Color-Field Art

Offset lithograph poster for Morris Louis at Andre Emmerich Gallery, 1967, Bears copyright stamp from Poster Originals Limited #50. Size 28 × 22 inches - Offered unframed. Morris...

Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Hand signed and dated with artist's copyright in pencil on the back; also with the blind stamp/chop mark lower...

“… look into the stains of walls, or the ashes of a fire, or clouds, or mud … you may find really marvelous ideas. The mind of the painter is stimulated to new discoveries … various ...

Kenneth Noland Untitled Target, 2001 Acrylic paint on offset lithograph Signed, dated, and dedicated along lower edge: For Howard and Susan with Love Kenneth Noland 6.10.01 Framed This original acrylic target painting on offset lithograph paper was gifted by the artist to the influential publishers, authors, and film producers Howard and Susan Kaminsky, and it bears a warm personal inscription followed by the artist's signature. Measurements: Framed: 22 x 21.75 x 1.25 inches Unframed: 19 1/2 x 19 inches Provenance: Gifted by Kenneth Noland to the distinguished publishers, authors, and film producers Howard and Susan Kaminsky. (Howard also became a member of the Council on Foreign Relations...

Kenneth Noland screenprint of "Virginia Site, 1959" printed in Belgium 2002. This is an unsigned edition. Paper dimensions are 27.5" x 27.5" and image dimensions are 19.5" x 19.5".

Jules Olitski Play of Angels, 2000 Watercolor and gouache on all-rag paper Signed and dated 2000 by the artist on the front Frame included (elegantly floated and framed in light wood...

from the smoke and ash - Abstract tantric stain painting, acrylic on raw canvas by contemporary artist Elisa Niva33 inches x 29 inches. One of the main i...

Thomas Victor Downing (1928 - 1985) Nineteen, 1968 Acrylic on canvas 35 1/2 x 16 1/2 inches Signed on the reverse Provenance: Estate of the artist Henri Gallery, Washington, D.C. Private Collection, Washington, D.C. Thomas Downing was born in Suffolk, Virginia. In 1950, after graduating from Pratt Institute in New York City, he received a grant from the Virginia Museum of Fine Art to study in Europe. Upon returning from Europe, he settled in Washington, DC to teach at Catholic University. In 1954 Downing became a friend of Kenneth Noland, whose life drawing course he attended. From 1955 to 1956 Downing shared a studio with Howard Mehring, another artist who came to be identified with the Washington Color School. Downing had his first one-man show at the Washington Workshop Center for the Arts in 1959. That year, Downing, Mehring, and Betty Pajac founded Origio, a cooperative art gallery in Washington. In 1959 Downing first began using the small dot in his work, a motif he explored fully into the 1970s. In the early works colorful dots determined the structure of the painting in their size, position, and repetition within a grid. Often there was a sense of concentration and expansion of the composition from the center to the edge of the canvas, achieving a visual impression of expanding open space. Looking for the fusion between the grid and color, Downing eliminated overlapping dots in 1962. The dots arranged in grids seem to project from the canvas surface, giving the impression the color floats unrestricted by the square format of his paintings. Downing’s position in the Washington Color School came from his consistent approach to color. The canvas was the receptacle of color, on which Downing often worked in tonal modulations of a hue. Downing developed shaped canvases in 1966 as a structural solution to his deeper consideration of the “spatial definition” of color. After first working in a parallelogram shape, Downing next worked in chevron-shaped canvases that examined the illusionistic qualities of color. He exhibited these works in a solo exhibition at the Corcoran Gallery in 1966-1967 and later at the Allan Stone Gallery in New York in 1967. Downing’s second series of shaped canvases titled Folds were created in 1968. In the Fold series he discovered a new effect of relief and spatial depth within a flat work that could be enhanced by color. The projections and folding in the Fold paintings suggest the paintings exist in a world without gravity. Downing exhibited in a group show at Jefferson Place Gallery in 1960 and had his first solo exhibition there in the spring of 1961. Downing had solo exhibitions in New York at Allan Stone Gallery in 1962, 1967, and 1968. He also had solo exhibition in New York at Stable Gallery in September 1963 and January 1965. In the early 1970s Downing had regular solo exhibitions at the Pyramid Galleries in DC. In the 1960s Downing was included in important museum exhibitions, including: Post Painterly Abstraction at Los Angeles County Museum of Art, 1964 (Clement Greenberg curated and included three of Downing’s dial paintings); The Responsive Eye at the Museum of Modern Art, 1965; Colorists, 1950-1965 at the San Francisco Museum of Art, 1965; Systemic Painting at the Solomon R. Guggenheim Museum, New York, 1966; and Color Field Painting at the Philadelphia Museum of Art in 1970. Thomas Downing: Recent Paintings was held at the Corcoran Gallery of Art in December 1966 - January 1967. A solo exhibition of his paintings from 1962 to 1968 was held at the La Jolla Museum of Art then travelled to the Phoenix Art Museum in 1968. Downing had a solo exhibition at the Phillips Collection in 1985. Downing taught at the Corcoran School of Art and Design, Washington, DC from 1965 to 1968. There he was influential for the next generation of DC color...

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges ...

"Color Field Flowers" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful series of organic large forms combined with subtle tones and unique shapes that is bo...

"Layered Curvilinear Forms" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes and shapes combined with subtle tones a...

"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...

"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...

A striking contemporary two-toned colorfield abstract by Bay Area artist Michael Pauker (American, b. 1957). A large neutral textured section in cream sits atop a wavy abstraction in...

"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...

Houses of town. 1972, watercolor on paper, 55x75,5 cm Olgerts Jaunarajs (1907-2003) He was so-called legend of abstract expressionism in the Latvia...

Watercolor by Willem De Looper (1932-2009). Painting is signed "de Looper" and dated 76' lower right. Painting measures 20" x 8". Willem De Looper was a Washington D.C. abstract...

"Abstraction #13", beautiful modernist abstract color field watercolor in pastel hues on paper by Alexander Kwiat (American, b. 1955). Signed lower right hand corner. Gallery label...

'Green and blue No.2' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves ...

The garden VIII In my creation, I've poured my soul into a vibrant dance of colors, an abstract symphony that harmonizes with nature's profound beauty. Brush strokes of oil paint cre...

Mark Rothko National Gallery Contemporary Collection poster, 1988 Offset lithograph poster Unsigned 41 × 30 inches Unframed National Gallery, Twentieth Century Collection, 1988 Offse...

Grey, black and rose 16.0 x 20.0 x 0.8, 13.2 lbs Acrylic and chalk on canvas Hand signed by artist Artist's Commentary: "The canvas is the representation of a three-dimensional l...

'Body in blue' London, United Kingdom 2024 Limited edition of 20. Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layeri...

Helen Frankenthaler (1928-2011) is one of the most revered abstract painters of the 20th century as well as being one of the most successful and collected female artists. Her current...

'Echoes of the Deep' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves l...

Helen Frankenthaler (1928-2011) is one of the most revered and influential abstract painters of the 20th century in addition to being one of the most successful and collected female ...

'Echoes of the Deep No.2' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process invol...

'Sky' London, United Kingdom 2024 Limited edition of 20. Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layering ink be...

Various surfing gestures and rad moves are the subject matter here, in which the negative space becomes the subject. Printed on buff paper. Rascals in Paradise - Figurative Print -...

James Suzuki Untitled, circa 1960 Signed lower right "Suzuki" Acrylic on canvas 66 1/4 x 80 inches Provenance: Private Collection, New Jersey James Hiroshi Suzuki follows in the f...

'Yellow and black. No.3' London, United Kingdom 2024 Limited edition of 20. Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process invol...

'Shadow body' London, United Kingdom 2024 Limited edition of 20. Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layerin...

"Pop Rocks" is an acrylic painting from Ryan Rivadeneyra's series of imagined modernist sculptures. In this series, Rivadeneyra explores the possibilities of...

'Green and blue' London, United Kingdom 2024 Limited edition of 20. Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves laye...

'Yellow and black. No.2' London, United Kingdom 2024 Limited edition of 20. Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process invol...

'Green and blue No.2' London, United Kingdom 2024 Limited edition of 20. Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves...

'Yellow and black' London, United Kingdom 2024 Limited edition of 20. Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves la...

This painting is sold with a Certificate of Authenticity from the Estate of Michael Loew. In the late 1920s Michael Loew was enrolled at the Art Student’s League and later was in France where he studied with Fernand Leger. Loew was close and longtime friends with Wilem de Kooning who influenced his work. After Pearl Harbor, Loew joined the Navy...

'Red body' London, United Kingdom 2024 Limited edition of 20. Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layering i...

'Red body' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layering in...

'Yellow and black. No.3' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involv...

'Sky' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layering ink bet...

'Yellow and black. No.2' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involv...

'Green and blue' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layer...

Original piece, Mixed media signed 70 x 53 x 3 cm (framed)

'Yellow and black' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves lay...

'Body in blue' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layerin...

'Shadow body' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layering...

Larry Zox Untitled IV, ca. 1979 Pochoir on Arches Paper with Deckled Edges. Hand signed and annotated Printers Proof in pencil on the lower front. 28 1/2 × 22 1/2 inches Unframed Thi...

Colorfield #410 is a wonderful example of American modernist Leonard Nelson's color field compositions and expression. The unframed, abstract oil on canvas measures 52" x 60" and is ...

Bermuda Triangle, in vivid metallic tones, gold and bronze, on Arches Paper. framed. Signed, titled and dated verso. Size includes frame. This is an abstract work and can be hung eit...

Mitchell Funk's photograph of a Red Brick Factory in Long Island City is as much about color-field theory as it is a document of a brightly painted factory facade. Additionally, Fun...

"National Park Yellow, red and orange colors dominate the work, which has a lively and energetic character. • It is painted on a professional canvas with high quality oil paints. • T...

"A big river. In this painting, I sought to capture the fiery essence of autumn, blending impressionism with fine art realism to evoke the deep, transient beauty of nature. Each stro...

"Sunny summer In crafting this artwork, I tapped into the essence of liberation, portraying the vibrant spirit of a majestic horse in motion. My strokes, rich with oil paints, marry ...

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field ...

Kenneth Noland (1924–2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field mo...

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field ...