Cleve Gray Art

Cleve Gray Untitled, 1970 Silkscreen Boldly signed and numbered 32/100 by Cleve Gray on the front 30 × 22 1/2 inches Boldly signed and numbered 32/100 by Cleve Gray on the front. Unf...

Cleve Gray Zen Garden #106, 1982 Signed, dated and titled on the reverse Acrylic on canvas 60 x 70 inches Provenance: The artist Irving Galleries, Palm Beach, Florida Private Collec...

Vibrant, original, signed and dated, 1962, abstract, oil-on-canvas painting by esteemed, award winning American artist, Cleve Gray (1918-2004). Select collections: The Brooklyn Museu...

Acrylic on canvas. Signed and dated lower right, titled verso. 69 x 68.25 in. 70.5 x 70 in. (framed) Custom framed in a solid maple floater. Provenance Private Collection, Hilton ...

PROVENANCE: Ensign Bickford Aerospace Corp, Simsbury, CT Threnody (1973-74) is a 250-foot-wide site-specific painting created by Cleve Gray for the opening of t...

Ottima impressione di questa grande e rara stampa, acquatinta a colori su carta Fabriano a trama bianca. Prova d'artista, a parte l'edizione di 35 esemplari. Firmato e iscritto a ma...

Southhampton 8:45 PM Signed Gray lower right Titled on verso in black paint Oil on canvas, 28 x 40 inches Exhibited: Jacques Seligman Galleries (label) twice, original price $450. (See photo) Condition: {Small slit in canvas, delivered to Monica for cleaning and repair} Expertly repaired by Monica Radecki Gray had his first one man show at Seligmann in 1947. NY Times Obit: Large Abstract Works, Dies By Ken Johnson Dec. 10, 2004 Cleve Gray, a painter admired for his large-scale, vividly colorful and lyrically gestural abstract compositions, died on Wednesday in Hartford. He was 86. The cause was a massive subdural hematoma suffered after he fell on ice and hit his head on Tuesday outside his home in Warren, Conn., said his wife, the writer Francine du Plessix Gray. Mr. Gray achieved his greatest critical recognition in the late 1960's and 70's after working for many years in a comparatively conservative late-Cubist style. Inspired in the 60's by artists like Jackson Pollock, Clyfford Still, Mark Rothko and Helen Frankenthaler, Mr. Gray began to produce large paintings using a variety of application methods -- pouring, staining, sponging and other nontraditional techniques -- to create compositions combining expanses of pure color and spontaneous calligraphic gestures. In 1972 and 73 he produced "Threnody," a suite of 14 paintings, each measuring 20 feet by 20 feet, dedicated to the dead on both sides in the Vietnam War. The series was commissioned by the Neuberger Museum of Art at Purchase College, part of the State University of New York, and is considered one of the largest groups of abstract paintings created for a specific public space. PUBLIC COLLECTIONS: Addison Gallery of American Art, Phillips Academy, Andover, MA Albright-Knox Art Gallery, Buffalo, NY The Brooklyn Museum, Brooklyn, NY Cathedral of Saint John the Divine Art Gallery, New York, NY Colby College Museum of Art, Waterville, ME Columbia University Art Gallery, New York, NY Columbus Museum of Art, Columbus, OH The Corcoran Gallery of Art, Washington, D.C. Grey Art Gallery and Study Center, New York University, New York, NY Solomon R. Guggenheim Museum, New York, NY Heckscher Museum, Huntington, New York, NY Honolulu Academy of the Arts, Honolulu, HI The Jewish Museum, New York, NY Krannert Art Museum, University of Illinois, Champaign, IL Mattatuck Museum, Waterbury, CT The Metropolitan Museum of Art, New York, NY Minnesota Museum of Art, St. Paul, MI Museum of Art, Rhode Island School of Design, Providence, RI Museum of Fine Arts, Boston, MA Museum of Fine Arts, Houston, TX The Museum of Modern Art, New York, NY National Museum of American Art, Smithsonian Institution, Washington, D.C. The Neuberger Museum, State University of New York, Purchase, NY New Britain Museum of American Art, New Britain, CT The Newark Museum, Newark, NJ Norton Gallery of Art, West Palm Beach, FL Oklahoma City Art Center, Oklahoma City, OK The Phillips Collection, Washington, D.C. The Art Museum, Princeton University, Princeton, NJ Rose Art Museum, Brandeis University, Waltham, MA Shearson Lehman Hutton Collection...

A very good impression of this color screenprint on Rives BFK. Signed and numbered 68/100 in pencil by Gray. Dimensions with the frame are 31 x 23 inches.

Cleve Gray 'End of October,' 1978 Acrylic on canvas 55 x 55 inches Signed verso This work was donated to the Foundation for Contemporary Arts (FCA) by the The Estate of Cleve Gray for FCA's 2021 benefit exhibition held at Greene Naftali.

Cleve Gray (1918-2004) was admired for his large-scale, vividly colorful and lyrically gestural abstract compositions and achieved his greatest critical recognition in the late 1960's and 70's after working for many years in a comparatively conservative late-Cubist style. Inspired in the 1960's by artists like Jackson Pollock, Clyfford Still, Mark Rothko and Helen Frankenthaler, Gray began to produce large paintings using...

This is a powerful, even fierce, work by one of the greats of Abstract Expressionism and masters of minimalism. Cleve Gray (1918-2004) was admired for his large-scale, vividly colorful and lyrically gestural abstract compositions and achieved his greatest critical recognition in the late 1960's and 70's after working for many years in a comparatively conservative late-Cubist style. Inspired in the 1960's by artists like Jackson Pollock, Clyfford Still, Mark Rothko and Helen Frankenthaler, Gray began to produce large paintings using...

Cleve Gray Ceres 1, 1966 Greece Series Acrylic on canvas 25 1/2 x 19 3/4 inches

Cleve Gray Reverse Drawing 1 (blue), 1966 Reverse Drawing Series Mixed media on paper 19 3/4 x 25 1/2 inches

Cleve Gray Roman Wall (blue), 1979 Roman Walls Series Mixed media on paper 22 1/2 x 30 inches

Cleve Gray Jerusalem III, 1976 Jerusalem Series Mixed media on paper 19 3/4 x 28 inches

Cleve Gray Jerusalem II, 1976 Jerusalem Series Mixed media on paper 23 3/4 x 17 1/4 inches

Cleve Gray Reverse Drawing 2 (orange), 1966 Reverse Drawing Series Mixed media on paper 19 3/4 x 25 1/2 inches

Cleve Gray Jerusalem I, 1976 Jerusalem Series Mixed media on paper 17 1/4 x 24 inches

Cleve Gray Jerusalem Series, 1976 Jerusalem Series Mixed media on paper 17 1/4 x 24 inches each

Cleve Gray Conjugations, 1975 Vermont Series Mixed media on paper 14 1/2 x 22 1/2 inches each

Abstract painting wherein a calligraphic brushstroke delineates a mountaintop.

CLEVE GRAY Silver Song, 1967 Acrylic on canvas with aluminum paint and bronze 101 x 80 inches Signed, titled and dated

CLEVE GRAY Silver Voyage, 1967 Acrylic on canvas with silver enamel 79 x 80 inches Signed, titled and dated

CLEVE GRAY Floating Red, 1990 Acrylic on canvas 60 x 60 inches

Cleve Gray Considering All Possible Worlds #4

CLEVE GRAY Three, 1989 Acrylic on canvas 57 x 79 inches

acrylic on canvas 77.27 x 54.5 x 2.25 inches framed

CLEVE GRAY Each Other, 1979 Acrylic on canvas 107 x 69 inches Included in the exhibition "Cleve Gray - Abstracted Calligraphies" at Loretta Howard Gallery, spring 2017. Loretta Howard Gallery is pleased to present a selection of important paintings by Cleve Gray from the 1970’s. Wrought in deeply saturated fields of color and marked with calligraphic brushwork, the paintings on display exemplify the artist’s mature style. They highlight the artist’s lifelong affinity for Japanese and Chinese art and philosophy. His familiarity with Asian cultures began at Princeton University where he studied Far Eastern Art under George Rowley and wrote his thesis on the landscape painting of the Yuan dynasty. The resulting paintings illustrate a synthesis of western and eastern art historical conventions as Gray infused the radical sensibilities of Abstract Expressionism with Zen quietude. Also on view are a selection of hanging scrolls collected by the artist during his visits to China and Japan. These scrolls, which highlight a meditative approach, also contain an intensity and immediacy of action that Gray sought in his own work. In an essay written in the accompanying catalog, Luke Gray...

Painted during the artist's summers on Nantucket, ca. 1976-1979. CLEVE GRAY Nantucket Bronze, ca. 1976 -1979 Acrylic on canvas 25 x 12 inches

CLEVE GRAY Conjugation #130, 1975 Acrylic on canvas 35 x 35 inches Loretta Howard Gallery is pleased to present a selection of important paintings by Cleve Gray from the 1970’s. Wrought in deeply saturated fields of color and marked with calligraphic brushwork, the paintings on display exemplify the artist’s mature style. They highlight the artist’s lifelong affinity for Japanese and Chinese art and philosophy. His familiarity with Asian cultures began at Princeton University where he studied Far Eastern Art under George Rowley and wrote his thesis on the landscape painting of the Yuan dynasty. The resulting paintings illustrate a synthesis of western and eastern art historical conventions as Gray infused the radical sensibilities of Abstract Expressionism with Zen quietude. Also on view are a selection of hanging scrolls collected by the artist during his visits to China and Japan. These scrolls, which highlight a meditative approach, also contain an intensity and immediacy of action that Gray sought in his own work. In an essay written in the accompanying catalog, Luke Gray...

CLEVE GRAY Conjugation #27, 1975 Acrylic on canvas 38 x 36 inches Loretta Howard Gallery is pleased to present a selection of important paintings by Cleve Gray from the 1970’s. Wrought in deeply saturated fields of color and marked with calligraphic brushwork, the paintings on display exemplify the artist’s mature style. They highlight the artist’s lifelong affinity for Japanese and Chinese art and philosophy. His familiarity with Asian cultures began at Princeton University where he studied Far Eastern Art under George Rowley and wrote his thesis on the landscape painting of the Yuan dynasty. The resulting paintings illustrate a synthesis of western and eastern art historical conventions as Gray infused the radical sensibilities of Abstract Expressionism with Zen quietude. Also on view are a selection of hanging scrolls collected by the artist during his visits to China and Japan. These scrolls, which highlight a meditative approach, also contain an intensity and immediacy of action that Gray sought in his own work. In an essay written in the accompanying catalog, Luke Gray...

Loretta Howard Gallery is pleased to present a selection of important paintings by Cleve Gray from the 1970’s. Wrought in deeply saturated fields of color and marked with calligraphic brushwork, the paintings on display exemplify the artist’s mature style. They highlight the artist’s lifelong affinity for Japanese and Chinese art and philosophy. His familiarity with Asian cultures began at Princeton University where he studied Far Eastern Art under George Rowley and wrote his thesis on the landscape painting of the Yuan dynasty. The resulting paintings illustrate a synthesis of western and eastern art historical conventions as Gray infused the radical sensibilities of Abstract Expressionism with Zen quietude. Also on view are a selection of hanging scrolls collected by the artist during his visits to China and Japan. These scrolls, which highlight a meditative approach, also contain an intensity and immediacy of action that Gray sought in his own work. In an essay written in the accompanying catalog, Luke Gray...

Cleve Gray graduated Summa Cum Laude from Princeton University, where he studied painting and Far Eastern Art. Like many of his generation, he joined the United States Army during Wo...

watercolor on paper, signed

Oil on canvas

Inscribed, signed, and dated verso: 52 x 72 / Gray - '91 / "Plumed Purple of Thunder" / 52" x 72" / Acrylic

Signed, dated , and titled verso: Gray - '90 / "Air Things Wear that Build This World" / 60 x 60 / acrylic

Signed, titled and dated

Signed, titled and dated