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Art For Sale
Marc Chagall Original Hand Colored Etching, 1931 - 1939 - Samson and Delilah
Located in Phoenix, AZ
Artist: Marc Chagall (1887 - 1985) Title: Samson and Delilah (from the Bible Series), 1931-1939. Reference: Cramer #30. Vollard #252, Illustrated on page 399. Medium: Etching with h...
Category

1930s Art

Materials

Paper

Henry Stanier British Born Artist, Beautiful Orientalist Painting, 1859
Located in Phoenix, AZ
Orientalist oil on board by Henry Stanier (1831-1894) in the ornate original frame. Titled “The Narghuileh” and dated 1859. Signed on the verso Stanier and initialed H.S. Titled on ...
Category

1850s Art

Materials

Oil, Panel

Constantine Kluge Oil on Canvas, Paris City Scene, 1955
Located in Phoenix, AZ
Wonderful atmospheric oil on canvas of Paris by Russian/French artist Constantine Kluge (1912 - 2003). Signed lower left “C. Kluge” and dated ‘55. In excellent condition. Framed beau...
Category

1950s Art

Materials

Paint

Alfonso Pena Important Mexican Muralist Painting, Drying Laundry, Mexico
Located in Phoenix, AZ
Beautiful Mexican landscape painting by Alfonso Pena Oil on canvas created 1963. Mexican subject. Excellent condition, unframed. Measures: 19 3/4" H x 24 ...
Category

1960s Art

Materials

Canvas

Still life , 70х70cm, print on canvas
Located in Yerevan, AM
Limited edition of 5 pieces
Category

2010s Contemporary Art

Materials

Canvas, Digital

Frame Medium Tiny Stainless Steel Bear '2'
Located in Valencia, ES
Made in Spain, 2024. A simple form builds a complex one. In our approach, we go from the opposite, representing complex things in simple forms. So, our bear consists of only 8 simpl...
Category

2010s Abstract Geometric Art

Materials

Steel, Stainless Steel

Lotan Lotan Surreal Painting Signed and Dated 1974, Artist on Top of the World
Located in Phoenix, AZ
Surreal painting in excellent condition by Arizona artist Lotan Lotan. Depicts the artist on top of the world - a self-portrait. Framed. Signed lower right...
Category

Late 20th Century Art

Materials

Paint

Rembrandt, Moses and the Burning Bush, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category

1940s Baroque Art

Materials

Lithograph

Rembrandt, Jacob Exhorting the Brothers to Watch over Benjamin (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category

1940s Baroque Art

Materials

Lithograph

Rembrandt, Moses Taken from the River, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category

1940s Baroque Art

Materials

Lithograph

Rembrandt, Joseph Interpreting the Dreams of Pharaoh's Officers (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category

1940s Baroque Art

Materials

Lithograph

Rembrandt, Jacob's Dream, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category

1940s Baroque Art

Materials

Lithograph

Rembrandt, Isaac Blessing Jacob, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category

1940s Baroque Art

Materials

Lithograph

Rembrandt, Isaac Refusing His Blessing to Esau, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category

1940s Baroque Art

Materials

Lithograph

"Two Yellow, One White" by Mark Bradley Schwartz, Original Painting, Still Life
Located in Denver, CO
"Two Yellow, One White" by Mark Bradley Schwartz is an original oil on canvas depicting a still life of two yellow and one white rose in a clear vase. A native of Illinois, He began his professional life as a graphic designer and art director in St. Louis, Missouri and later moved to Southern California to further his design career. Although Schwartz’s career was successful, he wanted to pursue work of a more personally fulfilling nature. To reach these new goals Schwartz first attended life drawing classes at Associates in Art, in Sherman Oaks, California. He later studied at the California Art Institute in Westlake Village, California, where he received extensive training in drawing and painting the human figure from life. While studying with famed illustrator Glen Orbik...
Category

21st Century and Contemporary Art

Materials

Canvas, Oil

Rembrandt, Abraham About to Sacrifice Isaac, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category

1940s Baroque Art

Materials

Lithograph

Rembrandt, The Offerings of Cain and Abel, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category

1940s Baroque Art

Materials

Lithograph

Rembrandt, The Lament for Abel, Drawings for the Bible (after)
Located in Auburn Hills, MI
Lithograph on Hamilton Kilmory paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Rembrandt, Drawings from the Bible, Thirty-two Collotype Facsimiles, ...
Category

1940s Baroque Art

Materials

Lithograph

Herman Volz Original Woodcut, Social Unrest of the 1960's, Disbursing the Riot
Located in Phoenix, AZ
An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 14" x 24," sheet measures 18 1/2"...
Category

Mid-20th Century Art

Materials

Paper

Gauguin, Change of Residence (Changement de résidence), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Art

Materials

Woodcut

Gauguin, Spirit of the Dead (Manaò tupapaú), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Art

Materials

Woodcut

Gauguin, Delightful Land (Nave nave fenua), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Art

Materials

Woodcut

Gauguin, Women at the River (Auti te pape), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Art

Materials

Woodcut

Gauguin, The Creation of the Universe (L'Univers est créé), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Art

Materials

Woodcut

Gauguin, The Long Night (Te Po), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Art

Materials

Woodcut

Gauguin, Be in Love and You will be Happy, Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Art

Materials

Woodcut

Howard Cook Original Wood-Engraving, 1932 - "Acapulco Girl"
Located in Phoenix, AZ
Wonderful wood-engraving by Taos artist Howard Cook (1901-1980). Titled: “Acapulco Girl (alternate title: Coconut Palm).” Edition: 30. Image size: 10 1/16"h x 8"w. Sheet size: 12"h...
Category

1930s Art

Materials

Paper

Gauguin, The God (Te atua), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category

1940s Post-Impressionist Art

Materials

Woodcut

Gauguin, Here We Make Love (Te Faruru), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category

1940s Post-Impressionist Art

Materials

Woodcut

Gauguin, The Devil Speaks (Mahna No Varua Ino), Gauguin (after)
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category

1940s Post-Impressionist Art

Materials

Woodcut

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

Kathe Kollwitz Original Etching, 1904 - "Junges Paar"
Located in Phoenix, AZ
Etching and Aquatint by German artist Kathe Kollwitz. Titled: “Junges Paar.” Matted and unframed. Created in Berlin, 1904. Image measures: 11 3/4"h x 12 ½” w. Signed in pencil lower ...
Category

Early 20th Century Art

Materials

Paper

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

Vojtech Preissig American/Czech Artist - Art Nouveau Etching Orchid Series
Located in Phoenix, AZ
This beautiful original etching and aquatint is by the noted Czech artist Vojtech Preissig. The work depicts one of the beautiful female portraits from his Orchid series in the Art ...
Category

Early 20th Century Art

Materials

Paper

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

William Tolliver Louisiana Artist Acrylic on Paper, Ca. 1990's - Reclining Woman
Located in Phoenix, AZ
Acrylic on Arches Paper by the incredibly talented mostly self-taught African American William Tolliver (American/Louisiana 1951-2000). Reclining Woman. Image: 18 3/4 x 26 3/8. Full ...
Category

1990s Art

Materials

Acrylic

Hubert Long Constructivist Twig Sculpture
Located in Phoenix, AZ
Accomplished artist Hubert Long created this striking display of found wood in 1977. He enjoyed some success with exhibitions at a gallery on Long Island in the 1960s and 1970s...
Category

Late 20th Century Modern Art

Materials

Wood

New red style oil on noard painting surrealist
Located in Barcelona, Barcelona
Felix Ferreras - New red style - Oil on board Oil measurements 60x80 cm. Frameless. Félix Ferreras is a visual artist with numerous national and international awards and distinction...
Category

1990s Surrealist Art

Materials

Oil, Board

Lowell Nesbitt Oil Painting, Iris on Dark Grey, 1968
Located in Phoenix, AZ
A beautiful example by well-known artist Lowell Nesbitt featuring dramatic pale Irises on a dark grey ground. Image size: 22" H x 34" W. Simply framed. In mint condition. Signed, tit...
Category

Mid-20th Century Modern Art

Materials

Paint

40x40 "Times Like These" Black & White Photography, Grizzly Bear Photograph
Located in Los Angeles, CA
This is a contemporary photograph of a Brown Bear. Archival pigment paper Unsinged Framing available. Inquire for rates. Shane Russeck has built a reputation for capturing Americ...
Category

21st Century and Contemporary Art

Materials

Archival Pigment

36x48 "Star Wars" VHS Photo Photography Pop Art by Destro Signed
Located in Los Angeles, CA
"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...
Category

21st Century and Contemporary American Modern Art

Materials

Archival Pigment

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

Moyo 80x100cm, canvas/ tempera
Located in Yerevan, AM
Moyo,80x100,2020
Category

2010s Pop Art Art

Materials

Canvas, Tempera

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

Robert Garret Thew American Sculptor Rare Art Deco Bronze Cigar Stand, Penguin
Located in Phoenix, AZ
Fabulous deco penguin design- bronze cigar stand by Connecticut sculptor Robert Garret Thew, (1892-1964). Signed on the base "G.Thew" and dated 1929. In excellent condition with a be...
Category

Early 20th Century Art Deco Art

Materials

Bronze

Chagall, Composition, Suite Provinciale (after)
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Suite Provinciale avec 92 dessins inédits de Marc Chagall...
Category

1920s Expressionist Art

Materials

Lithograph

Mid 20th Century French Post-Impressionist Oil The Old Harbor
Located in Cirencester, Gloucestershire
The Old Harbour by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 10.5 x 16 inches condition: the painting is in very sound and presentable ...
Category

Mid-20th Century Post-Impressionist Art

Materials

Oil

Still life with irises , 70x70cm, print on canvas
Located in Yerevan, AM
70x70cm, print on canvas
Category

2010s Pop Art Art

Materials

Canvas, Color

Doel Reed Original Aquatint, 1948, "Evening Music"
Located in Phoenix, AZ
Aquatint by Oklahoma/New Mexico Artist Doel Reed (1895-1985). This etching is in excellent condition and unframed. Signed in pencil lower right. Image measures: 15 3/4" H x 11" W Edition: 100. Created 1948. Titled: "Evening Music" Remembered as an important member of the Taos art Community, Doel Reed achieved an international reputation as a landscape artist and printmaker, and was known as the 20th century master of the aquatint. From 1924-1959, he chaired the art department at Oklahoma State...
Category

Mid-20th Century Art

Materials

Paper

William Hesthal Original Watercolor, 1939, Surreal Whimsical Circus Scene
By William Hesthal
Located in Phoenix, AZ
Willaim Hesthal California artist original watercolor. Surreal and whimsical circus scene with clowns. Signed lower right “Hesthal” and dated ‘39. Sheet measures 16" H x 23' W. Excel...
Category

Mid-20th Century Art

Materials

Paint

Photography, Drawings, Prints, Sculptures and Paintings for Sale

Whether growing your current fine art collection or taking the first steps on that journey, you will find an extensive range of original photography, drawings, prints, sculptures, paintings and more on 1stDibs.

Visual art is among the oldest forms of expression, and it has been evolving for centuries. Beautiful objects can provide a window to the past or insight into our current time. Art collecting enhances daily life through the presence of meaningful work. It displays an appreciation for culture, whether a print by Elizabeth Catlett channeling social change or a narrative quilt by Faith Ringgold.

Contemporary art has lured more initiates to collecting than almost any other category, with notable artists including Yayoi Kusama, Marc Chagall, Kehinde Wiley and Jean-Michel Basquiat. Navigating the waiting lists for the next Marlene Dumas, Jeff Koons or Jasper Johns has become competitive.

When you’re living with art, particularly as people more often work from home and enjoy their spaces, it’s important to choose art that resonates with you. While the richness of art with its many movements, styles and histories can be overwhelming, the key is to identify what is appealing and inspiring. Artwork can play with the surrounding color of a room, creating a layered approach. The dynamic shapes and sizes of sculptures can set different moods, such as a bronze by Miguel Guía on a mantel or an Alexander Calder mobile suspended over a table. A wall of art can evoke emotions in an interior while showing off your tastes and interests. A salon-style wall mixing eclectic pieces like landscape paintings with charcoal drawings is a unique way to transform a space and show off a collection.

For art meditating on the subconscious, investigate Surrealists like Joan Miró and Salvador Dalí. Explore Pop art and its leading artists such as Andy Warhol, Rosalyn Drexler and Keith Haring for bright and bold colors. Not only did these artists question art itself, but also how we perceive society. Similarly, 20th-century photography and abstract painting reconsidered the intent of art.

Abstract Expressionists like Helen Frankenthaler and Lee Krasner and Color Field artists including Sam Gilliam broke from conventional ideas of painting, while Op artists such as Yaacov Agam embraced visual trickery and kinetic movement. Novel visuals are also integral to contemporary work influenced by street art, such as sculptures and prints by KAWS.

Realist portraiture is a global tradition reflecting on what makes us human. This is reflected in the work of Slim Aarons, an American photographer whose images are at once candid and polished and appeared in Holiday magazine and elsewhere. Innovative artists Mickalene Thomas and Kerry James Marshall are now offering new perspectives on the form.

Collecting art is a rewarding, lifelong pursuit that can help connect you with the creative ways historic, modern and contemporary artists have engaged with the world. For more tips on piecing together an art collection, see our guide to buying and displaying art.

A variety of authentic art is available on 1stDibs. Explore art at auction and the 1stDibs NFT art marketplace, too. 

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