, IL

A Large, Captivating 1930s Modern Portrait of a Jamaican Man in a Linen Suit by famed Chicago artist, Francis Chapin (Am. 1899-1965). A skilled and colorful portrait of a black man seated in a white linen suit, most likely completed during Chapin's trip to Kingston, Jamaica in the 1930s. Chapin exhibited examples of his Jamaican paintings...

Category

American Modern 1930s Art

Materials

Oil, Canvas

Yuletide Spirit
Yuletide Spirit

Yuletide Spirit

Located in North Clarendon, VT

Whimsical Kate A. Williams arts and crafts impressionist painting circa 1930. Perfect for the holiday season. 20"x 16" oil on board, signed lower left. Frame is about 25x21. Painter...

Category

American Impressionist 1930s Art

Materials

Oil

Antique American Impressionist Signed Fall Forest Interior Framed Oil Painting
Antique American Impressionist Signed Fall Forest Interior Framed Oil Painting

Antique American Impressionist Signed Fall Forest Interior Framed Oil Painting

Located in Buffalo, NY

Antique American impressionist fall landscape oil painting. Oil on canvas. Signed faintly. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 20 by 22 inches overall. H...

Category

Impressionist 1930s Art

Materials

Oil, Canvas

“Untitled”
“Untitled”

“Untitled”

Located in Southampton, NY

Original multicolor linocut by the American artist, Lucina Smith Wakefield. Signed by the artist lower left margin. Circa 1930. Condition is very good, no issues. The linocut is hou...

Category

American Modern 1930s Art

Materials

Archival Paper, Linocut

The Ledge

The Ledge

By Georgina Klitgaard

Located in Los Angeles, CA

Georgina Klitgaard (1893 – 1976) The Ledge, by 1931, oil on canvas, signed lower right, 32 1/8 x 50 1/8 inches, exhibited: 1) 44th Annual Exhibition of American Paintings & Sculptur...

Category

American Modern 1930s Art

Materials

Canvas, Oil

Flower Bouquet

Flower Bouquet

Located in Los Angeles, CA

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor on paper, 12 x 9 ½ inches unframed sheet, 15 x 12 ½ inches framed, signed lower left About the Artist: Nan Watson...

Category

American Modern 1930s Art

Materials

Watercolor

"Hungry Elephant" by Fox Photos

"Hungry Elephant" by Fox Photos

Located in London, GB

"Hungry Elephant" by Fox Photos An elephant named Mae West accepts an apple from a passing tram driver while taking her morning exercise along Gray's ...

Category

Modern 1930s Art

Materials

Black and White

Shadows, Garage at Night

Shadows, Garage at Night

By Martin Lewis

Located in New York, NY

Martin Lewis (1881-1962, Shadows, Garage at Night, drypoint, 1928, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 69, only state, from the t...

Category

American Realist 1930s Art

Materials

Drypoint

Skater In Motion II

Skater In Motion II

By (after) Henri Matisse

Located in London, GB

Skater in Motion II, 1938 Original linocut on paper Artist's initial's inscribed in block From the portfolio, Verve, by Teriade 35.5 x 26 cm - sheet 40.6 x 31.2 cm - framed Unknown e...

Category

Modern 1930s Art

Materials

Linocut

Mediterranean Catalan Farmhouse Landscape Impressionist Oil Painting Spain Art
Mediterranean Catalan Farmhouse Landscape Impressionist Oil Painting Spain Art

Mediterranean Catalan Farmhouse Landscape Impressionist Oil Painting Spain Art

By Joan Asensio Marine

Located in Sitges, Barcelona

Mediterranean Catalan Farmhouse Landscape Impressionist Oil Painting Artist: Joaquín Asensio Mariné (Barcelona, 1890–1961) Title: Rural Farmyard in Montseny Medium: Oil on canvas Pa...

Category

Impressionist 1930s Art

Materials

Oil

Le Retour Des Pecheurs
Le Retour Des Pecheurs

Le Retour Des Pecheurs

By Manuel Robbe

Located in San Francisco, CA

Artist: Manuel Robbe (French, 1872-1936) Title: Le Retour Des Pecheurs Year: 1933 Medium: Etching with aquatint Paper: B.F.K Rives Image (plate mark) size: 1...

Category

Impressionist 1930s Art

Materials

Aquatint

Catalan Landscape with Masia oil on board painting spain spanish eupean art
Catalan Landscape with Masia oil on board painting spain spanish eupean art

Catalan Landscape with Masia oil on board painting spain spanish eupean art

By Antoni Llobet Aracil

Located in Sitges, Barcelona

Artist: Antoni Llobet Aracil (Barcelona, 1910 - 1983) Title: Catalan Landscape with Masia Technique: Oil on board Dimensions: 13 x 16.1 in Support: Board Framing: Unframed Period: 19...

Category

Impressionist 1930s Art

Materials

Oil, Board

Abstraction
Abstraction

Abstraction

By Abraham Walkowitz

Located in Fairlawn, OH

Untitled Abstraction Pen and ink on paper, 1932 Signed and dated in ink lower center Condition: Excellent Sheet/Image size: 10 3/8 x 6 1/4 inches Frame size: 16 1/2 x 12 1/2" Provena...

Category

Abstract Geometric 1930s Art

Materials

Ink, Pen

“Still Life, 1936” by Katharine "Kitty" Duff Church British Modern Oil Signed
“Still Life, 1936” by Katharine "Kitty" Duff Church British Modern Oil Signed

“Still Life, 1936” by Katharine "Kitty" Duff Church British Modern Oil Signed

Located in Yardley, PA

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

Category

Modern 1930s Art

Materials

Canvas, Oil

Mid 20th century Impressionist, French landscape with cottage
Mid 20th century Impressionist, French landscape with cottage

Mid 20th century Impressionist, French landscape with cottage

Located in Woodbury, CT

Mid-20th century Impressionist scene, French landscape with cottage The painter was active around the middle of the 20th century, painting landscapes, portraits, and city scenes. ...

Category

Impressionist 1930s Art

Materials

Oil, Board

Manhattan Nocturne
Manhattan Nocturne

Manhattan Nocturne

By Armin Landeck

Located in Myrtle Beach, SC

A superb, richly-inked, early impression, in warm black ink, on cream wove paper; the full sheet with wide margins (1 1/2 to 1 3/4 inches). Signed in pencil and dedicated by the art...

Category

American Realist 1930s Art

Materials

Drypoint