Color-Field Art

Untitled XCI is an oil painting on canvas by the contemporary French artist Ferle. The work is centered around dominant colors green, blue and black, which structure the composition ...

William Perehudoff (1918-2013) is one of the most cherished and collected Canadian abstract painters. His work exemplifies how color field painting was expressed in Canada. Like some of his contemporaries, he was encouraged and guided by legendary New York critic Clement Greenberg. Perehudoff spent several summers at the University of Saskatchewan's legendary Emma Lake Artist's Workshop where he worked and studied with Jules Olitski and Kenneth Noland during the 1960s. Perehudoff is known for his simple and exuberant compositions that juxtapose and celebrate color. His series "La Plonge...

'Echoes No.2 ' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layerin...

Born in 1934 in Brooklyn, New York, Ira Barkoff’s paintings feature empty, Zen-like landscapes whose stillness reflects a location’s essence. Barkoff seeks to “portray a sense of vas...

A French Fauvist Color-Field gouache and chalk on paper landscape by G Ricard. The painting is not signed but was acquired from the atelier of the artist. There is another painting o...

Untitled XXXIII is a oil on canvas painting by the French contemporary artist, Ferle. This painting is created with three main colors: red, orange and grey. Blending gradients with h...

acrylic on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she att...

acrylic on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, no...

Wolf Kahn Wolf Kahn's America (Hand signed and inscribed), 2003 Hand signed and dedicated hardback monograph with dust jacket Boldly signed in ink with heartfelt personal dedication ...

Kenneth Noland Themes and Variations 1958-2000 (hand signed by Kenneth Noland), 2002 Softback monograph with stiff wraps (hand signed and dated by Kenneth Noland) Official hand signe...

Large-Scale Abstract Composition in Acrylic on Canvas Abstract composition by Ellis Hopkins (American, b. 1952). Strong black and blue brushstrokes cross the canvas, broken by areas...

Wolf Kahn (hand signed by Wolf Kahn), 2011 Hardback monograph with dust jacket (hand signed by Wolf Kahn) Hand signed by Wolf Kahn on the title page 13 × 12 × 1 1/2 inches This gorge...

This 1967 painting by Martin Canin, titled Early Autumn, is a prime example of the Color Field movement, blending vibrant hues into a seamless gradient of yellows, oranges, and golds...

This painting is sold with a Certificate of Authenticity from the Estate of Michael Loew. In the late 1920s Michael Loew was enrolled at the Art Student’s League and later was in France where he studied with Fernand Leger. Loew was close and longtime friends with Wilem de Kooning who influenced his work. After Pearl Harbor, Loew joined the Navy...

"Infusion" Large Scale Mid Century Color Field Composition Dynamic piece by Felix Ruvolo (American, 1912-1992). This piece exemplifies late-1960s hard-edge abstraction, with interlo...

Recreation of business partners in the city park of a big city... • Linen canvas, high-quality oil paints. • Two coats of protective gloss varnish were applied to protect the painti...

Neon Shapes - Large-Scale Abstract Composition in Acrylic on Canvas Abstract composition by Ellis Hopkins (American, b. 1952). Bold arcs of color sweep across a smoky gray backgroun...

"Grusgrav", a wonderfully minimal yet expressive mid century modern abstract limited edition hand signed lithograph by Frede Christoffersen (Danish, 1919-1987). This 1962 color-field abstract features a subdued palette of earthy golden rod yellows and sage, the geometric areas of color divided into fractured shapes with organic and expressive texture. Grusgrav, the title of the piece, is Danish for gravel pit. Titled "Grusgrav", signed with the artist's initials "FC" and dated "62" lower right. Numbered "36/80" lower left. Signed "Frede Christoffersen" on verso. Official Org. U.M. Grafik warranty certificate stamp on verso. Displayed in a vintage painted wood frame. Image size: 11.5"H x 17"W. Another lithograph print of "Grusgrav" from the same edition, number 44/80, is included in the collection of the Fuglsang Art Museum (Fuglsang Kunstmuseum) on the island of Lolland in Denmark. Born in Borup, Denmark, outside out Copenhagen. Christoffersen spent a short period at the Copenhagen Arts and Crafts School before travelling to the Far East in 1940-41. The result was his 20 "Smaa sorte Tegninger" published in 1941. From 1942 to 1943, he studied at the Royal Danish Academy of Fine Arts, both at the graphic arts school and at the school of painting, under Aksel Jørgensen...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper and clayboard panels that have been created since the winter of 2...

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges ...

This 30 color screen print was created at Brand X Editions to commemorate the terrorist attacks of September 11, 2001 in New York City. This print comes directly from the publisher, Lincoln Center Editions...

ZerQ - Gestural Abstraction in Acrylic on Canvas Abstract composition by Ellis Hopkins (American, b. 1952). A large black circular form is segmented by two black lines. The black sh...

'Green and blue' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layer...

'Green and blue No.2' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves ...

Artist: Jay Rosenblum, American (1933-1989 Title: Cycle 2 Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition size: 250 Size: 25 in. x 34.5 in. (63.5 cm x 87.63 cm)

Large-Scale Multicolored Gestural Abstraction with Circle in Acrylic on Canvas Abstract composition by Ellis Hopkins (American, b. 1952). This bold abstraction explores spatial tens...

Red 7 and Pink Z - Large-Scale Abstract Composition in Acrylic on Canvas Abstract composition by Ellis Hopkins (American, b. 1952). Angular red and pink forms appear to push against...

Brazilian/ American Artist William Schock paints a portrait of a Muslim woman in a Hijab gazing directly at the viewer. She is set against an obelisk and an arch in a well-balanced c...

"Tarantella" - Geometric Abstract Screen Print with Peach, Red, and Black A minimal geometric abstract screen print in peach, red and black by Michael Hale (British, b. 1934). Prese...

Paul Allen Reed Untitled #31, 1982 Oil pastel on paper Pencil signed dated and annotated "7 10 79 1" by Paul Reed on the lower front Frame included: This work is elegantly floated an...

"Legato 2" - Chartreuse Abstract Geometric Screen Print Geometric abstract screen print with chartreuse color field by Michael Hale (B...

ABSTRACT STRIPES III is an original, hand drawn lithograph by the American abstract painter Ronnie Landfield printed using hand lithography techniques on archival Arches printmaking...

ABSTRACT STRIPES II is an original, hand drawn lithograph by the American abstract painter Ronnie Landfield printed using hand lithography techniques on archival Arches printmaking ...

ABSTRACT STRIPES I is an original, hand drawn lithograph by the American abstract painter Ronnie Landfield printed using hand lithography techniques on archival Arches printmaking p...

Walter Darby Bannard Jacaranda, 1980 Screenprint on Rives BFK Paper Hand signed, numbered 74/100 and titled on lower front 24 3/4 × 38 inches Provenance Bert Gallery, Providence, Rho...

William Perehudoff (1918-2013) is one of the most cherished and collected Canadian abstract painters. His work is a prime example of how color field painting was expressed in Canada....

"A big river. In this painting, I sought to capture the fiery essence of autumn, blending impressionism with fine art realism to evoke the deep, transient beauty of nature. Each stro...

Pat Lipsky Study for Geometric Composition, circa 2005 Acrylic on paper 17 x 14 inches Pat Lipsky is an American abstract painter whose work has played a significant role in the ev...

Silkscreen by Washington Color School artist Howard Mehring (1931-1978). Work is printed on thick wove paper circa 1970. Work was originally acquired from artists estate and is uns...

Original Salamanca Ferias y Fiestas vintage Spanish poster. Lithograph archival linen backed and ready to frame. Artist: Ramon Melero. Very good condition. No tears, no stains, no damage. Fine condition This image has two piñata style faces. The woman has a flower in her hair and a veil and the man is just wearing a small Swiss hat. On the left side, there is a cow handing off a string that also has flowers. A city seal is in the upper left corner. The festival is in honor of la Virgen de la Vega...

Original vintage Spanish poster 1er Salon de la Industria Cinematografica. This cinematography vintage poster was the first one in the field ...

Artist : Kory Twaddle Title : Doorway Materials : Acrylic and sand medium on photographic advertisement board (cardboard) Date : 2018 Dimensions : 8 x 10 x...

Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings wi...

Agent X Chorioferol mRNA (black) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 70 Size: 35 x 35 inch Signed COA provided Ref.: 924802-855 ---...

Artist: Joseph Solman, American (1909 - ) Title: Monhegan Cove Year: 1937 Medium: Gouache on black paper, signed and dated l.c. Size: 8.5 x 12 inches Frame Size: 18 x 22 inches

Colorful abstracted color field painting of matchsticks by Bay Area artist Michael Pauker (American, b. 1957), circa 2000. Unsigned, but was acqui...

Edward Zutrau Untitled, 1984 Signed and dated ""5/7/84" on the reverse Oil on canvas 66 x 66 inches Edward Zutrau (1922–1993) was an American painter whose career spanned from the ...

Gene Hedge Trace, circa 1970 Acrylic on canvas 19 5/8 x 17 inches Provenance Estate of the artist Gene Hedge was born (1928) and raised in rural Indiana. After military service, h...

Observing shifting color is an ecstatic experience for the artist. She is intrigued by transitions from one color to the next and the way the eye and brain process these transitions,...

"Abstraction #13", beautiful modernist abstract color field watercolor in pastel hues on paper by Alexander Kwiat (American, b. 1955). Signed lower right hand corner. Gallery label...

SPIRIT COSAS VIII is a limited edition color lithograph by the American painter Lamar Briggs printed using traditional lithography techniques on archival Arches paper. Lamar Briggs (...

Friedel Dzubas Untitled, 1982 Monotype on handmade paper 33 1/4 x 33 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field painting movem...

Observing shifting color is an ecstatic experience for the artist. She is intrigued by transitions from one color to the next and the way the eye and brain process these transitions,...

Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...

Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...

Summer is Joanne Mattera’s time to work on paper. When she is fully engaged, as she has been with Riz, that time slides well into autumn. These are paintings on paper, oil and wax on...

Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...

Here is where we meet (for John Berger) (Abstract Painting) Oil on canvas. Informed by a variety of different cultures, Ostovany feels a connection to mu...

TIVA LANDSCAPE is a limited edition color lithograph printed on archival Arches paper, 100% acid free by Lamar Briggs (1935-2015) American painter and Texas artist who was born in La...

Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...